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Friedrich Johann Gottlieb Lieder (German, 1780-1859), an early 19th century portrait miniature pendant, depicting a lady with blue eyes, watercolour, signed and dated Fr. Lieder 1811 to extreme right, within a scrolling foliate gilt frame, 9.4cmCondition- Overall good to fair condition- Painting in good condition, with no obvious damage, only slight rubbing towards edges- Frame shows evidence of repair- Glazing with small nibbles and chips to edges- Width (at widest) 6.6cm- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
An early 20th century portrait miniature pendant, depicting a lady wearing pearls, watercolour, signed with monogram and dated 1911, within a plain frame, 10.5cmCondition- Overall good condition- Painting in good condition, with no obvious damage, only very minor rubbing towards edges- Frame worn and discoloured- Additional jump ring to bail surmount- Width (at widest) 7.5cm- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
A 19th Century album containing sheets of handwritten poetry, prose and seven pencil and chalk drawings of portraits and classical figures, two loose portrait drawings, one signed H.K.B, and an album of fifteen etchings by Jacques Callot, seven amateur drawings after the etchings and three pencil drawings by George Brown, two dated 1829 and 1836 and miscellaneous engravings and etchings, and another album of Victorian sketches, 1860s/70s many inscribed and dated, some with watercolour (parcel)
William Moore of York (British, 19th Century), portrait of Eliza Beatty, nee Moore, only daughter of the beautiful Great Grandma Moore, Nee Jackson and sister of Albert & Henry Moore, Great Great Aunt to Plavia Tony v Peter, oval half length seated wearing a blue dress with a white lace collar, titled on label verso, pastels, 33 by 25cm, gilt frame. Provenance: formerly the property of Mark Philips, a direct descendent of the artist
Eliza Mary Croft (British, late 19th Century), portrait of a young lady in half profile, bust length in a white dress and green shawl, signed with monogram l.l., indistinctly inscribed and dated 1882 on artist's label verso, watercolour, 40 by 28cm, gilt frame. Note: the artist is the sister of artist Arthur Croft (British, 1828-1902).
British School, mid 19th Century, portrait of a gentleman, half length seated in a dark coat; and portrait of his wife, half length seated, in a black and white lace bonnet; portrait of a gentleman, half length in a dark coat and holding a riding crop; portrait of a boy, half length in a brown coat and holding books and British school, late 19th Century, portrait of a lady seated wearing a white bonnet, oil on canvas, largest 75 by 62cm, all unstretched and unframed (5)
†Alice Mary Burton (British, 1893-1968), still life of chrysanthemum in a glass vase, signed with initials l.l., oil on canvas, 55 by 66cm, in the original leaf moulded gilt frame. Notes: Alice Mary Burton (1893-1968) was born on September 21st 1893 in Nogent-sur-Oise in France. She studied art at the Byam Shaw and Vicat Cole School of Art and at the Regent Street Polytechnic School (Bronze and Silver Medals). She was a portrait and figure painter, although she did produce a few landscapes. She was elected a full Member of the Royal Society of British Artists in 1932. She lived in North Wales (1913), Royal Tunbridge Wells and London (1921). Note: Artist Resale Rights apply
William Moore of York (British ,19th Century), portrait of Eliza Beatty, nee Moore wife of Rev Thomas Beatty, seated three quarter length, in a white dress and holding a rose, a view of York Minster in the distance, oil on panel, 47 by 37cm, gilt frame. Provenance: formerly the property of Mark Philips, a direct descendent of the artist
William Moore of York (British, 19th Century), portrait of Mrs Moore, nee Jackson, (1792-1825), wife of the artist, full length standing by a doorway wearing a black dress, pink shawl and straw bonnet, oil on canvas, 52 by 40cm, gilt frame. Provenance: formerly the property of Mark Philips, a direct descendent of the artist
