F. Lock, British School, mid 19th century- Portrait of a lady, seated, with a red brooch; watercolour heightened with white on paper, signed and dated 'F. Lock. 1845' (lower right), 23.5 x 19 cm.: British School, 19th century- Portrait of a man in blue uniform; watercolour and bodycolour on paper, 16 x 11.6 cm.: George Duchescne, French School, 19th century- View of a lake, with statues; watercolour on paper, tondo, signed 'Geo Duchesne' (lower right), dia. 24 cm.: British School, 20th century- View of Venice; watercolour, signed (lower right), 26.8 x 22.6 cm.; M. Chinchen, British School, 20th century- View of boats; watercolour on paper, signed 'M. Chinchen' (lower left), 14.6 x 30.5 cm., five (5) Condition Report: All framed and glazed, and unexamined out of frames. Minor marks and scuffs to the frames generally. Evidence of discolouration/browning and foxing to some of the sheets, particularly to the lead image. Light creases and minor marks generally, consistent with handling. Otherwise in fair condition overall.
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Charles J. Basilus, British school, mid 19th century- Portrait of William Cosmo Gordon; watercolour on paper, signed and dated 'Chas. J. Basilus / 1843' (lower right), bears old inscribed label to the reverse, 27 x 23.5 cm. Condition Report: Framed, mounted, and glazed. Unexamined out of frame. Minor marks and scuffs to the frame generally. Spots of foxing to the sheet in areas, alongside areas of discolouration/browning. Light marks and creases in areas consistent with handling. Otherwise in fair condition overall.
A collection of portrait miniatures, 19th century and later, in glazed oval and rectangular gilded metal frames, to include a painting on slate of a lady playing the mandolin and singing, after Franz I Van Mieris, inscribed verso La chanteuse (F. Mieris), held in a rococo style frame, 9cm x 6cm, a Dresden oval porcelain plaque miniature of a lady, inscribed to verso Elisabeth with Dresden factory stamp, 8cm high, an oval portrait of Lady Hamilton, inscribed to verso, and various other examples (11)
BENJAMIN ROBERT HAYDON (1786-1846). PORTRAIT OF A GENTLEMAN, IDENTIFIED AS NATHANIEL HOWARD, SCHOOLMASTER IN TAMERTON FOLIOT, DEVON. Bust length, wearing a red coat and white shirt, signed and dated `B. R. Haydon/ 1807` verso, oil on canvas 50 x 42.5cm. * The pose mirrors closely Haydon's c.1811 portrait of the poet James Henry Leigh Hunt (b.1784) (London, National Portrait Gallery). Further biographical details of the sitter are available upon request. Provenance: George Lambert MP (1866-1958) and thence by descent. *CR Scattered retouching from a 1979 restoration; small tear lower left.
A GROUP OF SIX MODERN PRINTS. (d) Comprising `Portrait de Signac`, aquatint by Victor Joseph Roux Champion, 18.5 x 12.5cm.; `Moulin Debray a Montmartre`, etching by Eugene Delatre, 18.5 x 13.5cm.; `The Opera: The Harpist`, etching by Paul Renouard, 40.5 x 28.5cm., this unframed; `L'oiseau aet son Nid`, colour lithograph after Georges Braque, probably from `Derriere Le Miroir`, 33 x 49.5cm.; frame of five small wood engravings by Eric Ravilious, 3.5 x 4.5cm approx.; and a colour linocut, woman with an umbrella, in the style of William Nicholson, 17.5 x 20.5cm. (6). *CR Delatre, Renouard and Braque with foxing; Braque with central vertical fold as issued; the `Nicholson` fair only.
ZSUZSI ROBOZ (1929-2012). PORTRAIT OF EILEEN AGAR; PORTRAIT OF MICHAEL LEONARD. (d) Two, each signed, charcoal 62.5 x 49.5cm; and 64.5 x 49.5cm. (2) Provenance: Both from the Artist's Estate; (Leonard) Marlow, Messum's, Retrospective Exhibition, no.53 (label on backboard). *CR Each in good condition.
PATRICK EDWARD PHILLIPS (1907-1976). `PRUE`. (d) Seated, almost full length, wearing a floral patterned grey dress, signed and dated 1958, oil on canvas 75.5 x 49.5cm. Exhibited: London, The Royal Academy, 1959, no.408 (label on frame giving title and indicating that it might have been exhibited at The Royal Society of Portrait Painters too) * The sitter is Prue Carmalt Jones, the daughter of Hazel Carmalt Jones, the assistant Secretary at The Byam Shaw School of Art. *CR Small damage towards upper left corner.
