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A small Delft lobed portrait dish, c.1685-89, painted in blue, black, green and yellow with the portrait of Princess Mary Stuart, with long hair and wearing a beaded necklace, flanked by the letters 'PS' and 'MI', the rim with a continuous band of lemons and flowers, 21.5cm.This dish was probably made just prior to Mary Stuart's accession to the English throne with her husband, William, in 1689. Mary became heir presumptive when her father, James II, acceded to the throne in February 1685 on the death of Charles II.
A Delft 'Orangist' portrait plate, c.1790, painted in polychrome enamels with a portrait of Prince William V within a yellow scroll border, flanked by sprays of fruiting orange branches, inscribed 'Siet wat hier vam Agtren Staat' (See what is written on the reverse), the underside inscribed in manganese with 'Bit voor u Vorst wenst hem Geem kwaat' (Pray for your prince, do not wish him any harm), 22.7cm.
A rare delftware Royal dish, dated 1682, painted in blue and yellow with a portrait of Catherine of Braganza inscribed '2 / KR / 1682', the rim with a double blue line, raised on a low circular foot, broken and cleanly restored, 23.5cm. Illustrated: Lipski and Archer, Dated English Delftware, p.52, no.150.
A rare Derby 'Pale Family' figure group of Isabella with a Gallant and Jester, c.1756-59, after a Meissen group of The Hypochondriac by J J Kändler, the young lovers canoodling beneath a fruit tree, attended by a subservient Harlequin proffering chocolate cups on a small tray, a small dog on the lady's lap, a little restoration, 27.5cm.Cf. Len and Yvonne Adams, Meissen Portrait Figures, p 190, for the original group, which includes a fourth figure behind the couple.Provenance: the John Buckingham Collection.
An English porcelain theatrical figure of David Garrick in his role as Richard III, c.1800, probably Derby, after John Dixon's mezzotint after Nathaniel Dance's portrait, his right arm outstretched, his hat abandoned on the ground at his feet, left in the white, some staining, 29.2cm.Provenance: the John Buckingham Collection.Cf. Peter Bradshaw, Derby Porcelain Figures, pp.186-188 for details of the original model and the reissues with John Philip Kemble and Edmund Kean.
A rare Bow figure of a lady, c.1758, after a Meissen model by Peter Reinicke, wearing a layered crinoline dress with a gilt locket or pocket watch suspended from her waist, holding a partially folded fan in her right hand, raised on a low scroll base with puce pencilling, minor chipping, 16cm.Cf. Len and Yvonne Adams, Meissen Portrait Figures, P.115 for the original Meissen figure and her companion, the Marquis.
Three silver Art Union of London medallions, comprising: Francis Chantrey, by W. Wyon, obverse with portrait profile bust, reverse with Chantrey's sculpture of Watt, exergue dated 1846, inscribed ART UNION OF LONDON to edge, 54mm; John Bacon, Sculptor, by J.S. Wyon, reverse with Bacon's statue of Samuel Johnson, 1864, 54mm; and one by H. Weigall, obverse with relief portrait of John Flaxman, reverse with Mercury supporting Pandora, inscribed ART UNION OF LONDON 1854 to edge, 55mmtogether with a Royal Academy of Arts silver medallion, by W. Wyon, awarded in 1832 to the Scottish architect David Brandon profile with profile bust of Queen Victorian, reverse with representation of the Torso Belvedere, STUDY inscribed below, 55mm (4)Provenance: The Property of John Kenworthy-Browne FSA
A collection of bronze medallions, to include: a Napoleon I example, obverse with profile bust of Napoleon, reverse with double profile deity busts and inscribed ROME PARIS, 1809 to exergue, 40mm; a medallion commemorating the execution of Louis XVI, 21 January 1793, with conjoined profile busts of Louis XVI and Marie Antoinette, reverse with execution scene, 50mm; a single bust medallion of General Lafayette, 47mm; another commemorating the execution of Marie Antoinette, obverse with bust, reverse with execution scene, 47mm; an Italian commemorative medallion by Nicola Cerbara, obverse with profile bust of Michelangelo, dated in exergue 1828, reverse with Michelangelo's image of the Prophet Zacharias on the Sistine Chapel Ceiling, 56mm; a bronze Papal medallion, obverse with profile portrait of Pius XI, reverse with Papal arms, 65mm; an example with bust of Antonio Canova to obverse, reverse inscribed COLLEGIUM ARTIFICUM A DIVO LUCA IN FURNERE D.D. and dated 1822, 52mm; and six others (13)Provenance: The Property of John Kenworthy-Browne FSA
