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283287 Los(e)/Seite
Los 227
GARETH REID, SELF PORTRAIT - PREPARING TO DIVE acrylic and plaster on card album cover, signed31cm x 31cmBorn in Belfast, Gareth studied at University of Ulster, Glasgow School of Art and Florence Academy of Art, and now lives and works in Glasgow. He has shown on five occasions at the BP Portrait Award in the National Portrait Gallery in London, and in 2007 won the BP Travel Award. Having travelled to Finland, he gave talks on his work in the National Gallery of Scotland, Edinburgh and the National Portrait Gallery, London. His work has been published by the NPG. Previous commissions include Graham Norton for the National Gallery of Ireland, Lord Gill and Billy Connolly. His work is held in the collections of RBS, Ralph Lauren, The Old Bailey, the Arts Council of Northern Ireland and the National Gallery of Ireland. Gareth is a portraiture and life drawing tutor previously in Con Ed at Glasgow School of Art, and currently at the Centre for Lifelong Learning, Strathclyde University. He also runs his his own drawing classes around Glasgow. Winner of Sky Arts Portrait Artist of the decade, October 2023. Instagram: garethreidart
Los 114
DEAN MARTIN, PLAYED LIKE A FIDDLE, PART 2 acrylic on card album cover, signed31cm x 31cmDean Martin aka the mad artist is based in Portsmouth, a self taught artist, working in all mediums, but mainly acrylic now, his work is in gallery's all over the country an abroad,ranging from wildlife, portrait, an sometimes contraversal pieces his work is highly regarded, an sought after by collectors alike. Instagram: mad_artist9
Los 139
MICHAEL CORR, GOLDFINCH acrylic and spray paint on card album cover, signed31cm x 31cmMichael Corr is an award-winning contemporary painter and mural artist, who is based at his garden studio space in Alloa, Scotland. His work centres around portrait painting with an emphasis on colour and spontaneous mark making. Graduating from Duncan of Jordanstone College of Art and Design (Dundee), Corr’s formal training as a Graphic Designer along with a primary interest in expressive art, have developed into a uniquely powerful style of painting and drawing. Corr’s work has been featured in both group and solo exhibitions across Scotland. His work has private collectors in the UK and internationally. You can currently find his large scale mural work around Scotland and the US. Instagram: michaelcorrartist
Los 129
GREGOS ART, HEAD IN THE SKY resin, acrylic and spray paint on card album cover, signed31cm x 31cmGregos is a French street artist who started to display his face on the walls of Paris. He invented his own 3D concept using all the techniques he has developed and taught himself over the years, and creates a replica of his face, tongue out or smiling, that he paints and glues on the walls of Paris. Each face is a sort of self-portrait of the day to express his humors, his past, present, and future. At first, the faces were only blanks, and the message was the tongue out. Gregos’ street art concept is successful at inspiring interaction between the faces and by passers. As of today, more than 500 faces have been installed, in Paris mostly, but also in other towns of France and of the world including Europe, USA, Japan and South America. Instagram: gregosart
Los 207
THE LONDON POLICE, A DOG WITH LYRICS permanent marker on card album cover, signed31cm x 31cmThe London Police is an art collective started in 1998 when two English geezers headed to Amsterdam to rejuvenate the visually disappointing streets of Hollands capital. They were part of a small group of artists at the end of the last century that helped pioneer the street art movement. After a few years of mixing traveling and making art in the street TLP began to receive worldwide recognition for their contribution to the graffiti/street art movement. The London Police are Chaz Barrisson who draws the iconic ‘LADS’ character and Bob Gibson whose tight portrait and architectural illustrations help marry the two styles to create an endearing, exciting fantasy world... Instagram: thelondonpolice
Los 55
