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Los 146A

A 20th century gilt metal trinket box, embossed floral body, inset with a portrait miniature of a lady wearing a plumed hat, stamped A.F, 8cm x 8cm x 3,5cm

Los 151

stained, leaded and painted glass, depicting a portrait of Elizabeth Dauncey after Hans Holbein, 32.5cm x 26.5cm; together with a further STAINED GLASS PANEL, 'THE SUN WORSHIPPER', stained, leaded and painted glass, bearing inscription THE SUN WORSHIPPER, 31cm x 19.5cm

Los 143

A unframed hand painted portrait miniature on porcelain, L. 8.5cm.

Los 149

A 19th century hand painted portrait miniature noted verso as the Comte Naumdorf, L. 10cm.

Los 140

A 19th century yellow metal mounted hand painted porcelain portrait miniature set as a brooch, L. 3cm.

Los 139

A 18th/ early 19th century hand painted portrait miniature of a young man, L. 5cm.

Los 131

A yellow metal framed hand painted 18th century portrait miniature of a gentleman in a leather carrying case, L. 9cm.

Los 152

A 18th century hand painted portrait miniature of a girl, L. 14.5cm.

Los 144

A 19th century hand painted enamelled on copper portrait miniature mounted as a brooch, L. 4.5cm.

Los 180

A gilt framed early 19th Century hand painted portrait of a gentleman on what appears to be milk glass backed onto marble, frame size 24 x 31cm.

Los 133

A 19th century hand painted portrait miniature of a gentleman in a gilt metal stone set frame stamped with the initials A.F. on the reverse ,L. 8.5cm.

Los 269

A 19th century bronze portrait panel of a female saint, 18 x 9.5 x 2cm.

Los 196

An oval gilt framed watercolour portrait of a young woman, frame size 35 x 40cm.

Los 150

A gilt metal mounted hand painted portrait miniature enamel on copper of an Italian gentleman, L. 10cm.

Los 147

A gilt framed hand painted portrait miniature of a young gentleman with a lock of hair and the initial D in the back, L. 8.5cm.

Los 181

A fine 18th Century framed hand painted enamelled portrait miniature on copper identified verso as George Bulls esquire, frame size 20 x 16cm.

Los 151

A 19th century framed hand painted portrait miniature on ivory of Napoleon and Josephine (A/F) noted on an earlier sale ticket as painted by Lusiard, L. 11cm.

Los 154

A hand painted portrait miniature of a young nobleman in a piano ivory key frame, L. 12cm.

Los 223

A CONTINENTAL WHITE METAL MARCASITE AND ENAMEL DRAGONFLY BROOCH, stamped 835 and an art Nouveau influence enamel and silver portrait BROOCH, stamped 925. (2)

Los 725

A collection of unframed prints, to include a photographic print of Mexboro and Swinton Tramways company tram, after Rubens portrait of a lady and child, print, etc. (a quantity)

Los 686

An early 19thC portrait miniature of a lady on ivory, in a black frame with gilt highlights, 7cm x 5«cm.

Los 398

A collection of pictures, prints, etc., to include after Barbara Lawrence, Weasels, engraving, limited edition no. 22/50, after Hillary Whyard, Sheep, wood engraving, 13cm x 10cm, portrait of a lady in early 20thC dress, watercolour on paper, 30cm x 19cm, etc. (a quantity)

Los 394

After M Richardson. A Mind Flower Blooms in Eternal Spring, artist signed print to margin, a portrait after Robert Brerley, and a print mounted onto board. (3)

Los 244

A Maleras glass block sculpture designed by Mats Jonasson, rectangular form, cast to the reverse with a portrait of a woman, applied sticker label, etched mark to base, 13.5cm. high

Los 293

Elsie Wright Still life studies with pots Royal Drawing Society entrance, from Maida Vale High School, pencil on paper drawing with vases by Aller Vale of Brannam, mounted, 'Utrecht' an engraving by Margery Alexander, 'Esther', 1924 an engraving by Christopher Hughes, a photographic portrait and two other prints, original label to front, 58 x 42cm (frame), (6)

Los 53

A gilt framed portrait of a lady and two other pictures (3) Condition Report: Available upon request

Los 75

Jersey 10/- Annigoni portrait, VF later £ blue (4) AUNC (6)