Five Victorian bronze and silver medallions, all in fitted cases, comprising: two silver National Rifle Association medallions, each obverse with a 14th century archer and 19th century rifleman flanked by dates 1300, 1500 and 1860, inscribed WATERLOW & SONS. LIM. above SIT PERPETUUM in exergue, each reverse inscribed N.R.A. ASHBURTON SHIELD, both engraved CHARTERHOUSE H.C. HOLLEBONE and one dated 1895, 57mm; two 1837-1897 Victoria Diamond Jubilee bronze medallions, each obverse with old head Victoria and inscribed VICTORIA ANNVM REGNI SEXAGESIMVM FELICITER CLAVDIT XX IVN MDCCCXCVII, each reverse depicts young head portrait with 1837 below, inscribed LONGITVDO DIERVM IN DEXTERA EIVS ET IN SINISTRA GLORIA, 55mm; and a bronze Great Exhibition medallion, designed by W. Wyon, obverse with a bust of Prince Albert, reverse with globe surmounted by a dove with outstretched wings, and inscribed EXHIBITION OF THE WORKS OF INDUSTRY OF ALL NATIONS MDCCCLI, engraved to edge UNITED KINGDOM. CLASS 29. NO.165, 44mm diameter (5)
After Albert Bruce-Joy, Irish, 1842-1924, a marble statue of William Ewart Gladstone, 1809-98, late 19th century, with left hand outstretched and right hand clutching a document, standing beside an octagonal column with three books resting on top, 99cm highProvenance: The Property of the late Lord Avebury.Note: Liberal party statesman and four times Prime Minister, William Ewart Gladstone was one of the most revered politicians of the 19th Century. Renowned for his intense rivalry with Benjamin Disraeli, Gladstone was an outstanding orator and a passionate campaigner for reform, Irish Home Rule and an ethical foreign policy.This marble is after a bronze original unveiled on Wednesday 9th August 1882 in Bow, East London. At the unveiling of the statue by The Rt. Hon. Lord Charlingford, the politician's son said: "Seldom if ever has the hand of a sculptor succeeded in producing so admirable and faithful a likeness." Another commented: "It seems to breathe the deep earnestness, the dignity and intellectual power of the statesman whom we used to call the 'Grand Old Man'." The statue was commissioned by match makers Bryant and May, to commemorate the overturning of Gladstones Chancellor of the Exchequer Robert Lowes infamous match tax. Since 1988 the hands of the original bronze have been painted red, a reference to the matchgirls of the factory striking for better working conditions, and also an urban myth that the bronze was paid for with docked wages from the matchgirls' salary.Albert Bruce-Joy was born in Dublin and primarily worked in England, exhibiting at the Royal Academy from 1866. He also visited and exhibited in Boston, New York and Philadelphia. His most prominent works are the portrait busts in Westminster Abbey, St.Pauls Cathedral and The House of Commons.Condition Report: Light surface dirt overall to be expected with age and handling. There are natural veins in the marble, including one which arcs across his back from the top of the left shoulder for approx 12 cm. These are stable. The right hand is separately carved and attached inside the cuff. It is larger in size than the left hand but appears original. The larger size is perhaps explained by a deliberate fore-shortening by the sculptor as the statue may have originally be positioned higher up in a niche. The fingers of this hand have all been broken off and re-carved before being restored back into place with metal pins and filler. Three of these fingers are now detached but present with the lot and require restoring back into place or replaced as they are quite crudely carved.Some small losses to extremities, including the tip of one page of the rolled document in his left hand, the edge of his coat on his left side near the lowest button, the tips of the folds of his coat on the right side bottom edge, the circular base and the leading top edge of the octagonal plinth behind Gladstone. The statue is unsigned but there are two small holes and a shadow where a plaque has been positioned at some point.
A German silver-gilt mounted porcelain and glass breakfast-set, first half 18th century, the silver with mark of Johann Heuglin, Augsburg, 1729-33, the Meissen beaker c.1720 with Augsburg gilt decoration of c.1730, indistinct lustre mark, the glass c.1730, the tripod silver stand centred by a holder with a spoon, one arm supporting a small lobed oval dish, the other two arms with circular galleried supports, one with a two-handled pierced silver basket and a Meissen porcelain beaker, the beaker gilt with a continuous terrace with chinoiserie figures, the other with a silver-mounted flared glass beaker cut with scrolling strapwork, vases and flowers, the domed silver cover with three portrait medallions, the mounted beaker and cover 13cm high overallProvenance: The Robert G. Vater Collection of European Ceramics.Photographs: © Christie's ImagesCondition Report: The Meissen beaker: Some very minor typical wear to the gilding, but overall in good condition.The glass beaker: The glass in good condition. The mount marked.
