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Los 356

Aug. Matthey (19th century)Portrait of a gentleman, signed and dated 1898, oil on panel, indistinctly inscribed 'Joseph **' to an old label verso, 29.5 x 22cm

Los 175

Charlotte Berend-Corinth (1880-1967)Portrait of an actor, signed, extensively inscribed in German verso, lithograph, 49 x 30cm (unframed) This appears under close inspection to be a print

Los 475

David Louis Ghilchick (1892-1974)Portrait of gentleman before an industrial town, signed 'Ghilchik' and dated '51, oil on canvas, 49 x 59cm

Los 431

English school (late 19th century)Portrait of a lady wearing a hat, oil on canvas, 60 x 49.5cm Not lined. A small patched repair, a tear with associated paint loss approx 2" long to the lower area, and a further smaller split to the canvas above the hat area. Several pushes and bruises to the canvas, stretcher marks visible, cracking and scuffing to the paint surface, and minor flakes of paint loss.

Los 303

Philip Naviasky (1894-1983)Portrait of a young lady, with jade drop earrings, signed and dated 1928, oil on canvas, 49.5 x 39.5cm

Los 86

Anna Zinkeisen (1901-1976)Portrait of a gentleman wearing a jacket and tie, in a landscape, signed and dated 1925, oil on canvas, 52 x 42cm

Los 164

Edith M. S. Scannell (1870-1921)'Chummie' aged 3; portrait of a young girl standing with a bunch of white flowers, wearing a pink dress, signed and inscribed, oil on canvas, 110 x 65cm

Los 343

Philip Naviasky (1894-1983)Portrait of Julie, a young girl in a red dress, signed, titled verso, oil on board, 39.5 x 29.5cm

Los 354

Attributed to John Faed (1819-1902)Portrait of a young woman, with red cloak, oil on panel, 17.5 x 14cm (oval)

Los 231

Jennifer McRae (b.1959)'Hannah',a portrait, signed and dated '97, oil on gesso board, 36.5 x 21cm In good condition, with a few minor surface/splash marks.

Los 408

Reginald Grenville Eves (1876-1941)Portrait of J. Bernard Baker, signed, oil on canvas, 49 x 39.5cmProvenance: with the Royal Society of Portrait Painters

Los 99

French school (19th century)Portrait of a gentleman, wearing powdered wig, charcoal heightened with white, 13 x 10.5cm (oval), in engine turned ormolu mounted satinwood frame

Los 290

Follower of John Frederick Herring (1795-1865)Portrait of a saddled grey mare in a stable, oil on panel, 45.5 x 61cm Faintly inscribed with further details to frame verso

Los 100

Cuzco school (18th century)Portrait of a Saint at prayer, oil on copper with finely engraved armorial crest verso, the wooden backing with paper label printed 'The Honbl Lord Sheldham', 10.5 x 9cm (oval)

Los 368

British school (20th century)Portrait of a seated woman, with clasped hands, oil on board, 74 x 49cm

Los 107

English school (19th century)Portrait of a lady, with ringlets to her hair and wearing a blue striped dress, watercolour, 19 x 14cm (oval), in folding brass and plush covered case with turret emblem to cover

Los 511

George Warner Allen (1916-1988)Portrait of Mrs Jarrett, resting her chin on her right hand before Sotwell House, signed and dated '56, oil on canvas, 59 x 49.5cmProvenance: with James Bourlet & Sons. Exh. R.A.

Los 169

Richard von Marientreu (1902-1991)Portrait of a lady, seated and wearing a green dress, signed, inscribed and dated 1930, oil on canvas, 125 x 93cm Has been lined and cleaned. Some small areas of old craquelure and paint seperation, and some evidence of old repairs. There is a bruise and scuff to the canvas in the lower right corner area, surface dirt, scratches and varnish discolouration.

Los 159

Florence Ada Fuller (Australian, 1867-1946)Portrait of a young girl and boy, she with pink ribbons to her hair, and holding a rose, signed, oil on canvas, 49.5 x 59.5cm Not lined. Stretcher marks visible, surface dirt, splash marks and varnish discolouration, otherwise good. Two inner sections of the frame lacking, with knocks and scuffs to the wood outer frame.

Los 94

Attributed to Balthasar Denner (1685-1749)Portrait of a lady wearing a bonnet, oil on copper, 41 x 31cm Some light surface scratches, splash marks and surface dirt, otherwise appears ok. UV images to be uploaded shortly.

