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283284 Los(e)/Seite
Los 114
Hall (T.) - The Queen's Royal Cookery: or, Expert and Ready Way for the Dressing of all Sorts of Flesh, Fowl, fourth edition, woodcut frontispiece and full-page illustration, trimmed at foot, affecting a number of signatures and catchwords and just touching the odd line of text with slight loss, foxed, 19th century half calf, rebacked in later calf, gilt, corners little worn, [Maclean p.65; cf. Bitting p.210; Cagle 719; Oxford pp.51-52], 12mo, for S.Bates, 1729. Rare. Not recorded in ESTC. The frontispiece depicts a portrait of Queen Anne, a kitchen and pastry and distilling rooms and the full-page illustration depicts various forms of pies.
Los 158
McKay (Claude) - Spring in New Hampshire and Other Poems, first edition, signed presentation inscription "Yours for the Revolution" from the author to foot of portrait frontispiece, some light browning and spotting, mostly to margins, ink ownership inscription, original wrappers, paper label to upper cover, browned, rubbed and creased at extremities, 8vo, 1920. McKay's first book of poetry, rare signed.
Los 20
Autograph letter signed "Renoir" to an unnamed correspondent, 2pp (Auguste, French painter, 1841-1919) Autograph letter signed "Renoir" to an unnamed correspondent, 2pp., in French, 8vo, [?Paris], 27th May 1909, making arrangements for him to visit his studio with his daughters, ( Dear friend, I think I ve decided I d be crazy not to see you. If your daughters would like to come before you, if that would be more practical for you or for them, and if they wouldn t mind, or if they want to stay longer"), directing his correspondent to the appropriate train, suggesting that they stop at Cannes to wait for the omnibus train, and noting that he has asked Mrs. Lestringuez s permission for her daughter to travel with his correspondent, but he doesn t yet know what she will say, and ending, ( I think that I have said all that is necessary. If. you have anything else to tell me, write and I will reply ), light adhesion marks to the reverse from former mounting, framed and glazed, overall 350 x 600mm. Renoir completed a portrait of Marie Lestringuez in 1912.
Los 207
Narrative of a Journey to the Shores of the Polar Sea, in the Years 1819, 20 (Capt. John) Narrative of a Journey to the Shores of the Polar Sea, in the Years 1819, 20, 21, and 22 , first edition, first issue with text ending on p.768, lacking half-title and errata slip and 8pp. advertisements at end, with 4 folding engraved charts and 30 engraved plates by Edward Finden and J.Curtis after Curtis, George Back & Robert Hood, 12 hand-coloured (mostly aquatints), with separately-issued stipple-engraved portrait of Franklin bound in as frontispiece (foxed and offset on title), and with A.L.s. from John Richardson to a Mr.Parker dated 1824 concerning proofs for a Botanical appendix to another work loosely inserted in pocket at end, title with marginal tear repaired, some foxing and soiling, mostly marginal and to uncoloured plates, offsetting from and occasionally to plates, ex-library copy with faink ink stamp to verso of title and on final leaf of text but no other discernible marks, engraved bookplate of Park Benjamin, later half morocco over blue cloth, spine gilt, uncut, slightly rubbed, boards a little scratched,[Sabin 25624; cf.Abbey, Travel, 635, second edition], 4to, 1823. Account of Franklin's first expedition in search of the North-West Passage, which included a 5500 mile overland journey exploring the Arctic coast and back across the Barren Lands in appalling conditions of cold and hunger. Many of the expedition died as a result and one was murdered by a previously-friendly Iroquois voyageur. Sir John Richardson (1787-1865), physician, naturalist and Arctic explorer, who accompanied Franklin on the expedition as a surgeon and naturalist. He wrote the appendices on geology, fishes and botany for the present work. He was also the one who executed the murderous Iroquois, claiming that it was justified, a decision which received criticism on their return home but which was supported by Franklin. He later accompanied Franklin on his second expedition of 1825-27, but not the ill-fated third expedition of 1845 on which all the members disappeared, but he did set out with a search party in 1848 which was unsuccessful.
