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283287 Los(e)/Seite
Los 1301
English School (19th century): Miniature Bust Portrait of a Girl, wearing a feathered hat, on ivory, oval, 6.5cm by 5.5cm, in gilt metal frame; A Miniature of Two Gentlemen, in a library, on ivory, 8cm by 6.2cm, in gilt metal frame; and Another Miniature, bust portrait of a lady in a white lace cap and collar, oval, 8.2cm by 6.5cm, in a gilt wirework frame (3)
Los 2035
John Ferneley Snr. (1782-1860) Portrait of Sir Francis Grant on Grindal Oil on canvas, 83.5 by 110cm Provenance: Sir Francis Grant, thence by descent John Ferneley Snr. was arguably the most gifted painter of sporting subjects of his generation. What set him apart was his ability to pinpoint equine characteristics and to faithfully record the surrounding landscape. In this way, his works are some of the most important records of 19th Century Sporting Britain. Ferneley was the sixth son of a Leicestershire wheelwright, his talent was spotted at a young age by the Duke of Rutland who, in 1801, is said to have persuaded Ferneley's father to allow him to become a pupil of Ben Marshall, himself of Leicestershire origin who was then working in London. Ferneley studied and lodged with Marshall between 1801 and 1804 and was enrolled by him in the Royal Academy Schools. Ferneley's rise to prominence was fast, exhibiting his first picture at the Royal Academy in 1806. By 1814 he had set up his studio in Melton Mowbray, the hub of the fox-hunting scene with three fashionable packs, the Quorn, the Belvoir and the Cottesmore, providing hunting six days a week. Each winter an influx of 250-300 sportsmen, distinguished by birth, profession and intellect and unaccompanied by their wives, entered into a world obsessed by the chase. Ferneley flourished with a steady stream of patronage and his work became increasingly desirable. His patrons included many of the famous sportsmen of the day, and members of some of the most prominent aristocratic families. Sir Francis Grant PRA (1803-1878) was one such gentleman, his life-long passion for fox-hunting led him eventually to move to Melton Mowbray. Ferneley and Grant met during the 1820s when Grant studied under him. Following Grant's launch as a professional artist in the 1830s, he and Ferneley frequently collaborated, Grant providing portraits and Ferneley the animals. Portrait of Sir Francis Grant on Grindal is a wonderful example of this partnership, executed in 1851 when Grant was 48 years old, the face is a self-portrait by Grant. The present picture is not recorded in Ferneley's account books. This can be explained by the existence of an almost identical version of the work, commissioned by Ferneley's friend and patron Little Gilmore. Portrait of F. Grant, Esq., A.R.A., on a favourite hunter was exhibited at the Royal Academy in 1850, no. 536 (see Major G. Paget, The Melton Mowbray of John Ferneley, 1782-1860. The account books of John Ferneley, Leicester 1931, facing p. 51). As Ferneley exhibited only 22 works at the Royal Academy throughout his career, he was clearly extremely pleased with the portrait of Grant. Indeed, both artists were so delighted with the work that the following year they collaborated to bring about the present picture, with a few compositional alterations, for Grant's own personal collection. The work is a fine example of Ferneley's brilliance in rendering a remarkable horse portrait as well as his skill in conveying a sense of space and fresh air in the harmonious palette of the scenery, punctuated by the vibrant red of the huntsmen's coats.
