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283287 Los(e)/Seite
A mid nineteenth century hairwork brooch, of aranged hair on a mother-of-pearl ground, under glass, to a vine scroll frame, measures 5.8cm by 6.5cm; a circa 1970 silver Brutalist moonstone brooch, of heavily textured curved form and set with three cabochon moonstone, measures 5.5cm by 4.5cm, PGW, London, 1970; a Scottish silver smokey quartz plaid pin, a Scottish silver citrine plaid brooch and a circular portrait pendant, stamped '9CT' (5)
Various items of jewellery, including a 19th century gold framed miniature portrait of a girl, the gold mounts with fine-link chains (damaged), a bombé-shaped gold brooch pavé-set with graduated turquoise cabochons and centred with a rose-cut diamond, the foliate clasp set with small diamonds and centred with an emerald in silver and gold, a set of three carved coral rose studs, a clasp centred with an oval-shaped ruby cabochon, four emerald cabochons and pearls, a gold wristwatch on gold bangle, a small silk bracelet with diamond-set slide, a small gold-mounted carved shall box
A late George III enamel and diamond-set mourning ring, the rectangular enamelled plaque containing plaited hair and set with rose-cut diamonds in gold, with an inscription to the reverse reading 'John Knill Esq, ob 29 March 1811 AE. 77', size M, together with a gold brooch mounted with a circular portrait miniature of a spaniel, 4.3cm wide
A late 17th century miniature portrait of a Nobleman by Pierre II Huaud, with full wig, white lace cravat and armour, painted in enamel on copper and white counter enamel, marked for 'P. Huaud primo-natus pinkit, Geneuae 1689', 4.6cm high, gold frame and detachable gold pendant mount Pierre II Huaud was an exceptional miniaturist and shortly after painting this particular Nobleman, he went to Germany and was appointed enameler to Friedrich III, Elector of Brandenburg.
A Belle Époque diamond bracelet by Boucheron, the hinged panels centred with laurel leaves within straight line borders and with three foliate sections repeated to the clasp, millegrain-set overall with graduated circular-cut diamonds, also wearable as a bandeau, signed Boucheron Paris, 19cm Provenance: Originally purchased by Ernest George Raphael (1869-1945) for his wife Flora Cecilia, née Sassoon. Famous for his Raphael's Bank, he lived at 38 Hill Street, Mayfair, which is now the Naval Club. They were great socialites and Flora had her portrait painted by John Singer Sargent. The bracelet is currently the property of the Granddaughter of Ernest Raphael.
[MISCELLANEOUS] M'Diarmid, Hugh [Christopher Murray Grieve]. Sangschaw, first edition, Blackwood & Sons, Edinburgh & London, 1925, navy cloth, dustjacket, SIGNED & INSCRIBED BY THE AUTHOR, octavo; together with Munro, Neil. The Brave Days. A Chronicle from the North, first edition, The Porpoise Press, Edinburgh, 1931, cloth, dustjacket, introduction by George Blake, SIGNED BY BLAKE, octavo; and Destin, Joan. Songs of An Unknown Singer, first edition, Hodder & Stoughton, London, 1923, cloth, dustjacket, SIGNED & INSCRIBED BY THE AUTHOR to the portrait painter Andrew Paterson, and with a loosely inserted letter from the author to the same, octavo, (3).
A good and complete collection of 1960 to present British uncirculated portrait bank notes covering every series and variation of all denominations issued up to and including the series G £10, with five AUNC duplicates, with extensive hand written notes and information cuttings throughout, approximately ninety-six bank notes total, presented in clear folders in green binder.
UNATTRIBUTED; watercolour, a 19th century Continental scene depicting ruins of church or townhouse against mountainous backdrop, unsigned, 24.5 x 35.5cm, and a contemporary oil portrait of a lady in bonnet, 15 x 10.5cm, both framed and glazed (2). CONDITION REPORT: The watercolour with foxing, especially to corners and edges, the mount and frame tired, the latter in an elaborate moulded gilt frame which has cracking, damage and losses etc, losses to the gilt etc throughout.
Two 19th century portrait miniature mourning pendants in gold plated cases, one with glazed back, 6.5 x 5.5cm, the other with engine turned back centred with glazed hair aperture, also a watercolour miniature portrait of a general in profile, diameter 5.5cm, glazed and in gold plated frame (3). CONDITION REPORT: All in good condition, the example with hair aperture to the back has a chip to the edge of the rim, the watercolour portrait with some staining to the background, all mounts with mild tarnish commensurate with age and slightly misshapen glass mounts.
A Huge Anzoux & Francais Waterhouse Stop Portrait Lens, 1855-60, brass, body, G-VG, elements, VG, some very light seperation to perimeter of frpnt element and small chip to perimeter of rear element, with flange; Rear element signed in pencil to edge 'Anzoux & Francais'. Overall height 30cm
A Very Large Jamin / C. Paysage Wet Plate Portrait Petzval Lens, 1860-65, brass, engraved around barrel 'JAMIN Optn Bte s.d.g.e Rue Chapon 14 Paris 1422', further engraved to surround of front cell 'C. Paysage', body, G-VG, elements, VG, with maker's lens cap; Overall length 35cm Literature: Corrado d'Agostini, 'Photographic Lenses of the 1800's in France', p. 205.
A Ross Full Plate Mahogany Tailboard Camera 1880, with Ross Rapid Symmetrical 10x8” brass lens, serial no. 31169, body, VG, back folds down with pull out back on tracks, back can be rotated from landscape to portrait with tilt adjustment, rack and pinion focus to track at rear for double extension, lens, VG, with leather lens cap and extender tube, complete with two DDS’s, in maker’s leather case

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283287 Los(e)/Seite