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283284 Los(e)/Seite
Los 494
AUTOGRAPHS & PHOTOGRAPHS - ASSORTED A collection of autographs and original sketches, mainly family and friends but including also Frankie Vaughan; Anna Neagle and George Baker, in four albums; together with approximately eighty black and white portrait photographs, circa 1920s-30s, including those of pigeon-fancier interest, average size, 8cm x 5cm, in two albums, (6).
Los 928
FOOTBALL - AUTOGRAPHS, ENGLAND A 1966 World Cup Final montage, comprising ten signatures on Football Association 1966 World Cup headed notepaper (Banks, Hurst, B. Charlton, J. Charlton, Cohen, Stiles, Ball, Peters, Wilson & Hunt), a programme, a match ticket, and a colour-printed team portrait, framed as one, overall 34cm x 87.5cm.
Los 940
FOOTBALL - PROGRAMMES & EPHEMERA, ASSORTED Twenty-three programmes, circa 1946-65, including those for Bishop Auckland v. Barnet, 1946; England v. Scotland, 1947; F.A. Cup Semi-Final, 1949 (Portsmouth v. Leicester City); and F.A. Amateur Cup Final, 1951 (Bishop Auckland v. Pegasus); also an Arsenal club History and Fixture List, 1939-40; an Arsenal black and white photographic team portrait postcard, 1938; an Arsenal Supporters' Club Gunflash Cup Final Souvenir Issue, 1950; and another item, (27).
Los 270
A COLLECTION OF SILVER AND PLATED ITEMS comprising; an Art Deco style engine-turned silver rectangular four piece dressing table set, London 1947, the hand mirror 9.5cm wide (3 ¾ in); an early Victorian silver baluster shaped cream jug embossed with foliate scrolls and with a double-scroll handle, London circa 1850 by Hayne & Cater, 9cm high (3 ½ in), 99g (3 oz); an engine turned square cigarette case engraved with foliate-script initials 'JCB(?)', stamped 'LG silver 833', 110g (3 1/2oz); together with a plated round and pierced coaster; a rectangular photograph frame and another smaller, two glass pepper pots, a portrait miniature and other items including a green marble onyx round ash tray
Los 369
ATTRIBUTED TO THOMAS KEARSLEY (BRITISH, ACT. 1773-1802) Portrait of Anthony Carlisle, oil on panel, unsigned, attributed, titled and dated '1801' verso, 21.5cm x 18cm. Note: Sir Anthony Carlisle, F.R.C.S., F.R.S. (1768-1840) was born at Stillington, Co. Durham. He was appointed a surgeon at Westminster Hospital in 1793, and in 1800 discovered electrolysis with William Nicholson. He was elected a Fellow of the Royal Society in 1804; served as its Professor of Anatomy between 1808 and 1824; and also served as Surgeon Extraordinary to George IV, from 1820 to 1830. He was knighted in 1821.
Los 1192
FOLLOWER OF REMBRANDT PEALE (American, 1778-1860); oil on canvas, half-length portrait of an American Naval officer, circa 1810-1820, unsigned, 71 x 57cm, unframed.Provenance: from a private collection, believed to have come from the Boston, Massachusetts area. Additional InformationRelined, gouge to top left corner approx 4cm, some evidence of re-painting, light to moderate surface scratches and marks, etc.
Los 1195
EARLY 19TH CENTURY FRENCH SCHOOL; oil on canvas, half-length portrait of a boy, unsigned, 40 x 32cm.Additional InformationCanvas heavily scratched, needs a clean, some craquelure, some evidence of re-touching under UV light. Scratches are not particularly deep but numerous. They are deeper to the periphery. On closer inspection it does appear to be paper laid on canvas. It has come from a private collection - the vendor has no knowledge of its history. When examined in the dark under UV it is clear that much of the periphery has been repainted but not the face.
Los 1977
An early to mid-19th century gold plated oval mourning brooch with miniature portrait of female to obverse, both sides glazed, 5 x 4cm.Additional InformationGeneral surface wear and dirt commensurate with age such as some tarnish, scratching, dirt to glass, also with tiny areas of mould to the portrait, the pin is misshapen.