DUNCAN GRANT (1885-1978). PORTRAIT OF LINDY GUINNESS, MARCHIONESS OF DUFFERIN AND AVA (1941-2020), c.1965. (d) Seated upon a divan, reading a book, oil on Masonite 58 x 47.5cm. * In a handwritten note, 1998, the sitter identified the subject as `a portrait of me and I can remember him painting it in London in the 60's` Provenance: London, Sothebys, April 24th 1985, lot 393; London, Christie's, bt. Jonathan Riley, Emscote Lawn; Dublin, private collection; Belfast, Dickon Hall Fine Art; whence purchased by Dr McKee, 1998; Dublin, Whyte's, September 29th 2008 & May 29th 2017; private collection. *CR Good condition.
A gold topped stickpin, mounted with a cushion cut sapphire, a shell cameo stickpin, carved as a portrait of a lady, a Victorian gem set three-sided watch key, a Victorian watch key in a pierced scrolling design and a costume pendant, with two cases.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A French gold and Limoges enamelled oval ring, early 20th century, designed as a portrait of a Renaissance style woman within a ropetwist surround between scroll pierced shoulders, the reverse signed 'L Clement Limoges', unmarked, weight 2.7g, ring size approx I, with a case.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A gold mounted oval shell cameo brooch, carved as a portrait of a lady, detailed '9ct, weight 9.7g, width 3.1cm, and a group of mostly silver and costume jewellery, including a gilt metal oval hinged bangle, a gilt metal and nephrite rectangular pendant with a neckchain, various silver and gem set rings, a silver bar brooch, the front designed as a dog, detailed 'Sterling', and a pair of earclips, each designed as a bird in flight.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A late Victorian gold mounted oval shell cameo brooch, carved as a portrait of a classical lady within a ropetwist border, detailed '9ct', weight 12.9g, width 3.8cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Circle of George Perfect Harding, after Jacob Huysmans - Half Length Portrait of Izaak Walton, 19th century watercolour, label verso, 20.5cm x 16.5cm, within a gilt frame. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Roland Vivian Pitchforth - Three-quarter Length Portrait of a Seated Lady, pastel with coloured chalks, signed and dated 1937, 38cm x 27.5cm, within an aluminium frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A late Victorian gold mounted oval shell cameo brooch, carved as the portrait of a lady within a scroll engraved border, unmarked, weight 17.7g, width 4.7cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Antonio Francesco Gori - 'Livio Mehus Pittore', 18th century etching with engraving and hand-colouring, 27cm x 17.5cm, together with twelve similar portrait engravings depicting Old Master artists, all within matching ebonized and gilt frames. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A gold and banded agate cameo bar brooch, carved as a portrait of a lady, the bar detailed '9c JC & S', weight 7.2g, width 5.1cm, and two base metal mounted oval shell cameo brooches.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Follower of Jean-Baptiste Greuze - Half Length Portrait of a Girl wearing a Lace Bonnet, 19th century pastel, 33cm x 27cm, within a gilt composition frame, together with a watercolour after John Russell, The Favourite Rabbit. Provenance: the property of Donald Church.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of 9ct gold and shell cameo earstuds, each carved as a portrait of a lady, Birmingham 1986, length 1.3cm, and a 9ct gold and shell cameo necklace with three pendant drops, each carved as a portrait of a lady, total weight 5.3g, together with a gold and diamond bracelet, mounted with circular cut diamonds to the oval links, unmarked, weight 6.9g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Attributed to Gaetano D'Esposito - 'R.M.S. Sicilian' (Pierhead Portrait), gouache, emboldened signature and date 1907 recto, titled and inscribed verso, 24cm x 39.5cm, within an ebonized frame. Note: the Royal Mail Steamer 'Sicilian' was owned and operated by the Allan Shipping Line.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Victorian gold mounted oval shell cameo brooch, 1860s/70s, carved as a portrait of a lady within a pierced and beaded surround, unmarked, weight 9.1g, width 3.3cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A gold and sardonyx cameo ring, early 20th century, the rectangular cameo carved as a portrait of a bearded classical man, unmarked, weight 7g, ring size approx S1/2.