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Los 105

A large simulated alabaster urn, on Corinthian plinth, large simulated bronze female portrait bust, on similar pedestal and other decorative items

Los 151

An early Victorian rosewood tea caddy, sarcophagus-shape with twin handles, 12in. - interior fittings incomplete, together with a Victorian brass-bound walnut writing box with enclosed fittings and slope, 12in., and a bronze-finished portrait roundel, military officer in profile, 7in.

Los 153

An early 19th century portrait miniature, watercolour portrait bust of a youth, within oval white metal frame and folding leather case

Los 154

A Graeco-Roman ewer, body in the form of a female portrait bust, 8in.

Los 210

A late 19th century bronze figure, young Dutch girl carrying pots, indistinctly signed, on slate plinth, 8in., together with a pair of simulated bronze portrait busts, 6.25in.

Los 221

Three framed portrait miniatures, female sitters, together with a watercolour, West Tarring

Los 311

A group of four pencil portrait studies, full-length females, one dated 1913, together with a Log Book Notes with diagrams based on mariner's knots, and a small watercolour, cathedral and monument

Los 398

A 19th century German glass ale stein, pair of ruby glass scent bottles, two boxed fans, four portrait miniatures, etc.

Los 509

A lava bracelet, ten intaglio portrait bust reliefs on yellow metal setting, as viewed

Los 511

A Victorian yellow metal cameo brooch, oval female portrait bust, grape and vine head-dress, revolving form with locket, together with a Victorian yellow metal seal and an Eastern seated Buddha

Los 528

A yellow metal brooch, oval-shape with inset late Georgian portrait miniature on ivory, young female sitter

Los 561

Small silverware, ring-stand, circular portrait photograph frame, oval pill-box, two propelling pencils, etc. (10)

Los 615

C. M. Parrott - Victorian oil on canvas, portrait bust of a lady, signed, 22 x 18in., bold moulded gilt frame

Los 382

PORTRAIT PIN.A white metal brooch/pendant set a hand painted portrait miniature, indistinctly initialled GL. Portrait 3.5 x 3cm. (C clasp missing)

Los 103

John Trevor Heath, an unframed acrylic portrait of a female nude, signed H 60 x W 49cm

Los 125

Manner of Patrick Nagel (1945 - 1984) side profile portrait study of a woman, gouache and oil on paper mounted on board

Los 21

Batia Lichansky (Israeli, 1901-1992) a fine pastel portrait study of a woman in top hat with veil, signed and dated by the artist

Los 273

An Antique pencil portrait after the Renaissance, framed, H 52 x W 43cm

Los 321

Talia Lehavi, an unframed Japanese ink portrait of a dog, titled 'Poppy', signed in pencil, H 70 x W 50cm

Los 433

An early 19th century French gold mounted tortoiseshell snuff box, the top set with a cameo portrait, Baccarat 1825, provenance: from the collection of Paul Jokelson, with Mallett box and provenance, 9cm diameter

Los 466

Talia Lehavi, an unframed Japanese ink portrait of a dog, titled 'Poppy', signed in pencil, H 50 x W 50cm

Los 488

A painted Classical style plaster portrait bust of a lady, H 55 x W 31 x D 24cm

Los 6

British school, very fine Orientalist pencil portrait study of a young girl, signed and dated 1963, H 51 x W 39cm

Los 605

Daphne Charlton, an unframed oil on canvas portrait of a man playing a piano, signed, details to verso (a/f) H 81 x W 51cm

Los 607

Georgina Hunt, an unframed oil on canvas portrait of a lady H 36 x W 26cm

Los 611

Georgina Hunt, an unframed oil on canvas portrait of a lady, H 62 x W 51cm

Los 619

Georgina Hunt, an unframed oil on canvas portrait H 56 x W 31cm

Los 66

British school, very fine orientalist pencil portrait study of a man in a tunic, signed and dated 1963, H 47 x W 41cm

Los 70

Manner of Patrick Nagel (1945-1984) preliminary study, gouache and oil on paper mounted on board, bust portrait of a woman in grey dress

Los 332

Barking, British, 20th/21st C, three studies, art school, pensive portrait and another of a woman in a spotlight, pastel, signed and dated, largest 49.5 x 43cm (3)

Los 333

Unsigned, British School, 19th C, portrait of a brunette girl, oil, 48.5 x 39cm

Los 350

A mixed selection of various framed collectables comprising, silver jubilee 1935 lithophane portrait, a textile, picture, cigarette cards, Baxter prints, bas relief panels. (12)