Los 1984
A George III yellow metal mounted portrait miniature brooch of canted rectangular form painted on ivory in sepia with a young woman with laurel adorned head and lyre, within gilt and enamel border, glazed, 2.5 x 2cm, and a late Georgian double glazed locket pendant set with a gouache on ivory depicting an allegorical figure leaning against shield inscribed 'Peace and Plenty', with seascape and masted ship in the background (front lid missing), 5.5 x 4cm (2).Additional InformationThe locket commensurate with age and usage with nibbles to glass, rubbing to gilding mainly in area of the bail, flaking to the paint, some surface dirt, the brooch with surface wear and dirt such black dots and scratching to the glass and back.
Los 103
NAPOLEONIC INTEREST; a 19th century French gilt metal lady's hand mirror with foliate scroll detail and inset gouache on ivory portrait miniature depicting Josephine, length 31cm, and a similar gilt metal jewellery box of shaped outline with inset gouache on ivory portrait miniature depicting Napoleon signed 'Dicà' with green velvet lined interior (possibly done later), width 11.5cm (2). It is posited that the hand mirror may have once belonged to Josephine herself as the portrait possibly depicts a flower which grows only on Martinique the Isle of her birth.Additional InformationParticularly on the hand mirror there is discolouration and rubbing to the gilt, the bevelled glass has a chip to the lower right and further wear including some visible discolouration and indeed possible damage where attached to the backplate, the interior of the jewellery box possibly relined as stated, some discolouration and rubbing to the gilt, particularly on the raised surfaces but generally appears in ok condition. The mirror has several dents to the back and glass is slightly loose.
Los 1116
AFTER GEORGE FRANCIS MILES (1852-1891); two lithographs, half-length portrait of a girl, printed signature 'Frank Miles' left, 13 x 8cm, and 'The Gardener's Daughter', printed signature and title lower right (partially underneath mount), 13 x 8cm, both framed and glazed (2).Additional InformationSome very minor blemishes to paper but appears in good order.
Los 1119
19TH CENTURY ENGLISH SCHOOL; watercolour, three quarter length portrait of Sir Thomas Maitland, First Governor of Malta, bearing the ribbon and insignia of the Order of St Michael and St George, of which Maitland was the first Grand Master unsigned, 16 x 11cm, framed and glazed.The Order of St Michael and St George is a British order of chivalry, founded in 1818 by the Prince Regent, later George IV. It was awarded to those holding high office in the Mediterranean territories acquired during the Napoleonic Wars, and was subsequently extended to those holding similar positions in other territories of the British Empire.Provenance: from a private collection.
Los 1134
WELY; a 19th century ivory miniature, portrait of young lady seated beside a table under a tree, signed to lower right, oval 6 x 5cm, also an ink and pencil female silhouette, and a watercolour and ink portrait, of young gentleman in profile, inscribed 'Abraham Wade' verso, all framed and glazed (3).
Los 29
Attributed to: Abraham Rattner,, American (1893 - 1978) Oil on Board, Abstract Portrait of a Female, Signed Rattner and Dated 1965 Lower Right. Measures 20" H x 16" W (board), frame measures 25-1/2" H x 21-1/2" W. Condition: Good condition Estimate: $1000.00 - $1500.00 Domestic Shipping: Third party
Los 118
An Indian portrait miniature and 22ct gold bracelet section, 19th century, the partial bracelet mounted on black velvet, comprising five miniatures in watercolour on ivory depicting two Mughal rulers and three consorts, within yellow gold filigree frames, 4¾in. (12cm.) long overall., *Condition: The miniatures are in very good condition, with bold colours and no damage. The frames have some damage - one is missing part from the top, with another piece beside it detached, with links attaching it to the next miniature. Several links joining the miniatures are missing.
Los 123
English School (first half 19th century), Portrait of a young girl, full length, with her dog, oil on canvas, laid onto board, 34 x 26in. (86.5 x 66cm.), *Condition: Canvas has been laid down onto hardboard. Multiple areas of retouching and repainting visible under UV, mst notably to skirt and bodice of dress, neck, above left shoulder and a large patch above dog. Other smaller retouches and strengthening elsewhere. Some is obvious to the naked eye. Extensive craquelure visible to surface around upper right and right margin.
Los 134
Ambrose McEvoy, R.A. (British, 1878-1927), Portrait sketch of a lady, oil on panel, unsigned, working pencil portrait sketch and taped auction catalogue cutting verso, 14 x 10½in. (35.5 x 26.7cm.), * Provenance: Sotheby & Co. London, *Condition: Examined under UV - no retouching or restoration visible. Small paint flake upper left centre. Otherwise good.
