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283287 Los(e)/Seite
Frank Moss Bennett, British 1874-1953- Portrait of man seated half-length with arm resting on a book and another portrait of a man seated half-length wearing a bow tie and pocket watch; watercolour and pastel, two, both signed, dated 1909 and 1910 respectively, both with label attached to the reverse of the frame Chapman Brothers, 241 Kings Road, London, in matching glazed early 20th century Hogarth style frames, 51.5x38cm., ea: After Charles Mottram, English 1807-1876- "The Yard Tattersalls, The Saturday Before Derby Day" after Thomas Musgrove Joy; hand-coloured engraving, originally publ London March 22nd 1870 by Henry Graves & Co, 66x112cm, (3), (may be subject to Droit de Suite)
Ernesto Capobianco, Brazilian b.1918- Portrait of a man in a straw hat; oil on canvas, signed, 55x40cm: Provincial School, late 20th century- View of a highland loch; oil on canvas board, 35x62cm: British School, 19th century- Portrait of a girl, standing three-quarter length; watercolour, 23x18cm: Ernest George, British 1839-1922- "Foubert`s Place, Regent St" and "Oxford Market, London; etchings, both signed in pencil, 26x18.5 and 18.5x26cm: Hugh McKenzie, British 1909-1985- View of the Thames; watercolour, signed, 19.5x30cm., (6) (may be subject to Droit de Suite)
Theodore Irving Dalgliesh, British 1855-1941- Lady rowing by a mill with others watching on a bridge, Publ. Oct 16th 1905, W R Havell; etching, signed in pencil, 51x34cm: J Reginald Taylor, British 20th century- "Gaya"; etching, signed in pencil, 12.5x15.2cm: together with another etching by the same artist depicting `A North Devon Estuary", signed and titled in pencil, 6x25.5cm: Richard Moser, Austrian 1874-1924- A building courtyard; etching, signed in pencil, 29.5x18cm: Axel Herman Haig, Swedish 1835-1921- "Santa Maria del Mar, Barcelona"; etching, signed with monogram and dated 1889 within the plate, signed and titled in pencil, 42.5x28cm: together with a 19th century lithograph of a portrait of a gentleman in a rosewood veneered glazed frame, (6)
Italian School, early-mid 19th century- Head studies of Allegorical figures and birds drinking from a fountain, after the Antique; watercolour, oval and tondo, nine, in shared mount and glazed frame, 24.5x20.5cm: Italian School, late 19th/early 20th century- Portrait of a Saint; gouache with gold, tondo, bears inscription, in a glazed carved wooden frame with tondo aperture, 10cm., dia., (2)
Edward Lutterell, British c.1650-c.1725- Portrait of a gentleman aged 101; pastel, inscribed and dated `Anno etat ... 101, 1677`, 24x19cm Note: Edward Luttrell began to study law at New Inn, London, in around 1670, but abandoned this to become a pupil of the crayon and pastel portrait painter Edmund Ashfield. He is credited with expanding the technique of crayon drawing by expanding the colours used and by inventing a method of drawing with crayons on copper plates.
Samuel Cousins RA, British 1801-1887- Portrait of a lady, seated three-quarter length turned to the left; black chalk with touches of red chalk on buff paper, signed and dated 1842, in an octagonal mount, 27x19.5cm: British Provincial School, mid 19th century- Portrait of a man seated half-length turned to the left, traditionally held to be Thomas Skinner 1771-1854, architect and surveyor; watercolour, varnished over, bears inscription on the reverse of the frame, 24.5x19.5cm., (2) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd
Roland Rushton, British 1907-1997- Cricketers, "Jack Hobbs", "W G Grace" and "Denis Compton"; watercolours, three, ea. signed, the latter also signed by the cricketer, in matching frames, ea. 38x27cm: together with a late 20th century oil on board depicting a portrait of W G Grace, 45.5x35.5cm, (4), (may be subject to Droit de Suite)
Continental School, early 19th century- Portrait of a gentleman; oil on canvas, in a gilt composition frame, 30.5x25.5cm: British School, 19th century- Woman outside a cottage in a woodland landscape; oil on panel, 26.5x33cm: Follower of William Huggins, British 1820-1884- Horse and dog in a stable; oil on canvas laid down on panel, 25.5x38cm, (3)
European School, mid/late 19th century- Portrait of a boy reading; oil on panel, in a 19th century glazed gilt composition frame, 16.5x13.5cm: together with a pair of provincial 19th century watercolours of flowers in matching maple veneered glazed frames, 20.5x12.5cm, a pair of naive 19th century figure studies of children in matching maple veneered glazed frames, 19x11.5cm, and a provincial 19th century oil on canvas depicting a girl reading in an ebonised early 19th century frame, (6)
George Richmond R.A. (British, 1809 - 1896): watercolour portrait of Sophy Louise Bagot, daughter of the Hon Jocelyn Percy signed and dated 1842, 36cm by 28cm, in Venetian carved giltwood frame, 74 by 61cm, together with a book 'Links with the past'. Provenance: property of a Local Gentleman, purchased at Riddington Hall in 1953.