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Judith Davis - 'Seated Nude', 20th century charcoal with pastel, signed recto, titled artist's label verso, 50cm x 34cm, within a stained wood frame, together with a still life watercolour by the same hand, a charcoal and chalk figure study by Gay Carlisle, and a watercolour portrait of the artist David Birch by Margaret K. Banks.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A gold mounted rectangular jasper pendant, designed as a portrait of a classical youth, total weight 14.3g, length 4.8cm, and an oval pendant locket with engine turned decoration, length 3.9cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Circle of Catharine da Costa - Oval Miniature Full Length Profile Portrait of a Young Child wearing a White Gown and holding a Basket of Flowers, 18th century watercolour on ivory, 8.5cm x 6.5cm, within an ebonized frame with metal mounts, together with two other miniatures.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Abraham Blooteling, after Peter Paul Rubens - Profile Portrait of Peter Paul Rubens' Son, 17th century etching with engraving on laid paper, 26.5cm x 19.5cm, within a Hogarth style frame, together with another similar etching by the same hand, 'Earl of Burford'. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Leszek Pindelski - Three-quarter Length Portrait of Renata Maria Wachowiak, pastel, signed, dated and inscribed 1916, 68cm x 48cm, within a painted and gilt wood frame, together with a charcoal with watercolour portrait by Stanislaw Korzeniewski featuring the same sitter. Note: the Polish artist Leszek Pindelski was the sitter Renata Wachowiak's brother-in-law. He was killed in action during the Kampania Wrzeœniowa (September Campaign defence of Poland) 1939.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 9ct gold wedding ring, London 1997, ring size approx N, and a 9ct gold mounted oval shell cameo brooch, carved as a portrait of a lady, total weight 15.7g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Full title: English school, entourage of Anthony van Dyck (1599-1641): Portrait of William Herbert, 3rd Earl of Pembroke, oil on canvas, 17th C.Description: Work: ca. 75,5 x 61 cm Frame: 91,2 x 76,6 cm William Herbert, 3rd Earl of Pembroke (8 April 1580 – 10 April 1630) KG, PC, of Wilton House in Wiltshire, was an English nobleman, politician and courtier. He served as Chancellor of the University of oxford and to Gether with King James I founded Pembroke College, oxford. In 1608 he was appointed Warden of the Forest of Dean, Constable of St Briavels Castle, Gloucestershire, and in 1609 Governor of Portsmouth, all of which offices he retained until his death. He served as Lord Chamberlain from 1615 to 1625. In 1623 the First Folio of Shakespeare's plays was dedicated to him and his brother and successor Philip Herbert, 1st Earl of Montgomery. (link) The original Van Dyck portrait was part of the private collection of Philip Herbert, 4th Earl of Pembroke, Wilton House (estate, Salisbury) and thence by descent in the family till the present day. (link) Provenance: - The painting was exhibited in the British Institute in 1835. - Ex-collection Lord Ellesemer, Bridge-Water House. - Palais des Beaux-Arts, Brussels, 'Vente publique d'antiquites et de tableaux', oct. 8-9, 1952, lot 425 (as attributed to Van Dyck). - Private collection, Belgium. Ref.: - Cited in Waagen, vol. 2, p. 40. - Guiffrey-Van Dyck cat. n° 1.035.
Full title: Charles Picque (1799-1859): Portrait of a young numismatist, possibly his son Camille Picque (1834-1909), oil on canvas, ca. 1860-1865Description: Work: 82 x 66 cm Frame: 96 x 80 cm The work included in the catalogue raisonne by Dr. Huys,who not unjustly suggests that this is probably a portrait of the painter's son Camille.The person portrayed holds the book 'Catalogue des poincons, coins et medailles du Musee Monetaire de la Commission des monnaies et medailles' (A. Pihan de la Forest, Paris, 1833) in his hands. and Camille was responsible for the coins and medals department in the Royal Library in Brussels. Prov.: - Private collecion, Deinze. - Ex-collection Gaëtan Halsberghe, Menen. - Ex-collection ouvrein-Maesen, Kortrijk. - Auction Latemse Verkoopzaal Bert Daemers, 15 december 1998, lot 270 (as an anonymous painting). - Private collection, Ghent. Ref.: - P. Huys, Charles Picque (1799-1869). Tweede aanvulling van de oeuvre-catalogus, Deinze, Kring voor Geschiedenis en Kunst van Deinze en de Leiestreek, 2006, p. 24 (pl. XII) en p. 264. This catalogue raisonne is also part of the lot.