Los 210
The Turkish History , 4 parts in 3 vol., titles to vol ( Sir Paul, editor ) The Turkish History , 4 parts in 3 vol., titles to vol.1 & 2 in red and black, 28 engraved plates, all but one portraits, frontispieces to vol.1 & 2 and title (torn) to vol.1 all laid down, portrait opposite p.297 in vol.1 slightly defective at outer margin up to plate-mark, frontispiece and title to vol.2 water-stained at upper edge, some light soiling and browning, uniform contemporary panelled calf, spines gilt, rubbed, spine ends and corners worn (some corners repaired), joints split, folio, [Atabey 1076 & 1077; Blackmer 1466; Wing K702, R2407, R2414a & R2408], folio, 1687-1700. The first collected edition by Rycaut which includes the 6th edition of Knolles's Generall Historie of the Turks , Rycaut's own continuation, his important The Present State of the Ottoman Empire and his one-volume supplement covering 1679-99. "Rycaut's history constitutes a fitting adjunct to Knolles' great work in an edition which brings together the two men most associated in the English literary world with Turkey." Blackmer
Los 235
Parkinson (John) - Paradisi ub Soli Paradisus Terrestris, first edition , first issue (with 'amend' at end of line 4 A1r), lacks 3F5 & 6, & 3G1 at end, small part only of 3G2, with errata, tipped in, fine woodcut title, portrait, full-page woodcut illustrations, title cut down and torn, with loss to border, and tipped in, other preliminary ff. with margins torn or frayed, and misbound, 2U1, 4A1 & 6 with tape repaired tears, margins defective at end, last 3 ff. tipped-in, some other marginal tears or fraying, staining and marking, modern calf, green morocco spine label, [Henrey 282; Hunt 215; Nissen 1489; STC 19300], folio, [Humfrey Lownes & Robert Young], 1629.
Los 38
Luther (Martin) - Colloquia oder Tischreden, second edition, black letter, title in red and black with woodcut of Luther and Graf zu Mansfelt (the dedicatee) kneeling at the foot of the Crucifixion, full page woodcut with coat-of-arms on following leaf, woodcut medallion portrait of printer on colophon, very browned, slight worming, later ink inscription of F.Van de Velde on front pastedown and rear free endpaper, contemporary blind-stamped alum-tawed pigskin over wooden boards, upper board with date 1568 in blind, rubbed and stained, lacking clasps, corners worn, [Not in Adams], folio, Eisleben, Urban Gaubisch, 1567. Scarce second edition of Luther's table-talk, collected over a period of four years and edited by J.Aurifaber. It was first published by Gaubisch the prevvio
Los 47
Histoire de la Campagne de M. le Prince de Condé, en Flandre en 1674 ( Chevalier Jean de) Histoire de la Campagne de M. le Prince de Condé, en Flandre en 1674 , half-title, engraved portrait, additional title, 4 folding maps coloured in outline, double-page view, 35 double-page or folding maps or plans, most with military formations in red, without the portrait of Condé, subscribers' list, licence-leaf, errata, small Russian stamp on half-title and rear free endpaper, small Russian library label on paste-down, contemporary mottled calf, spine gilt, gilt initials 'G W O' on front cover, rubbed, ends of spine and corners worn, joints tender, folio, Paris, Chez l'Auteur , 1774.
Los 50
translator ).- Homer. His Iliads, engraved frontispiece and 45 plates only... translator ).- Homer. His Iliads , engraved frontispiece and 45 (?of 50) plates only by Ogilby, title in red and black, engraved initials and head-pieces, lacking portrait and ?5 plates, engraved title little chipped and neatly laid down, plate opposite p.279 with repaired burnhole within image, T3 lower corner torn away and repaired without loss of text, a few short repaired tears without (or with very minor) loss, some spotting or finger-marking, occasional staining, modern calf, gilt spine in compartments, [H2548], folio, By Thomas Roycroft, 1660. sold not subject to return.
