Joe Stefanelli (American, 1921-2017), portrait of a solider. Pencil. Signed lower right. 42.5 x 35cm. With nude female study, pastel, 63 x 48cm. (2)Provenance: from a private collection of the artist's work. Stefanelli is most well known as a New York School Abstract Expressionist, with contemporaries including Jackson Pollock and Willem de Kooning. This collection focuses instead on the earlier stages of Stefanelli's career, with an emphasis on the war paintings that the artist produced for YANK magazine in the Pacific theatre during World War II. Many of these pictures were previously displayed as part of the exhibition 'Joe Stefanelli: The War Years (1943-1945)' at Brown University, Providence, US.
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§ Richard Hamilton (British, 1922-2011), 'Portrait of the Artist by Francis Bacon'. Collotype and screenprint. Signed, titled and numbered 79/140 in pencil to margin, with watermark. Sheet size 81.5 x 69.5cm. Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org.uk for more information. Condition Report: § Some mould, foxing and general wear, especially to the margins of the image.
§ Igor Talwinski (Polish, 1907-1983), nude portrait of a young woman (1980). Oil on canvas. Signed lower left. Framed. Image size 55 x 44cm. Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org.uk for more information. Condition Report: § Very good condition, with minimal visible wear.
§ Dan Pearce (Australian / British, b.1973). 'Rave To The Grave - NEON'. Collage of early 90s rave flyers and rave memorabilia . Finished with a raised neon light, bright yellow of the iconic smiley face. Light working, with plug and switch. Signed by the artist with a smiley face verso. 80cm x 80cm. Dan Pearce's mission statement: "Dan Pearce is a contemporary mixed media artist, his works take inspiration from street and pop art and juxtaposing it with fine art, his work is bold and confident in style often completely transforming iconic portraits with his own inimitable style and blurring lines between new media, pop and digital art" (https://danpearce-art.com/). Dan Pearce combines modern day street art with the influences of the likes of Warhol and Lichtenstein in works full of energy and texture. Bringing together styles and materials including graffiti, traditional painting, collage, and neon lighting. Dan has been exhibiting since 2013 throughout the UK as well as internationally. He has held successful solo exhibitions in London and his specially commissioned portrait of Anthony Joshua hangs above the boxing ring at the heavyweight champions training camp. His artwork is also collected by a plethora of stars including RagnBone Man, 50Cent and a host of footballers, he is one of the UKs most talked about and collectable contemporary artists. The neon collection, of which this piece is a part, is a collection of iconic portraits, hand embellished sprayed frames and fitted neon lighting. The piece was created by Dan Pearce in the lockdown of 2020. See https://danpearce-art.com/product/rave-to-the-grave-neon/. For a video of the creation of this artwork interspersed with interviews about the early 90s rave scene visit the folllowing link: https://www.instagram.com/p/B98-z4CnwDc/?utm_medium=copy_link. Provenance: purchased from Whitewall Galleries in 2021. Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org.uk for more information. Condition Report: § Generally good condition, with some marks and surface scratches that may be part of the original making process.
MARCELINO DE UNCETA Y LÓPEZ (Zaragoza, 1835 - Madrid, 1905)."Cavalry".Oil on cardboard.Signed in the lower right corner.Size: 18 x 22 cm; 38 x 42,5 cm (frame).On an ordered and clear composition, built in depth based on diagonals, Unceta unfolds an agile, gestural and fast brushstroke, which reflects the vibrant atmosphere of the moment and the flashes that the role draws from the soldiers' weapons, their uniforms and horses.Marcelino de Unceta abandoned his military career to devote himself to painting. He entered the San Luis School of Fine Arts in Saragossa. He later continued his studies at the San Fernando School of Fine Arts in Madrid, where he was a disciple of the Madrazo and Carlos Luis Ribera brothers. He took part in the National Exhibitions of Fine Arts as a history painter, and in the 1864 exhibition the State acquired one of his works, "A Moroccan Carrying a Horse". He was also an illustrator, and his works include the lithographs he produced for the "Historia de la villa y corte de Madrid", by Amador y Rada, first published in 1860. In 1866 he returned to Saragossa, where he carried out important commissions such as those for the Basilica del Pilar and the municipal theatre. He later returned to Madrid, where he painted a portrait of Alfonso XII and continued to take part in the National Exhibitions. He is represented in the Prado Museum, the Museum of Fine Arts in Saragossa and the Central University of Barcelona.