Los 385
A later 20th Century commemorative goblet for Glyndebourne by Virginia Bliss, engraved with an oval portrait cartouche of Mozart, engraved signature to the base and dated 89, limited edition 10 of 50, height 16cm, together with a clear crystal jug with cut decoration of flowers and foliage engraved to commemorate the coronation of Queen Elizabeth II in 1953. (2)
Los 114
19th Century circular silhouette portrait of a lady, highlighted in gilt D9cm and an unframed silhouette of a lady inscribed 'E H Town's Likeness, December 12th 1836' 11cm x 7cm, unframed Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Los 116
18th Century oval silhouette portrait, half length, of a gentleman inscribed on the reverse 'Ed Edge Esq. 1784' 10cm x 8cm and another of a lady inscribed 'Miss Elizabeth Eastbrooke,1784, Okehampton, Devon' 9cm x 6cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Los 117
18th Century miniature oval head and shoulders pencil portrait of a gentleman in full bottomed wig 10cm x 8.5cm, and a circular miniature pencil half length portrait of a boy D8cm with faint inscription to the reverse Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Los 69
Matched pair of early 19th Century Bohemian clear glass salts with portrait miniatures on a burgundy and gilt ground 7cm and an early 19th Century square glass decanter with compressed fluted circular stopper and engraved 'B' H23cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Los 3161
40+ British Quad film posters including The Long Long Trailer, Make Haste to Live, The Man in the Net, Mating Game, The Magnificent Seven Ride, Westbound, No Kidding, Portrait in Black, Man on Fire, The Power and the Price, Walk Don't Run, Return to Peyton Place, Black Tuesday, The Thrill of It All, High Time, Heavy Metal, Murder in Eden, Raw Wind in Eden, I Saw What You Did and others, Folded, 30 x 40 inches.
Los 316
NINETEENTH CENTURY UNKNOWN pencil and heightened drawing - portrait of an infant in high chair with flowers, inscribed Sir W W W 1750, 29.5 x 22cms Auctioneer's Note: an intriguing drawing which may relate to Sir Watkin Williams Wynn, 4th Baronet who was born in 1749, however the child appears to be around 2-3 years old, on taking the drawing out of the frame, the paper appears to be Victorian and the paper is curiously backed by a title page for 'Voyage en Angleterre' 1830 authored by artist Eugene Lami. Sir Watkin Williams Wynn, 4th Baronet was a great patron of the arts and was associated with Sir Joshua Reynolds and Paul Sandby
Los 102
Mayhew (Henry) The London Labour and the London Poor, 4 vol. including extra volume, first edition, wood-engraved portrait frontispiece to vol.1 bound at end, frontispiece to extra volume, 95 plates only (of 96, vol.3 lacking plate of ticket-of-leave man), occasional light foxing, contemporary half calf, spines rubbed, corners worn, 1851-61 § Mayhew (Henry) and John Binny. The Criminal Prisons of London and Scenes of Prison Life, wood-engraved plates, illustrations, foxing to title and endpapers, contemporary half calf, 1862; and 2 others, similar, 8vo (7)
Los 107
Tennyson (Alfred, Lord) The Works..., signed presentation inscription from the author to head of title, engraved portrait frontispiece, occasional spotting, decorative endpapers, contemporary red morocco, elaborate gilt corner pieces, by Zaehnsdorf, spine gilt in compartments, spine rubbed and faded, g.e., large 8vo, 1878.
Los 12
NO RESERVE Camden (William) Annales rerum Anglicarum et Hibernicarum, regnante Elizabetha, engraved architectural title, lacking engraved portrait of Elizabeth I, old ink inscription to head of title and front paste-down, some browning, one or two marginal tears, engraved bookplates, contemporary limp vellum, lacking ties, rubbed and soiled, [Willems 227], 8vo, Leiden, Elzevier, 1625.
