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Los 87

British School (19th Century) Portrait Miniature of John Palfreman and another of his wife Elizabeth Palfreman, watercolour on ivory, 1857, 8 x 6.5 cm, frame 17 x 15.5 cm (2) Handwritten labels verso 'for my dear nephew, John Palfreman, Sept 20th 1857'. John Palfreman was born in Devon, they were married in 1849 in Aberdare, Wales Notes: Ivory licence AFQAXZPE for Mrs Palfreman, SSLM2VLR for Mr Palfreman Provenance: Consigned by descendants of the sitters, a private Cheshire collection

Los 157

Thomas Gosse (1765-1844) Portrait Miniature of John Gosse (1809-1874), watercolour on ivory, 7.5 x 5.5 cm, frame 14.5 x 12.5 cm, together with an Australian School (circa 1900) portrait miniature of Edith Gosse (1875-1947), watercolour on ivory, 6.3 x 5 cm by another hand (2), sold together with a signed copy of Raymond Lister book 1953 Thomas Gosse, numbered 22/60 (total 3) Provenance: Consigned from a descendant of the Gosse family Notes: Thomas Gosse painted portrait miniatures of his family members, the majority are now located in Adelaide, Australia. Edith Gosse was born in Moonta, South Australia- daughter of Dr John Gosse and Mary Gosse Ivory licence numbers Z9Z61VWW for the Thomas Gosse, portrait of Edith Gosse ivory licence number T1SK2Z47

Los 4

BRITISH SCHOOL, PORTRAIT OF A MAN DEFECATING, LATE 19TH CENTURY oil on tin, unsigned, framedimage 17cm high x 14.5cm wide, 33.5cm high x 30.4cm wide overall In overall good condition. Signes of gilt touch ups throughout. Age related wear and surface scratches. Some flaking to the frame. The reverse with hole and signature. Additional images now available.

Los 3577

1891. VICTORIA D:G: BRITT:REG:F:D:, second laureate portrait ('Bun Head') of Queen Victoria to left / F A R T H I N G, seated figure of Britannia to right, trident in left hand, shield with Union flag in right hand, date in exergue, sea behind with lighthouse on left and ship on right. KM.753; SCBC 3958. 2.81gr, 20mm, 12h (). Property of a Cambridgeshire, UK, gentleman. Good Extremely Fine. [No Reserve]

Los 3592

1967. [5 x 25 = 125] Obvs: +ELIZABETH II DEI GRATIA REGINA, portrait of Queen Elizabeth II facing right, by Mary Gillick / FID DEF HALF CROWN 1967, crowned quartered shield of arms with the initials E and R on each side, engraved by Cecil Thomas. S.4145. 1.82kg total, 32mm each (). By inheritance; Property of a Lincolnshire lady. Uncirculated. [125, No Reserve]

Los 117

Early 3rd century A.D.. Carved head of a prepubescent worshipper of Isis, with soft facial features, long nose, small downturned mouth, heavy-lidded eyes, the whole giving the face a sombre or mournful appearance; the hair textured to indicate a short cut and combed forward across the scalp, sidelock above the right ear; mounted on a 16th century carved breccia upper body with leather cuirass and pteruges to right shoulder, cloak draped across the shoulders and fastened at the clavicle on the right side with a disc-brooch; socle base; some restoration. See Bianchi Bandinelli, R., Roma, la fine dell’arte antica, Milano, 1970, fig.55, for Roman sculpture of the period; for another portrait head of a boy with short hair and sidelock, also dating to the 3rd century A.D. in Petworth House, Sig.Wyndham, Petworth, and for a discussion of the Horus lock in imperial iconography, see Gonzenbach, V., ‘Untersuchungen zu den Knabenweihen im Isiskult der römischen Kaiserzeit‘, in Antiquitas 1. 4, Bonn, 1957, pp.105-128, and 139ff., K.8 pl.9; Raeder, J., Die antiken Skulpturen in Petworth House, MAR 28 (2000), 216 ff. Kat. Nr. 83 [Arachne Sculpture Database no.1084685]; for related example of hairstyle in the British Museum see Walker, S. & Bierbrier, M., Ancient Faces. Mummy Portraits from Roman Egypt, London, 1997, pp.192-193, no.261; for ancient sculptures reproduced or inserted in Renaissance marble see Fittschen, K., ‘Sul ruolo del ritratto antico nell’arte italiana’ in Setis, S., Memoria dell’antico nell’arte italiana, ed., vol.II, Turin, 1985; Favaretto, I., ‘La fortuna del ritratto antico nelle collezione venete di antichità: originali, copie e invenzione,’ in Bolletino d’Arte LXXVIII, no.79, May-June, 1993, pp.68-72; Bava, A.M., Le Meraviglie del mondo, le collezioni di Carlo Emanuele I di Savoia, Genova, 2016, p.233, fig.86. Exhibited at the Museum für Kunst und Gewerbe, Hamburg, 21 January-6 March 1977; published in Hornbostel, W., Kunst der Antike, Schätze aus norddeutschem Privatbesitz, Hamburg, 1977, pp. 55-56, no. 35. 19.6 kg total, 51.5 cm including stand (20 1/4 in.). The child is depicted as a worshipper of Isis with the right side of the head signalling that the boy was a devotee of the goddess’s cult. The head of the boy is probably a funerary portrait, and it is clearly in the first half of 3rd century style. Its resemblance to the portrait of Gordian III in the so-called sarcophagus of Acilia is impressive, so much so that this was probably the reason for which the head was incorporated within a military bust in the 16th century.North German private collection, 1970s, and thence by descent. Antiquities, Bonhams, London, 5 October 2011, no.136. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12185-222445. (For this specific lot, 5% import VAT is applicable on the hammer price.) [A video of this lot is available to view on Timeline Auctions Website]

