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Los 3052

Joe Stefanelli (American, 1921-2017), portrait of a solider. Pencil. Signed lower right. 42.5 x 35cm. With nude female study, pastel, 63 x 48cm. (2)Provenance: from a private collection of the artist's work. Stefanelli is most well known as a New York School Abstract Expressionist, with contemporaries including Jackson Pollock and Willem de Kooning. This collection focuses instead on the earlier stages of Stefanelli's career, with an emphasis on the war paintings that the artist produced for YANK magazine in the Pacific theatre during World War II. Many of these pictures were previously displayed as part of the exhibition 'Joe Stefanelli: The War Years (1943-1945)' at Brown University, Providence, US.

Los 3186

Ella Neustein (twentieth century), portrait of a lady. Batik. Framed and glazed. Image size 32 x 39cm.

Los 3245

Three contemporary female portraits. Oil on canvas. Unsigned. Larger portrait 66 x 71cm. Two smaller portraits both 61 x 51cm. Unframed. (3)

Los 3161

§ Richard Hamilton (British, 1922-2011), 'Portrait of the Artist by Francis Bacon'. Collotype and screenprint. Signed, titled and numbered 79/140 in pencil to margin, with watermark. Sheet size 81.5 x 69.5cm. Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org.uk for more information. Condition Report: § Some mould, foxing and general wear, especially to the margins of the image.

Los 3039

§ Igor Talwinski (Polish, 1907-1983), nude portrait of a young woman (1980). Oil on canvas. Signed lower left. Framed. Image size 55 x 44cm. Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org.uk for more information. Condition Report: § Very good condition, with minimal visible wear.

Los 3020A

Oil on canvas painting after 'Portrait of the Duchess de la Salle' (1925) by Tamara de Lempicka (Polish, 1898-1980), 89 x 59cm, with gilt frame. Condition Report: Very good condition, with minimal visible wear.

Los 3000

§ Dan Pearce (Australian / British, b.1973). 'Rave To The Grave - NEON'. Collage of early 90s rave flyers and rave memorabilia . Finished with a raised neon light, bright yellow of the iconic smiley face. Light working, with plug and switch. Signed by the artist with a smiley face verso. 80cm x 80cm. Dan Pearce's mission statement: "Dan Pearce is a contemporary mixed media artist, his works take inspiration from street and pop art and juxtaposing it with fine art, his work is bold and confident in style often completely transforming iconic portraits with his own inimitable style and blurring lines between new media, pop and digital art" (https://danpearce-art.com/). Dan Pearce combines modern day street art with the influences of the likes of Warhol and Lichtenstein in works full of energy and texture. Bringing together styles and materials including graffiti, traditional painting, collage, and neon lighting. Dan has been exhibiting since 2013 throughout the UK as well as internationally. He has held successful solo exhibitions in London and his specially commissioned portrait of Anthony Joshua hangs above the boxing ring at the heavyweight champions training camp. His artwork is also collected by a plethora of stars including RagnBone Man, 50Cent and a host of footballers, he is one of the UKs most talked about and collectable contemporary artists. The neon collection, of which this piece is a part, is a collection of iconic portraits, hand embellished sprayed frames and fitted neon lighting. The piece was created by Dan Pearce in the lockdown of 2020. See https://danpearce-art.com/product/rave-to-the-grave-neon/. For a video of the creation of this artwork interspersed with interviews about the early 90s rave scene visit the folllowing link: https://www.instagram.com/p/B98-z4CnwDc/?utm_medium=copy_link. Provenance: purchased from Whitewall Galleries in 2021. Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org.uk for more information. Condition Report: § Generally good condition, with some marks and surface scratches that may be part of the original making process.

Los 48

MARCELINO DE UNCETA Y LÓPEZ (Zaragoza, 1835 - Madrid, 1905)."Cavalry".Oil on cardboard.Signed in the lower right corner.Size: 18 x 22 cm; 38 x 42,5 cm (frame).On an ordered and clear composition, built in depth based on diagonals, Unceta unfolds an agile, gestural and fast brushstroke, which reflects the vibrant atmosphere of the moment and the flashes that the role draws from the soldiers' weapons, their uniforms and horses.Marcelino de Unceta abandoned his military career to devote himself to painting. He entered the San Luis School of Fine Arts in Saragossa. He later continued his studies at the San Fernando School of Fine Arts in Madrid, where he was a disciple of the Madrazo and Carlos Luis Ribera brothers. He took part in the National Exhibitions of Fine Arts as a history painter, and in the 1864 exhibition the State acquired one of his works, "A Moroccan Carrying a Horse". He was also an illustrator, and his works include the lithographs he produced for the "Historia de la villa y corte de Madrid", by Amador y Rada, first published in 1860. In 1866 he returned to Saragossa, where he carried out important commissions such as those for the Basilica del Pilar and the municipal theatre. He later returned to Madrid, where he painted a portrait of Alfonso XII and continued to take part in the National Exhibitions. He is represented in the Prado Museum, the Museum of Fine Arts in Saragossa and the Central University of Barcelona.