KEV MUNDAY, GREATEST HITS Posca paint pens on card album cover, signed31cm x 31cm Kev Munday creates colourful, utopian worlds and invites the viewer to spend some time living in them. Inspired by people-watching and the everyday, Kev exaggerates and celebrates the ordinary and aims for his art to appeal to all ages. Using bold lines and block colours, the vibrancy of Munday’s style creates an enthralling visual experience. His iconic crowd paintings depict a sea of unique individuals which pays tribute to the beauty found in diversity. Each individual portrait is equally valued, taken altogether, the effect is a striking vision of community which is more than the sum of its individual parts. Instagram: kevmunday
Los 28
SIR WILLIAM ORPEN (IRISH 1878-1951) PORTRAIT OF IDA NETTLESHIP Red chalk Signed and dated 1898 (lower left) 29 x 20.5cm (11¼ x 8 in.)Provenance: J.L.W. Bird, LondonExhibited: London, J.L.W. Bird, Spring Exhibition, March-April 1981The present drawing was most likely executed in the studio at 76 Charlotte Street which Orpen shared with Augustus John and Ambrose McEvoy, whilst students at the Slade.Ida Nettleship was born in Hampstead in 1877. Nettleship went on to study at the Slade School of Art under the tutelage of Henry Tonks and Philip Wilson Steer. Mixing within the artistic circles of north London Nettleship became close friends with Gwen John and Edna Waugh. In 1901 Nettleship married Augustus John and they went on to have five sons together. Their relationship was complicated and she sadly died shortly after the birth of her fifth son in 1907. Condition Report: Unexamined out of glazed frame. Some evidence of thunder bugs trapped between glass and mount, these have not affected the image but would recommend seeking advice. Very light fading to the sheet throughout. Some very small black marks scattered across the sheet but hardly noticeable. Condition Report Disclaimer
Los 30
λ AUGUSTUS JOHN (BRITISH 1878-1961) PORTRAIT HEAD OF A YOUNG WOMAN Pencil 35 x 29cm (13¾ x 11¼ in.)Provenance: Sale, Sotheby's, London, 20 June 1962, lot [?] Robert & Jonquil Solt, Private Collection (acquired from the above sale) We are grateful to Rebecca John for her kind assistance in cataloguing this lot. Condition Report: Unexamined out of glazed frame. Foxing throughout and light fading to the sheet throughout. Would benefit from a light clean. Condition Report Disclaimer
Los 31
PHILIP ALEXIUS DE LÁSZLÓ (HUNGARIAN 1869-1937) PORTRAIT OF MADAME HENRI LETELLIER, NÉE MARTHE FOURTON Oil on canvas Signed and dated Paris May 1912 (lower left) 93 x 65.5cm (36½ x 25¾ in.)Provenance: Helen Gleason, New York Sale, Sotheby's, New York, 24 May 1988, lot 216 (titled 'The White Rose') Private Collection, Staffordshire Thence by descent to the present ownerExhibited: Paris, Galerie Georges Petit, International Society of Painting and Sculpture, 1912, no. 72 London, Thomas Agnew & Sons Ltd., Portraits by Philip A. de László, M.V.O., June-July 1913, no. 1Literature: Otto von Schleinitz, Künstler Monographien, vol. 106., ' Ph A. von László', Bielefeld & Leipzig, 1913, between pp. 36 and 37, (illustrated in colour p. 130) "Paintings and Blank Canvases of Noted Artists Aid Red Cross; Two Sisters Rank as Beauties of Italy and France," The Washington Post, Monday, 17 May 1915 Duff Hart-Davis, in collaboration with Caroline Corbeau-Parsons, De László: His Life and Art, Yale University Press, 2010, pp. 134, 180 Katherine Field (ed.), Transcribed by Susan de Laszlo, The Diaries of Lucy de László Volume I: (1890-1913), de Laszlo Archive Trust, 2019, p. 223 DLA 1913 bundle, Velhagen und Klasing Monatshefte, 1913 (illustrated)This portrait is included in the Philip de László Catalogue Raisonné [no. 110646], currently presented in progress online: www.delaszlocatalogueraisonne.comMadame Letellier and her sister Comtesse di San Martino [see catalogue number 110567] were considered two of the most beautiful and fashionable women of the period before the First World War. Their clothing choices and attendance at society events were regularly reported in the European and American press. The American Register described Madame Letellier's visit to the Riviera as "much appreciated and almost necessary for a successful season." De László painted the sitter again in 1915 [6040] in aid of the British Red Cross who auctioned the