Los 15

Miniature painted portrait on ivory of a gentleman wearing a red cloak, late 18th/early 19th century, unsigned, in original unmarked gold frame, frame dimensions 8cm x 7cmVery good original condition, no splits or repairs, original convex glass front and glass panel back

Los 16

Attributed to Andrew Plimer (1763 - 1837), miniature painted portrait on ivory of a gentleman wearing a blue coat, unsigned, unmarked gold frame, frame dimensions 4.8cm x 4cmGood original condition, no splits or repairs, original convex glass front

Los 17

Attributed to Andrew Plimer (1763 - 1837), miniature painted portrait on ivory of a gentleman wearing a blue coat, hair panel back under glass, unsigned, unmarked gold frame, frame dimensions 3.2cm x 2.5cmGood original condition, no splits or repairs, original convex glass front

Los 604

WATERCOLOUR PORTRAIT OF A MINE SWEEPER, SIGNED M G PEARSON

Los 656

PAIR OF PORTRAIT PRINTS OF LARGE STEAM SHIPS BY COLIN VERITY RSMA, ONE ENTITLED ''CITY OF BENARES MOORED AT PORT SAID'', THE OTHER ''MIST ON THE HUMBER''.

Los 657

A PORTRAIT MINIATURE OF A LADY IN A BLACK DRESS WITH HIGH LACED COLLAR, SIGNED WITH INITIALS, OVAL, IN A DECORATIVE METAL FRAME.

Los 658

AN OVAL PORTRAIT MINIATURE OF A YOUNG CHILD. IN A GILT AND GREEN ENAMEL FRAMEWITH INSCRIPTION TO REVERSE.

Los 124

English school (19th century), Two silhouette portrait miniatures, Each depicting a lady bust length, Later biographical notes verso, 15.5cm x 13.5cm overall and 15cm x 12.5cm overall, Each framed and glazed (2)

Los 284

English school (19th century),A tondeau portrait miniature depicting a young lady in profile with lace cap and collar,Watercolour on ivory,Indistinctly signed,6.5cm diameter,In relief cast brass frame with foliate finial and easel stand, 14cm x 11cm overall,With an early 20th century oval framed half length portrait miniature on ivorine depicting a young lady, 11cm high (2) Trevanion Auctioneers & Valuers do not ship items containing ivory outside the UK. Trevanion recommends that buyers check with their own government regarding any importation requirements prior to placing a bid. A buyer's inability to import these lots cannot justify a delay in payment or sale cancellation.The government have proposed legislation to create a UK law to ban the sale of all ivory. Please note this means that this lot is legal to sell now but may not be in the future. 

Los 285

Pre-Raphaelite school (19th century),A bust length portrait miniature depicting a young lady with flowing red hair,Watercolour on ivory,In oval gilt mount,10.5cm x 7.5cm,Gilt framed, 18.5cm x 17cm overall CONDITION REPORT:The paint surface appears to be in good overall condition. Examination under UV light shows no visible evidence of repair or restoration. There are pale areas to the cheek and neck on the right side of the image. These areas appears to have been painted in the underlying skin tone, and then shaded around to create highlights. There is no indication that anything has been rubbed away in these areas, however buyers should satisfy themselves by viewing prior to bidding. Trevanion Auctioneers & Valuers do not ship items containing ivory outside the UK. Trevanion recommends that buyers check with their own government regarding any importation requirements prior to placing a bid. A buyer's inability to import these lots cannot justify a delay in payment or sale cancellation.The government have proposed legislation to create a UK law to ban the sale of all ivory. Please note this means that this lot is legal to sell now but may not be in the future. 

Los 311

Pollyanna Pickering (British, 20th century),Pencil and watercolour heightened,A portrait of a Persian cat,Signed lower right,Carved oval frame,Glazed,39.5cm high overall

Los 327

John Cameron (British school, late 19th/early 20th century),Half length portrait of a seated lady in furs,Oil on board,Signed lower right,29.5cm x 22cm,Gilt framed

Los 342

After Bronzino [Agnolo di Cosimo] (1503-1572),A 20th century copy of the Portrait of Lucrezia Panciatichi,Oil on canvas,Unsigned,75cm x 60.5cm,Framed NOTE: The original work hangs in the Uffizi Gallery in Florence

Los 345

Dutch school (19th century),Portrait of an old sailor in a fur hat, with boats beyond against a stormy sky,Oil on canvas,Unsigned,Amsterdam gallery label verso,17cm x 12cm,Gilt framed

Los 356

Chinese School (19th century), Gouache on paper, Ancestral Portrait of a 8th Rank Civil Official, 88cm x 46.5cm, Mounted onto a large scroll Condition report; The mount (scroll) has areas of creasing, staining and foxing. The painted panel shows some areas of rubbing wear to the surface. Please see additional images for clarification. 

