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Assorted Mainly Early 20th Century Handkerchieves, comprising painted silk panel 'Souvenir of France' with ribbon appliques; three white cotton handkerchieves printed with flags of the Commonwealth to the border with portrait of King George V, 'Coronation Souvenir' and another 'For Liberty and Justice'; printed cotton and others relating to the 'Great Exhibition in Glasgow'; blue cotton chintz handkerchief 'Souvenir of Salonique 1916'; cotton striped miniature shirt/handkerchief case; lace edged, nursery and other examples (approximately 67)
A 17th century oil painting on canvas of Marten Ryckaert, copy after Anthony Van Dyck. [Size 76x63cm]Comes with original 17th century moulded and gilt frame 110x96cm (This painting appears to be a variation on the Ryckaert portrait. The approach of painting numerous copies/collaborative working, was a feature of Van Dyck's working practice and was common in the Flemish art world at that time.The canvas and back panel support, both appear to be from the 17th Century.The painting has multiple layers of varnish that is cracked and pitted in places, this fragments the light. This, combined with the years of dirt on the surface, makes it quite impossible to see if there is any signature. Furthermore the vibrancy of colour's and depth of the painters work is diminished. The brush strokes are long and blended with a rough bold look. On the back of the canvas it states: attributed Anthony Van Dyck. [Size 76x63cm]The Portrait of Martin Ryckaert has long been considered one of the finest oil sketches that Van Dyck made for the Iconography, the ambitious series of portrait prints designed by him in the early 1630s. Although individual portraits were in circulation by 1632, the complete edition of 80 engravings by various printmakers was only published in 1645, four years after Van Dyck?s death. Over the course of the years, Van Dyck?s conception of the series seems to have evolved, and so, too, have scholars? understanding of his intention and working methods. As a result, the preliminary studies for the prints are in the process of being re-examined and some have been reattributed.The attribution of the tonal models, whether to Van Dyck or his studio, has long been debated. In some cases, there is more than one version, and it has been difficult to distinguish which is the prototype. The largest single group of works is the 39 grisailles.BibliographyE. Molinier, Collection du baron Albert Oppenheim: tableaux et objects d'art, Paris 1904, pp. 4-5, cat. no. 10, reproduced plate IX;A. Marguillier, "Bibliographie" in La Chronique des Arts et de la Curiosité, supplement à la Gazette des Beaux-Arts, 1905, p. 126;G. Glück, Van Dyck des Meisters Gemälde, Stuttgart/Berlin 1931, p. 555, under cat. no. 332;W. Bode, Catalogue of the Collection of Baron Albert von Oppenheim, Berlin 1914, cat. no. 11;W.R. Valentiner and P. Wescher, A Catalogue of Paintings in the Collection of Louis and Mildred Kaplan, New York 1950, cat. no. 9, reproduced;J. Spicer, "Anthony van Dyck's Iconography: An Overview of its Preparation," in Van Dyck 350, Studies in the History of Art, 46, Washington 1994, p. 362;New Orleans 1997, pp. 45-48, cat. no. 18, reproduced;Baltimore 1999, pp. 45-47, cat. no. 17, reproduced (all the above as by Van Dyck,) Sotheby?s Catalogue 39.
A French Empire style gilt metal inkstand, 19th century, with a central integral cylindrical pot and cover cast with palmettes and swags, flanked by two inkpots and covers with blue glass liners moulded with classical portrait busts, on rectangular footed tray cast with masks and shell handles, 49 cm long
Oil on wooden panel of a Robert Dudley, 1st Earl of Leceister, after the Netherlandish painting of circa 1575 (in the National Portrait Gallery), he wearing a red tunic and white ruff, standing beside his coat of arms surmounted with an Earl's coronet and garter, with the initials TW to top left, 42 cm x 51 cm Condition Report: This has a very dark varnish or wash across the painted surface. Chipped to bottom right corner of panel, some minor splitting to panel and wear, some signs of old worm holes and associated deterioation to reverse.
Mid-19th century Continental School, portrait miniature of a lady in landscape, wearing her curled hair high, red silk dress and fur. watercolour on ivory, the card to reverse inscribed Grafin Parry-Siedionyi, signed lower right Racu (?), in copper frame back with insigned, possibly young Victoria
Jacobus Houbraken after the Old Masters- a folio of portrait engravings of noted society figures to include Robert Dudley, Earl of Leicester, Henry Prince of Wales, son of King James I, William of Wickham Bishop of Winchester, monochrome engravings published by J&P Napton, London 1738, each plate 37x23cmCondition report: there are 32 plates in this lot.
A Victorian style carved shell cameo brooch, depicting profile portrait of a maiden, her hair adorned with fruiting vines (cracked), in 9ct gold mount, gross dimensions 6.5 x 5.3cm; together with an Art Nouveau influenced example in 9ct gold mount, 6.8 x 5.3cm; and two modern costume examples (4)
English School, 19th century, miniature silhouette reverse on glass portrait of a military gentleman in profile, within ebonised frame, 15 x 13cm; together with three other silhouette miniatures; and a further portrait miniature (5)Condition report: The backing of the large convex silhouette is plaster and is cracked.
A cast patinated bronze sculpture of a cock pheasant after Barye, 20cm long, a Victorian miniature mahogany bookcase containing leather bound reference works, an ivory portrait miniature of a lady in a gilt mount, an 18th century stipple engraved portrait of a young girl purporting to be Lady Catherine Paulet, daughter of the Duke of Bolton, and three Staffordshire greyhound models (quantity)
Authoress and actress Joyce Grenfell signed self-portrait caricature (dedicated) on 4 x 5 1/2 piece of paper. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Life International Vintage Magazine Marilyn Monroe and Jane Russell front cover portrait dated 29th June 1953. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Picturegoer Vintage Magazine Marilyn Monroe front cover portrait dated 16th January 1954. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Professor John Gilroy MA ARCA FRSA signature on 4 x 5 1/2 envelope with caricature self-portrait. English artist and illustrator best known for his advertising posters for Guinness. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Queen Victoria Uncirculated 2019 £5 Coin Pack Reign, Innovation and Change by The Royal Mint. This sealed coin pack celebrates the 200th Anniversary of the Birth of Queen Victoria. The Royal Mint released a Limited Issue of these Brilliant Uncirculated Queen Victoria £5 Five Pound Coin Packs. The reverse is designed by John Bergdahl and captures the bustle of Victorian life, it features a Young Head Portrait of Queen Victoria as well as a number of innovations of the age. The obverse features the Fifth Portrait of Her Majesty Queen Elizabeth II by Jody Clark. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

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