Art Reference. The art reference library of Dr Jeffrey Sherwin (1936-2018), containing numerous exhibition catalogues, artist monographs, coffee-table books, auction catalogues (Sotheby's and Christie's), and similar, on artists including Dali, Henry Moore, Picasso, Van Gogh, and others, publishers including Tate, Thames & Hudson, Royal Academy of Arts, etc., together with assorted other books including vintage Penguin paperbacks (mainly classics of English literature), Yorkshire reference, etc., individual titles including: 1) Horner (Libby, & Gillian Naylor), Frank Brangwyn 1867-1956, 2 copies, limited editions, each numbered 1 of 100 copies, Leeds: Leeds Museums and Galleries, 2007, folio, original red cloth, slipcases, each front cover lettered 'Presented to Dr. Jeffrey Sherwin' in gilt, dedication leaf to each volume reading 'Presented to Dr. Jeffery Sherwin by Leeds Museums and Galleries. This special edition has been hand bound in binders cloth. Limited edition No. 001 of 100', 2) McShine (Kynaston, editor). Andy Warhol. A Retrospective, 1st edition, New York: Museum of Modern Art, 1989, 4to, original patterned boards, clear plastic dust jacket with printed outline portrait and title to front panel, 3) Gilbert (Christopher). Furniture at Temple Newsam and Lotherton Hall, 1st edition, [London?]: published jointly by the National Art-Collections Fund and the Leeds Art Collections, 1978. 2 volumes, 4to, dust jackets, signed by Gilbert and others, together with: Walton (Peter, Creamware and other English Pottery at Temple Newsam House, Leeds, 1st edition, Bradford & London: Manningham Press, 1976. 4to, original cloth, dust jacket, signed by Walton and others, both works housed in single slipcase with gilt morocco label 'To Jeffrey, with good wishes from all his directors in Leisure Services, May 1980', 4) British Surrealism & Other Realities. The Sherwin Colleciton, 2 copies, Middlesbrough: Middlebrough Institute of Modern Art, 2008, 8vo, original cloth-backed photographic boards (qty: 37 boxes) 'Dr Jeffrey Sherwin ... was a GP who became instrumental in creating the Henry Moore Institute in Leeds and who assembled a renowned collection of British surrealist art which he placed on show around the world ... Dr Sherwin was educated at Leeds Grammar, Leeds University and Balliol College, Oxford ... It was in 1977 that he met the Castleford-born sculptor, Henry Moore, and learned that despite his world renown and having studied in Leeds, he had never been invited back to the city. A fruitful relationship ensued, and Dr Sherwin conceived the idea of creating a separate sculpture gallery at the front of the old Leeds City Art Gallery, fighting to secure the £150,000 funding needed to make the Henry Moore Institute a reality. The son of a Jewish GP father, Jeffrey had inherited his interest in art from his mother Rachey, an amateur ceramicist. He began collecting paintings whilst a student in Oxford. An event at Leeds City Art Gallery to commemorate the 50th anniversary of the 1936 International Surrealist Exhibition opened his eyes to British surrealism, and he began to acquire works at auctions and directly from living artists ... It became the largest collection of British surrealist art assembled through amateur enthusiasm rather than for private gain, and works from it have been sent on loan to the Tate in London and the Museum of Modern Art in New York as well as galleries in France, Spain, and Germany' (Obituary, Yorkshire Post, 17 November 2018).
Kopf einer Ptolemäerin, wohl Arsinoe III. (220 - 204 v. Chr.). H 12,3cm. Weißer, feinkristalliner Marmor. Hinten nicht ausgearbeiteter Einsatzkopf mit dem weitgehend idealisierten Bildnis einer jungen Frau mit in der Mitte gescheiteltem Haar. Als etwas individuellere Züge erscheinen die enger stehenden Augen und die doch recht kräftige Nase. Typisch ptolemäisch die großen, glatten Wangen. An den Schläfen ragen zwei nicht genauer definierte Löckchen hervor. Auf der Kalotte zwei Löcher, die wohl zur Befestigung eines Diadems dienten. Etwas berieben. Auf der Unterseite alte Auktionsnummer 44 und Notiz. Provenienz: Ex Sammlung E. U., Bayern; in Deutschland seit vor 1990, erworben bei Galerie von Aberkron, München, 1970er Jahre. Obwohl die Benennung ptolemäischer Herrscherinnenporträts - ein solches liegt zweifelsohne vor - wegen der starken idealisierenden Tendenzen Schwierigkeiten bereitet, scheint eine Identifikation als Arsinoe III., Tochter Ptolemaios II. und Berenike II. und Gemahlin von Ptolemaios IV. nicht aus der Luft gegriffen. Vielmehr reiht sich das Köpfchen aufgrund zahlreicher Gemeinsamkeiten zwanglos in eine Gruppe gleich benannter Porträts ein, zum Beispiel ein Marmorkopf in der Sammlung der Yale University (Inv. 1998.23.10) und ein weiteres Stück in Boston (Richter, Portrait Figs. 1883 f.). Der Kopf in Berlin Inv. 1976.11. wird wahlweise als Arsinoe II. oder III. bezeichnet.