Los 25
NO RESERVE Private Press.- Carey (Henry) Songs & Poems, number 41 of 380 copies, title and musical notation printed in red and black, wood-engraved illustrations by Robert Gibbings, original vellum-backed boards, Waltham St.Lawrence, Golden Cockerel Press, 1924 § Marvell (Andrew) Miscellaneous Poems, one of 850 copies, portrait, Nonesuch Press, 1923 § Tennyson (Alfred, Lord) In Memoriam A.H.H., limited edition, Nonesuch Press, 1933, the last two original boards, gilt, glacine wrappers (frayed), the last with slip-case (rubbed), all uncut & unopened, 4to & tall 8vo (3)
![NO RESERVE Mathematics.- Moore (Jonas) [Moor's Arithmetick in Two Books], lacking initial blank, general title and some other](https://cdn.globalauctionplatform.com/6798554f-89b3-48ec-baa8-ab2700e960df/90d0aa8f-adb2-4000-9ea8-ab2900c0edd0/468x382.jpg)
Los 49
NO RESERVE Mathematics.- Moore (Jonas) [Moor's Arithmetick in Two Books], lacking initial blank, general title and some other preliminary leaves but text seemingly complete, lacking engraved portrait, with 5 folding engraved plates of diagrams only (of 7), one loose, contemporary ink calculations to free endpapers (one at rear defective) and some to text, a little browned, some stains, a few marginal defects, contemporary calf, rubbed, [Wing M2564], 8vo, by J.G. for Nath.Brook, 1660; sold not subject to return
Los 50
NO RESERVE May (G.) Ballooning: a concise sketch of its history and principles, first edition, folding wood-engraved frontispiece, 48pp. publisher's illustrated catalogue at end, endpapers browned, original cloth, gilt, lightly damp-stained, 1885 § Nobbs (Moses James) Old Coaching Days: Some Incidents in the Life...the Last of the Mail Coach Guards, portrait frontispiece, original limp cloth, spine faded, [1881] § Endless Amusement: a collection of nearly 400 Entertaining Experiments in various branches of science, sixth edition, folding wood-engraved frontispiece, illustrations, original embossed cloth, gilt spine faded, 1834, 8vo et infra (3)
![NO RESERVE Domestic Economy.- [Phillip (Robert Kemp)] The Practical Housewife..., first edition, wood-engraved frontispiece a](https://cdn.globalauctionplatform.com/6798554f-89b3-48ec-baa8-ab2700e960df/b0a4ff45-c484-405f-bd8a-ab2900c08e62/468x382.jpg)
Los 52
NO RESERVE Domestic Economy.- [Phillip (Robert Kemp)] The Practical Housewife..., first edition, wood-engraved frontispiece and additional pictorial title with vignette of a kitchen, illustrations, [Bitting p.593], Ward & Lock, [1855] § Taylor (Henry) The Bee-Keeper's Manual, sixth edition, wood-engraved frontispiece and illustrations, 8pp. advertisements and 32pp. publisher's catalogue at end, 1860 § Marshall (Agnes B.) Mrs. A.B.Marshall's Cookery Book, revised and enlarged edition, wood-engraved portrait and illustrations, 33pp. advertisements at end and on endpapers, [c.1888], original cloth, the first two damp-stained, 8vo (3)
Los 82
Cookery.- M. (W.) The Queens closet opened. Incomparable secrets in physick, chirurgery, preserving and candying, &c. which were presented unto the Queen: by the most experienced persons of the times, 3 parts in 1, engraved portrait frontispiece, lacking G2-11 and N2-11, D5 torn with a little loss to lower corner, F2 torn with loss of a few letters, a few other tears, stained, contemporary sheep, rebacked, rubbed, [Wing M100B; cf. Simon BG 1239; Cagle 838-840 and Oxford p.26 (none of whom record this edition)], 12mo, printed by J. G[rismond]. for Nath. Brook at the Angel in Cornhill, 1664. sold not subject to return. ⁂ A rare edition, with ESTC recording only two copies (Duke and Princeton). A 1663 edition, assigned the same Wing reference is also rare with only two copies recorded (BL and Illinois).
Los 85
Milton (John) A Complete Collection of the Historical, Political and Miscellaneous Works, 3 vol., portrait frontispiece to vol.1, some damp-staining and foxing, endpapers browned, bookplate to vol.1, contemporary panelled mottled calf, rebacked, head of spine torn to vol. 1, [Wing M2087], folio, Amsterdam, 1698.
Los 88
Locke (John) The Works, 3 vol., engraved portrait frontispiece, book plates, some foxing and spotting, endpapers a little browned, contemporary calf, rather rubbed, joints of vol.2 splitting, folio,1751 (3)⁂This edition is the first to include The Life of the Author and a Collection of Several of His Pieces.