Los 62

EDUARDO CHICHARRO BRIONES (Madrid, 1905 - 1964)."Bailaora".Oil on canvas.Signed in the lower left corner.Measurements: 117 x 74 cm; 133 x 90 cm (frame).In this portrait of a dancer, Chicharro manages to capture the vivacity of the jovial and artistic gesture, enhanced by the feminine way of waving the mantilla, taking sparkles from its golden fringes and the satin of the silk blouse.A painter and poet, one of the main theoreticians of Postism along with Carlos Edmundo de Ory and Silvano Sernesi, he was the son of Eduardo Chicharro y Agüera, who had been King Alfonso XIII's chamber painter. In 1912 his father was appointed director of the Spanish Academy in Rome and the family moved to the Italian capital, where they remained until 1925. Eduardo Chicharro Briones returned to Spain to do his military service, and in 1928 he returned to Rome to enjoy a scholarship from the San Fernando Royal Academy of Fine Arts, remaining in the Italian capital until 1935. During these years he came into contact with the surrealist painter Gregorio Prieto, with whom he carried out a series of artistic experiments that anticipated Postism, and with César González Ruano. He then made a series of trips around Europe and returned to Spain for good in 1943, when he was appointed professor of artistic drawing at the School of Arts and Crafts in Madrid, as well as professor of drawing pedagogy at the San Fernando Royal Academy. Around this time he began to frequent the intellectual gatherings in cafés, especially the Café Pombo. In 1944, together with Ory and Sernesi, he created Postism, an aesthetic movement that was intended to be an alternative to the uprooted poetry of the time, and which sought to synthesise all the avant-garde movements developed before the Civil War. His pictorial work is currently held in various collections, mainly private collections.

Los 63

CARLES NADAL FARRERAS (Paris, 1917 - Sitges, Barcelona, 1998)."Female portrait", 1944.Oil on canvas.Signed and dated in the lower right corner.Work verified by Alejandro NadalMeasurements: 80 x 65 cm; 101 x 85 cm (frame).This is a work from an early period by Carles Nadal. In this interior scene, Nadal introduces us into the room of a young woman who turns around, adopting a casual attitude, as if she had been surprised by our intrusion. Nadal's was a painting with a synthetic stroke, paradoxically combining attentive description with a swift, energetic impulse. This can be seen in the liveliness of the girl's face, the faint flush of her cheeks and the brilliance of her pupils.The son of Santiago Nadal, a painter and decorator based in Paris, Carles Nadal has lived in Barcelona since childhood, where the family moved due to his father's illness. At the age of thirteen he began to work as an apprentice in a decorative painting workshop, and in 1936 he received a grant from Barcelona City Council to study at the Sant Jordi School of Fine Arts. At the outbreak of the Civil War he is recruited into the Republican army, with which he fights on the Aragon and Tremp fronts. At the beginning of 1939 he crossed the French border and was interned in the Saint Cyprien refugee camp, where he remained for several months. He managed to escape and cross the border again, but was arrested and imprisoned in Figueras. On parole he returned to Barcelona, where he continued his artistic career while simultaneously working as a decorator and studying Fine Arts. In 1941 he makes his debut in a group exhibition at the Dalmau gallery, receiving good reviews. He finished his studies with good marks, obtaining the recognition of teachers and professors, some of whom became friends and collaborators of the young Nadal. In fact, it was one of them, Luis Muntané, who enabled him to hold his first individual exhibition in 1944, at La Pinacoteca in Barcelona. Two years later he moved to Paris, again with a grant from the Barcelona City Council. There he worked and exhibited with the group Présence de l'Homme, as well as taking part in the Salons d'Automne. Later he attended the Paris School of Fine Arts, thanks to a grant from the French State. In 1948 he married Flore Joris and settled in Brussels, where he remained until the mid-1970s. In Belgium he discovered, as he himself repeatedly stated, light and colour. During these years he continued to show his work both in Spain and Belgium and in France, Germany, Holland, Switzerland, the United Kingdom and the United States. Nadal's painting is post-impressionist in character, intensely colourful, and is based on the search for chromatic force as the most direct means of communication. His awards include the Grand Prix de Spa, Belgium, and his appointment as a member of the Royal Academy of London. His works can be found at MACBA, the Spa Museum in Belgium and the Royal Museum in Brussels.