FOOTBALL PRESS PHOTOGRAPHS 1950'S & 1960'S Thirty eight B/W Press photos of various size with stamps or paper notations on the reverse including portrait and action shots. 1950's X 21 including Liverpool v WBA 3/3/1951, Cardiff City v Liverpool 22/8/1959, Portsmouth v Liverpool 24/10/1959, Arsenal v Everton 17/1/1959, Scotland v England 1956, Roy Bentley and Miles Spector of Chelsea portraits, England v Northern Ireland 11/11/1953 and Finland v England 21/5/1956. 1960's X 17 including Arsenal v Ipswich Town 24/11/1962, Peter Osgood 19/12/1967, Portsmouth v QPR 14/1/1962, Argentina in training 5/11/1960, Arsenal v Newcastle Utd. 11/2/1968, West Ham United v Cardiff City 20/4/1962, West Ham v Liverpool 27/2/1965, Arsenal v West ham 14/11/1964 and Alf Ramsey signing autographs 11/1/1967. Generally good
ARSENAL Small miscellany including a 7" X 5" b/w 1930 FA cup winning team group reprinted photo with Press stamp on the reverse, Joe Baker b/w portrait photo postcard P.B. 16, Russian booklet Arsenal F.C. History and a signed Millwall v Arsenal 11/2/1989 programme by Trevor Brooking of West Ham plus John Lukic, Paul Davis and George Graham. Good
JOHN THOMSON / CELTIC On 5 September 1931, Celtic were playing their Old Firm rivals Rangers at Ibrox Park in Glasgow in front of 80,000. Early in the second half Thomson and a Rangers player, Sam English, went for the ball at the same time. Thomson's head collided with English's knee, fracturing his skull and rupturing an artery in his right temple. Thomson was taken off the field in a stretcher; most people assumed that he was just badly concussed, but after an unsuccessful operation, he died later that evening. A 4 page card was issued as a Tribute from William Maley including a poem, a portrait and his honours. Good
Rosso Emerald Crimson Girl in Polke Shirt, 2021 Pencil on Paper Signed on front and verso 15 x 10cm (5¾ x 3¾ in.) Rosso is an award-winning portrait artist who brings intimacy and character to her colourful paintings. Italian born, Rosso lives and works in London since 2004. She's is primarily a self-taught artist. Her artistic accolades include winning the "Jackson Open Painting Prize 2019 (JOPP2019)" for the Portrait/Figure category; the "The Harbour Gallery Award" and "The Artist's Exhibition Award" (TALP Open 2019); "The Holly Bush Emerging Woman Painter Prize 2017" and the "Emerald Winter Pride Art Award" in 2016. She was twice selected to participate in "Sky Portrait Artist of The Year", in SEASON7 aired in 2020 and in 2019. She has exhibited across London in venues including the Mall Galleries, Bloomsbury and The Strand Gallery. Her work has been featured in various UK national magazines (Artists and Illustrator; The Artist's Magazine), and her painting, 'Young Climate Rebel' was the front cover image for the September 2019 issue of Arena Magazine (Australia). Rosso graduated in Political Science in Italy then obtained an MA in International Communications and Human Rights at City University in London (UK). She worked in marketing and advertising before changing her career direction to the visual arts. "Jackson Open Painting Prize 2019 (JOPP2019)" for the Portrait/Figure category; the "The Harbour Gallery Award" and "The Artist's Exhibition Award" (TALP Open 2019); "The Holly Bush Emerging Woman Painter Prize 2017" and the "Emerald Winter Pride Art Award" in 2016. She's been selected twice to participate in "Sky Portrait Artist of The Year", in SEASON7 aired in 2020 and in 2019. Gallery Representation ZebraOne Gallery (London), Sugarlift (New York) About the postcard artworks Rosso uses portraiture and self-portraiture to explore and analyse myself and the world around her. Taking inspiration from personal memories along with observations from real life and imagination, the imagery she creates often unveils the vulnerability and strength of the human condition.