Los 141
17th / 18th century English School, Portrait of Christ in profile, inscribed with verse beneath, 'When by Christes pictuer thou at any tyme dost passe. the pictuer worshipe not but him for whom it pictured was. nor god nor man this image is: which thou dost present see. yt whom this blessed image showes. both god and man as he. for god is that which image showes. for yt my god it is. he hold this ferme but worship that, thy mind beholde me this', oil on oak panel, in modern burr wood frame with gilt slip, 12¼ x 9 1/8in. (31 x 23.2cm.), * This depiction of Christ in profile is taken from an image engraved on the Emerald Vernicle, once part of in the Vatican collection. The emerald, which no longer exists (it is believed to have disappeared with the sacking of Rome in 1527), appears in recorded history when Sultan Bajazid II gave it to Pope Innocent VIII in the 15th century., *Examined under UV. Extensive spotted retouching visible throughout. Minor strenghtening visible to front edge of hair, eye and beard. Small patch of dulled varnish centre lower margin. Has clearly been cleaned, restored and revarnished. Paint appears quite thin in places. Monogram painted verso.
Los 149
Vasco Lazzolo (British, 1916-1984), Portrait of Christine Keeler, oil on plywood panel, signed 'VASCO LAZZOLO' upper left, in period giltwood and gold velvet frame, 29¾ x 19¾in. (75.5 x 50.5cm.), * Provenance: Property of a Channel Islands collector. By descent from her first husband, who bought the painting directly from the artist, when Lazzolo was staying at the former Little Grove Hotel in Jersey with Stephen Ward and Keeler. Lazzolo, a Slade trained portraitist of note and a commercial artist, became a society figure and was invited to paint Prince Phillip's portrait at Buckingham Palace in 1961. Known as one of the attendees at Prince Phillip's stag party in November 1947, he was a member of the infamous 'Thursday Club'. However, against much advice he decided to testify as a character witness for the defence during the trial of Dr. Stephen Ward, as part of 'The Profumo Affair' and was subsequently prosecuted himself and exiled by society, spending the remainder of his life in relative obsucrity in Malta., *Condition: Good condition but would benefit from cleaning. Vertical lines to paint visible throughout from the plywood grain beneath but more obvious under close inspection to LH side of painting. Paint surface dry and there is micro-craquelure around the face, so would probably benefit from attention from a conservator to ensure paint remains stable.
Los 150
Follower of Juan Carreno de Miranda (Spanish, 1614-1685), Portrait of a young lady, quarter length, in a dark green dress with lace trim and collar, wearing a pearl necklace, with shoulder length brown ringletted hair dressed with a red ribbon and flowers, within an oval painted vignette , oil on canvas, inscribed to label verso, 'No. 9 Juan Carreno de Miranda', in a 19th century gilt and gesso laurel and crossed ribbon frame , 23½ x 19½in. (59.75 x 49.5cm.) , *Condition: The canvas is well stretched. Even but clearly visible craquelure across the entire canvas. Old relining. Repainting visible to top margin and corners with some visual evidence that the canvas had curled here in the past prior to the old restoration taking place. 1in vertical raised line in paint just to left and below red ribbon in hair to left side of canvas - possible old repair - plus another small possible repair just below top left of green bow on front of dress. Feint horizontal line is visible across the centre of canvas, at base of her neck. Frame has losses to crossed ribbons in a number of places, minor other gesso losses and a crack to left hand side of the slip. , Examined under UV - very little is visible as a blocking varnish appears to have been used. The small repair to the left side of the head is visible but otherwise the examination was not particularly helpful.
Los 305
A German silver, enamel and marcasite portrait trinket box, early 20th century, Simon Rosenau, Bad Kissingen, oval, the hinged cover in blue enamel with applied central ivorine circular portrait of a lady, surmounted by a floral marcasite design, the sides with embossed scroll design, 2¾in. (7cm.) long, gross weight 2.0 tr.oz., *Condition:in excellent condition, all marcasite in place, enamel with no faults but of average quality.
Los 563
A French 18ct gold and diamond Art Nouveau style brooch, the flowerhead shaped brooch with a central portrait bust of a lady, her necklace set with four rose cut diamonds, 2cm. diameter., *Condition:Pin a little loose on hinge but is still firmly attached. Some rubbing to detail from handling but good overall. Diamonds original.