Los 480

George Weissbort (1928-2013)Portrait of the artist wearing a black beret, signed, oil on board, 44.5 x 37cm

Los 96

English school (late 19th century)Head and shoulders portrait of a young girl, oil on panel, 33 x 24.5cm (unframed)

Los 374

Circle of Thomas Lawrence (1769-1830)Portrait of a gentleman wearing a lace cravat, oil on canvas, 75 x 62cm

Los 97

Circle of Adam Buck (1759-1833)Portrait of a young lady seated in a chair, and companion, pencil (a pair), 17 x 14cm, mounted but unframed. (2)

Los 68

A Lladro figurine entitled 'Japanese Portrait' numbered 8253, with original box, stamped and impressed marks to the base, 39cm highIf there is no condition report shown, please request

Los 80A

An Art Nouveau silver front photo frame, by Robert Pringle & Sons, hallmarked Birmingham 1906, embossed with a bird perched on a branch amongst flowers, with a rectangular portrait vignette and an easel back, 23.5cm high x 19.5cm wideIf there is no condition report shown, please request

Los 102

A Victorian hand tinted photograph portrait depicting a judge in uniform, signed Chancellor Dublin to the lower right corner, 15cm x 20cm housed in a gilt frame 27cm x 32cm, mounted in a velvet lined frame 34.5cm x 40cmIf there is no condition report shown, please request

Los 504

GERMAN SCHOOL, 1804. Portrait of a Gentleman , traditionally identified as Everhard Francois Temminck; and Elisabeth Voskuil, both half length, wearing black costume, both indistinctly signed 'Laube' and dated 1804, pastel on paper, in feigned ovals, 12 1/2 x 9 1/2 in ; a pair (2)

Los 400

A pair of 16/17th century carved oak Portrait Panels with man and woman surmounted by bird, 17 x 8in

Los 280

William Mulready R.A. (Irish, 1786-1863), portrait of a young lady, bust-length with auburn hair in a centre parting, coloured chalk, 11 by 8cm, framed

Los 286

Daniel Maclise (British, 1806-1870), portrait of a young lady, seated half-length in a landscape holding a cat, house beyond, signed and dated 1828 l.r., watercolour and pencil, 20 by 16cm, framed. Provenance: Christopher Powney, London

Los 245

British School, 18th Century, an oval portrait miniature of a gentleman, in a powdered white wig, white stock, and brown jacket, on ivory, 4.5 by 3.5cm, in a gold-coloured metal mount with suspension hook. Note: Ivory Exemption Certificate No.JPGXUGLL

Los 322

Circle of Allan Ramsay, circa 1750, portrait of a gentleman, half-length in white stock, a grey jacket, and an ivory waistcoat, within a painted oval, oil on canvas, 75 by 62cm, in an 18th Century carved wood and gilt gesso frame. Provenance: Private Collection, Gloucestershire

Los 248

British School, 18th Century, an oval portrait miniature of Mrs Brisbane, bust-length, in a dress with a blue trimmed collar, on ivory, 5 by 3cm, in a gold-coloured mount with suspension hook. Provenance: with a note about the sitter dated 1700. Note: Ivory Exemption Certificate No.74Z3UP7Q

Los 276

John Hoppner R.A. (British, 1758-1810), portrait of a young lady, bust-length wearing a headdress, signed verso, pencil, 26 by 20cm, framed. Provenance: with Sotheby's, 14th October 1985

Los 320

British School, 18th Century, portrait of a gentleman, half-length wearing a white stock, brown jacket, and a red waistcoat, dated 1761 u.r., oil on canvas, 75 by 60cm, framed

Los 244

British School, mid-19th Century, an oval portrait miniature of a gentleman, bust-length, in a white stock and blue jacket with brass buttons, on ivory, 6 by 5cm, in a gold-coloured mount with suspension hook. Note: Ivory Exemption Certificate No.5B7UPBWV

Los 281

William Mulready R.A. (Irish, 1786-1863), portrait of a young lady, bust in profile with brown hair in a centre parting and bun, crayon, 11 by 11cm, framed

Los 330

Winifred M. Macnabb (British, early 20th Century), portrait of Elisabeth Sperling, bust-length in slight profile, wearing a pink open-neck dress, titled and dated 1928 verso, oil on canvas, 33 by 24cm, framed

