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Very Fine in Rivera Binding, with Original WatercolourHand-Coloured Plates: Egan (Pierce) Life in London; or The Day and Night Scenes of Jerry Hawthorn, Esq. and His Elegant Friend Corinthian Tom,... in their Rambles and Sprees through the Metropolis. roy 8vo L. 1821. First Edn., Hf. title, hd. cold. frontis & 35 hd. cold. plts., also fold. music plts., t.e.g., fine crushed blue levant, triple gilt fillet borders, spine profusely gilt in panels. V. fine copy, by Rivere & Son. (2)* Together with original contemporary oval miniature watercolour portrait of the Author, loosely inserted.
Signed by James JoyceJoyce (James) Tales of Shem and Shaun Three Fragments of Work in Progress, small 4to, Paris (The Black Sun Press) 1929, Signed on hf. title, First Edn. (portrait by Brancusi), limitation page (not removed) orig. ptd. wrappers printed in red & black, clear glassine. Clean Copy. (1)
Early Three CandlesLevy (Ferdinand) Flashes from the Dark, D. (Three Candles) 1941. Sole Edn. Lim. Edn. 132 Copies. Frontis portrait by Louis le Brocquy, cloth & decor. d.w. with inset Christmas Card, signed by Melanie [le Brocquy]; Bell (Clive) An Account of French Painting, L. 1932. Signed Pres. Copy, cloth. (2)
Original Signed VolumeFrom the Dean Swift's Library[Swift (Dr. Jonathan)] Grotius (Hugo). De Jure Belli ac Pacis Libri Tres, In quibus jus Naturae & Gentium, item juris publici praecipua explicatur. Edicio Nova cum Annotatis Authoris, ex postrema ejus ante obitum cura. Accesserunt Annotata in Epistolam Pauli et Philemonem, et Dissertatio de Mari libero. 8vo Amsterdam (J. Blaeu) 1670. Engd. portrait, add engd. title, & red & black printed title, Signed in top right hand corner 'Jon: Swift,' in ink. Faint library stamp on obverse of portrait, cont. mottled calf, with blind triple borders, raised bands, mor. labels. V. good copy. (1)* Excessively Rare. Books from Swift's library are recorded by only a handful of copies. For further information on this copy see 'Swift Studies, 9 (1994), pp. 113 - 117.'
Royal Patent of George IVLarge (65cms x 70cms) Document on vellum, dated 22 January, 7th George IV (1827), granting to John Carey Esq. the post of "Clerk of Pleadings and Affidavits in our Court of Common Please in Ireland." With attractively decorated borders and illustrated with royal portrait, arms and emblems. Large seal attached (diameter 16 cms). As a m/ss, w.a.f. (1)
Early Irish Photographic Prize CollectionCoghill (Sir Joscelyn) Amateur Photographic Association Prize 1867 [an Album submitted for, and awarded the prize]. Folio album strongly bound in full leather gilt, reinforced hinges, about 89 small portrait photographs, circa 4 x 2 ½ ins, not captioned but mostly family, neatly mounted up to 9 to a page, followed by two full page pencil sketches and about 28 full page landscape photographs, good quality, mostly Continental, including a fine lakeside shot, snow-covered mountains, an attempt at a panoramic shot with two photos joined, an old mill, various landscapes probably in the Swiss highlands, etc. The album in excellent clean condition. (1)·For further information on Sir Joscelyn, see previous lot.
O'Concheanainn (Tomás) A Certificate from An tOireachtas Gaedhealach, 1901, stating that Tomás Ó Concheanainn won second prize for a 'Leabhar Cainte' [conversation book], signed by An Craoibhín Aoibhinn [Douglas Hyde], Uachtarán, with a copy of the periodical Feasta, Samhain 1970, containing a portrait of O Concheanainn and a biographical article. Ó Concheanainn was the first full-time organiser employed by the Gaelic League in its early days. (1)
Broadsheet Celebrating the Defeat of the Act of Union, 1799Broadsheet printed in Dublin (W. Dowling) 1799, 60 x 48 cm. Lists in black the members of the Irish Houses of Lords and Commons who voted in favour of the proposed union with Britain, and in red those who voted against. (The motion was carried in the Lords but narrowly defeated in the Commons, to the joy of the publishers of this document.) At top centre is a portrait of John Foster, Speaker of the Commons, in a wreath of shamrocks and oak-leaves, beneath which are a cap of liberty on a pole and the Speaker's mace, with the slogan "Irish Constitution obtained in 1782 - Preserved in the Defeat of an Union 1799" followed by the text: "Dedicated to the Glorious 111 Irish Commoners who on the 26th of January 1799 saved the Legislative Independence of their COUNTRY". As a broadside. Scarce. (1)
Dermod O'Brien P.R.H.A. (1865 - 1945)"Fr. Jeremiah O'Donovan," a very fine oval half length Portrait, O.O.C., approx. 72cms x 64cms (28 1/2" x 25 1/4"), in original gilt frame. (1)Provenance: By direct family descent, to the present owner.Note: Jeremiah O'Donovan (1871-1942), priest and novelist, was a native of Kilkeel in Co. Down.Ordained for Clonfert diocese, he was appointed administrator of St Brendan's Cathedral,Loughrea. An enthusiastic advocate of temperance, self-help, and the Irish revival, he promoted his views in articles and lectures. With financial help from Edward Martyn, he set about redecorating Loughrea Cathedral with works by Irish artists such as Sarah Purser, John Hughes, and the Yeats sisters Elizabeth and Susan.Embittered by clashes with a new bishop, O'Donovan left Loughrea and eventually the priesthood, settling in London where he became Vice-Warden of Toynbee Hall, a Christian socialist educational centre in the East End. He changed his first name to Gerald, married and became the father of three children; in later years he had a long-lasting relationship with the novelist Rose Macaulay.O'Donovan's literary reputation rests on his novels, especially Father Ralph (1913), which deal trenchantly with the conflict between individual freedom and the narrowness of Irish Catholic life in his time.Dermod O'Brien (1865-1945) was born at Mount Trenchard House near Foynes in Co. Limerick; both his grandfathers - William Smith O'Brien and the first Lord Monteagle - are prominent figures in Irish national history. He is chiefly remembered for his landscapes and portraits, of which this depiction of a courageous if controversial Irishman is a fine example.