Los 571
A 19th century yellow metal, garnet and seed pearl double portrait silhouette mourning brooch, with a small portrait silhouette of a lady in profile to the front and similar portrait of a gentleman verso, both with painted highlights, beneath bevelled glass, within a border of eight oval cut garnets with outset trios of seed pearls, 30 x 28mm., pendant loop verso., *Condition:Scratching and a few tiny frits to glass. Stones and seed pearls appear all original and are undamage. Hinge strong to pin verso.
Los 702
David Goode (British, b.1966), The Drinker, bronze sculpture, variegated green and mid-brown patination, signed and dated 'DAVID GOODE 1991' to base, from an edition of 50, 47in. (120cm.) high., * David Goode trained at The Sir Henry Doulton School of Sculpture, specialising in portrait and figurative sculpture. In 1988 David became the youngest ever sculptor to be offered as position as a portrait sculptor at the London Studios of Madame Tussauds, a position he held for six years, before establishing himself as a freelance sculptor in 1994, introducing his Goblin collection at the Chelsea Flower Show in 1995., *Condition:Has been installed in a garden by the current owners, so has a rich, matted variegated patina. No damage to bronze. Fittings beneath base for use as a water feature.
Los 811
A good set of four French portrait miniatures of Napoleon Bonaparte's Generals, 19th century, oval, finely painted in watercolour on ivory, the generals resplendent in full ceremonial uniform, each signed with the initials 'G.S.', 5.8 x 4.7cm., within white metal frames with foliate engraving and laurel wreath surmounts, the backs with inscribed moulded vulcanite plaques naming the general, 'General Mouton', 'General Solignac', 'General Rapp' and 'General Songis'. (4), *Condition:Colours strong and appear to be in very original condition. Each of the miniatures has some very fine pale spotting to the surface when viewed through a 10x lens - it is not visible when viewed by eye. We are not sure if this is on the surface of the miniature or on the underside of the glass - the miniatures have not been removed from the frames so we cannot confirm. General Solignac has a faint, small patch to the paint to the top centre above the hair which is possibly a contact mark with the paint or varnish when originally painted and still wet - it is barely visible except under close examination. One of the vulcanite backs has shrunk a little and there are some glue spots around the edge suggesting it has been secured with glue at some time. Frames very good - they have not been cleaned or polished.
Los 813
Florentine School (early 17th century), Portrait miniature of a noblewoman, half length with her right hand raised to her chest, wearing decorative black and white robes, white ruff, elaborate necklace and jewelled headdress in her upswept hair, rectangular oil on copper, 10 x 7cm., the reverse with engraved armorial, in silver frame with spiralled cresting.* Condition: On examination under UV, there is relatively little evidence of retouching or repainting considering the age of the portrait. There are two small areas of retouching to the left cheek and left side of the forehead, and also a few small probable retouches to the curls of the ruff to the right of the face. There is also some probably strengthening to the darker areas on the dress and some patches of varnish which show under UV. There are small contact rubs to the corners showing the bright copper beneath.
Los 816
A late 18th century French School portrait miniature in jewelled frame, Elisabeth Charlotte Pauline de Meulan, later Guizot (1773-1827), authoress, first wife of Francois Guizot, French statesman, wearing a white lace trimmed dress and blue shawl, gold ribbon waistband and pearl necklace, holding a pen in her right hand, oval watercolour on card, signed with initials 'M.P', inscribed 'Pauline de Meulan 1773' in pencil verso, within a pierced interlaced silver frame set with rose cut diamonds, the reverse with rose gold mounted glass panel with ivory silk, 5.5 x 4.3cm. overall.
Los 817
English School (19th century), Portrait miniature of Lady Ann Cullum Smith, dressed in a blue dress with ermine trimmed shawl and blue ribbon & pearl hairpiece, seated with her daughter in an interior, oval watercolour on ivory, 3½ x 3in. (8.9 x 7.6cm.), in gilt brass bead and foliate easel back frame with foliate ribbon tied surmount, scratch inscribed to frame verso.* Condition: A narrow line of abrasion at the edge of the painting - the most noticeable approx.. 1in long & 1/8in wide at 9 o'clock and a small area of retouching at 3 o'clock approx.. 1/4in above the ermine cuff. A small area of abrasion, partially through the red surface of the curtaining, from the centre to the edge at 10 o'clock. Three very fine 'needlepoint' scratches approx.. 1/4in long down from the child's arms and the lady's hand. A few further abrasions at the edge at 6 o'clock.