Los 681

Circa 2nd century A.D.. Ellipsoid glass insert with profile portrait bust to one face. 2.11 grams, 14 mm (1/2 in.). The same portrait appears on 'horse and rider' plate brooches.Found UK. From the collection of C. Sullivan, UK, 1990s. [No Reserve]

Los 221

4th-5th century A.D.. Plano-convex seal with profile bust; accompanied by a copy of a scholarly note dated 4th August 1999 by A.D.H. (David) Bivar and a museum-quality impression: 'Sasanian Seal. About 4th to 5th century A.D. Greyish-brown chalcedony ellipsoid Sasanian portrait, r. Around, Pahlavi inscription wlwny ZY kwlyky Var?n ? K?r?g 'V. who (is son) of K.' For the first name, the parallel Var?n is attested. For the second, we find K?r?n as a parallel. these exact forms are previously unrecorded.' 10.9 grams, 25 mm (1 in.). Bivar was a British numismatist and archaeologist, who was appointed Emeritus Professor of Iranian Studies at the SOAS (School of Oriental and African Studies), University of London. Among his specialisms was the study of Sasanian seals and art.UK private collection, 1980-1983. Accompanied by a copy of a scholarly note dated 4th August 1999, typed and signed by A.D.H. (David) Bivar.

Los 411

France, early 16th century A.D. or later. Carved in the half-round, profile portrait bust of a nobleman (probably King Louis XI of France) with tiered cap and collar of S-link chain; later fixing point to reverse. 590 grams, 15 cm (5 7/8 in.). Andre and Marius Dubus collection, Louviers, Normandy, France. Valoir Maison de Ventes aux Encheres, 13 November 2021, lot 170. Ex central London gallery. [No Reserve]

Los 242

1st century B.C.-1st century A.D.. Carved in the half-round, the eyes with drilled pupils to accept inserts; mounted on a custom-made display stand. See Simpson, S.T., Queen of Sheba: Treasures From Ancient Yemen, The British Museum Press, London, 2002, items 126, 270, and 282, for similar portraits. 3.49 kg total, 22.5 cm high including stand (8 7/8 in.). The eyes of these beautiful statues were inlaid with blue glass or lapis lazuli. These portraits could have been inserted in a funerary stele, but most probably this portrait comes from a statue similar to the 'Myriam of Tamna', as can be understood from the flat back, to which braided hair in plaster was probably attached.From the collection of Dr Mohammed Saïd Farsi (1936-2019), acquired between 1960-1990 at Christie's, Sotheby's and Mayfair galleries.

Los 141

2nd-3rd century A.D.. From a colossal relief, depicting a life-size head of a goddess or an Amazon with a smooth reverse; pronounced lips and wide brow; the hair arranged in waves leaving the ears partially uncovered, secured with a taenia; mounted on a custom-made display stand. Cf. Bonanno, A., Roman relief portraiture to Septimius Severus, Oxford, 1976, pls.294-295, 306, for similar portrait relief in style, from the Arch of Severus at Leptis Magna. 11.9 kg total, 32 cm including stand (12 1/2 in.). The style is akin to the sculptures of the Severan Age with a naturalistic treatment of the hair, and a more restrained use of the drill. The sculpture displays the same characteristic oval broad face with fleshy round cheeks, widely arched brow and big eyes of the portraits of Julia Domna. The alternative identification of the head as an Amazon can be deduced from the taenia and the details of the tear ducts, linked to a possible representation of a combat scene in which an Amazon suffers in agony after receiving mortal wounds.From an English private collection, 1970s-late 1990s. English private collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12163-218598