Los 1159

British Coins, James I, second coinage, unite, mm. tower (1612-1613), crowned fourth bust r., holding orb and shouldering sceptre, rev. crowned shield of arms, IR at sides, wt. 10.12gms. (S.2619; N.2084), scratches behind king’s shoulder, portrait very slightly double struck, slightly weakly struck at 4-5 o’clock on obverse, good fine or better, a rare mintmark

Los 1162

British Coins, James I, third coinage, laurel, mm. trefoil (1624), fourth laur. bust l., mark of value behind, rev. long cross fleury over crowned shield of arms, wt. 8.97gms. (S.2638B; N.2115), slightly weak in places, otherwise almost extremely fine with an excellent portrait

Los 1176

British Coins, Charles I, halfcrown, Bristol mint, mm. plume/Br, 1644, crowned figure of king on horseback, brandishing sword, plume behind, rev. Declaration in two lines, three plumes above, date below, wt. 15.36gms. (S.3007; N.2489; Brooker 976-981), minor flan flaws, otherwise about extremely fine with a good portrait and attractively toned *ex H. M. Lingford (collection purchased by A. H. Baldwin & Sons in 1951) ex Baldwin’s vault

Los 1205

British Coins, George III, dollar, octagonal countermarked on portrait 8 reales of Charles IV, 1798IJ, Lima (S.3766; ESC.140A; Bull 1872), certified and graded by NGC as About Uncirculated 55

Los 1210

G British Coins, Victoria to Elizabeth II, The Half-Sovereign Portrait Collection, half-sovereigns (7): 1881M; 1892; 1893; 1908; 1912; 1982; 2001, issued by the Royal Mint, in fitted case and box of issue, with certificate, booklet and leaflet, first four very fine or better, the others extremely fine to mint state (7)

Los 1549

G Foreign Coins and Medals, USA, 20 dollars, 1900, Liberty head l., rev. eagle with shield on breast, light marks on portrait, extremely fine or better

Los 1550

G Foreign Coins and Medals, USA, 20 dollars, 1900, Liberty head l., rev. eagle with shield on breast, marks on portrait, extremely fine or better

Los 1004

Portrait postcard signed by the footballer Evelyn Lintott in May 1907,signed in ink, "yours sincerely, Evelyn H. Lintott, 05-07"Lintott is best remembered as a Bradford City player but this card pre-dates his time at Valley Parade and is around the time he signed for QPR from Plymouth Argyle.Evelyn Lintott was killed in action on the first day on the Somme, 1st July 1916, the opening day of the Battle of Albert.

Los 1005

Portrait postcard signed by Harry Low the Sunderland footballer between 1907 and 1915,signed in ink "sincerely yours", and also signed again to the reverse "with sincere regards from Harry Low"

Los 1006

Portrait postcard signed by Charlie Thomson the Sunderland footballer between 1908 and 1919,signed in ink "with best wishes"

Los 1012

Signed portrait postcards of the Edwardian footballers C.B. Fry (Corinthian, Southampton & Portsmouth) and Robert Turner (Wednesday FC),both signed in ink, the Fry published in the Rotary Photographic Series No.3805; the Turner published by Furniss of Sheffield (2)

Los 243

Five postcards with portraits of tennis players circa 1912,three with publisher's details for Edwin Trim & Co., Wimbledon, subjects comprising Miss V E Spofforth, C P Dixon, Mrs E Larcombe, the Australian A W Dunlop and a double-portrait of C.P. Dixon & H R Barrett At the 1912 All England Championships at Wimbledon, Ethel Larcombe won the Ladies Singles title, and Charles Dixon & Herbert Roper Barrett won the gentlemen's doubles.