Los 52
translator ) Fables Anceint and Modern…from Homer, Ovid, Boccace, & Chaucer translator ) Fables Anceint and Modern from Homer, Ovid, Boccace, & Chaucer , half-title, some soiling to preliminaries, occasional finger-marking, contemporary panelled calf, sympathetically rebacked, corners repaired, rubbed, for Jacob Tonson, 1700 § Homer. Iliad and Odyssey, edited by Joshua Barnes, 2 vol., engraved folding frontispiece, occasional spotting, attractive diced calf, gilt, Cambridge, Cornelius Crownfield, 1711; The Works, edited by William Henry Melmoth, engraved portrait frontispiece and plates, some spotting or mostly marginal foxing, contemporary tree calf, gilt, rebacked, preserving original backstrip, corners worn, for Alex.Hogg, [1780]; and c.20 others, 18th century editions or criticism, a few odd vol., v.s. (c.24)
Los 53
translator ) The Iliad, 6 vol. in 5, engraved portrait frontispiece translator ) The Iliad , 6 vol. in 5, engraved portrait frontispiece, folding map of Greece, plate of the siege of Troy, plate of the shield of Achilles, a further double-page plate, list of subscribers, 6 privilege ff., errata f., lacking half-title, vol. IV lacking 3A2 (supplied in later ink), water-stained, contemporary panelled calf, sympathetically rebacked, mostly modern morocco labels, corners worn, folio, W.Bowyer, for Bernard Lintott, 1715-1720; and 9 others, 4to editions, odd vol. or defective, 4to sold not subject to return (14)
Los 56
An Essay on the Original Genius and Writings of Homer An Essay on the Original Genius and Writings of Homer: With a Comparative View of the Ancient and Present State of the Troade , first trade edition (previously privately printed in only 7 copies), half-title, engraved portrait frontispiece, title vignette, folding map of Troy, two single-plate views of ruined bridges, folding view of ruins near Troja Nova, tailpiece vignette, offsetting, a few small marginal stains, occasional spotting, contemporary tree calf, rebacked, preserving original backstrip, corners chipped, [Blackmer 1836], by H.Hughs for T.Payne, 1775; and 3 others, by the same (a copy of the 1776 edition and 2 copies of the 1824 edition), 4to & 8vo (4) 'Wood's Essay is one of the most interesting of the 18th century works on Homer. He was one of the first to advance the theory that writing was unknown to Homer and to establish the concept of oral tradition' (Blackmer).
![translator ).- Homer. The Iliad [and] The Odyssey, 11 vol translator ).- Homer. The Iliad [and] The Odyssey , 11 vol. (6](https://cdn.globalauctionplatform.com/ade1929e-fcb1-4187-a999-a4aa0114d1f3/6e5b080a-f0ee-42e8-808b-0641d14dea67/468x382.jpg)
Los 59
translator ).- Homer. The Iliad [and] The Odyssey, 11 vol translator ).- Homer. The Iliad [and] The Odyssey , 11 vol. (6 Iliad and 5 Odyssey), half-titles, engraved portrait frontispiece of Homer and folding plate of the shield of Achilles, offsetting, water-staining to head of portrait, occasional spotting or light foxing, handsome contemporary speckled calf by T. Barratt, gilt, spines with black morocco labels, vol.1 1 corner neatly worn, slightly rubbed, 8vo, by H.Baldwin, 1796.
Los 64
Small & Miniature Books.- Homer. - Iliad [and] Odyssey [in Greek], 2 vol. in 1, half-titles, engraved portrait frontispiece, this and first title foxed, contemporary green crushed morocco, spine gilt, rubbed, g.e., [Bondy 89-90; Spielmann 198], 86 x 54mm, William Pickering, 1831; and 13 others, small or miniature editions, v.s. (xx)
Los 68
The Whole Works of Homer; Prince of Poetts, in his Iliads, and Odysses The Whole Works of Homer; Prince of Poetts, in his Iliads, and Odysses , translated by George Chapman, 5 vol., number 9 of 450 copies, wood-engraved portrait, title borders and full-page illustrations by John Farleigh, original half morocco, spine darkened, vol.5 covers browned, 4to, Oxford, Shakespeare Head Press , 1930-1931.
![Ovid. - Metamorphosis. Englished, Mythologiz'd and Represented in Figures by G[oerge] S[andys], engraved additional pictoria](https://cdn.globalauctionplatform.com/ade1929e-fcb1-4187-a999-a4aa0114d1f3/4cec046b-bbec-4a1f-fe34-aa8bc854b767/468x382.jpg)
Los 82
Ovid. - Metamorphosis. Englished, Mythologiz'd and Represented in Figures by G[oerge] S[andys], engraved additional pictorial title, portrait and 15 plates, foxed, some staining, 20th century red half morocco, spine faded, spotted, [STC 18968], a scarce edition, folio, printed by J[ohn] L[egat] for Andrew Hebb, 1640.