Los 3214

AD 269-271.. IMP C PIAV VICTORINVS P F AVG, radiate, draped and cuirassed bust to right / INVICTVS, Sol advancing to left, with right hand raised and holding whip in left; star to left. Cf. RIC V.2 113; cf. RIC V.4 507. 2.21gr, 20mm, 2h (). Property of a Cambridgeshire, UK, gentleman. Extremely Fine. Unsual issue of Victorinus with the portrait of Postumus, which seems to have been struck at the beginning of his reign. [No Reserve]

Los 1777

Western France, 15th century A.D.. Portrait bust of John the Evangelist with vesica-shaped brooch at the chest, nimbus behind the head. 62.3 grams, 10.7 cm (4 1/4 in.). Ex central London gallery. [No Reserve]

Los 2159

Late 19th-early 20th century A.D.. Portrait cameo of a facing bearded male bust with carefully executed collar-length wavy hair, short beard, deep-set eyes, wearing a jacket with drop-collar tight to the throat. 21 grams, 39 mm (1 1/2 in.). Private collection, England. [No Reserve]

Los 409

Italy, 19th century A.D.. Female bust modelled in the round with hair centre-parted and dressed in ringlets gathered at the nape of the neck and extending to the shoulders; mounted on a socle base. 22.1 kg, 46 cm (18 in.). This portrait is directly inspired by a Roman model (fig. 1) discovered in 1880, now housed at the Museo Nazionale Romano in Rome and believed to depict Minatia Polla. The young woman depicted showcases the refined features characteristic of Roman feminine nobility, with a rounded oval face, large hemmed eyes, a long nose, and a well-defined, slightly open mouth. Her low forehead is adorned with a sophisticated hairstyle: long, soft locks separated by a middle parting that end in curls, with a few delicate strands falling over her shoulders. She wears a dress with subtle pleats and a round neckline. Upon comparing our portrait with the Roman original of Minatia Polla, it becomes evident that this piece is an exact neoclassical copy of the ancient portrait. The only notable difference is the more pronounced fullness under the chin in our version, which is less evident in the antique model. From the 18th century and throughout the neoclassical era, significant archaeological discoveries sparked immense interest and enthusiasm (as evidenced by Winckelmann), compelling contemporary sculptors to engage with ancient works to showcase their talents. The portrait presented here, given the delicacy of the features and the overall quality of the sculpture, is unmistakably the work of a master sculptor.Private collection, England. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12303-215648. [A video of this lot is available to view on Timeline Auctions Website]

Los 1034

1976-2021 A.D.. Theodore H. Feder - Great Treasures of Pompeii & Herculaneum - New York, 1978, hardback with dustwrapper (damaged); Marina Mattei - Nerone/Nero Caesar Un ritratto inedito recuperato/A Newly Found Portrait - Rome, no date, card covers, English and Italian text; Pompeii AD 79 - London, 1976, card covers. 2.3 kg total, 24 x 22 - 29 x 24 cm (9 1/2 x 8 3/4 - 11 1/2 x 9 1/2 in.). Property of an Essex, UK, gentleman. [3, No Reserve]

Los 2025

15th-16th century A.D. or later. Comprising: with raised rim, profile portrait of von Cheron by Gianlorenzo Bernini; with band of pellets to border, legend '. DVX . LVDOVICVS . XII . DEI . G . FRAN . REX . MEDIOLANI -- ' and reverse ' SEMPER . AVGVSTVS . VICTOR . TRIVMPHATOR .'; ellipsoid with high-relief bust and legend 'GABRIEL SCHEVRL ÆTAT 67' and 'VIVAT POST FVNERA VIRTVS'. 211 grams total, 52-74 mm (2 - 3 in.). Austrian private collection for at least 90 years. Ex central London gallery. [3, No Reserve]

Los 2422

900-400 B.C. or later. A striated green stone head or mask carved in the half-round with semi-naturalistic facial features, in the Olmec style; mounted on a custom-made display stand. See Coe, D., The Olmec World, Ritual and Rulership, The Princeton University, Harry Abrams, 1996, p. 250. 557 grams total, 17.6 cm including stand (6 7/8 in.). This fine maskette displays the classical features of Olmec Art. The eyes are feline and mouth slightly open, representing the snarl of the Jaguar, a revered animal to the ancient Olmec. This face likely depicts the ideal Olmec ruler rather than portrait of an individual and would have been made for important ceremony or individual of high rank.with Throckmorton Fine Arts, 1990s. Private collection, England.