Los 251

A folder of historically important ephemera from the personal collection of the lawn tennis player Mrs Dorothea Lambert Chambers (nee Douglas), seven times winner of the Ladies Singles Championship at Wimbledon between 1903 and 1914,the folder contains personal messages from family, friends and tennis personalities covering her lengthy career, with many focussed on her Wimbledon exploits, particularly the famous final against Suzanne Lenglen in 1919 which is still widely regarded by many commentators to have been the finest ever Ladies Singles Final, other material relates to her role as captain of the victorious 1925 Great Britain Wightman Cup team against the United States, an inventory of the archive is as follows: i) three small original photograph, including playing at Eastbourne, 1913, ii) congratulatory telegram for her first Wimbledon win in 1903 from "Martin"iii) personal letter, 1919, to Mrs Lambert Chambers from Mrs Blanche Hillyard, six time winner at Wimbledon between 1886 and 1900, ahead of her forthcoming Final v Suzanne Lenglen, July 1919, the tone of the letter is a remarkable insight into the psychology of a pioneering champion sportswoman, Mrs Hillyard imploring Dorothea to "... GO ALL YOU CAN AND NEVER GIVE UP, STICK TO HER 'TILL THE LAST ACE ... DIE HARD ... THANK GOD SHE DIDN'T LIVE IN MY DAY! ... I SHALL EVIL EYE HER ... I HOPE YOU DON'T GET THE CURSE, I WISH SHE [Lenglen] MAY HAVE IT "iv) Letter, 2nd July 1919, from Clemintina Anstruther-Thomson, who was a famous socialite of her age, painted by John Singer Sargent, and clearly a big fan and concerned at rumours that Lambert Chambers was considering retirementv) Telegram from the British Davis Cup player H. Roper-Barrett ahead of the 1919 Lenglen final with a short, authoritative message RELY UPON YOU TODAY CONFIDENTLYvi) Good Luck Telegram from Northumberland Tennis Association 4th July 1919vii) a letter from Leslie St. B. Sladen on active service in France and relaying discussion of the match with Mlle. Lenglen by British 'Tommies'viii) Telegram to SS Aurania before the sailing for the 1925 Wightman Cup in the USAix) thee original small photographs relating to the 1925 Wightman Cup including an image on board ship and two of the ladies teamx) large 8 by 10in. of the Wightman Cup doubles match at Forest Hills in 1925xi) letter from a personal friend M H Hague regarding a series of exhibition matches in Canada in August 1925xii) Telegram from Harry H.Herbert, President of the Westside Tennis Club, Forest Hills, August 1925, regarding Mrs Lambert Chambers and her compatriot Miss McKane (later Mrs L. Godfree) participation in the 1925 US Open, the latter reaching the final where she lost to Helen Willsxiii) Telegram from Fred Hawthorne, the famous New York Tribune sports correspondent, September 1925, sent to the SS Mauretania during the voyage home to England after the Wightman Cupxiv) a further telegram to the Mauretania for Dorothea from the captain of the US team, Elizabeth Ryan, reflecting genuine sporting camaraderie reading BON VOYAGE TO THE TEAM HOPE YOU ARE ALL AWFULLY SICK, CONGRATULATIONS AGAIN ON SPLENID WIN ESPECIALLY CAPTAIN, SHALL MISS YOU ALL TERRIBLY MUCH LOVE, ELIZABETH RYANxv) Original photograph of the team aboard the Mauretania wearing their tennis kit and posing with the Wightman Cup trophyxvi) a Wightman Cup congratulatory letter from a fellow tennis player from Eastbourne and clearly a close friend as it is addressed to "Dollie", also updating Mrs Lambert Chambers that she is suffering from an arm injury, almost certainly tennis elbow which Dorothea also suffered fromxvii) Letter from Wightman Cup team-mate Evelyn Colyer sent on first morning home from America 9th September 1925 and a thank you letter for Mrs L C's captaincy; and a portrait postcard of Evelyn Colyer; and press cuttings

Los 263

Piero Taruffi, Werner Hass, Freddie Frith, and other motorcycle racing autographs,including World Champions Eric Oliver, Enrico Lorenzetti, Cecil Sandford, Fergus Anderson, also Otto Daiker, Stan Dibben, Rod Coleman, plus Ken Mudford, all obtained on two autograph book pages under the heading 'Ulster Grand Prix, Dundrod, 1953', the dedicated signature of Freddie Frith beneath a printed portrait after I.Spencer Edge, 28 by 20cm., with 5 photocopied pages concerning him and the Clady circuit in Ulster; together with two Isle of Man T.T. First Day postal covers franked Douglas, dated 1 June 1982 and 28 May 1975, and a Steve Hislop signed Joey Dunlop 'King of the Mountain' retrospective First Day postal cover dated 17.05.01 (10)Freddie Frith became the first man to lap the Isle of Man at over 90mph, whilst winning the 1937 Senior T.T. on a Norton. And he continued to be both a T.T. winner and legend until the end of the 1940s. Piero Taruffi was in Ulster in 1953 as the Gilera team manager, a marque that had first come to prominence in 1937 when he set a World Speed Record of 170.5mph on a fully enclosed four-cylinder machine. Yet he continued to race on four wheels and won the 1952 F1 Swiss Grand Prix in a Ferrari.