Los 90
Burdon (Capt. William) The Gentleman's Pocket Farrier, damp-staining, spotting, ink notes in contemporary hand, contemporary calf, spine split, rather rubbed, for W. Johnston, 1768 § De La Fontaine (Jean) Fables, portrait frontispiece, wood-engraved plates, foxing, some damp-staining, contemporary red morocco, gilt, spines rubbed, g.e., Paris, 1868; and c.200 others, antiquarian, v.s. (c.200)
Los 93
Junius (Francis) Junius Stat Nominis Umbra, 12 engraved plates by Edward Bocquet, occasional faint spotting, bookplate, contemporary straight grain morocco, slight rubbing to corners and extremities, 1813 § Gay (John) Poems on Several Occasions, 2 vol., engraved frontispiece and 2 plates, short marginal tear (H7 & 8 vol. 1), bookplates, cracked upper hinges, contemporary calf, slight rubbing to corners and extremities, H. Lintot, J. and R. Tonson and S. Draper, 1753-52 § Cowper (William) Poems, 2 vol., engraved head and tail pieces, occasional faint spotting, contemporary calf, a little rubbed, slight bumping to corners and extremities, 1808 § Hurdis (Rev. James) The Village Curate, and other poems, portrait frontispiece, occasional faint spotting, near contemporary half-morocco, rubbed and worn, 1810; and c.50 others, v.s. (c.55)
Los 108
Musaeum Regalis Societatis or a Catalogue and Description of the Natural and Artificial Rarities belonging to the Royal Society…; Subjoyned the Comparative Anatomy of Stomachs and Guts. London: W Rawlins 1681, folio, portrait frontispiece, 31 engraved plates, detached front board. Provenance: Tittenhanger Library, near St Albans (contemporary inscription to front paste-down)
Los 121
The Mysteryes of Nature and Art conteined in foure severall Tretises.., London: for Ralph Mab 1634, small 4to, first edition, engraved title, marked 'T. Willoughby' at head in a contemporary hand, illustrations throughout, early ink MS notes to final blank, separate titles to each part, 1 plate at f.14 (=T4 according to BL catalogue), lacking portrait, G4 is a full page illustration, apparently lacks p.143 (a blank? before 2A1 title of Book of Extravagants), otherwise gatherings seem to collate without loss, repaired early calf with chipped spine. Note: STC 1577
Los 123
A Ternary of Paradoxes: The Magnetick Cure of Wounds. Nativity of Tartar in Wine. Image of God in Man . 2nd edition, London: James Flesher for William Lee, 1650, small 4to, added engraved title, name crossed out to printed title, bound with - Deliramenta Catarrhi, 1650; all a little age toned, some browning, some small corner and edge creases, contemporary calf slightly bowedCONDITION:Lacks portrait frontispiece
Los 124
Frisia seu de viris rebusque Frisiae illustribus. Libri duo. Franeker: J. Lamrinck for J. Starter, 1620, small 4to, title printed in black and red within woodcut border, 2 large woodcut coats of arms on verso, etched portrait of the author and numerous full-page portraits of Frisian rulers within woodcut borders by F. Van Harlingen, f.45 lacking, contemporary vellum
Los 127
The History of Don Quichote. The First Parte. -- The Second Part of the History of... Don Quixote. Translated by Thomas Shelton, London: Edward Blount 1620, 8vo, 188 x 135mm approx., two vols. bound in one, with two engraved titles, without printed title to first part, the engraved title to first part on laid paper possibly a later addition, the engraved title to vol. II re-mounted on a guard, vol. II printed title with vignette on watermarked laid paper, later added portrait mounted before first title, all later bound in 19th-century brown morocco gilt, all edges gilt. One rust hole to lower margin of H6, two leaves remounted without loss of text, two leaves with some faint printing of lower lines, lacking the blanks, some age staining and finger soiling, neatly repaired worm hole to margin of Vol. II from p.317 onwards just touching a couple of letters of the notes; spine strip partially split. FIRST COMPLETE EDITION IN ENGLISH, second edition of the first part and the first edition of the second part. Sold not subject to return but the text collates without loss.
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283287 Los(e)/Seite