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Elsie Wright Still life studies with pots Royal Drawing Society entrance, from Maida Vale High School, pencil on paper drawing with vases by Aller Vale of Brannam, mounted, 'Utrecht' an engraving by Margery Alexander, 'Esther', 1924 an engraving by Christopher Hughes, a photographic portrait and two other prints, original label to front, 58 x 42cm (frame), (6)
English school (19th century),A tondeau portrait miniature depicting a young lady in profile with lace cap and collar,Watercolour on ivory,Indistinctly signed,6.5cm diameter,In relief cast brass frame with foliate finial and easel stand, 14cm x 11cm overall,With an early 20th century oval framed half length portrait miniature on ivorine depicting a young lady, 11cm high (2) Trevanion Auctioneers & Valuers do not ship items containing ivory outside the UK. Trevanion recommends that buyers check with their own government regarding any importation requirements prior to placing a bid. A buyer's inability to import these lots cannot justify a delay in payment or sale cancellation.The government have proposed legislation to create a UK law to ban the sale of all ivory. Please note this means that this lot is legal to sell now but may not be in the future.
Pre-Raphaelite school (19th century),A bust length portrait miniature depicting a young lady with flowing red hair,Watercolour on ivory,In oval gilt mount,10.5cm x 7.5cm,Gilt framed, 18.5cm x 17cm overall CONDITION REPORT:The paint surface appears to be in good overall condition. Examination under UV light shows no visible evidence of repair or restoration. There are pale areas to the cheek and neck on the right side of the image. These areas appears to have been painted in the underlying skin tone, and then shaded around to create highlights. There is no indication that anything has been rubbed away in these areas, however buyers should satisfy themselves by viewing prior to bidding. Trevanion Auctioneers & Valuers do not ship items containing ivory outside the UK. Trevanion recommends that buyers check with their own government regarding any importation requirements prior to placing a bid. A buyer's inability to import these lots cannot justify a delay in payment or sale cancellation.The government have proposed legislation to create a UK law to ban the sale of all ivory. Please note this means that this lot is legal to sell now but may not be in the future.
Chinese School (19th century), Gouache on paper, Ancestral Portrait of a 8th Rank Civil Official, 88cm x 46.5cm, Mounted onto a large scroll Condition report; The mount (scroll) has areas of creasing, staining and foxing. The painted panel shows some areas of rubbing wear to the surface. Please see additional images for clarification.
CHRISTO (Bulgaria, 1935)"Wrapped Monument Vittorio Emanuele II, 1975.Photograph mounted on cardboard. H.C. copy.Enclosed polygraph certificate.Signed and justified in the lower right corner.Measurements: 76 x 56 cm.The monument to the King of Italy Vittorio Emanuele II, in Piazza del Duomo, and the monument to Leonardo da Vinci, in Piazza della Scala, were wrapped with polypropylene fabric and red polypropylene rope, in the fall of 1970, in Milan, Italy.The fabric had been sewn in advance according to patterns that allowed for wide folds. The two wrapped monuments could be seen from the center of the Galleria, simultaneously, at each end of the large 19th century vaulted pedestrian passageway.Christo together with Jeanne-Claude a renowned artistic couple of the late 20th century, the wrapped objects of are some of the most extreme examples of modern conceptual art. Christo Valdimirov Javacheff, the primary artist and designer of the duo's projects, studied between 1952 and 1956 at the Academy of Fine Arts in Sofia, then spent a year in Prague. In 1957 Christo fled the socialist state and settled in Vienna, from where he traveled to Geneva and finally to Paris, settling in the French capital. His life in Paris was characterized by economic deprivation and social isolation, which was increased by his difficulty in learning the French language. He earned money painting portraits, which he compared to prostitution. Visiting the city's galleries and museums, he was inspired by the work of Joan Miró, Nicholas de Stael, Jackson Pollock, Jean Tinguely and mainly Jean Dubuffet. In January 1958, Christo made his first piece of "wrapped art"; he covered an empty paint jar with a canvas soaked in acrylic. He tied it up and colored it with glue, sand and automobile paint. Christo and Jeanne-Claude met in Paris in November 1958, when he was commissioned to paint a portrait of her mother. Although Jeanne-Claude married another man, she became pregnant by Christo and left her husband after their honeymoon. Despite opposition from Jeanne-Claude's family, the couple married in 1962. By 1959, Christo had changed his approach to wrapped objects. Instead of embellishing the wrapped material with glue and sand, he kept it intact. The following year, he stopped painting altogether and completed his "Inventory" series. In 1961 he tackled what would be his first project with large objects, wrapping barrels in the German port of Cologne. In 1962, as a couple, Christo and Jeanne-Claude tackled their first monumental project, "Rideau de fer" ("Steel Curtain"), as a statement against the Berlin Wall. The work consisted of blocking off Visconti Street over the river with oil barrels. Although Christo was simultaneously holding his first gallery exhibition, it was the Visconti project that made him known in Paris. In 1964 the couple settled in New York, and continued to carry out projects and exhibitions both in the United States and Europe. In 1968 they participated in Documenta 4 in Kassel, and in 1969 they undertook one of their most famous projects, that of wrapping the Little Bay waterfront in Sydney, Australia. Since then, Christo and Jeanne-Claude have undertaken numerous large-scale projects around the world, including "Running fence" and "Wrapped walk".
° Agrippa, Henricus Cornelius (1486?-1535). Opera in Duos Concinnie Digesta,2 vols in 1, 8vo, contemporary blind stamped armorial vellum, vol 1 lacking title page and portrait, with 9 tables, vol 2 lacking pages 513-552, many leaves browned, a few pages and engraved devices with 19th/20thc ink annotations, Lyon, Beringo fratres, [but Strassburg? 1630?]
° Brooke, Henry Francis (1836-1880) - Private Journal of Henry Francis Brooke, late Brigadier-General Commanding 2nd Infantry Brigade Kandahar Field Force Southern Afghanistan, 8vo. Black morocco gilt lined, with photo portrait, title with ink presentation inscription - ‘’ Mrs. Law, yours sincerely Annie Brooke, Ashbrooke, [Enniskillen], August 9th 1882, printed by William Curwen, Dublin, 1881Note:The British attempted to silence the enemy batteries during the start of the Siege of Kandahar, on 16th August 1880. Brigadier-General Brooke, commanded the operation, but was among those killed that day. The journal states, ‘’I oppose our forward policy in Afghanistan. They [the Afghans] are a very war-like people and prefer tyranny and misgovernment from their own kind to, order after the English fashion’’
° Bizot, Pierre. Histoire Metallique de la Republique de Hollande.nouvelle edition, augmentee de medailles. 2 vols (in one). engraved pictorial and printed titles, portrait, 116 plates (some folded) and num. text illus., contemp. gilt-ruled calf, gilt-decorated and panelled spine, marbled e/ps. Amsterdam, 1688

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