Full title: Belgian school: Portrait of Mgr. Eugene Van Rechem, oil on canvas, first half 20th C.Description: Work: 131 x 90,5 cm Eugène Victor Marie Van Rechem(8 April 1858-21 August 1943) was a Belgian auxiliary bishop of theDiocese of Ghent. During his career Rechem wasCanonofSt Bavo's Cathedral, Ghent, and president of theMajor Seminary of Ghent. He gained fame as General Superior of theSisters of Charity of Jesus and Mary (1903-1943) and established missions in the Belgian Congo. He was consecrated as a bishop in 1914 byAntoon Stillemans. (link) He keeps the book 'Constitutions des Soeurs de la Charite de Jesus et de Marie aGand' in his hands. This Congregation of the Sisters of Charity of Jesus and Mary was founded in Belgium on November 4, 1803 by Canon Pierre-Joseph Triest in Lovendegem, in the diocese of Ghent. (link)
Full title: Leon De Smet (1881-1966): Portrait of Cyriel Buysse's daughter-in-law, oil on canvas, dated 1938Description: Work: ca. 136,5 x 87 cm Frame: 155 x 104,5 cm Cyriel (Cyrillus Gustave Emile) Buysse (Nevele, 1859 – Afsnee, 1932) was a Flemish writerand contemporary, fellow villager and friend of Leon De Smet. His aunts were Rosalie and Virginie Loveling.He is best known for his novel 'Het recht van de sterkste' and the play 'Het gezin van Pamel'.
![Full title: Leon De Smet (1881-1966): Tropical beach with a lady in bikini, oil on board, [1966]Description: Work: 39,3 x 30,](https://cdn.globalauctionplatform.com/e8fd3fe8-28c9-4024-bf13-afd9016b0eed/905cbf83-d716-4037-897a-afdf00e2aeb1/468x382.jpg)
Full title: Leon De Smet (1881-1966): Tropical beach with a lady in bikini, oil on board, [1966]Description: Work: 39,3 x 30,2 cm Frame: 46,2 x 36,8 cm Prov.: -Acquired directly from the artist in the 1960s and has remained in the same collection ever since. The owner, 99 years old, worked for the Latem painter Leon De Smet in the 1960s. It is by reputea portrait of theBelgian film critic, film journalist, director and television host Jo Röpcke's sister-in-law (1928-2007, link), with whom De Smet would have been in a relationship. When the relationship ended, the work would no longer be finished. Ref.: - Exhibition by Museum Leon De Smet in the house of Leon De Smet ('Laatste werken, onvoltooid Vrouwenportret, 1966').The brochure of this exhibition is part of the lot.
Full title: Madeleine Petit (?), Latem school: Portrait of Jacques Steels in a sun-drenched garden, oil on canvasDescription: Work: 111 x 91 cm Frame: 125,5 x 105 cm The following text is written on the chassis in pencil: 'Portrait de Jacques Steels (peint par Madeleine Petit). Appartenant aMme Antoine Mertens Petit Cruybeke (Waes) Belgique'.
Full title: Italian school, follower of Desiderio da Settignano (1428-1464): Portrait bust of Marietta Strozzi, polychrome decorated terracotta, 20th C.Description: H 64,2 - L 46,2 cm (with stand) H 52,5 - L 43 cm (without stand) The upper left arm with some marks, but rather difficult to read. The bust based on a 15th-C. example, nowadays part of the collection of theStaatliche Museen in Berlin. Marietta was seen as one of the most beautiful women of her time. (linkand link) Ref.: - A.V. Coonin, 'The most elusive woman in Renaissance art: a portrait of Marietta Strozzi', in: Artibus et Historiae, XXX, 59, 2009, 99. 41-64.