EDUARDO CHICHARRO BRIONES (Madrid, 1905 - 1964)."Bailaora".Oil on canvas.Signed in the lower left corner.Measurements: 117 x 74 cm; 133 x 90 cm (frame).In this portrait of a dancer, Chicharro manages to capture the vivacity of the jovial and artistic gesture, enhanced by the feminine way of waving the mantilla, taking sparkles from its golden fringes and the satin of the silk blouse.A painter and poet, one of the main theoreticians of Postism along with Carlos Edmundo de Ory and Silvano Sernesi, he was the son of Eduardo Chicharro y Agüera, who had been King Alfonso XIII's chamber painter. In 1912 his father was appointed director of the Spanish Academy in Rome and the family moved to the Italian capital, where they remained until 1925. Eduardo Chicharro Briones returned to Spain to do his military service, and in 1928 he returned to Rome to enjoy a scholarship from the San Fernando Royal Academy of Fine Arts, remaining in the Italian capital until 1935. During these years he came into contact with the surrealist painter Gregorio Prieto, with whom he carried out a series of artistic experiments that anticipated Postism, and with César González Ruano. He then made a series of trips around Europe and returned to Spain for good in 1943, when he was appointed professor of artistic drawing at the School of Arts and Crafts in Madrid, as well as professor of drawing pedagogy at the San Fernando Royal Academy. Around this time he began to frequent the intellectual gatherings in cafés, especially the Café Pombo. In 1944, together with Ory and Sernesi, he created Postism, an aesthetic movement that was intended to be an alternative to the uprooted poetry of the time, and which sought to synthesise all the avant-garde movements developed before the Civil War. His pictorial work is currently held in various collections, mainly private collections.
CARLES NADAL FARRERAS (Paris, 1917 - Sitges, Barcelona, 1998)."Female portrait", 1944.Oil on canvas.Signed and dated in the lower right corner.Work verified by Alejandro NadalMeasurements: 80 x 65 cm; 101 x 85 cm (frame).This is a work from an early period by Carles Nadal. In this interior scene, Nadal introduces us into the room of a young woman who turns around, adopting a casual attitude, as if she had been surprised by our intrusion. Nadal's was a painting with a synthetic stroke, paradoxically combining attentive description with a swift, energetic impulse. This can be seen in the liveliness of the girl's face, the faint flush of her cheeks and the brilliance of her pupils.The son of Santiago Nadal, a painter and decorator based in Paris, Carles Nadal has lived in Barcelona since childhood, where the family moved due to his father's illness. At the age of thirteen he began to work as an apprentice in a decorative painting workshop, and in 1936 he received a grant from Barcelona City Council to study at the Sant Jordi School of Fine Arts. At the outbreak of the Civil War he is recruited into the Republican army, with which he fights on the Aragon and Tremp fronts. At the beginning of 1939 he crossed the French border and was interned in the Saint Cyprien refugee camp, where he remained for several months. He managed to escape and cross the border again, but was arrested and imprisoned in Figueras. On parole he returned to Barcelona, where he continued his artistic career while simultaneously working as a decorator and studying Fine Arts. In 1941 he makes his debut in a group exhibition at the Dalmau gallery, receiving good reviews. He finished his studies with good marks, obtaining the recognition of teachers and professors, some of whom became friends and collaborators of the young Nadal. In fact, it was one of them, Luis Muntané, who enabled him to hold his first individual exhibition in 1944, at La Pinacoteca in Barcelona. Two years later he moved to Paris, again with a grant from the Barcelona City Council. There he worked and exhibited with the group Présence de l'Homme, as well as taking part in the Salons d'Automne. Later he attended the Paris School of Fine Arts, thanks to a grant from the French State. In 1948 he married Flore Joris and settled in Brussels, where he remained until the mid-1970s. In Belgium he discovered, as he himself repeatedly stated, light and colour. During these years he continued to show his work both in Spain and Belgium and in France, Germany, Holland, Switzerland, the United Kingdom and the United States. Nadal's painting is post-impressionist in character, intensely colourful, and is based on the search for chromatic force as the most direct means of communication. His awards include the Grand Prix de Spa, Belgium, and his appointment as a member of the Royal Academy of London. His works can be found at MACBA, the Spa Museum in Belgium and the Royal Museum in Brussels.
