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283284 Los(e)/Seite
Los 468
Patrick Edward Philips, British 1907-1976- "Dr Phyllis Mckay"; oil on canvas, signed and dated 1957, bearing hand inscribed label for Royal Society of Portrait Painters on the stretchers reverse, 102x76cm, (may be subject to Droit de Suite) Provenance: from the St Gabriel's College Collection, London
Los 530
Eve Disher, British 1894-1991- Portrait of a woman half-length turned to the right ; gouache and mixed technique on paper, 66x45cm: together with a watercolour of a sleeping cat and a wooded river landscape study in gouache and watercolour by the same hand, 33x40cm and 32.5x40cm., (3) (may be subject to Droit de Suite)
Los 552
Dorothy S Willis, British exh 1911-33- Portrait of a North African woman seated three-quarter length; oil on canvas, signed, 61x45.5cm: together with a portrait of a North African woman in oils on canvas by the same hand, signed, 45.5x36cm., (2) (unframed) (may be subject to Droit de Suite) CONDITION REPORT: salvage is a little ragged there are paint splatters on the reverse of the canvas and the stretcher the canvas is ruckled and loose on the stretcher there are two punctures in the canvas, one in the lower neck area and the other situated near the left elbow of the sitter there is a small pin hole near the right shoulder of the sitter there are surface scratches under inspection with uv lamp there is no evidence of any recent retouching or restorations has not been cleaned in recent years Part lot item: not re-lined on the original wooden stretcher reverse of the canvas is stained in places there are two punctures in the canvas, one on the top of the head of the sitter and the other in the background left of he head of the sitter there is a small pin hole to the right of the head of the sitter there are surface scratches under inspection with uv lamp there is no evidence of any recent retouching or restorations has not been cleaned in recent years
Los 58
A pair of drinking glasses, late 19th century, acid etched and cut with reserves of portrait heads and sprays of flowers between geometric patterns, on vertical line grounds between bands of hare bells, on twist stems, with circular bases, 19.8cm high(2) CONDITION REPORT: no condition issues noted
Los 312
Max Beckmann, German 1884-1950- "Portrait of Naila Leaning on her Arms, with Glass", (Glaser 236, Gallwitz 230, Hofmaier 265, B b. Rifkind 147) from the unsigned edition of 1500, published by Verlag R. Piper & Co., Munich 1924; drypoint etching, 21x15.7cm, (may be subject to Droit de Suite) Note: see MoMA New York, Moma number: 545.1953, for example of the same. There is also a signed edition of 180 of this print
Los 342
British School, late 19th/early 20th century- Portrait of a lady quarter-length turned to the right in late 18th century dress; pastel, oval, in an oval gilt composition frame, 80x63cm CONDITION REPORT: frame with losses to gilding and gesso moulding in numerous places significant loss of section of gesso moulding top centre frame looks to date from the half of the 19th century frame has been re-gilded at a later point in time backboard looks to be the original but has been removed and trimmed glass is a replacement some residue of the pastel has attached itself to the underside surface of the glass sheet has been inspected out of the frame on blue grey coloured wove paper edges have been trimmed and are uneven in places some staining to the sheet top and bottom and around edges on the reverse of the sheet some scuff marks here and there and minor blemishes to the surface of the drawing otherwise good condition
Los 349
Attributed to Henry Frederick Lucas-Lucas, British 1848-1943- Portrait of a terrier seated in a chair; watercolour, 26x17.5cm CONDITION REPORT: mounted in a glazed gilt moulding frame late 20th century may or may not be stuck down as unexamined out of the frame some minor staining along lower edge of sheet overall very good condition
Los 357
Northern European School, mid-late 19th century- Portrait of a gentleman, quarter-length turned to the left in a black coat and Portrait of a lady, quarter-length turned to the right in a black dress; oils on canvas, ovals, a pair, in matching gilt moulding frame, 70x50cm., ea., (2) CONDITION REPORT: gilt moulding frames circa late 20th century both frames with minor chips and losses to the gesso and gilding oval wooden stretchers are of recent manufacture and are replacements
Los 2100
VICTORIAN OIL ON CANVAS, LATE 19TH C., 30" X 25", PORTRAIT OF A LADY: A half-length portrait of a seated lady with hands folded; no apparent signature, in a gilt wood frame. Paper labels on the back identify the sitter as Anne Walton, daughter of Izaak Walton, wife of William Hawkins, painted by Hayman [see additional photos].
Los 1461
* JOHN DUNCAN FERGUSSON RBA (SCOTTISH 1874 - 1961), LA FEMME AU CHAPEAU NOIR oil on board, inscribed and dated 'J.D. Fergusson 1910' verso 40.5cm x 30cm Framed Provenance: Private Collection, Paris Private American Collection (early 1950s - 2014) Private Scottish Collection (2014 - Present) Note: Born in Leith, John Duncan Fergusson's studies took him to Paris in the 1890s, where he studied the Impressionists and attended the Académie Colarossi. The artist was exhibited in London in 1905 and moved again to Paris in 1907, this time to settle. It was there in the French capital that the artist adopted a Fauvist and, then later, a more Cubist manner. Lot 1461, the female portrait offered by McTear’s, bears all of the hallmarks of this later, Fauvist style and is reminiscent of the work produced by the artist’s French contemporaries, in particular the work of Charles Camoin. Fergusson had four works exhibited in the ‘Post-Impressionist and Futurist Exhibition’ at the Doré Gallery, London in 1913. His first solo show in Scotland was in 1923 and was swiftly followed by a group exhibition together with the three other Scottish Colourists: Samuel John Peploe, Francis Boileau Cadell and George Leslie Hunter.
Los 1476
IN THE MANNER OF P.S. KROYER (DANISH 1851 - 1909) PORTRAIT OF ROBERT LOUIS STEVENSON late 19th century pencil on paper, signed with monogram, possibly 'G.M.'? and titled 25.5cm x 20cm Mounted, framed and under glass. Vendor note: Thought to be a Skagen group work in the manner and style of Peder Severin Kroyer.
Los 452
H Scott Bridgwater after Henry Raeburn - 'Sir Walter Scott', mezzotint print, inscription verso, 8" x 6.5", framed; together with H Scott Bridgwater after Thomas Lawrence - 'Mrs Siddons', signed, blind stamp seal, mezzotint print, 8.5" x 6.5", framed and a further mezzotint portrait by the same hand (3)
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283284 Los(e)/Seite