Los 318

Circle of Jean Baptiste Santerre, portrait of a nobleman, half-length, in armour, oil on canvas, 75 by 62cm, framed

Los 247

British School, late 18th Century, an oval portrait miniature of a gentleman, bust-length in profile, in a powdered wig, white stock, and blue jacket with high collar, on ivory, 4 by 3cm, in a gold-coloured metal mount with suspension hook. Note: Ivory Exemption Certificate No.TZZXGZ9E

Los 241

A pietra dura specimen portrait of a horse's head, inlaid with various hardstones and marbles, signed indistinctly verso, 17cm x 11cm, framed

Los 321

After Ginevra Cantofoli, portrait of Beatrice Cenci, oil on canvas, 60 by 50cm, unframed

Los 282

William Mulready R.A. (Irish, 1786-1863), portrait of John Mulready, the artist's son when he was 27, titled and dated 1836 verso, crayon, 17 by 12cm, framed

Los 317

Circle of Hans Hysing, circa 1730, portrait of a young gentleman, bust-length, wearing a white stock, a grey coat, and waistcoat, within a painted oval, oil on canvas, 75 by 62cm, in an 18th Century plain wooden frame with gilt fillet. Provence: Private Collection, Gloucestershire

Los 246

Gervase Jarvis Spencer (British, c.1715-1763), an oval portrait miniature of a gentleman, bust-length in a powdered white wig, white stock, and brown jacket with brass buttons, signed with initials and dated 1755 l.r., on ivory, 4 by 3.5cm, in a gilt metal mount with suspension hook. Note: Ivory Exemption Certificate No.CDXNMWF2

Los 243

British School, mid-19th Century, an oval portrait miniature of a young gentleman, bust-length, wearing a white stock and brown jacket, on ivory, 7.5 by 6cm, in a rose gold colored mount with suspension hook. Note: Ivory Exemption Certificate No.M2RS12TF

Los 283

William Mulready R.A. (Irish, 1786-1863), portrait of a young lady, bust-length in profile, hair worn in a bun, chalk, 17.5 by 12cm; and another portrait of a young lady, bust-length in slight profile, crayon, 16 by 12cm, both framed (2)

Los 181

A miniature mother of pearl portrait brooch, the yellow metal mount set with faceted rubies, stamped '750', weight approx 10g, together with a yellow metal oval locket brooch, not stamped (2)

Los 275

A collection of jewellery Including a floral brooch set with seven small round brilliant-cut diamonds, stamped 18KT; a 9ct gold christening bracelet, a smaller rolled gold example, and a two further silver examples; a circular enamelled portrait pendant, stamped 9ct, and a gold plated pendant locket (8)

Los 81

Evelyn (John). Silva: or, A Discourse of Forest-Trees, and the Propagation of Timber in his Majesty's Dominions: as it was delivered in the Royal Society on the 15th Day of October, 1662...., together with an Historical Account of the Sacredness and Use of Standing Groves, York: Printed by A. Ward for J. Dodsley [& others], 1776, engraved portrait frontispiece, 40 plates (1 folding), folding table at rear, 8 pp. list of subscribers, armorial bookplate of William Moore to front pastedown, occasional light spotting and offsetting, contemporary mottled calf, later red morocco title label lettered in gilt, some wear to extremities, 4toQTY: (1)NOTE:Nissen BBI 615.

Los 25

Atkyns (Robert). The Ancient and Present State of Glocestershire, 2nd edition, London: Reprinted by T. Spilsbury for W. Herbert, 1768, 8 engraved plates of coats of arms of Gloucestershire families, folding engraved county map, 64 folding engraved views by Johannes Kip (plate of Henbury with lower outer margin corner torn and repaired), few plates lightly frayed to margins, 20th-century half calf, gilt decorated spine with morocco title label, folio (42 x 26.5 cm)QTY: (1)NOTE:Upcott I p. 250. Portrait of author not called for in the 2nd edition (Upcott).