portrait to raise funds for the war effort. Marthe 'Suzanne' Louise Fourton was born on 22 August 1878 in Paris, daughter of Charles Emile Fourton and his wife Mathilde Amalia In de Betou of Sweden. Her mother held musical salons and was painted by Benjamin Constant, one of de László's teachers when studying at the Académie Julian in Paris in 1892. On 14 August 1902, at St Augustin in Paris, she married Henri Letellier (1868-1960), proprietor of the leading Paris newspaper Le Journal and one of the wealthiest men in France." She was a favourite model of Paul-César Helleu (1859-1927) who made several portraits of her. She was also painted or drawn by John Singer Sargent, François Flameng, Antonio de La Gandara in 1903 and Giovanni Boldini, who painted her twice in 1907. The sitter and her husband separated in 1907 and divorced in 1917. Helleu's daughter, Paulette Howard-Johnston, nicknamed the sitter la cruche cassée ('the broken jug'), after Jean-Baptiste Greuze's famous painting. This was a rather cruel play on 'cruche' ('twit' in French) as she was not known for her intelligence. The French art critic Louis Vauxcelles said of her that, "Among the most popular ladies of the high society we can name Madame Henri Letellier, whose powerful beauty is enhanced by an impeccable dress sense and natural style which allows her to set new trends which will last forever." The sitter died in 1949. We are grateful to Katherine Field for her kind assistance in preparing this catalogue note. Condition Report: The canvas is not relined. Some very tiny specks of paint loss to the tips of the impasto to the right of the signature along the lower edge. There are faint horizontal stretcher marks running through the centre of the work and at the lower edge, only visible clearly in a raking light. Ultraviolet light reveals evidence of scattered retouching and infilling throughout but most notably to the background. In overall good clean condition.Condition Report Disclaimer
Los 27
λ AUGUSTUS JOHN (BRITISH 1878-1961) HEAD STUDY OF A WOMAN Pencil and coloured chalk Signed and dated 1945 (lower left) 41 x 27.5cm (16 x 10¾ in.)Provenance: Leicester Galleries, London Montpelier Studio, London, no. 529 Sale, Christie's, London, 12 May 1989, lot 22 Private Collection, Lady Caroline Conran The present work is unmistakably a work of the 1940s. At this time, the artist was producing numerous portrait drawings in coloured chalks, many of women wearing classic 40s hairstyles, often unidentified (as here). He would sometimes make two or three versions so the sitter could choose the preferred one.We are grateful to Rebecca John for her kind assistance in cataloguing this lot.
Los 26
JOSEPH EDWARD SOUTHALL (BRITISH 1861-1944) FIRST SKETCH FOR PORTRAIT OF GERALDINE CADBURY Pencil Signed with monogram and dated 1 IX 1920 (lower left), titled (lower centre) 44 x 30cm (17¼ x 11¾ in.)Provenance: Sale, Christie's, London, 24 January 2007, lot 205 Condition Report: Executed on buff coloured paper, hinged to the mount at two points along the upper edge. There is some discolouration throughout and some light spots of scattered foxing. There is also some surface dirt and scuffing to the paper surface, notably to the upper corners and along the lower edge. The sheet may benefit from treatment by a professional paper restorer. Framed under glass.Condition Report Disclaimer
Los 917
After Bernard Lens III, an ivory miniature mourning ring, 18th century, centring on a glazed ivory miniature commonly identified as Mary, Queen of Scots, within a border of woven gold thread, to openwork shoulders and a fluted band, mounted in gold, size O1/2, miniature 1.3 x 1.0cmCf.: a portrait miniature in the Royal Collection, RCIN 420113, for an early example of this portrait by Bernard Lens III (1682-1740). It was reproduced many times by Lens on the order of his patron, the 4th Duke of Hamilton, who had discovered the original portrait and identified it as Mary, Queen of Scots - a fashionable and romantic historical figure, viewed sympathetically among his contemporaries at the courts of Queen Anne and George I. The true identity of the figure, however, is unknown, and is more likely to be Mary Bellenden, later the Duchess of Argyll (c.1690-1735).