Los 8

EUSEBIO VALLDEPERAS MERICH (Barcelona, 1827-Madrid, 1900)."Virgin of Mount Carmel. Rome, 1858.Oil on canvas.Signed, dated and located in the lower margin.Period frame.It presents two small tears in the inferior zone.Measurements: 175 x 122 cm; 200 x 147 cm (frame).The Romantic painter Eusebio Valldeperas combined history painting and portrait painting with religious themes, which he developed with paintings such as the one in question, painted during his stay in Rome. The Maternity is depicted in his invocation as the Virgin of Carmel. Eusebio Valldeperas was a knight of the order of Charles III, commander of the order of Isabella the Catholic, chamber painter and member of the Academies of Geography and Archaeology. He began his training at the Barcelona School of Drawing and at that of Antonio Esplugas. He furthered his training at the San Fernando School in Madrid, where he was a pupil of Federico de Madrazo and Carlos Luis de Ribera, and in Paris with the master Léon Cogniet. He travelled to Belgium, Germany and Italy, which enabled him to meet Johann Friedrich Overbeck, whose influence would be very important in the development of his style. He submitted his works to national and foreign exhibitions and won honourable mentions at the National Exhibitions of 1860 and 1862, as well as third medals at the 1858, 1864 and 1867 editions, and was awarded the same prize at the Franco-Spanish Exhibition in Bayonne in 1864. His work falls within the framework of late Romantic purism with clear Nazarene influences. He donated his work La casta Susana sorprendida en el baño ("The Chaste Susanna Surprised in the Bath") to the Museum of Modern Art, from which it was transferred to the Prado in 1971.

Los 2038

Mrs J M Jopling (nee Louis Goode) (1843 - 1933), oil on canvas, Classical style portrait of a girl, signed and dated 1900, 35cm x 25cm, framedGood condition, 1 small patch repair not visible from the front

Los 2272

Oil on canvas, circa 1930s, portrait of a gentleman, unsigned, 91cm x 70cm, unframedGood condition

Los 2000

Mid-19th century coloured pastels, portrait of the Duke of Wellington, indistinctly signed Van Bever?, dated 1852, overall frame dimensions 22cm x 17cmVery good condition, possibly a few very minor spots in the background

Los 2004

19th century oval reverse painting behind convex glass, portrait of a woman holding a book, original moulded gilt-gesso frame, overall frame dimensions 26" x 23"Glass is perfect, a few areas of paint discolouration, frame has a few tiny gesso chips, generally good

Los 2002

A 19th century oil on canvas, half length portrait of a gentleman, unsigned, 60cm x 50cm, framedCanvas has been re-lined by no obvious signs of repaired tears or overpainting

Los 2261

Late 19th century oil on canvas, large scale portrait of a woman, unsigned, 125cm x 90cm, framedGood original condition, no canvas damage repairs or overpainting, original gilt frame also in good condition

Los 2034

Henry Wilson, oil on canvas, naive portrait of blue-grey bullock, signed and dated 1913, 50cm x 68cm, unframedGood original condition, would benefit from a clean

Los 2037

William Nicholson, wood engraving, portrait of James Pryde, published Studio Magazine 1899, image 20cm x 15cm, framedGood condition

Los 2001

A 19th century oil on canvas, portrait of a gentleman, unsigned, 52cm x 43cm, framedGood condition

Los 2064

19th century watercolour, portrait of a girl, unsigned, 22cm x 16cm, framedSome light foxing on the arms and the clothes, a few tiny fox marks on the face, original gesso frame in good condition

Los 2080

19th century oil on canvas, portrait of a woman, unsigned, 76cm x 63cm, unframedGood original condition with paint crazing and bitumen crazing in the darker areas, no canvas damage or repairs

