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WILLIAM GREEN (pubs) - "Derwent Water taken near Sprinkling Tarn", aquatint engraving, hand coloured, 4 1/2" x 6 1/2"; four further similar; two other Lake District engravings; and mixed prints and engravings to include portrait of James Harrington after Lely, etching by Jacques Callot; a French engraving "Vue de la Place Navone...."; two woodcuts indistinctly signed ?G Moyes McKay and Dorin Dent "Boys fishing", etching, pencil signed and numbered 4/20 in the margin, 6" x 7 1/2" (13).
A World War One pair comprising War Medal and Victory Medal (1402 Sjt. A.E. Griffiths R.A.) together with a Memorial plaque for Alfred Edward Griffiths, a World War One War Medal (288 Pte. H. Windridge R War R) together with Memorial plaque for Harry Windridge and a World War One War Medal (36123 R.H. Poole R.War R), related papers, photographs etc and a Lord Roberts Memorial Fund War Portrait Stamp Album. It is understood that A.E. Griffiths and H. Windridge are related, Mrs Griffiths being Fanny Windridge prior to marriage.
"Chairman Mao" "Little Red Book" compiled and edited by Tian Xiao Guang" first edition first issue Chinese half-title printed in red title in red & green portrait of Mao printed in brown without Lin Biao `s calligraphic endorsement and preface but with called-for text on p.82/3 scattered red ink stamps in Chinese ink Chinese characters on half-title original white wrappers printed in black & red further ink stamps and numbers sticker on spine some light soiling 16mo Peking General Political Department of the People`s Liberation Army n.d. [May 1964]. ***The first edition " but with the Lin Biao endorsements excised.
banner portrait of Chairman Mao Mao`s head above" the Tienanmen Gate within a radiating rising sun below Chinese characters in between linen banner embroidered with loop-stitched coloured cotton 1300 x 750mm. a short tear upper centre of blank linen " c.1965 (or later). ***Rare. Provenance: Nanjing Museum.
a large group of Mao badges the majority displaying the left profile portrait of Mao" generally on a red ground a few of flags torches a few in Little Red Book form including one with English title and other symbols and motifs c.88 badges the majority in tin or aluminium a few in plastic v.s. 17mm. diameter to 66mm. diameter generally in good condition occasional minor rubbing " c.1966-76(c.88)
Great Mentor" Great Leader Great General poster with half-length portrait of Mao in green uniform against a rising red sun with the suggestion of a sea of red flags below 735 x 1055mm. old folds a repaired tear within the image a few marginal pin holes and small losses Shanghai first edition second printing 1967; Unlimited Loyalty to the Great Leader Chairman Mao portrait bust of Mao in a radiant sun above a crowd holding up banners red flags and large sunflowers 770 x 530mm. folds a smal loss to lower right corner otherwise in good condition Zhejiang 1968; Mao Zedong`s Thoughts are the Peak of Modern Marxism and Leninism bust-length portrait of Mao in green uniform the `spirits` of Stalin Lenin Marx and Engels in a line behind all above a solid mass of red flags converging on Tienanmen Gate below 535 x 775mm. folds a few small losses towards sheet edges Zhejiang 1968(3) ***The latter poster refers to one of the two occasions Deng Xiao Ping was the subject of a purge during the Cultural Revolution in his fluctuating fortunes as a prominent statesman and theorist which eventually saw him rise once more at the head of the `Second Generation` of Chinese politicians " after the death of Chairman Mao.
Large vase depicting Chairman Mao the radiating portrait emphasising Mao as the sun" the triple sunflower motif around the shoulder represent the three loyalties to Mao his thoughts and the proletarian revolutionary line the red bandana berries on the neck are an immediate and everlasting visual code of allegiance to Mao`s thought the reverse of the vase inscribed with Mao`s poem `The Double Ninth` and further inscribed "Wish Mao a Long Life" porcelain 655mm. high marked and dated Jiangxi Company of Ceramic Industry 1968. ***The particularly remarkable aspect of this vase is that Mao`s image is painted in under-glaze blue a high-risk process often resulting in kiln-failure. In choosing to decorate the vase in this way the maker took an even greater risk of being declared a counter-revolutionary had Mao`s image been marred in any way. The poem on the reverse translates as: Man ages all too easily not nature; Year by year the Double Ninth returns. On this Double Ninth The yellow blooms of the battlefield smell sweeter Each year the autumn wind blows strongly It is not spring`s splendour Yet surpasses spring`s splendour The frosty sky and river stretches before the eyes ten thousand miles. This ci poem was written by Mao in October 1929 to commemorate the victory of one of his early guerilla wars at that time. The Double Ninth (Chongyang) refers t othe Chinese autumn festival on the ninth day of the ninth month according to the Chinese calendar. The poem was first published in the prime literary journal Renmin Wenxue " in 1962.