A Vienna style porcelain cabinet plate, late 19th century, blue honeycomb mark, painted to the well with a portrait of a young lady, inscribed Werlich, the cobalt blue border with gilt foliate and urn designs, inscribed to the verso Potoka, 24.2cm diameterCondition Report: Some wear to the footrim consistent with age, otherwise in good condition with decoration and gilding intact.
1980 Gold 4-Coin Sovereign Proof Set consists of:1980 Gold Five-Pound (Quintuple Sovereign)1980 Gold Double Sovereign (Gold Two-Pound)1980 Gold Sovereign1980 Gold Half-SovereignThis was the first modern gold proof sovereign set to be issued by the Royal Mint.Queen Elizabeth II's second portrait can be seen on the obverse of all four coins, designed by Arnold Machin. (A)
A 28cm high bronze figure of man, together with a miniature oval portrait CONDITION REPORTPainting on copperCondition disclaimerOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention.
A BOX AND LOOSE PHOTOGRAPHS, CERAMICS, METAL WARES AND SUNDRY ITEMS, to include two boxed Royal Worcester Noddy characters 'Noddy' and 'Tessie Bear', mid twentieth century portrait and landscape photographs by two or more photographers, at least one having connections to Burton Upon Trent, four brass Babycham deer, two boxed Grants of Dalvey pocket flasks, a wooden bust of Mr Punch height 18.5cm, various prints, etc (1 box + loose) (sd)
A SMALL QUANTITY OF LARGE PAINTINGS AND PRINTS ETC, to include two still life flower studies, one signed I. Lynam, largest approximate size 95cm x 65cm, smaller painting has broken glass to the frame, an oil on canvas signed A. Haynes depicting figures at a table, figures include Darth Vader, Alien, Jonny Wilkinson and Harry Potter, an embellished landscape print produced for The Range, approximate size 70cm x 140cm, a half-length charcoal portrait of a seated female figure, indistinctly signed bottom right, approximate size 80cm x 49cm, print depicting a portrait of a young woman by Domenico Ghirlandaio, large unframed embellished canvas print depicting 'Declaration of Love' after Jean Francois de Troy, two faux advertising wall plaques etc
JOHN GREENWOOD (AMERICAN 1727 - 1792), PORTRAIT OF MRS RIDDOCH OF LETTERFOURIE oil on canvas, signed and dated 1783 image size 75cm x 59cm, overall size 94cm x 77cm Framed. Note: Greenwood was born in Boston and settled in London in 1762. The sitter is likely Isabella Riddoch (1741 - 1792), who was visited by Dr Johnson on his tour of the Hebrides in 1773. Greenwood's work is represented in the Yale Center for British Art.
SIR GEORGE HAYTER (BRITISH 1792 - 1871), PORTRAIT OF JOHN EVELYN DENISON oil on board, inscribed label verso image size 33cm x 27cm (oval), overall size 51cm x 43cm Framed. Handwritten label verso. Note: One of the sketches for 'The Meeting of the First Reformed Parliament' 1836, now in the National Portrait Gallery. Denison was subsequently Speaker of the House of Commons.
Lawrence Steven Lowry (1887-1976): a rare and complete set of three pencil signed prints, The Lowrys, comprising portraits of Lowrys mother, father and a self portrait, together with a cased bronze medallion of Lowry by Leo Solomon, limited edition 226/300, and portfolio cover (5). Not available for in-house P&P Artists Resale Right: This lot will be subject to additional fees. The right applies only when the sale price reaches or exceeds the sterling equivalent of €1,000 and is calculated on a sliding scale.
Limited Edition. Depicting three color portrait on lid in relief of George Washington to mark the Bicentennial of American Independence 1776-1976. Sterling silver body. Wedgwood and Churchill Mint backstamps.Dimensions: 2"L x 0.75"H x 1.5"Dia.Edition Number: 304/500 Manufacturer: WedgwoodCountry of Origin: EnglandAge related wear.

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283287 Los(e)/Seite