Los 830
λ Karl-August Schreinzer (1819-1897), a portrait miniature, gold and diamond bracelet, mid 19th century, the clasp set with an oval miniature on ivory reputedly depicting the engineer Charles Baird (1766-1843), within a border of cushion-shaped diamonds, to a bracelet composed of gold cylindrical links engraved to the front with Rococo-style scroll work, bracelet length 18.3cm, portrait miniature 4.2 x 3.2cm excluding frame, fitted case, portrait miniature signed Schreinzer
Los 916
λ A pair of Royal portrait miniature rings, Portugal, circa 1785, each of elongated rectangular outline, containing an ivory miniature of Dom João, later King John VI of Portugal (1767-1826) and his mother, Queen Maria I of Portugal (1734-1816), each outlined with cushion-shaped diamonds, mounted in silver and gold, each size M, miniatures measuring approximately 3.0 x 1.9cm, original fitted presentation caseIt is possible that these rings were made around 1785 or shortly after, possibly as a diplomatic or personal gift, as the young prince can be seen wearing the Order of the Golden Fleece, bestowed upon him on the occasion of his marriage into the Spanish royal family that year, to the Infanta Carlota Joaquina of Spain. The two figures also wear the early green and red sash of the Three Military Orders, the design of which was changed in 1796. In 1788, Dom João's older brother Dom José died of smallpox, and Dom João became heir to the Portuguese throne. He took over from his mother as regent in 1799, and succeeded to the throne in 1816. The portrait of the Dom João is possibly an embellished version of a painting by Giuseppe Troni, a copy of which can be seen in the British Royal Collection, ref. RCIN 406047, and the portrait of Queen Maria is based on a painted likeness of her dated to circa 1785/6, reproduced by the engraver Gaspar Fróis Machado, a copy of which can be see in the Biblioteca Nacional de Portugal, ref. E. 236 A.
Los 128
Highland Light Infantry Shoulder Belt Plate and Badges of Captain E Carey. The items represent the 1930’s / WW2 period service of Captain E Carey who original served in the ranks. Comprising: Officers Shoulder Belt Plate, a post 1902 example complete with fittings.Cap Badges, Collar Badges and Buttons (Officer and Ranks)Photograph Album, recording service August 1942 to January 1943. This shows training locations and various Officers and menFramed Portrait Photograph as a Captain in the HLI1930 HLI Boxing Medallion plus 1929 Aldershot Command Javelin gilt medallion.Overall GC (Quantity) Captain Carey, enlisted into the ranks of the HLI and in 1930 with the rank of Corporal was the winner in the regimental middleweight boxing compition. At the outbreak of the Second World War he was granted a commission and in 1944 was promoted Captain.
Los 87
Medal Ribbons and Badges of Major General John Blackburne Smith CB., CIE. Indian Medical Service Comprising: an attractive table top glazed frame by Spink of London mounted with the uniform medal ribbons CB., CIE., 1914/15 Star, British War Medal, Victory Medal, MID Oak Leaf, 1911 Coronation Medal. These complimented with Major General rank insignia, tunic buttons etc. Accompanied by a number of original photographs including a portrait photograph in General Officer Medical Service uniform. (see lot 97 belt and 470 his sword; 179 plume etc)his Major General John Blackburne Smith CB., CIE. was born in 1865 in Ireland and after qualifying as a Doctor joined the Army and in 1889 was serving as a Surgeon Lieutenant at the Royal Victoria Hospital Netley. He received promotion and at the outbreak of the Great War held the rank of Lieutenant Colonel. Wartime service would see him in Egypt and in 1915/16 at the Bombay Presidency General Hospital. Remaining in India he was appointed a CB 1918 and CIE in 1922. Promoted to the rank of Major General 1922 he held the post of President Medical Board India Office 1923 until his death on the 2nd November 1928
Los 139
After Andrew Vicari, group of assorted sepia prints and studies, various: group of children, portrait of a goddess, portrait of Charles de Gaulle, two unframed prints after John Harris, watercolour portrait of an unknown man and Gordon Stuart a self portrait of the artist in pastels. Also another 19th century watercolour entitled 'The Smithy Southend Mumbles' and a watercolour portrait study of a boy signed Gordon Stuart. (B.P. 21% + VAT)
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283287 Los(e)/Seite