Los 820
A rare set of seventeen 17th century oil on mica 'talc' transparencies for use with a portrait miniature of Charles I, each oval mica sheet painted in oils with a different overlay image to alter the portrait of the late King, showing his life before captivity, during his imprisonment and execution and his subsequent martyrdom, including his crown, ermine robe and sceptre, through armour and prison garb, a set of prison window bars, the warrant for execution being shown to the king, his hands being bound and eyes bandaged, his severed head held aloft, the headless torso and the head re-united, plus others, each sheet 3 x 2½in. (7.7 x 6.2cm.), with a small quantity of related paperwork, letters etc., * Two similar, incomplete set of micas are included in The Royal Collection, one featuring twelve sheets, the other nineteen, each with the associated oil on copper portrait of Charles I., *Condition:All of the overlays have some losses - please see photos. Thirteen are largely complete (one is in two pieces) and four are just a fragment of the original - of these, two are missing a clear, unpainted section only. The original companion miniature is missing.
Los 821
A pair of 19th century French portrait miniatures in shagreen frames, depicting 18th century noblewomen, one signed 'Robin', the other signed indistinctly, oval watercolour on ivory, within shagreen frames with silver slips chased with wrigglework, 7.8 x 6.5cm overall. (2), *Condition:Miniatures in good condition with no splits or other damage to ivory. Colours good. Some dirt speckling beneath glass. On one frame, the shagreen is lifting a little at top and bottom and there is a small split to the lower right. The other frame has more obvious lifting and shrinkage to the shagreen around the edges. Both silver slips tarnished. Both have later mid-20th century backing paper & hanging rings to the reverse.
Los 822
French School (19th century), Portrait miniature of a lady, half length, in royal blue dress with lace trim, white shawl and elaborate necklace, her hair decorated with gilt and black jewels, falling over her left shoulder, oval watercolour on ivory, 9.7 x 7.3cm., in a gilt brass bead and foliate frame with ribboned surmount, inscribed verso, 'Une Dame Inconnue'.* Condition: As there are seven very small pins holding the painting in the frame which have been cut level with the metal work and are undisturbed, it would be virtually impossible to remove the miniature without the risk of damage. Because of this, it appears that it has never been removed from the frame, so there is no evidence of any damage to the paint. However, it has moved a little to one side and downwards in the frame, exposing the partially painted surface at the edge. There is a small area at the bottom of the blue dress which appears slightly yellowed - even under examination with strong magnification, we cannot decide whether this was intentional or is age related discoloration. On close examination, we believe this is more likely to be on vellum than ivory as catalogued.
Los 823
English School (late 18th century), Portrait of a lady, in a red dress with white frilled border and blue shawl, her hair falling onto her left shoulder, oval watercolour on ivory, 6 x 4.7cm., in a fish skin case.* Condition: There is no sign of any warping or cracking to the ivory. The case is in good order - hinge and catches intact and skin showing virtually no wear. There are two pinhead size marks to the surface of the portrait - one to left centre of the chest and one to the right of the top curl over her shoulder. There are a few more, smaller marks to the background above the shoulder on the left side - these marks appear to be fungal which could be treated. A small area of greenish paint on the jaw and lower part of the cheek on the right side, which on close examination appears to be consistent in colour with that of the shading of the neck, probably due to deterioration of the surface flesh colouring.
Los 825
Circle of Richard Cosway (British, 1742-1821), Portrait miniature of a boy, half length, dressed in a dark gold coat with lavender trim and white lace trimmed shirt, his hair falling onto his shoulders, oval watercolour on ivory, 7.6 x 6.3cm., in rose gold frame, the violet sunburst enamel back centred with a plaited lock of hair and cut gold monogram 'GD', enamel cracked.
Los 826
attributed to Bartholomeus van der Helst (Dutch, 1613-1670), Portrait miniature of a bearded gentleman, wearing armour and white lace trimmed collar, oil on oval canvas laid on card, inscribed 'umbe Kannt' in ink vers, further inscribed 'van Helst' in pencil, 3 x 2 3/8in. (7.6 x 6cm.), later gilt brass frame.
Los 827
Follower of Cornelis Jonsen Van Cuelen (Anglo-Dutch, 1593-1661/62), Portrait miniature of a gentleman, with moustache, wearing a dark doublet with white lawn collar, oval oil, 5 x 4cm., in gilt metal frame with foliate border, the reverse with oval window with plaited hair within chased decoration of a swan and acanthus leaves.
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283284 Los(e)/Seite