Los 357

Chinese School (19th century), Gouache on paper,Ancestral Portrait of a 1st Rank Civil Official, 124cm x 68cm, Framed and glazed

Los 391

Chinese School (Early 20th century), Reverse painted portrait of an emperor, 54.5cm x 39cm, Framed

Los 9

CHRISTO (Bulgaria, 1935)"Wrapped Monument Vittorio Emanuele II, 1975.Photograph mounted on cardboard. H.C. copy.Enclosed polygraph certificate.Signed and justified in the lower right corner.Measurements: 76 x 56 cm.The monument to the King of Italy Vittorio Emanuele II, in Piazza del Duomo, and the monument to Leonardo da Vinci, in Piazza della Scala, were wrapped with polypropylene fabric and red polypropylene rope, in the fall of 1970, in Milan, Italy.The fabric had been sewn in advance according to patterns that allowed for wide folds. The two wrapped monuments could be seen from the center of the Galleria, simultaneously, at each end of the large 19th century vaulted pedestrian passageway.Christo together with Jeanne-Claude a renowned artistic couple of the late 20th century, the wrapped objects of are some of the most extreme examples of modern conceptual art. Christo Valdimirov Javacheff, the primary artist and designer of the duo's projects, studied between 1952 and 1956 at the Academy of Fine Arts in Sofia, then spent a year in Prague. In 1957 Christo fled the socialist state and settled in Vienna, from where he traveled to Geneva and finally to Paris, settling in the French capital. His life in Paris was characterized by economic deprivation and social isolation, which was increased by his difficulty in learning the French language. He earned money painting portraits, which he compared to prostitution. Visiting the city's galleries and museums, he was inspired by the work of Joan Miró, Nicholas de Stael, Jackson Pollock, Jean Tinguely and mainly Jean Dubuffet. In January 1958, Christo made his first piece of "wrapped art"; he covered an empty paint jar with a canvas soaked in acrylic. He tied it up and colored it with glue, sand and automobile paint. Christo and Jeanne-Claude met in Paris in November 1958, when he was commissioned to paint a portrait of her mother. Although Jeanne-Claude married another man, she became pregnant by Christo and left her husband after their honeymoon. Despite opposition from Jeanne-Claude's family, the couple married in 1962. By 1959, Christo had changed his approach to wrapped objects. Instead of embellishing the wrapped material with glue and sand, he kept it intact. The following year, he stopped painting altogether and completed his "Inventory" series. In 1961 he tackled what would be his first project with large objects, wrapping barrels in the German port of Cologne. In 1962, as a couple, Christo and Jeanne-Claude tackled their first monumental project, "Rideau de fer" ("Steel Curtain"), as a statement against the Berlin Wall. The work consisted of blocking off Visconti Street over the river with oil barrels. Although Christo was simultaneously holding his first gallery exhibition, it was the Visconti project that made him known in Paris. In 1964 the couple settled in New York, and continued to carry out projects and exhibitions both in the United States and Europe. In 1968 they participated in Documenta 4 in Kassel, and in 1969 they undertook one of their most famous projects, that of wrapping the Little Bay waterfront in Sydney, Australia. Since then, Christo and Jeanne-Claude have undertaken numerous large-scale projects around the world, including "Running fence" and "Wrapped walk".

Los 109

HENRY JENKINS, Supercentenarian, 19th century oil on board, half length portrait, inscribed to the back Henry Jenkins, Died 1670, aged 169 years, 13 x 10cm mahogany frame

Los 101

° Waller, Edmund - The Works, qto, original calf, portrait frontispiece by Vertu, after Kneller, two full page engraved plates, Mr. Fenton, London, 1729

Los 107

° Agrippa, Henricus Cornelius (1486?-1535). Opera in Duos Concinnie Digesta,2 vols in 1, 8vo, contemporary blind stamped armorial vellum, vol 1 lacking title page and portrait, with 9 tables, vol 2 lacking pages 513-552, many leaves browned, a few pages and engraved devices with 19th/20thc ink annotations, Lyon, Beringo fratres, [but Strassburg? 1630?]