Los 86
Milton (John) - The Poetical Works, engraved frontispiece portrait and 13 plates, portrait a little soiled and laid down, title with old ink inscriptions and frayed at foot (reinforced), some soiling and browning, final 4 leaves torn and repaired at inner margin, modern calf, spine ruled in gilt with red morocco label, [Wing M2163], for Jacob Tonson, 1695.
Los 390
Henry Scott TUKE (1858-1929) Oil on canvas Portrait of Mrs Thomas Dash of Falmouth Signed with initials & dated 1878 23.25” x 19.25” (59cm x 48.9cm) Notes: an early painting by Tuke when he was just 20 years of age. The sitter is Mrs Thomas Dash (nee Mary Osler) who was about 75 years old. She was born one of nine children of Edward Osler of and Mary Osler (nee Paddy) of Falmouth. Mary married Thomas Dash in c.1838 and they had four children. Her husband was an oyster merchant. The great medical practitioner William Osler, Bart.M.D. F.R.S. was Mary’s nephew the eighth child of her brother Featherstone Lake Osler and Ellen Free Pickton born in Canada July 12th 1849. In William Osler’s book on his life life mention is made of him studying Tuke’s fathers book. In Henry Scott Tuke’s diary (1924-5) reference is made to Tuke visiting the Osler family. Tukes father was in Falmouth in 1878 and clearly the two families must have got to know each other. Tuke painted Mrs Dash in 1878 the year before he started the Tuke Registers. He exhibited in the Polytechnic Exhibition in 1878 and 1879 perhaps this portrait.
Los 417
Attributed to John Henry MOHRMANN (1857-1916) Gouache, body colour and pencil Ship portrait S.S. Montrose Bears initials JHM 15” x 23” (38cm x 58.4cm) Note: the S.S. Montrose was a passenger vessel from the transition period (sail to steam). The artist was born near Hanover but the family moved to San Francisco when he was three and he became an American citizen. In the 1880’s he worked as a ship portrait artist in Antwerp.
Los 419
Attributed to Antonio de SIMONE(c.1850-1920) Neapolitan School Gouache Ship portrait ‘R.M.S. ORTONA’ Inscribed Unsigned 14.5” x 23.5” (36.8cm x 59.7cm) Note: Maiden voyage 1899 and worked as passenger ship to Australia. In 1906 acquired by Royal Mail Steam Packet Company. Later renamed The Arcadian and became a troop ship in 1915. It was torpedoed in 1917.
Los 60
Sir Samuel Luke FILDES (1843-1927) Oil on canvas ‘Portrait of Winifred Ellerman’ (1894-1983) (aka Annie Winifred Ellerman whose pen name was Bryher Inscribed in black ink on the backing board Signed and dated 1914 41” x 31” (104cm x 78.7cm) Note: The sitter was the daughter of Sir John Ellerman (1862-1933) shipping tycoon and financier who was the richest man in the United Kingdom at the time of his death. Winifred was 20/21 years old at the time the portrait was completed. It was probably commissioned for her ‘coming of age’. Note on the artist: Sir Samuel Luke Fildes originally produced illustrations for ‘The Graphic’ magazine but gave up working for the magazine in 1870. He turned his full attention to oil painting. He took rank among the ablest English painters, with The Casual Ward (1874), The Widower (1876), The Village Wedding (1883), An Al-fresco Toilette (1889); & The Doctor (1891), all now in Tate Britain. He also painted a number of pictures of Venetian life and many notable portraits, among the best known being portraits commemorating the coronation of King Edward VII and Queen Alexandra. He was elected an Associate of the Royal Academy (A.R.A.) in 1879, and a Royal Academician (R.A.) in 1887; and was knighted by King Edward VII in 1906. In 1918 he was appointed as Knight Commander of the Royal Victorian Order by King George V. Provenance: Exhibited Royal Academy 1915 No.27 Illustrated Annie Winifred Ellerman was born in September 1894 in Margate to the shipping magnate and financier John Ellerman who at the time of his death was the richest Englishman who ever lived. He lived with Winifred’s mother, Anna Glover, but did not marry her until 1908, 14 years after Winifred’s birth. John Ellerman had little interest in public recognition and his lifestyle was unostentatious. As a child, Winifred travelled widely to France, Italy and Egypt and the Mediterranean and on occasions on family holidays to the island of Bryher one of the Scilly Islands. She later used the pseudonym ‘Bryher’, her favourite island, as her pen name. This name she used for the remainder of her writing career as well as everything else she participated in to free herself from the bonds and obligations on what it was meant to ‘be an Ellerman’. During the 1920’s Bryher was an unconventional figure in Paris