Los 31

Camden (William). Britannia. Sive Florentissimorum regnorum, Angliae, Scotiae, Hiberniae, et insularum adiacentium ex intima antiquitate chorographica descriptio, 4th edition, London: [Printed at Eliot's Court Press] impensis Georg. Bishop, 1594, large woodcut royal arms to title and early manuscript ownership 'Tho: Brydgema[n] Ex dono xposeri Meryeke: 26 July 1597', woodcut decorative initials, head & tailpieces, G8 loosely inserted from another copy, lacking final 20 leaves after 2Y8 (p.704), some dust-soiling mostly to first and last leaves, modern calf, 4to, together with:Leigh (Edward). England Described: Or the several Counties & Shires thereof briefly handled. Some things also premised, to set forth the Glory of this Nation, 1st edition, London: printed by A. M. for Henry Marsh, 1659, fore-margin of E2 repaired, light dust-soiling and occasional spotting, lacking front free endpaper, 20th-century light brown sheep, spine and upper joint torn, light wear to extremities, 8vo,Hentzner (Paul). Travels in England, during the Reign of Queen Elizabeth, translated by Horace, late Earl of Orford, and first printed by him at Strawberry Hill: to which is now added, Sir Robert Naunton's Fragmenta Regalia; or, Observations on Queen Elizabeth's Times and Favourites; with Portraits and Views, London: Edward Jeffery, 1797, 11 engraved portraits and plates (including portrait frontispiece, some printed in colour), toning, light offsetting and occasional spotting, bookplate of Buddle Atkinson to upper pastedown, 19th-century brown half morocco, extremities slightly rubbed, 8voQTY: (3)NOTE:STC 4506; ESTC S107385.

Los 85

[Gerard, John]. [The Herball Or Generall Historie of Plantes..., 1st edition, Imprinted at London by John Norton, 1597], [18], 1392, [46] pp., woodcut illustrations throughout, lacks final leaf of preliminaries (B6, end of To the Reader, with portrait to verso) and final 13 leaves of indexes (5F4, 5G-5I4), all preliminary leaves present but with significant damage and repairs, several leaves (4F5, 4P5-8, 4Q2-5) cut down and re-hinged with repaired margins, final five leaves of index damaged and repaired with some text loss and reduced margins, old hand colouring of woodcuts on pp. 299, 633, 1165 & 1320, woodcut on p. 1369 excised and repaired with blank paper (and consequent text loss to verso), frequent ink marginalia in several hands, both contemporary and later in English and Latin, some occasional soiling and marks, several neat closed tear repairs, lower blank margin of 2I3 torn with loss, recent antique-style speckled tan calf with five raised bands and old gilt-titled leather spine label in second compartment, folio (33 x 22.5 cm)QTY: (1)NOTE:Henrey 154; Hunt 174; Nissen 698; STC 11750.The first edition includes the first recorded illustration of a potato, plus discussion and illustrations of tobacco and the tomato, which is said to have originated in Italy and Spain.Sold with all faults not subject to return.

Los 399

Lavater (John Caspar). Essays on Physiognomy; For the promoting of the knowledge and the love of mankind, translated into English by Thomas Holcroft, 4 volumes, 2nd edition, London: C. Whittingham for H. D. Symonds, J. Walker and others, 1804, engraved portrait frontispiece to volume I, over 400 engraved plates after Henry Fuseli by William Blake, Thomas Holloway, Francesco Bartolozzi and others, a few detached in volume I, occasional light spotting, endpapers renewed, contemporary mottled calf gilt, spines a little rubbed and slightly bowed, some worming to covers, 8vo, together with Drake (James). Anthropologia Nova; or, a new system of Anatomy. Describing the animal oeconomy, and a short rationale of many distempers incident to human bodies, 2 volumes, 1st edition, London: printed for S. Smith and B. Walford, 1707, engraved portrait frontispiece to volume I, 69 engraved plates only (of 83), occasional light spotting and toning, contemporary calf, rebacked, a little rubbed, 8voQTY: (6)