Los 49

Selection of cameras, exposure meters and flash guns, 3 of Brownie six 20 Model D one  is in case, Brownie Cresta II in case with some paperwork, Brownie Reflex, Brownie No 2, Brownie Six 20 Junior, Agfa Syncro Box, Coronet Super Flash, Hanimex electronic 35if, Eumig Servomatic cine camera, Kodak No 6 Portrait attachment. Hanimex TZ328 flash gun, Kodak Brownie flash holder 4, spare flash bulbs, Helios 28 flash gun, National PE200 flash gun, Ilford Sportslite flash gun, Allosa B55 flash gun with bulbs, hand held diffuser

Los 230

ANDY WARHOL; a colour print, pop art portrait of Marilyn Monroe, signed in marker pen on the acrylic glazing, 55 x 49.5cm, framed and glazed.

Los 185

LATE 18TH/EARLY 19TH CENTURY DUTCH SCHOOL; oil on canvas, portrait of a gentleman, 41 x 26.5cm, gilt framed.

Los 301

A modern oil on canvas of Ronnie & Reggie Kray, a modern oil on canvas hand print picture, further abstract print on canvas and a two section oil on board portrait of a female, each 122 x 122cm (5).

Los 379

A Grand Tour style brass bound circular portrait bust of a princess, diameter 12cm.

Los 313

UNATTRIBUTED; 19th century oil on canvas, portrait of a gentleman, 74 x 62cm, in substantial gilt frame, also five further frames, the largest 96 x 70cm (6).

Los 380

A modern mahogany framed tapestry topped footstool on cabriole legs, a hardwood carving of a cat, height 33cm, an African hardwood portrait bust carving, height 28cm, and a waste paper bin modelled as leather bound book, diameter 22cm, height 22cm (4).

Los 174

PABLO PICASSO (1881-1973); a limited edition abstract lithograph, 'Portrait Imaginaire', numbered in pencil 136/250, signed in plate and dated 22.2.69 upper left, 64 x 49cm, framed and glazed, with Goldmark Gallery label verso.Provenance: With Goldmark Gallery booklet and handwritten letter from the gallery to the vendor about the recent purchase of the lithograph on 15th September 2016.Condition Report: The image is mounted to a smaller board and high is mounted to the backing image giving it the illusion that the image is floating in the frame, no signs of any rips, tears, sunlight fading or creases.

Los 142

19th Century School : Portrait of a gentleman, oil on canvas, 43cm x 56cm. CONDITION REPORT: Two knocks to canvas.

Los 483

After Adelene Fletcher : Portrait of a stag, colour print in gilt stepped frame, overall 92 cm x 92 cm

Los 140

James Cross : Portrait of a Lester Piggot, pastel on board, 73cm x 48cm.

Los 590

A 19th century colour lithograph 'Nelson's Last Prayer', a further portrait print of the Duke of Wellington and a relief panel depicting Queen Victoria, largest 80 cm x 60 cm

Los 152

Fernandez Diaz : Portrait of a clown, colour print, 34 cm x 63 cm.

Los 141

Bert Bainbridge : Portrait of Queen Elizabeth II, oil on canvas, 69 cm x 166 cm.

Los 627

Teenage vintage fashion dolls, Sooty glove puppets, etc: Franklin Mint Sandy vinyl portrait doll, one earring is broken; Gund Pinocchio glove puppet; Chad Valley Sooty glove puppet; Mattel She-Ra; Mattel Great Shape Barbie, Ken and Skipper dolls; Pedigree Sindy furniture; etc; Fair Plus to Good Plus; (qty).

Los 83

Pictures & Prints - a late Victorian chrystoleum portrait of a young girl, bold gilt frame; Three Edwardian advertisement posters / plates titled Our Little Gardener, "Trouble, What About These Yere Heggs" and 'Love-Struck';  The Chatsworth Estate - W. Marshall (20th Century) Edensor Village, Hunting Tower, White Lodge, Golden Gates and Chatsworth House, dated 1995, watercolours, framed

Los 578

E**G**Whitmore, 19th century, Portrait of a Girl, signed, dated 1869, watercolour, oval, 26.5cm x 19cm

Los 343

Two portrait miniature silhouettes, oak frames; a George Wolstenholme XL mother of pearl hafted pocket knife; early 20th century brass lighter; various cigar cutters; a crocodile skin cigar sleeve; Kennedy Space Centre, Florida paper knife; leather stud box; etc (1 box)

Los 14

A 19th century English porcelain cabinet mug, printed with a view of The Great International Exhibition for 1862; a 19th century English earthenware cabinet plate, Royal Wedding, 1868 titled 'THE PRINCE AND PRINCESS FREDERIC WILLIAM OF PRUSSIA'; A Victorian earthenware octagonal cabinet plate printed with a portrait of former prime minister W.E.Gladstone "Should Auld Acquaintance be forgot" with his various positions of employment to corners (3)

Los 255

A 19th century French papier mache snuff box, of circular form with transfer printed pull off lid of a portrait of a Woman, with French inscription to border. 8.5cm diameter.