Red Guards flag dating from the Cultural Revolution" portrait of Mao upper left corner and inscribed with his quote `Be resolute fear no sacrifice and surmount every difficulty to win victory` silk flag dyed red with yellow text the portrait in black two pieces joined 1550 x 2250mm. cotton tabs stitched to upper edge folds " c.1970.
Glass Mango set rare set of ornamental" commemorative mango stand and container the last with a portrait of Mao in a radiant sun and extensively inscirbed ` Respect and Wishes to Chairman Mao for a Long Life Commemorate Great Leader Chairman Mao who gave this cherished gift - Mango - to Capital Workers Peasant Mao Tse-tung Thought Propaganda Team` coloured glass mango 120mm. long on glass stand placed with glass container 195 x 200 x 100mm. this with small chips in two lower corners unmarked c.1970. ***In 1968 Chairman Mao was presented with a given of seven mangos by a delegation from Pakistan. As he disliked the fruit he bestowed then as gifts to seven Worker-Peasant Mao Zedong Thought Propaganda Teams. This set commemorates that event which was also meant to mark Mao`s displeasure at the factions within the Red Guard " leading to these teams being sent in to factories and universities to restore order.
United We Stand central panel" only of a 3-sheet poster this showing Chairman Mao in brown military uniform raising his left hand to salute the proletariat of the world the spirits of Marx and Lenin behind him 930 x 750mm. lower margin reduced and bearing an ink-stamped portrait of Mao captioned `Highest Instruction Never Forget Class Struggle` " c.1970.
The Great Men of the World rare poster highlighting international alliances with the Republic of China during World War II" composed of 34 portraits of international and Chinese statesmen generals and politicians 775 x 370mm. titled in English and Chinese backed with paper a few tears and small losses one affecting part of a portrait borders trimmed [?Shanghai Kuomintang] c.1944. ***The top tier shows Chamberlain Stalin Roosevelt Chiang Kai-Shek Winston Churchill and Daladier each with his national flag the lower tier similarly depicts Eden Papa Kaioszu Pang Lai Johnson Kuo Wei Chiun Hwa Wei Er Ismet and Franco. In between are 20 portraits of Kuomintang nationalist generals politicians and diplomats over a background of land " sea and air combat.
Early Portrait of Chairman Mao 780 x 430 mm." stamp of the Editor`s Office of The National Trade Union of China in lower right corner on verso Shanghai printed by Shanghai Xusheng Printing Factory Shanghai Labor Publishing House for Beijing Worker`s Publishing House 1949. ***Inspired portrait of Chairman Mao in green uniform against a red background his eyes looking towards heaven for divine guidance. This is believed to be the earliest official portrait of Chairman Mao after the foundation of the PRC on October 1st " 1949.
Lenses, with iris diaphragms, brass-bound: R & J Beck Rectilinear Portrait f/4 11in; Ross Symmetric Anastigmat f5.6 11in; Simon, Dresden f/4.5 120mm; Taylor, Taylor and Hobson H D Taylor’s Patents Series III f/6.5 7.43in; Ross aluminium-bound f/7.7 8.25in. Goerz Patent Double Anastigmat; and sixteen other various lenses (a lot)
Photographic Ephemera: Autochrome-one portrait of kneeling woman holding flowers, one landscape; ambrotypes and tintypes; stereo cards; real photographic postcards; cabinet photographs and cartes-de-visites; topographical albumen and silver prints; Ernemann and other camera instructions; letters and other ephemera (a lot)
* Enamelled plaque. An oval plaque by Deschler of Munich, enamelled in colours with a stylised model in relief of the "Graf Zeppelin", 4 in (10cm) wide, a silver painted metal model of a Zeppelin airship, another in gilt modelled as a pencil sharpener, a gilded pressed tin brooch depicting an early Zeppelin with portrait of Hugo Eckener and a collection of eleven coins and medallions, each featuring an airship subject (15)
* Nelson Memorial. A highly unusual and large manuscript broadside commemorating Nelson`s victories, c. 1810, laid out in five ruled columns with pen and ink plans of the Battles of the Nile and Copenhagen depicting the ships with flags highlighted in red and blue, inset within the blank area of the upper plan a stipple-engraved medallion portrait of Lord Nelson by D. Orme, in the right column a watercolour of a tree with a lion and anchor on the ground at its base, the tree giving details and death dates of Nelson and his admirals, the remaining areas of the manuscript being largely in a copper-plate italic hand with additional text fillers and insertions in one or more hands, being largely copies of letters, newspaper articles, lists and extracts, etc., paper laid on linen, tacked on to a wooden baton with wire hanger, all somewhat browned, some surface abrasions with loss of text and minor marginal creasings and tears, overall approx. 