Los 379

Bacon (Francis). Scripta In Naturali et Universali Philosophia, Amsterdam: Ludovico Elzevir, 1653, engraved additional pictorial title, folding letterpress table, upper hinge cracked, bookplate of Maurice B Worms to front pastedown, contemporary calf boards, rebacked, corners bumped, 12mo, together with: Bacon (Francis). Novum organum scientiarum, Leiden: Adriaen Wijngaerden and F. Moiardum, 1645, engraved pictorial frontispiece, old vellum spine over marbled boards, faded and stained, 12mo, Burnet (Thomas). The Theory of the Earth, for Walter Kettilby, 2 volumes bound in 1, London: printed by R. N. for Walter Kettilby, at the Bishop's Head in S. Paul's Church-Yard, 1697, lacking portrait frontispiece, additional engraved title-page (spotted), two engraved folding maps of the Western and Eastern Hemispheres (California shown as an island), in-text illustrations (including a map of Europe and Asia with Noah's Arc during the Great Flood), occasional spotting and damp-staining, contemporary panelled calf, spine relaid with loss, folio, Aikin (Arthur). The Natural History of the Year..., 2nd edition, London: J. Johnson, 1799, folding engraved frontispiece, contemporary ownership inscription of Caroline Taylor to verso of half-title, original boards, rebacked, small 8vo, Hues (Robert). Tractatus de Globis Coelesti Terrestri c eorum usu, Frankfurt: Daniel & David Aubry, 1627, woodcut engraving to title, contemporary vellum with repairs to spine, a little soiled, 12mo, Douglas (James). A Dissertation on the Antiquity of the Earth, London: Logographic Press and sold by George Nicol, 1785, engraved vignette to title, 8 engraved plates, contemporary half calf, rebacked, rubbed and scuffed, small folio, Mathias (Thomas James). The imperial epistle from Kien Long. Emperor of China, to George the Third King of Great Britain, &c. &c. &c. In the year 1794..., London: printed for R. White, [1795?], light damp staining, later marble wrappers, 4to QTY: (7)NOTE:Provenance: Maurice Benedict Worms (1805-1867) for the first work.

Los 67

Culpeper (Nicholas). The English Physitian Enlarged; with Three Hundred, Sixty and Nine Medicines, made of English Herbs..., London: Hannah Sawbridge at the Bible on Ludgate Hill, 1684, lacking C3, U2-U8 inclusive, V1, and all leaves after Bb6, some light staining, a few leaves chipped with minor loss, minor worming to inner margin to last few gatherings, early 20th-century ownership inscription of 'A. E. Castle, 64 Victoria S, Aylesbury' to front free endpaper, modern grey and cream paper covered boards, paper label to spine, small 8vo, together with:Culpeper (Nicholas). The English Physician Enlarged; With Three Hundred and Sixty Nine Medicines, made of English Herbs..., London: J. Churchill, at the Black-Swan in Paster-Noster-Row, 1714, lacking all leaves after S6, some areas of light toning, some leaves chipped, 18th-century ownership inscription 'Wm Mawen 1781' to title page and to B1, 17th-century planetary charts and ownership inscriptions 'Elizabeth Smithe, Her Book Anno Domini living In Boxhill 1743/4' and 'George Smith His Book' to front free endpapers, modern half calf, gilt decorated spines with title labels, 12mo Culpeper (N. & E. Sibly). Culpeper's English Physician and Complete Herbal. To which are now first added, Upwards of One Hundred Additional Herbs, with a Display of their Medicinal and Occult Properties, Physically Applied to the Cure of all Disorders incident to Mankind, to which are Annexed, Rules for Compounding Medicine According to the true System of Nature, forming a Complete Family Dispensatory and Natural System of Physic, 4 parts in one, London: Printed for the Author, and sold at the British Directory Office, Ave-Maria-Lane, and by Champante and Withrow, Jewry-Street, Aldgate, 1810, engraved portrait frontispiece and hand-coloured engraved plates, damp staining to margins of title (with extensive repairs to margins), modern half calf, gilt decoration to spine, 4to QTY: (3)NOTE:Provenance: A. E. Castle for the first work, Wm Mawen, George Smith & Elizabeth Smithe for the second work.ESTC No: R218185 for the first work, ESTC No: T67000 for the second work.