and among her circle friends was Ernest Hemingway, James Joyce, Gertrude Stein, Sylvia Beach and Berenice Abbott. Her wealth enabled her to give financial support to struggling writers including Joyce and Edith Sitwell. She also helped with finance with Sylvia Beach’s book shop ‘Shakespeare and Company’ and certain publishing ventures. She started a film company ‘Pool Group’ and provided funds to purchase a flat in Paris for the destitute Dada artist and writer Baroness Elsa von Freytag-Loringhoven. Another member of this group was Hilda Doolittle the celebrated imagist poet known as H.D who became Bryher’s life-long partner for more than 40 years, until her death in 1961. Bryher helped to raise H.D’s daughter, Perdita, (who became Mrs John Schaffner of New York), later Bryher’s adopted daughter and heir. Although she married twice, Winifred had no questions about her sexuality and explored that aspect of life to the fullest. On a trip to America in 1921, she married her first husband Robert McAlmon to escape the control of her parents. At that time she moved with H.D. to Switzerland with H.D’s daughter. In 1927 Bryher divorced McAlmon and married Kenneth Macpherson who was also H.D’s lover. They adopted H.D’s daughter, Perdita. Together Macpherson, H.D. and Bryher not only founded the film company ‘Pool Group’ but also the advant-garde cinema journal ‘Close-Up’. Bryher herself appeared in a film ‘Borderline’ in 1930. In 1933 Bryher wrote an article in the ‘Close-Up’ ‘What Shall we do in the War?’ where she wrote about the situation of Jews in Germany, urging readers to take action. Her home in Switzerland became a receiving station for refugees and she helped more than 100 people from Nazi persecution, before being forced to flee herself in 1940. They included intellectuals, analysts, artists and their families. She also established the Hanns Sachs Training Fund for refugee analysts arriving in the US. During the Second World War she lived in London. Bryher wrote poems and literary criticism but is better known for historical novels. The first of these she wrote 1952 when she was 58 years old. Most are set in Britain during various eras including the Roman. They are considered to be well researched and vivid set in times of turmoil and scenes from a perspective of a young man. They were acclaimed in her own time and in recent times have been re-discovered and re-printed In summary: - Selina E. Kusch wrote in the ‘The Bryher Chronology’ in 2014 - “Bryher was an avid supporter and vocal advocate of international film, psychoanalysis, political freedom, anti fascism, progress in myriad forms and just plain modernity”. A remarkable woman of her time a corner stone of modernism as an artistic movement who cared little for normal social conventions.
Los 14
A German porcelain oval portrait plaque late 19th century, painted with a bust portrait of Beatrice Cenci after Guido Reni, in gilt wood and gesso frame, portrait 5 x 3½in. (8.8 x 12.7cm.). Condition: Good condition, with no damage or restoration noted. Not examined out of frame. Frame is period with later dull gold overpainting - back board is modern fibreboard.
Los 30
A 19th century porcelain portrait plaque oval with female subject in elegant feathered hat, 2 x 1¾in. (5.1 x 4.5cm.), in a gilt metal mounted frame. Condition: Plaque in good condition, with no damage noted (not examined out of frame). Late 19th century Continental frame in good condition. Back secured with modern black fabric tape.
Los 310
Walter William Ouless (Jersey, 1848-1933) Portrait of Robert Henry Randall oil on canvas, signed and dated 1884 lower left 29½ x 24½in. (75 x 62.25cm.) * Robert Henry Randall was the founder of Guernsey's famous brewery, R. W. Randall Ltd. Founded in 1868, it was initially known as Vauxlaurens Brewery until renamed by his son, Robert William Randall, who took over the firm in 1900. ** Walter William Ouless, son of the famous Jersey artist Philip John Ouless, was a renowned portrait artist, trained at the RA Schools and a pupil of Millais and Ruskin. His sitters included Charles Darwin, Thomas Hardy, John Bright and Lord Kelvin. *** Provenance: Consigned from the estate of a direct descendant of Robert Henry Randall. Condition: Has been cleaned and relined in the past 10-20 years and remains in good condition. In a period giltwood frame (probably original), with very minor losses to gilt and some small retouches. Examined under UV - some fairly small retouches and strengthening noted in places (eg. to nostrils, centre right of lips, just above cuff, white shirt at collar and to margins). .