Los 116

° Brooke, Henry Francis (1836-1880) - Private Journal of Henry Francis Brooke, late Brigadier-General Commanding 2nd Infantry Brigade Kandahar Field Force Southern Afghanistan, 8vo. Black morocco gilt lined, with photo portrait, title with ink presentation inscription - ‘’ Mrs. Law, yours sincerely Annie Brooke, Ashbrooke, [Enniskillen], August 9th 1882, printed by William Curwen, Dublin, 1881Note:The British attempted to silence the enemy batteries during the start of the Siege of Kandahar, on 16th August 1880. Brigadier-General Brooke, commanded the operation, but was among those killed that day. The journal states, ‘’I oppose our forward policy in Afghanistan. They [the Afghans] are a very war-like people and prefer tyranny and misgovernment from their own kind to, order after the English fashion’’

Los 120

° Chaucer, Geoffrey - Canterbury Tales, edited by Thomas Tyrwhitt, 2nd edition, 2 vols, 4to, 19th century half calf, with portrait, Oxford, 1798

Los 125

° Boswell, James - The Life of Samuel Johnson, 9th edition, 4 vols, 8vo, later half calf, with portrait, front inner joint to vol 1 poorly repaired with sellotape, London, 1822 and Green, John Richard - History of the English People, 4 vols, 8vo, tree calf, Macmillan & Co., London, 1877 (8)

Los 134

° Porteous, Beilby - The Works, 6 vols, with engraved portrait, calf, T. Cadell, London, 1823

Los 138

° Ackermann Publications, Rudolph - The History of the Abbey Church of St. Peter’s Westminster, 1st edition, 2 vols, qto, half green morocco, with plan, portrait and 81 hand-coloured plates, London, 1812

Los 142

° Reland, Adrianus. Palaestina ex Monumentis Verteribus Illustrata, 2 vols in 1, qto, contemporary vellum, folding portrait with 10 maps, folding plate, 3 tables, Guilielmi Broedelet, Trajecti Batavorum (Utrecht), 1714Note: The 1st edition of this description and geology of Palestine

Los 169

° Boccaccio, Giovanni. Il Decamerone. Corretto gia dall 'Exxellentissima Academia Fiorentina ...engraved decorated portrait title, historiated initials; (6), 264ff., old vellum with panelled spine and red labels, 8vo. Venice: Paolo Gherado, (1557)

Los 194

° Lemnius, Levinus. Similitudinum ac Parabolarum quae in Biblis ex Herbis atque Aboribus ...engraved title device, portrait of author (12), 134 and (135-136) ff.; 17th century blind-ruled and decorated panelled calf, decorated panelled spine, 8vo, Antwerp: Gulielmus Simon, 1568

Los 234

° Bizot, Pierre. Histoire Metallique de la Republique de Hollande.nouvelle edition, augmentee de medailles. 2 vols (in one). engraved pictorial and printed titles, portrait, 116 plates (some folded) and num. text illus., contemp. gilt-ruled calf, gilt-decorated and panelled spine, marbled e/ps. Amsterdam, 1688

Los 236

° The Book of Common Prayer ...portrait frontis and 43 engraved plates; contemp. calf, gilt-decorated borders, panelled spine, 12mo. printed for the Assigns of John Bill and Ch. Barker, 1677

Los 247

° [Cavendish, George] The Life and Death of Thomas Woolsey, Cardinal ...folded portrait frontis. old calf (distressed). 1667; bound with: [Hoddesdon, John] Tho. Mori ... or, the History of Sir Thomas More ... (without the portrait). 1652

Los 261

° Evelyn, John. Numismata. A Discourse of Medals, Ancient and Modern ...to which is added a Digression concerning Physiognomy. title in red and black, 2 'tipped-in' plates, num. text illus. and (loosely inserted) the Bartolozzi portrait (1776); contemp. calf, roy. 4to. 1697

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