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Early 19th Century, possibly Anglo-Indian, Portrait Miniatures, depicting a lady, standing before an ornate table and mirror in an extravagant interior, wearing a pink dress trimmed with white lace, gold bands and pearls in her hair; A lady, seated with a harp, wearing a white frilled dress and pearl necklace, her brown hair worn curled and with a flower, seated before a blue curtain; presumably by the same hand, 12x9cm, ea., (2) (unframed)
English School, Circa 1820, Portrait Miniature- An Officer, wearing the Royal blue coat with cream facings and brass buttons of a Naval uniform, tied black stock, his brown hair curled and natural: together with one other portrait miniature, circa 1820 depicting a young woman, with flowers in her hair, both in Gilt-mounted rectangular papier-mâché frames, 13x10.5cm, ea., (2)
Circle of Francois Hubert Drouais, French, 1727-1775, Portrait Miniature- A Lady, bust-length in a blue dress trimmed with white lace, her brown hair swept up beneath a lace cap; oval, 4x3.5cm: European School 18/19th century- Portrait on porcelain plaque Louis XVI- A lady, bust-length in monochrome, (2)
English School, Circa 1830, Portrait Miniature- Lady Theresa Strangeways, bust-length, wearing a white dress with high collar, white bonnet trimmed with blue ribbon and depicted under a blue and white clouded summer sky; A gentleman, wearing a dark coat, tied white stock and natural brown hair, both in Gilt-mounted rectangular papier-mâché frames, 12x10cm, (2)
A 19th Century portrait etching after Pickersgill of The Duke of Wellington standing in full regalia holding a telescope, 29" x 18", together with a portrait of a soldier in uniform from The 1st Battalion The Duke of Wellington`s Regiment, 14 1/2" x 9 1/2", a book on the History of the Duke of Wellington`s Regiment, signed by the current Duke of Wellington and four further books on Wellington (7)
A profile wax portrait medallion of The Reverend William Priestley of Fordingbridge by T R Poole, circa 1815 in a turned reeded mahogany frame, 7 3/4" diameter overall, together with a plaster profile portrait medallion of an unknown male sitter, 4 1/2" high and a large number of portrait prints of well known persons from history all cut out of 19th Century books
A 19th century portrait miniature of a lady, watercolour, in a gilt and ebonised frame, 8cm x 6cm; a rectangular portrait miniature of a lady, watercolour on ivory (cracked) in a giltwood frame, 11cm x 8.5cm; and a verre églomisé silhouette of a gentleman and a lady taking their tea in an interior setting, in an ebonised and gilt frame, 18cm x 23cm (3)
A black & white Photograph 8” x 5 7/8” approx. Princess Alice seated in an elbow chair & having in the background a framed portrait of her grandmother Her Majesty Queen Victoria, annotated to the lower area of the mount `With much gratitude from Alice Mary, Dec. 13 1978 `great kindness` stamped in blue ink verso `photograph/Snowdon` mounted in free standing dark blue velvet finished photo frame.
General Interest - Maxwell Fraser `Somerset`; "From the North Foreland to Penzance", illus. by Maurice Randall, A Shell Guide to The Isle of Wight; Portrait of The Isle of Wight; The Isle of Wight by S W Colyer; A Short History of Sherbourne by W B Wildman M.A. and others including The Isles of Scilly :- Two Boxes
Fuchs (Leonhard) Neu Kreuterbuch, 1543 first edition in German, title with contemporary hand-coloured printer`s device and portrait of Fuchs verso, full-page woodcut botanical illustrations, many with contemporary hand-colouring, final f. with contemporary hand-coloured woodcut portraits of the three artists, woodcut initials, lacking D3&4, K3, 2J1&6, 2X2 and 2Z6, title browned and frayed, a5 torn with loss of text verso, repair to lower corner, just touching woodcut illustration recto, repaired tears to e3, r1, s1, K1, Q6 (right across woodcut illustration), R5 and 2R3, all within illustration, loss and repair to outer margin of 2Z3, several wormholes to all to e4 and worm traces or slightly larger holes to all from 2G4 to end, touching text of parts of illustrations in most instances, but with no loss of sense of text, large stain tp P3, occasional water-staining, modern , spine gilt, [Adams F1107; Nissen BBI 659; Pritzel 3139], folio, Basel, durch Michael Isingrin, 1543.
Goltzius (Hubert) Vivae Omnium Fere 1557 title within strapwork cartouche, colour-printed from at least 2 woodblocks (green and white) over an etched outline, 133 chiaroscuro medallion portrait woodcuts over etching printed in tones of brown and sepia, 15 others with woodcut borders but no image, contents loose in single ff., title trimmed, and with initial (or number) `V` in upper corner, some printed numbers in chronological tables obscured or overprinted, some browning or marking, two armorial bookplates, loose in contemporary vellum, gilt rules and arms on covers, folio, [Adams G838], Antwerp, in officina Aegidii Copenii Diesthemii, 1557.
Alexandro Genialium dierum Libri Sex, 1616 title printed in red and black and with woodcut printer`s device, some staining, contemporary calf, head of spine defective, joints split, Paris, Paul Frellon, 1616 § Machiavelli (Nicolo) Princeps, engraved additional pictorial title, occasional spotting, contemporary mottled calf, gilt, rubbed and scuffed, Leiden, de Vogel, 1648 § Cato (Marcus Porcius) [Scriptores rei Rustica]. 5 vol., edited by J.M.Gesner, titles with woodcut printer`s devices, occasional spotting, later cloth-backed limp marbled boards, rubbed, Manheim, 1781 § Tertullianus (Quintus Septimus Florens) Apologeticus, engraved portrait frontispiece, title in red and black and with engraved vignette, engraved folding plates, contemporary calf, rebacked, a little worn, Leiden, apud Isaacum Severinum, 1718; and 19 others, Continental Literature & History, v.s.(22) *** .

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283284 Los(e)/Seite