Los 577

John Cox Dillman Engleheart (1784–1862) (Attributed) "Portrait of a Lady" inscribed in pencil to the back "J D Englehart Pinx at 70 Berners St London". In a Regency ormolu frame. Measures 9 cm by 7 cm (the miniature). In good condition, frame in need of reassembly). Note:- J.C.D. Engleheart was the nephew. of the miniature painter George Engleheart (1750–1829). This lot has an ivory declaration Submission Reference CFJVH2HY.

Los 1055

19th Century English school, oil on board, portrait of a lady, 16 x 12.5cm, gilt framed, unsigned, together with a small 19th Century English pencil drawing, landscapeGenerally in good condition. Needs cleaning. Small losses to frame. Watercolour has some brown stains to the paper. No other damage.

Los 1065

Oval mounted oil on canvas, portrait of a lady wearing a white gown in a landscape, 83 x 52cm, gilt framed

Los 1066

R. Marientreu, oil on canvas, head and shoulder portrait of a lady, signed and dated 1960, 73 x 58cm

Los 1099

Pair of maple framed portrait silhouettes of a lady and gentleman, together with two pairs of reproduction silhouettes

Los 1135

19th Century pastel drawing, portrait of a seated semi nude girl before a landscape, 70 x 55cm, in an oval gilt moulded composition frameA little of the central pastel has transferred to the glass but appears to be easily cleanable without affecting the otherwise un-damaged picture

Los 1191

Kate Brearey, watercolour, full length portrait of a Continental gentleman with staff, 65 x 30cm, gilt framed (at fault)

Los 1198

18th Century half length portrait of a bewigged gentleman beside books, the books indistinctly inscribed, unsigned, 30 x 26cm, in a later gilt frameVery dirty with much central bitumising, craquelure and paint losses. Frame is poor and very modern.

Los 1213

Attributed to Alfred Palmer, oil on canvas, portrait of a young lady in a green dress, 40 x 30cm

Los 1214

Early 20th Century, oil on canvas, portrait of a Jack Russell with her pups, indistinctly signed verso, 25 x 35cmCleaned, re-lined and possibly repaired. Now in good presentable condition.

Los 1224

Rudolf Fuchs, oil on millboard, portrait of a young lady wearing a yellow bonnet, signed, indistinctly dated, 23 x 19cmSlightly dirty but in good original condition.

Los 1226

Oil on canvas, portrait of a white horse, inscribed verso ' Misty ', F.M. Hollams, 30 x 40cmGenerally in good original condition with some craquelure in the rump area in particular.

Los 1231

Attributed to Arthur Wardle, watercolour and bodycolour, portrait of a dog, monogrammed, 23 x 33cm

Los 1233

Gyula Meresz, oil on canvas laid on board, portrait of The Madonna, signed, 38 x 30cm

Los 1240

19th Century oil painting on panel, portrait of ' Emma Lady Hamilton ', dated 1802, 14 x 11cm, housed in ornate carved oak frame, together with a portrait engraving of Lord Nelson

Los 584

Late 19th Century Continental porcelain plaque, painted head and shoulder portrait of a lady, signed Lodelodie Coulaud, dated 1895, 28 x 20cm, framed

Los 885

19th Century oval portrait miniature in a gold mountDimensions are 37 x 32mm overall.Some scratching to glass, otherwise in good condition

Los 918

9ct Gold bar brooch set opal, 9ct gold pendant, and a 9ct gold padlock clasp, gross weight 9.8g, together with a small cameo portrait brooch in rolled gold mount

Los 930

Small carved shell cameo portrait brooch and a small quantity of costume jewellery

Los 961

Victorian silver pendant photograph locket, together with a gilt metal mounted shell carved cameo portrait, and a gilt metal mounted porcelain portrait brooch

Los 965

19th Century oval carved shell cameo brooch, lady with a dove, together with another similar portrait of a lady (at fault), both in gilt metal mounts

Los 973

Oval carved shell portrait cameo brooch in a yellow metal mount, together with a pair of circular mauve stone drop earrings

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