Los 2190

Mid-20th century oil on board, cubist style portrait, unsigned, 73cm x 57cm, unframedHardboard is dented on the edges and 1 surface abrasion scratch on right-hand edge

Los 2006

A late 19th century oil on canvas, portrait of a boy with a red cap, unsigned, 43cm x 35cm, framedGood original condition, a few light surface paint scratches in bottom right-hand corner, probably original frame

Los 2150

Cipolla, pair of charcoal portrait studies, signed, 30cm x 26cm, framedBoth have light foxing, study of a boy has tear on bottom edge

Los 2278

Contemporary oil on board, surrealist portrait, unsigned, 50cm x 40cm, framedGood condition

Los 2275

Attributed to William Russell Flint, charcoal/chalk portrait of a woman, signed, 22cm x 18cm, framedSlight paper discolouration and a few very light fox marks

Los 2003

A 19th century oil on canvas, portrait of a woman, unsigned, 50cm x 40cm, framedGood condition, no canvas damage or overpainting

Los 2218

20th century British School, after the Antique, oil on board, portrait of a dog, unsigned, 50cm x 60cm, framedGood condition

Los 2193

Thomas Worlidge (1700 - 1766), dry point etching, portrait of the artist Jean Liotard, printed 1754, together with a later engraving of the artist as a young man (2)

Los 1232

A Japanese woodblock print, depicting a half-length portrait of a seated bijin, black two-character signature and red seal to right margin, 38cm x 27.5cm, framed and glazed.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Los 1238

A Chinese black and white photograph, probably early 20th century, depicting a half-length portrait of a gentleman wearing a hat, 46.5cm x 34cm, framed.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Los 152

Five late 19thC to mid 20thC portrait miniatures and cameos 

Los 178

A 19thC gold coloured metal framed portrait miniature, a middle aged man, wearing smart attire; and a later back-to-back portrait miniature set brooch 

Los 195

Film Interest - Quantity of call sheets to include; Judge Dredd, 101 Dalmations, The Saint, Portrait of a Lady, Ken Russell's Treasure Island, etc.

Los 216

Quantity of objects of virtue to include portrait miniatures, mother-of-pearl silver folding fruit knife, First World War War Medal awarded to K.17078 F.A. Longley STO.1 R.N, etc

Los 530

Naver - Oil on board - Portrait of a gentleman, signed lower right, 60cm x 54cm, gilt framed

Los 210

A late 19thC British School - a portrait of a girl, in a woodland setting  oil on canvas  10" x 11"  framed; and a contemporary study, a girl holding a puppy  pencil & watercolour  5" x 7"  framed

Los 60

Attributed to Eve Disher - 'Nova Pilbeam' a head and shoulders portrait  mixed media  bears labels & bio verso  22" x 17"  framed

Los 96

A set of three Asian silvered steel tablets, each featuring the profile head and shoulders portrait of an uniformed man, wearing a feathered headdress  1.75"dia  cased

Los 510

G ELLISON (ZAMBIAN, 20TH CENTURY) Portrait of a Mansigned G Ellison lower right, oil on board74 x 61cmQty: 1Lusaka Art Society label verso

Los 581

^ ETHEL C R BROWNE (BRITISH, 20TH CENTURY) Portrait of a Ladysigned E C R Browne under mount, pastel39 x 32cmQty: 1

Los 689

PRE-RAPHAELITE SCHOOL (19TH/20TH CENTURY) Portrait of a Ladysigned A.F.K lower left, conte drawing 24 x 22cmQty: 1

Los 717

A.B (AFTER RAEBURN) Portrait of a Ladyinscribed lower left, oil on canvas40 x 30cm unframedQty: 1

Los 723

ENGLISH SCHOOL (19TH CENTURY) PORTRAIT OF A LADYportrait miniaturetogether with one further portrait miniature5 x 4cmsQty: 2

Los 1816

AN EDWARDIAN OVAL PORTRAIT MINIATURE OF A YOUNG LADY, bust length, housed in a pierced ivory strutt frame with bi-fold front. Painting: 2.75ins x 2.25ins.

Los 1183

A LARGE PAIR OF AUGUSTUS REX PORTRAIT CIRCULAR DISHES, inscribed Mentalar, No. 679 & 680 Mark A. R. in blue 14ins dimeter.

Los 1200

A VERY GOOD 19TH CENTURY VIENNA CIRCULAR PORTRAIT DEEP DISH with blue border and portrait of a young girl. 13ins diameter. Vienna mark in blue.