131 x 76cm. No identification as to the authors is given on the document. The two line heading begins `A Plan of the ever memorable Engagement of Cape Beguin, or Abouker at the [...]`. The various extracts and quotations include letters from Nelson onboard the Vanguard, 1798; copy of a letter from Lord Nelson to Lord Keith, 1801; copy of a letter from Caption Dixon to Sir Thomas, 1800; details of English and French ships in battle; Ode on Lord Nelson by Miss Laurence, London, 27 October 1798; extract from the Hereford Journal October 4th 1798; Notes annexed to the above by the Editor of the Hereford and other papers; various accounts of the action off Copenhagen, quotations from Mulgrave`s diary, 1793; letters from Collingwood extracted from London Gazette Extraordinary, 1805; and a continuation thereof. In some of the quotations gaps have been left by the author of the neatest writing and the missing proper nouns have for the most part been inserted by one or more hands. This would possibly indicate it was a school project and most likely done in the years immediately following Lord Nelson`s death in 1805. The extract from the Hereford Journal may give a clue as to local provenance. Nelson was a visitor to Hereford and given the freedom of the city in 1802. A monument to Nelson was erected in the middle of Castle Green in 1809. The design by Hardwicke was modified and directed by local architect Thomas Wood. This poster may therefore have been made in connection with these celebrations. (1)
Sparrow (W. Shaw). The Fifth Army in March 1918, 1st ed., 1921, b&w maps, orig. cloth gilt, rubbed and some minor wear to extrems., together with Gerard (James W.), My Four Years in Germany, 1st ed., 1917, folding map, orig. cloth, rubbed and some soiling, plus Morrow (John H.), The Great War in the Air, Military Aviation from 1909 to 1921, pub. Airlife, 1993, b&w illusts., orig. cloth in d.j., and Gliddon (Gerald), V.C.`s of the Somme, a biographical portrait, Norwich, reprinted 1991, numerous b&w illusts. after photos, orig. cloth in d.j., plus others on the history of World War I, some in d.j.s, including Jonathan Nicholls, Cheerful Sacrifice, The Battle of Arras 1917, 1st ed., 1990, J. A. Hammerton, ed., A Popular History of the Great War, 6 vols., n.d., c. 1920, The Times History of the War, 22 vols., n.d., c. 1921, etc., some in d.j.s, mostly 8vo (3 shelves)
* Aircraft miscellany. A fine and varied collection of unsorted photographs from manufacturers, press and other agencies, mostly post WW2, of jet fighter transport and other aircraft, including `Buccaneer`, `Jaguar`, `Tornado` and others similar from the USA, Great Britain, Russia, Sweden and France, some good air-to-air portrait images, together with a quantity of military publicity photographs of Royal Navy and other ships, also unsorted, approx. 1000 images, contained in a carton. From the collection of the late Jeremy Scutts (1942-2008). (a carton)
* Avro. A collection of good aircraft portrait photographs Avro "Lancastrian", "Tudor" and "York" aircraft, from the Ministry of Aircraft Production, Imperial War Museum and other agencies, aircraft illustrated include `Lancastrian` prototype G-AGLF for B.O.A.C. dated January 1945, the prototype `Tudor` and G-AGSU, `Tudor` 2 (Research) aircraft VS366, the `Nene` engined `Tudor` prototype, various `York` aircraft including MW183 and MW102 and others, approx. 80 images (approx. 80)
* Supermarine. A miscellaneous collection of official aircraft portrait photographs of `Griffon`-engined prototype and production machines, including `Spitfire` (`Griffon`), `Seafire`, `Spiteful` and `Seafang`, many marked SECRET from the Air Ministry and other official images, including `Spitfires` LA187, NH872, PK312, `Seafires` PS951, LA541, SR44, `Spiteful` NN664, `Seafang` VG741 and others, together with details of armament, undercarriage and engine installation, approx. 110 images (approx. 110)
* WWII - 134 Squadron. An album of 292 corner-mounted b & w photos, 1940s, mostly small-format snapshots and including a group portrait of "B" Flight, 134 Squadron R.A.F. in Russia 1941, Russian and English pilots, Durban, George Formby at Tocra (two images, one with his wife), German and Italian cemetery at Mersa Matruh, Tunis, 1943, Burma, 1945, views in the Holy Land, photos of tanks and aircraft, prisoner of war camps and German prisoners in Tunisia, crashed aircraft, views in India, images of the Japanese surrender at Kuala Lumpur airfield, Malaya, 1945, the majority approx. 6 x 8cm and similar, mounted as multiples to each page with neat white ink captions to mounts, contemp. cloth, sl. rubbed and upper cover creased, oblong folio (1)

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