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An Earthenware Plate Commemorating Albert Smith’s Trip to China Panorama, the Panorama lecture “Mont Blanc to China” opened on 22nd December 1858 and on the opening night, willow-patterned china plates bearing Albert Smith’s portrait were on sale in the foyer, priced at one shilling, marked Copeland, 160 New Bond Street, London on the reverse, G (diameter 227mm); Literature - Panoramania! by Ralph Hyde; with papier-mâché box, with chromo-litho scene on lid of children photographing on beach, circa 1910, F
19th century contemporary study - Equestrian portrait on canvas of a woman riding side saddle accompanied by a spaniel, 75 x 60cm, in gilt frame; together with a 19th century black and white engraving after F Grant - The Duke and Duchess of Beaufort, in hunting dress accompanied by a pair of hounds, dated 1865, 92 x 73cm in oak frame with gilt slip
19th century - A set of four hunting engravings with over painted finish, 16 x 24cm, all framed, together with a Parian type relief bust length portrait panel of a gentleman in gilt slip and burrwood frame, 28 x 24cm approx, and a further relief panel of a medieval style female character, of circular form, framed, 15cm diameter
A 19th century British school - Shoulder length portrait of a young boy, water and bodycolour, signed and monogram and dated 1876, 46 x 39 cm, a pair of 19th century monochrome lithographs of Prince and Princess of Wales, with presentation inscriptions dated 1873, oval, 50 cm max and a 19th century coloured engraving after Henry Alken of a humorous coaching scene, 28 x 52 cm, all framed
Walter Frederick Cadby (1856-1938) - Full length portrait of a lady, coloured chalks and charcoal on paper, signed and inscribed Miss Mimie Anderson Westleton, dated June 1927, 39 x 24cm, in double sided frame with an unusual oil painting on board? verso, by the same hand showing an 18th century style gentleman beside a sign post towards Westleton, with rhyme to Miss Anderson, 41 x 25cm, also together with two 19th century sketch books with various pencil and watercolour studies, both inscribed Margaret Anderson
19th century British school - Half length miniature profile portrait of a gentleman inscribed verso "Bryan Ormsby Fusey" with County Sligo address details, 10cm oval max approx, together with a further oval miniature portrait of a lady in a bonnet, inscribed "Mrs Rebecca Miller" with family details verso, a miniature portrait of a child in yellow dress and a silhouette portrait, all in black frames with brass mounts
Late 19th century school - Miniature portrait of a young child in lace dress with blue ribbons, tinted photographic print on ceramic panel, inscribed - Lafayette Dubhaw?, 15 x 11cm in cast gilt metal frame with floral and foliate detail, together with a further 20th century miniature portrait of oval form showing a young woman with indistinct inscription - Sean?, 8cm max in green velvet frame
Late 19th century school - Half length study of a seated lady in the manner of Whistler, oil on canvas, 49 x 38cm, in black and gilt frame, together with a 19th century, half length portrait study of a gentleman, signed J Mogford? dated 1841, 46 x 35cm, in gilt frame, an unframed print of the same subject and a black and white engraving three quarter length portrait of JC Curwen Esq, after JJ Halls, framed
Joash Woodrow (1927-2006) ''Young Woman in Blue and White'' Oil on hessian, circa 1965, 90.5cm by 71cm Provenance: 108 Fine Art, Harrogate Literature: ''Joash Woodrow Portraits'', 108 Fine Art Harrogate, p.147 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration Born in Leeds in 1927 of Polish background, Woodrow initially trained at Leeds College of Art after which he served in the army as a cartographer in Egypt 1945 - 1948. Between 1950 - 1953 he studied drawing and painting at the Royal College of Art, his fellow students including Frank Auerbach, Peter Blake and the novelist Len Deighton. Shortly after graduating from The Royal College of Art Joash returned to his home in Chapel Allerton, Leeds where he continued to paint small scale landscapes and portraits. Already well aware of the broad strands of 20th century European Modernism it was the experience of the huge Picasso show at the Tate in 1960 which provided the major catalyst for the extraordinary explosion in scale and ambition that overtook his work over the next fifteen years. ''Young Woman in Blue and White'' and ''Portrait of a Young Woman on a Green Background'' (lot 209) clearly demonstrate the the power of Picasso's influence on the artist. This fused with his upbringing in a community created through a mix of English, Jewish and Eastern European culture and the realisation that his expressive roots lay outside the British Isles are what enabled him to find his voice. Philip Vann, Galleries Magazine describes his works as ''Some of the most powerfully original and expressive works of the last decades'' ''Just as Lowry is known as the visual poet of Salford and Eardley similarly of the Gorbals, so Woodrow is now being revealed as the surely unrivalled painter of 20th century Leeds'' We are grateful to Andrew Stewart at 108 Fine Art for his assistance in cataloguing lots 208 and 209
Joash Woodrow (1927-2006) ''Portrait of a Young Woman on a Green Background'' Oil on sackcloth, circa 1965/70, 141.5cm by 91.8cm Provenance: 108 Fine Art, Harrogate Literature: ''Joash Woodrow Portraits'', 108 Fine Art Harrogate, p.136 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
Jean Shepeard (1904-1989) Portrait of the artist Ronald Ossary Dunlop head and shoulders Initialled, red conte crayon, together with a further study by the same hand depicting a head and shoulders portrait of Michael Redgrave and a further figurative study recto and verso on the sheet signed Adrian Stephen, 34.5cm by 21cm, 38.5cm by 24.5cm, and 30cm by 24.5cm respectively, (3) Provenance: For the works by Jean Shepeard the artist's estate Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
AUGUSTUS JOHN etching - portrait of Percy Wyndham Lewis, 1903, signed, 17.5 x 14cms Provenance: the booklet, in delicate condition, 'Augustus John Early Drawings & Etchings' Colnaghi's 1974 accompanies this work. See item 14 with illustration in the booklet. Colnaghi label also verso to the work.Condition Report: in good condition without foxing or tears, repairs etc, strong images with plate marks. Please see further images.
A PAIR OF LLANELLY POTTERY PURPLE TRANSFER COMMEMORATIVE JUGS with sides printed pictorial representations for the mourning of Prince Albert showing a weeping Britannia and a solemn lion at Her feet and with a portrait of The Prince Consort, the loop handles with thumb-spurs and with wide elevated spouts, marked ALBERT to base of larger 23 & 21cms Condition Report: browned crazing to body particularly between the two main transfers opposite the handle

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