Los 473

A Continental porcelain cup, painted with a portrait of a girl, restoration to handle, together with a 19th century English porcelain plate and a parian hand

Los 122

A 19th century watercolour miniature portrait, of a boy, 4ins x 4ins

Los 130

A 19th century oil on artist board, oval portrait of a woman dressed in black, maximum diameter 6.5ins

Los 138

A 19th century oil on canvas, portrait of a woman, 36ins x 27.5ins

Los 140

A 19th century oil on board, oval portrait of a woman, inscribed The Locket J Millais to the mount, maximum diameter 6.75ins

Los 3

ERIC WARD. 'St Ives: From His Studio and Beyond,' signed and inscribed by the artist 'To Terry and Marion,' Halsgrove, 2003; With one other signed Eric Ward and a signed and inscribed 'Portscatho: Portrait of a Cornish Art Colony,' by Chris Insoll. (3)Formely from the estate of Terry and Marion Whybrow.

Los 55

BINDINGS. 'Hudibras, in Three Parts, Written in the Time of the Late Wars....' by Samuel Butler and a preface by Zachary Grey, two vols, half leather with marbled boards, engraved portrait frontispiece to volume 1, 16 engraved plates (one folding), wood engraved vignette illustrations, Vernor et al, London, 1806; with five other nineteenth century works including 'The Devil Upon Two Sticks, Translated from the Diable Boiteaux of M. Le Sage.....Dialogues between two Cimneys of Madrid,' 1815. (7)

Los 390

JEFFERY FARNOL. 'The Broad Highway: A Romance of Kent,' original cloth with highly decorative gilt front board and spine, rubbed and bumped, slight toning to textblock, sporadic foxing, Sampson Low Marston & Co, London; 'The Amateur Gentleman,' original cloth with highly decorative gilt front board and spine, rubbed and bumped, slight toning to textblock, Sampson Low Marston & Co, London; 'The Honeymoon,' original cloth, Dodd. Mead & Company, New York, 1911; 'The Honourable Mr Tawnish,' original cloth, Sampson Low Marston & Co, London, 1913; 'Portrait of A Gentleman in Colours: The Romance of Mr. Lewis Berger,' original yellow cloth, Sampson Low, Marston & Co, London; With thirty-three other Farnol's, twelve of which have dj's. (38)

Los 366

Frank Ifield signed album Sleeve titled Portrait of Frank Ifield 33 rpm vinyl record included. Francis Edward Ifield OAM (born 30 November 1937) is a British-Australian country music singer and guitarist who often incorporated yodelling into his music. After living in Australia, Ifield returned to the United Kingdom in November 1959 where he had four number-one hits on the UK Singles Chart with his cover versions of I Remember You (May 1962), Lovesick Blues (December), The Wayward Wind (March 1963) and Confessin' That I Love You (September). In 2003, Ifield was inducted into the Australian Roll of Renown. Ifield was inducted into the ARIA Hall of Fame at the ARIA Music Awards of 2007. In 1986 he contracted pneumonia, which resulted in removal of part of a lung and damage to his vocal cords. He relocated to Sydney in 1988 and was unable to sing or yodel for years as he recovered. In June 2009 he was presented with the Medal of the Order of Australia, For service to the arts as an entertainer. He was first married to Gillian Bowden (1965-88) and the couple had two children. His second marriage was to Carole Wood (1992-present). In 2005 he co-wrote his autobiography, I Remember Me: the First 25 Years, with Pauline Halford. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Los 59

Fine Duke of Edinburgh Memorial 5oz sterling silver proof coin, obverse features Heraldic Royal Arms Design the reverse features a portrait of the Duke of Edinburgh, 65mm in diameter, limited edition 495, boxed with certificate. 

Los 1610

19th.C. ENGLISH SCHOOL. OVAL PORTRAIT OF MOTHER AND SON, WATERCOLOUR. 25 x 20cms. TOGETHER WITH AN OVAL WATERCOLOUR OF A CLASSICAL FIGURE WITH PUTTI AND AN ITALIAN CHARCOAL PORTRAIT OF A GENTLEMAN BY OTHER HANDS, SIZES VARY (3)

Los 1611

EARLY 19th.C. ENGLISH NAIVE SCHOOL. PORTRAIT OF A YOUNG MAN, OIL ON CANVAS. 59 x 46cms, MAPLE FRAME

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