Full title: Belgian school: Five various works, mixed media, 19th/20th C.Description: Work: ca. 29 x 21,5 cm Frame: 47,7 x 40,7 cm (Edmond de Maertelaere (1876-1938): The orange seller, watercolour on paper) Work: 24,5 x 17,9 cm Frame: 33,5 x 27 cm (Monogrammed X.D.C. [Xavier De Cock (1818-1896)], A horse, oil on board) Work: ca. 26,5 x 18,5 cm Frame: 29,5 x 22 cm (Jean Delvin (1853-1922): Portrait of a man, pencil on paper) Work: ca. 18 x 13 cm Frame: 25 x 18,8 cm (Portrait of the painter Pierre Vanhanselaere, print) Work: Dia.: 7,5 cm Frame: 18,4 x 15,8 cm (Portrait of Charles-Louis Gyselynck, mixed media, dated 5 october 1824)
Full title: James Ensor (1860-1949): 'Portrait de Leon Rinskoff futur baron du rat mort', mixed media on paper, ostend, dated 1903Description: Work: 16,7 x 13,6 cm Frame: 31,5 x 24,4 cm The work bears the lettering 'Portrait de Leon Rinsko(i)ff futur baron du Rat Mort', is dated 1903 (ostende) and signed by James Ensor. Leon Rinskopf (19 November 1862, Ghent – 13 June 1915, Deauville) was director of the ostend Conservatory (1891-1914) and a close friend of James Ensor. Rinskopfstudied at the Royal Conservatory of Ghent and obtained several awards. From 1882 to 1885 he was assistant teacher of piano at the Royal Conservatory of Ghent. In addition to his task as director of the Conservatory,he mainly made a name for himself as a conductor. When Emile Perier passed away as first conductor of the Kursaal orchestra, Leon Rinskopf was appointed as his successor. He also took over the artistic direction of the Kursaal. He invited well-known foreign conductors and in 1906 Camille Saint-Saëns and Richard Strauss personally conducted their compositions at his invitation. He also regularly featured Belgian composers such as Jan Blockx, Peter Benoit, Sylvain Dupuis, Charles Mestdagh, Florimond Van Duyse and others. At the outbreak of the First World War, Rinskopf fled to France. He died in Deauville on June 13, 1915 in the Hotel Normandy. In 1921, on February 3, the heirs made a donation to the city of ostend of fifty bonds with a nominal value of one hundred francs each, the interest of which was to be used for the award of a three-yearly prize ‘Leon Rinskopf for the higher grade piano. This price still exists. (link) The dead rat in the top right corner is a reference to the 'Compagnie du Rat Mort'.In 1896, a group of sixteen exuberant ostend men, including James Ensor, all members of Cercle Coecilia, went to Paris. They thought it would be nice to put the flowers outside and they had a great time in the Montmartre quarter of the French capital. ‘Au Moulin Rouge’, ‘Le Ciel’ as well as ‘L'Enfer’ were on their program, and late at night or early in the morning they ended up in the ‘Rat Mort’. The director of this cabaret was a Belgian. In the “Rat Mort” the orchestra had already left at this point, but the pianist and some nice dancers provided a fitting epilogue to the unforgettable, festive Parisian night. once back in ostend, the Parisian adventures were explained in scents and colours in the ‘Cercle Coecilia’ for the slightly shocked ‘senateurs’, the older ‘wise men’ of the circle. on that occasion, Monteville, supported by James Ensor and Emil Bulcke, proposed organizing a humorous evening by a 'Compagnie du Rat Mort', which of course consisted of the 'Parisiens' and a few other jokers, but on the understanding that anybody could attend the evenings of laughter. Specifically, they thought of organizing crazy and masked balls and eccentric concerts, as well as the establishment of carnival groups. February 21, 1898 marked a milestone in the life of the 'Compagnie' : that day Rat Mort's first ball took place in Kursaal in ostend. It was an immediate success and was the harbinger of a long series of superb Shrovetide balls. Naturally, James Ensor left his mark on the conception of the first ‘Bal du Rat Mort’, which has since remained an Ensorian dance party in spirit. (link) Ref.: - Part of the exhibition 'Joodse sporen in oostende', Venetiaanse Gaanderijen oostende, 15 June - 24 September 2000. - Zahava Seewald, Joodse sporen in oostende, Antwerp, 2000. Provenance: - Private collection, Belgium. '
Full title: Flemish school, in the manner of Cornelis de Vos (1584-1651): Portrait of a lady, oil on canvas, 17th C.Description: Work: 107 x 76,7 cm Frame: 108,5 x 78,5 cm The painting 'Mis en etat de conservation par Paul Kiewert, Bruxelles, 1851'. Ref.: - About the restoration studio of Kiewert, see: G. Caupin, 'The Maison Kiewert Restoration Studio in Paris and the Practice of Active Conservation', Getty Research Journal, XV, 2022.
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283284 Los(e)/Seite