EUSEBIO VALLDEPERAS MERICH (Barcelona, 1827-Madrid, 1900)."Virgin of Mount Carmel. Rome, 1858.Oil on canvas.Signed, dated and located in the lower margin.Period frame.It presents two small tears in the inferior zone.Measurements: 175 x 122 cm; 200 x 147 cm (frame).The Romantic painter Eusebio Valldeperas combined history painting and portrait painting with religious themes, which he developed with paintings such as the one in question, painted during his stay in Rome. The Maternity is depicted in his invocation as the Virgin of Carmel. Eusebio Valldeperas was a knight of the order of Charles III, commander of the order of Isabella the Catholic, chamber painter and member of the Academies of Geography and Archaeology. He began his training at the Barcelona School of Drawing and at that of Antonio Esplugas. He furthered his training at the San Fernando School in Madrid, where he was a pupil of Federico de Madrazo and Carlos Luis de Ribera, and in Paris with the master Léon Cogniet. He travelled to Belgium, Germany and Italy, which enabled him to meet Johann Friedrich Overbeck, whose influence would be very important in the development of his style. He submitted his works to national and foreign exhibitions and won honourable mentions at the National Exhibitions of 1860 and 1862, as well as third medals at the 1858, 1864 and 1867 editions, and was awarded the same prize at the Franco-Spanish Exhibition in Bayonne in 1864. His work falls within the framework of late Romantic purism with clear Nazarene influences. He donated his work La casta Susana sorprendida en el baño ("The Chaste Susanna Surprised in the Bath") to the Museum of Modern Art, from which it was transferred to the Prado in 1971.
A Japanese woodblock print, depicting a half-length portrait of a seated bijin, black two-character signature and red seal to right margin, 38cm x 27.5cm, framed and glazed.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Chinese black and white photograph, probably early 20th century, depicting a half-length portrait of a gentleman wearing a hat, 46.5cm x 34cm, framed.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
ERIC WARD. 'St Ives: From His Studio and Beyond,' signed and inscribed by the artist 'To Terry and Marion,' Halsgrove, 2003; With one other signed Eric Ward and a signed and inscribed 'Portscatho: Portrait of a Cornish Art Colony,' by Chris Insoll. (3)Formely from the estate of Terry and Marion Whybrow.
BINDINGS. 'Hudibras, in Three Parts, Written in the Time of the Late Wars....' by Samuel Butler and a preface by Zachary Grey, two vols, half leather with marbled boards, engraved portrait frontispiece to volume 1, 16 engraved plates (one folding), wood engraved vignette illustrations, Vernor et al, London, 1806; with five other nineteenth century works including 'The Devil Upon Two Sticks, Translated from the Diable Boiteaux of M. Le Sage.....Dialogues between two Cimneys of Madrid,' 1815. (7)
JEFFERY FARNOL. 'The Broad Highway: A Romance of Kent,' original cloth with highly decorative gilt front board and spine, rubbed and bumped, slight toning to textblock, sporadic foxing, Sampson Low Marston & Co, London; 'The Amateur Gentleman,' original cloth with highly decorative gilt front board and spine, rubbed and bumped, slight toning to textblock, Sampson Low Marston & Co, London; 'The Honeymoon,' original cloth, Dodd. Mead & Company, New York, 1911; 'The Honourable Mr Tawnish,' original cloth, Sampson Low Marston & Co, London, 1913; 'Portrait of A Gentleman in Colours: The Romance of Mr. Lewis Berger,' original yellow cloth, Sampson Low, Marston & Co, London; With thirty-three other Farnol's, twelve of which have dj's. (38)
Frank Ifield signed album Sleeve titled Portrait of Frank Ifield 33 rpm vinyl record included. Francis Edward Ifield OAM (born 30 November 1937) is a British-Australian country music singer and guitarist who often incorporated yodelling into his music. After living in Australia, Ifield returned to the United Kingdom in November 1959 where he had four number-one hits on the UK Singles Chart with his cover versions of I Remember You (May 1962), Lovesick Blues (December), The Wayward Wind (March 1963) and Confessin' That I Love You (September). In 2003, Ifield was inducted into the Australian Roll of Renown. Ifield was inducted into the ARIA Hall of Fame at the ARIA Music Awards of 2007. In 1986 he contracted pneumonia, which resulted in removal of part of a lung and damage to his vocal cords. He relocated to Sydney in 1988 and was unable to sing or yodel for years as he recovered. In June 2009 he was presented with the Medal of the Order of Australia, For service to the arts as an entertainer. He was first married to Gillian Bowden (1965-88) and the couple had two children. His second marriage was to Carole Wood (1992-present). In 2005 he co-wrote his autobiography, I Remember Me: the First 25 Years, with Pauline Halford. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

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