Los 531
Julius (Isaak) Jacob (German, 1811-1882) Portrait of a young gentleman oil on canvas, signed and dated 1844 centre left 19 x 15¼in. (48 x 38.75cm.) Condition: Old relining. Repaired split to canvas to right side of head. Small retouched scratch to right side of chin. A few small old dings and scuffs to surface of paint. Old cracklure beneath varnish to lower margins of oval, some cracklure across surface of canvas. In a c.1900 gilt and comp. frame, with oval gilt slip and some losses.
Los 542
Rosalba Carriera (Italian, 1673-1757) Portrait of a gentleman, possibly a member of the Wade family Pastel on paper, held in an 18th century gilt wood frame 22 x 16½in. (56 x 42cm.) * Provenance: By descent from the Wade family. This recently discovered portrait is a fine example of Rosalba Carriera's work; the pose being quite typical, with the composition overall reflecting other known works finished during the mid 1720s - though she never appears to have signed, and rarely dated, any of her pastels. Previously unrecorded it has passed by descent through the same family since the 18th century. The identity of the sitter has traditionally been thought to be that of Field Marshal George Wade (1673-1748), but this cannot be possible given various factors most obviously the youth of the sitter and the proposed dateline of the work. Wade died unmarried but left four illegitimate children, including two sons George (1721-1799) and John (1720-1799) both of whom became soldiers. The date proposed for this portrait suggests, however, that it cannot represent either son and is therefore perhaps a record of a more distant relative to the Field Marshal, with an extensive branch of the family having originated from Ireland. Rosalba found great popularity amongst the visiting British gentry and nobility to Venice in the first half of the eighteenth century. Increasingly in demand her studio became a favourite haunt for many Grand tourists who eagerly required their likenesses to be recorded during their time in Italy, perhaps most notably Horace Walpole and Henry Fiennes-Clinton, later 2nd Duke of Newcastle. * CONDITION: Has been examined out of frame - frame had not been disturbed for many decades. No inscriptions or writing to back. Reverse of stretcher lined with cloth to dust proof but paper not laid down. Nail heads around edges of stretcher rusted and have caused small stains and holes to paper above each nail. Right hand margin of paper has white chalked numbers running from bottom to top (1 to 9). Condition overall good and no restoration visible - faults as follows: Vertical 2¼in scratch just before left hand shoulder. Very faint smudge lines across pastel at a 45 degree angle to top of right arm extending into dark background (approx. 3in long). Two very faint 1in. scratch lines at top of right cheek (barely visible). Tiny white dot (possibly mould, possibly a pastel fleck) to right arm, just above robe. There is a pink discoloured band (approx. 1cm. deep) across very bottom margin (not visible when in frame). Faint dark stretcher lines at top left and lower right corners (each approx. 4in long). No other damage, defects or restoration noted.
Los 545
English School (early 19th century) A portrait of a young boy, half-length, dressed in a grey jacket and waistcoat with lace collar and black tie, believed to be Thomas Heberden, aged 12 (1754-1843) oil on canvas, inscribed to label verso, in an early 19th century giltwood frame 16¾ x 15in. (42.5 x 38cm.)
Los 582
The Book of Common Prayer and administration of the sacraments, and other rites and ceremonies of the Church, according to the use of The Church of England: Together with the Psalter or Psalms of David, pointed as they are to be sung or said in Churches, printed by John Baskett, printer to the King's most Excellent Majesty, London, 1716, leather bound, the cover bearing an inset wood effect rectangular frame bearing a dedication ' Eliz. Allen, Canterbury, 1775', fine gilt toolwork to edges, spine with gilt tooled florettes, interior boards bearing toothcomb marble effect, portrait frontispiece, ink inscription to front page, plates throughout, excellent condition throughout.
![Aldrich (Henry) The Elements of Civil Architecture, 2 parts in 1 [Latin and English], first edition in English, stipple-engr](https://cdn.globalauctionplatform.com/ee426438-b655-4bea-a2fc-a4b100f4e23e/31e59b16-121d-40d0-a166-272f812ff4a0/468x382.jpg)
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283284 Los(e)/Seite