Currie (John) Irish Artist: A small collection of Drawings and Sketches, ink and pencil, mainly humorous, early 20th century, some on letters to a Mr. Fletcher, whose portrait he was evidently painting at a studio in Dublin, another on an Ostend restaurant menu, about 10 pp, with a photograph showing two men (one possibly the painter).Currie is not listed in Snoddy's Dictionary of Irish Artists (20th Century) or in Horne's Dictionary of 20th Century British Artists. He was clearly a capable draughtsman. (1)
A Queen Elizabeth II silver proof cased Guernsey diamond jubilee five pound coin, dated 2012A cased diamond jubilee executive proof set, diamond jubilee Cook Islands issued five dollars in gold plate with portrait of Her Majesty Queen Elizabeth II, a similar five dollars issued by the Cook Islands, and a one dollar Cook Islands diamond jubilee dated 2011, two further diamond jubilee coins etc (8).
A 19th century engraved silver-gilt card case, painted with opposing cherubs on ivory, verre eglomise mounts, 3.25in. - one glass pane cracked, 18th century French enamel love token, "Jaynie Qui m'ayme", William IV silver-gilt box, London 1833, oval white metal photograph frame, dated 1681, modified, and a pair of oval portrait prints with hand-coloured detail, as viewed
Francois Gerard (1770-1837) attrib - Liberty - An Allegory of the French Revolution, oil on canvas, 110 x 84 cm, with original gilt frame from the workshop of GerardProv: HSH Prince Donatus of Hohenzollern, iron brandedNote: Gerard was notably the portrayer of Napoleon and was presented with the title 'First Painter to the King', and by the end of the 18th century he was a leading society portrait artist in France. Although like many other of his portraits the present example is not signed, the original frame is certainly from his workshop and dates from circa 1805-1810. The rounded limbs and strong features of the sitter are typical of Gerard's style. The painting was discovered in the family collection of Castle Aldenghoor, Netherlands by the vendor.
E M Collingwood Coniston - 'Bluebells', A portrait study of a young lady in a blue bonnet with basket of flowers, watercolour, signed with initials and dated 1909 lower right, 27.5 x 19 cm Condition Report Surface discolouration and spotting especially to edges of image where it meets mount/frame
A Jean-Paul Gaultier 'Mad Max' dress, Autumn-Winter, 1995-96, Maille labelled, of stretch polyamide forming a second skin, the computer-generated spot pattern reflect the contours of the female form, with spot-print portrait to the rear shoulders, bust approx 86cm, 34in For this collection Gaultier drew inspiration from the 1979 science fiction film 'Mad Max'. CONDITION REPORT: Dress has been shortened at the waist
Princess Diana's Bruce Oldfield crushed purple velvet evening gown, worn for an official visit to Portugal, February 11th, 1987, Custom Made label, the wide, off the shoulder neckline outlined by a band of horizontal pleats, with slim inner skirt and trained over-skirt with draped side panels, with original coat hanger and Christie's lot ticket, bust 86cm, 34in, waist 71cm, 28in (3)Princess Diana wore this gown when she and Prince Charles attended a dinner given by Portuguese president Mario Soares at the Ajuda Palace, Lisbon. On this occasion she chose to wear it with the dazzling Spencer family tiara, which she had previously worn on her wedding day. The Princess sat for an official portrait wearing this gown by the photographer Terence Donovan.Provenance: 'Dresses from the Collection of Diana Princess of Wales' auction, original Christies, 25th June, 1997, lot 74. After purchase this dress was never worn or tried on and is in the same pristine state as when last worn by the Princess. CONDITION REPORT: Good condition, no problems. Princess Diana was the last person to wear this as vendor who purchased it at Christies auction handled it with great respect.

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