Los 300

A 19th century print featuring the boxer Thomas Sayers,the central portrait surrounded by captioned vignettes of 15 of Sayers's prize fights between 1849 and 1860, 37 by 52cm., unframed

Los 314

A Gene Tunney signed photograph,a fine 10 by 8in. 1937 studio portrait photograph by Apeda of New York, signed in fountain pen by Tunney and dedicated to Harry Rudolph "with every good wish"

Los 55

Coalport porcelain plate commemorating W.G. Grace's Century of Centuries 1866 to 1895,transfer printed in brown with a central portrait, details of the innings on surrounding bats and stumps with balls forming a border, diameter 23cm.

Los 583

The blue Bristol City shirt worn by Bob Hardy in the F.A. Cup Final v Manchester United played at The Crystal Palace 24th April 1909,by Harris's Sports Depot, Bristol, long-sleeved, the cloth badge with silkwork City Arms of Bristol; sold together with a Bristol published supplement (poor condition) that featured the 1909 Cup Final and includes a team-group portrait of the Bristol City Team (2)1909 is the only occasion that Bristol City has played in a F.A. Cup Final. Their opponents at the Crystal Palace on 24th April were Manchester United, appearing in their first F.A. Cup Final. United won the match 1-0 through a Sandy Turnbull goal in the 22nd minute. The shirt worn by the Manchester United captain Charlie Roberts was sold at Graham Budd Auctions in October 2015 for £30,000. Both teams normally wore red shirts so, prior to the final, the FA issued orders for kit changes. United wore white shirts with a red "V" and City chose to play in blue (with white shorts & blue socks).Bob Hardy was Bristol City's inside-right and during the Cup run scored the crucial winning goal against Derby County in the semi-final replay at St Andrew's, City coming from a goal behind to win 2-1. In the Final Tie Bristol City's best chance of an equalizer fell to Hardy who, following an excellent passing move, received the ball unmarked in the centre of the goal but had his shot saved brilliantly by the United 'keeper Harry Moger, diving to turn the ball past the post.Bob Hardy was born 16th June 1885. He was 5ft. 6in. tall and described as "tricky on the ball." Before moving to Ashton Gate he had won an England cap at amateur international level in the Wales match at Edgeley Park, Stockport, 22nd February 1908. Sometimes referred to as "Brook" Hardy, he joined Bristol City in the 1908-09 season together with another newcomer Willis Rippon, and played at Ashton Gate until 1911, making 85 appearances and scoring 15 goals.Provenance:By family descent.

Los 963

Signed portrait photograph of Newcastle United's Billy McCracken,signed in ink & inscribed "Newcastle United 1904-1923", 8 by 6in.Belfast-born Newcastle club legend Billy McCracken won a F.A. Cup winner's medal and three Football League Championship medals in a senior career spent entirely at St James' Park.

Los 99

A Dennis Lillee & Jeff Thomson double-signed framed photographic presentation,a pair of 10 by 7in. b&w action photographs of the Australian fast bowlers signed in black marker pen, the centre of the frame with an unsigned double-portrait photograph and printed literature, framed & glazed, 53 by 76cm.

Los 996

An album of 161 football postcards,comprising team-groups of non-famous local amateur or youth teams of the day and mostly anonymous line-ups, those occasionally identified comprise: Kingswood, Regent, Highgate School, Fenny Stratford Rovers & Silverside Rovers; together with portrait cards of unidentified footballers, or small groups of players, of which some look well-kitted and athletic enough to have been professionals, others clearly aren't !; season dates are sometimes painted onto the football at the front centre of the composition and mostly date from the 1900s and 1910s

Los 279

Follower of Charles Sillem Lidderdale, R.B.A. (1831-1895):Portrait of a woman beneath a blossoming tree, oil on canvas, signed lower right, H 90 x W 59 cm

Los 291A

A portrait of a gentleman, oil on canvas, in elaborate gilt frame

Los 298

English School (19th century): A portrait of a lady in a landscape at harvest time, oil on canvas, H 58 x W 49 cm

Los 316

A portrait study of a lady, oil on canvas board, H 46 x W 37 cm

Los 1099

British Coins, Stephen (1135-1154), penny, ‘Watford’ type (BMC. I), Northampton, Paen, crowned bust r., holding sceptre, rev. PA[.................]AN, cross moline, lis in angles, wt. 1.45gms. (S.1278; N.873; Mack 23), with a good portrait, fine, rare *ex Baldwin’s vault

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