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283284 Los(e)/Seite
Lucette de la Fougere (French, 1921-2010), Wimbledon Common, signed 'Fougere' lower left, 'Royal Institute of Oil Painters, 195 Picadilly, London' label to reverse, oil on card, 41 x 31cm, together with a portrait of a young woman, (possibly a self portrait), signed Lucette Burgaud (later Fougere) lower right, oil on card, 26 x 21cm, dated in pencil to reverse '19 Mars - 44' (2)
Circle of George Richmond, RA (British, 1809-1896) Portrait of a young girl in a white lace dress with blue sash and blue-ribboned shoulders watercolour 25 x 19cm (10 x 7in) Provenance: From an Oxfordshire country house Watercolour on paper. A little foxing and discolouration to the background.
An 18th Century Piedmontese Painted and Parcel Gilt Side Table in the Manner of G. M. Bonzanigo the original rectangular brè che violette marble top above a frieze decorated with enclosed anthemia centering on a suspended carved profile portrait of a young lady supported by a key pattern surrounded by gilt foliate scrolls, the turned tapering legs with laurel leaf carving up to the centre and reeded flutes above, decoration refreshed, in the manner of G.M. Bonzanigo, 118cm wide, 86cm high, 51cm deep Giuseppe Maria Bonzanigo was born in Asti in 1740, and died in Turin in 1820. During his long and distinguished career he established himself as the finest exponent of neo-classical carved furniture in Piedmont. His commissions included many carried out for Vittorio Amedeo III, and, in 1787, Bonzanigo received the accolade of being named a Royal Sculptor, with a salary of 20 lire. Examples of his work can be seen in the Palazzo Reale in Turin, and also in the hunting lodge at Stupinigi, where he supplied many of the furnishings for the royal apartments.
FRENCH SCHOOL (EARLY 19TH CENTURY) After Rubens and Muller, portrait of Albert, Archduke of Austria, pencil with crayon, 20cm x 15cm; four further similar portrait studies, to include Marie Antoinette and Charlemagne and a further pair of similar smaller portraits, Louis, Dauphin de France and Victor Amédée (7)
NORMAN HIRST (1862-1956) A mezzotint portrait of a lady in parkland setting and another similar by the same hand, both signed in pencil to the margin, 61cm x 40cm; another, coloured mezzotint by L. Busiere, The Piping Boy, signed in pencil, 65cm x 46cm and a lithograph by Sydney E. Wilson after Joshua Reynolds, The Angel Choir, 39cm x 32cm (4)
A COLLECTION OF OBJET TROUVÉ to include a postcard of HRH Princess Elizabeth signed by the Queen in 1931, a mother of pearl note case, two cigarette cases, tortoiseshell lorgnette, miniature scent bottles, mother of pearl fruit knife, a Chinese carved bamboo cylindrical spill vase, an Edwardian ivory page turner with carved dog decoration, a malachite style bowl and a miniature portrait of a girl in leather case, approximately 30 items

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283284 Los(e)/Seite