Rosso Emerald Crimson Foolish Me, 2021 Pencil on Paper Signed on front and verso 10 x 15cm (3¾ x 5¾ in.) Rosso is an award-winning portrait artist who brings intimacy and character to her colourful paintings. Italian born, Rosso lives and works in London since 2004. She's is primarily a self-taught artist. Her artistic accolades include winning the "Jackson Open Painting Prize 2019 (JOPP2019)" for the Portrait/Figure category; the "The Harbour Gallery Award" and "The Artist's Exhibition Award" (TALP Open 2019); "The Holly Bush Emerging Woman Painter Prize 2017" and the "Emerald Winter Pride Art Award" in 2016. She was twice selected to participate in "Sky Portrait Artist of The Year", in SEASON7 aired in 2020 and in 2019. She has exhibited across London in venues including the Mall Galleries, Bloomsbury and The Strand Gallery. Her work has been featured in various UK national magazines (Artists and Illustrator; The Artist's Magazine), and her painting, 'Young Climate Rebel' was the front cover image for the September 2019 issue of Arena Magazine (Australia). Rosso graduated in Political Science in Italy then obtained an MA in International Communications and Human Rights at City University in London (UK). She worked in marketing and advertising before changing her career direction to the visual arts. "Jackson Open Painting Prize 2019 (JOPP2019)" for the Portrait/Figure category; the "The Harbour Gallery Award" and "The Artist's Exhibition Award" (TALP Open 2019); "The Holly Bush Emerging Woman Painter Prize 2017" and the "Emerald Winter Pride Art Award" in 2016. She's been selected twice to participate in "Sky Portrait Artist of The Year", in SEASON7 aired in 2020 and in 2019. Gallery Representation ZebraOne Gallery (London), Sugarlift (New York) About the postcard artworks Rosso uses portraiture and self-portraiture to explore and analyse myself and the world around her. Taking inspiration from personal memories along with observations from real life and imagination, the imagery she creates often unveils the vulnerability and strength of the human condition.
Jo Shepherd Blackbird, 2021 Oil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) A full time artist, I have been painting all my life.I am drawn to living things. My portrait exhibition 'Face to Face' which celebrated people with profound disabilities was featured on the BBC news in 2016.My work has been exhibited in many group and solo exhibitions over the years and my paintings are held in private collections around the world. Education Kingston poly BA Hons fine art painting Exhibitions Royal academy summer show 2017 Columbia Threadneedle prize exhibition, Mall Galleries 2018 About the postcard artworks A bird a day! Having always loved birds, I made the decision in August 2020 to paint a bird a day and haven't looked back since.
Jo Shepherd Puffin, 2021 Oil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) A full time artist, I have been painting all my life.I am drawn to living things. My portrait exhibition 'Face to Face' which celebrated people with profound disabilities was featured on the BBC news in 2016.My work has been exhibited in many group and solo exhibitions over the years and my paintings are held in private collections around the world. Education Kingston poly BA Hons fine art painting Exhibitions Royal academy summer show 2017 Columbia Threadneedle prize exhibition, Mall Galleries 2018 About the postcard artworks A bird a day! Having always loved birds, I made the decision in August 2020 to paint a bird a day and haven't looked back since.
Jo Shepherd Robin, 2021 Oil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) A full time artist, I have been painting all my life.I am drawn to living things. My portrait exhibition 'Face to Face' which celebrated people with profound disabilities was featured on the BBC news in 2016.My work has been exhibited in many group and solo exhibitions over the years and my paintings are held in private collections around the world. Education Kingston poly BA Hons fine art painting Exhibitions Royal academy summer show 2017 Columbia Threadneedle prize exhibition, Mall Galleries 2018 About the postcard artworks A bird a day! Having always loved birds, I made the decision in August 2020 to paint a bird a day and haven't looked back since.

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283287 Los(e)/Seite