Los 380

Culpeper (Nicholas). Pharmacopoeia Londinensis: or The London Dispensatory further adorned by the Studies and Collections of the Fellows, now living of the said Colledg. Whereunto is added, 1. The Vertues, Qualitites, and Properties of every Simple. 2. The Vertues and use of the Compounds. 3. Cautions in giving all Medicines that are dangerous. 4. All the Medicines that were in the Old Latin Dispensatory, and are left out in the New Latin one, are printed in this fourth impression in English with their Vertues. 5. A Key to Galen's Method of Physick, containing thirty three Chapters. 6. What is added to the Book by the Translator, is of a different Letter from that which was made by the Colledg., London: printed for Peter Cole, 1653, lacking portrait frontispiece, closed tears to title and following leaf (B1) mostly at gutter, final leaf also with closed tears at gutter, some fraying mostly to first and last leaves (particularly final leaf), some toning and light dust-soiling, few marks, damp-staining (mostly to margins, contemporary sheep, worn at head and foot of spine, joints and extremities rubbed, small folio, together with:Fisher (George). The Instructor, or Young Man's Best Companion..., 25th edition, London: Toplis & Bunney; Gainsbrough: J. Mozley, 1780, engraved frontispiece (with offsetting from title), folding engraved plate (detached), some toning and few marks, early ownership inscription to front free endpaper 'Henry Milward, Pershore, his Book', contemporary sheep, joints cracked and some wear, 12moQTY: (2)NOTE:1. Wing C7525.Provenance: Miss Elizabeth Apletree Davis (b. 1887), Woollas Hill Farm, Eckington, Bredon Hill, near Pershore, Worcestershire. The daughter of Frederick Davis (b. 1848) and Emma Davis (b. 1847). Her father was a farmer and horse trainer for Colonel Hanford Flood, of Woollas Hall, where the poet John Masefield (1878-1967) frequented in his younger days enjoying the books in the library.

Los 449

Nolhac (Pierre de). La Reine Marie-Antoinette, 1st edition, Paris: Boussod, Valadon et Cie., 1890, colour portrait frontispiece, title printed in red and black, monochrome portraits and illustrations, occasional light spotting, top edge gilt, contemporary blue half morocco by Hatchards, spine lettered in gilt and decorated with Marie Antoinette monogram and fleur-de-lys in compartments, upper cover with her coat-of-arms stamped in gilt (light spotting to covers), folio, together with Skelton (John). Mary Stuart, 1st edition, Paris: Boussod, Valadon et Cie, 1893, chromolithograph portrait frontispiece, portrait and illustrations, a little minor spotting, top edge gilt, similarly bound in blue half morocco by Hatchards, spine with Lion Rampant and thistle decorations, upper cover with her arms stamped in gilt, 4to, plus Creighton (Mandell). Queen Elizabeth, 1st edition, London: Boussod, Valadon et Cie., 1896, chromolithograph portrait frontispiece, illustrations, a little light spotting, similarly bound by Hatchards, spine with Elizabeth monogram and Tudor rose decorations, royal arms to upper cover, 4to, with 7 others bound by Hatchards: Queen Victoria, by Richard R. Holmes, 1897, Marie Antoinette the Dauphine, by Pierre de Nolhac, 1897, Charles I, by John Skelton, 1898, Catherine de Medicis, by Henri Bouchot, 1899, Oliver Cromwell, by Samuel Rawson Gardiner, 1899, Josephine, Imperatrice et Reine, by Frederic Masson, 1899, and Sir Thomas Lawrence, by Lord Ronald Sutherland Gower, 1899QTY: (10)

Los 26

Atkyns (Robert). The Ancient and Present State of Glostershire, 1st edition, London: W. Bowyer, 1712, engraved portrait frontispiece by Van der Gucht (margins strengthened to verso), title with ink erased signature and signatures of Richd. Ivyleafe, James Bush, June 1835, John Bush 1882, Abraham Bush 1908 and J. W. Ward 1940, 8 engraved plates of coats of arms of Gloucestershire families, engraved double-page county map, 64 double-page engraved views by Johannes Kip (with renewed guards, small hole to image of Miserden plate), closed tear to lower blank margin of text leaf B1, marginalia to verso of of leaf 4O3, occasional light spotting, later endpapers, contemporary blind panelled calf, rebacked, repairs to board corners and upper board repaired towards foot, folio (40 x 25 cm), together with a loosely inserted manuscript final concord document on vellum between George Atwood the younger v George Atwood the elder, Thomas Atwood and his wife Dorothy, who all release their interests to George the younger, of 3 acres or arable, 12 acres of pasture in Beach in the parish of Bitton, Gloucestershire, dated Three weeks after Michaelmas (so October), 1678, being the record of a fictitious dispute in the Court of Common Pleas, the purpose of which was to sidestep the dower rights of the wife of a vendor or settlor, written in brown ink on vellum, (12.5 x 43.5 cm)QTY: (2)NOTE:Upcott I pp. 246-250.

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