Pop / Beatles memorabilia: a collection of nine candid black and white photographs of The Beatles taken backstage at Shrewsbury music hall 26th April 1963, comprising; four square images 8cm by 8.2cm, including Paul McCartney without his shirt with towel around his neck, Lennon and Harrison playing guitars by stacked chairs, plus four portrait photos one of each of The Beatles, includes George Harrison with guitar and Ringo Starr with glass, 7.4cm by 11.8 and one additional photo of John Lennon, a signed / autographed letter from Paul McCartney written in response to the vendor wishing him happy 21st Birthday, he has written verso her card 'Dear Sandy, please excuse me writing on the back of your card, but I haven't got any paper. So anyway, thanks for your letter, and the photo! Love Paul McCartney (Beatles)' (sic), a second piece of paper ' Sandy, I've just found the paper Oh well! Thanks anyway once again love Paul XXX', the envelope dated 23rd June 1963, a copy of The Beatles Christmas Show souvenir program Jan 2nd 1964 with entrance ticket stapled to inside first page and associated contemporary press cuttings, five pieces of cloth, each a sample of that used to make suits for the Beatles by their tailor Dougie Millings in 1964, including a sample of the black stripe fabric used to make the Beatles famous collarless stage jackets, two copies of Another Official Beatles Christmas record, one with facsimile signature insert, and one yellow cover Christmas record. Provenance: The vendor's friend took these backstage photographs at Shrewsbury having gone backstage in her capacity as a reporter for the local newspaper. The photographer herself is shown in one of the photos, but took the rest, and gave copies to the vendor and two other friends. A series of these photos sold in Dec 2010 at Bonhams, with the copyright. The vendor's best friend was daughter of the Beatles' tailor Dougie Millings, hence the fabric samples. The letter was sent to Paul McCartney by the vendor herself while still at boarding school.
Miscellaneous English Silver Coins comprising: double florin 1889 Fine, 3 x halfcrowns: 1825 good edge, lustrous GFine to AVF, 1898 VG, 1899 VG, Gothic florin 1872 Fair, 2 x shillings both 1887JH AVF & 1906 AFine, sixpence 1787 no hearts, small scratch in obv. field o/wise toned VF to GVF, a BofE bank token eighteenpence 1812 draped & laureate bust in armour, rev. metal flaw, bust Fair to VG o/wise AFine, together with 2 x hammered coins: Elizabeth I sixpence 1567 3rd/4th issues, MM lion, portrait & obv. MM worn smooth o/wise AFine & James I sixpence 1603 1st coinage, 2nd bust MM thistle, portrait flat apart from crown o/wise Fine or+
Charles I Shilling, Tower Mint, MM worn, large `Briot`s` bust with stellate lace collar, double-arched crown, rev. square-topped shied over cross Moline, irregular flan with parts of legends missing but full weight at 6.1g & quite good portrait & shield detail, overall AFine to Fine & Charles I penny MM worn, obv. bust with `1` behind, inner beaded circle, rev. oval shield, no inner circle or CR; portrait & 2 quarters of shield flat o/wise AFine & an Edward I penny, London Mint, Poor/VG
Elizabeth I, 5 x Silver Coins (different denominations) comprising: shilling 7th issue MM 2, full, round flan, bold legends, obv. some surface crackling & light scratches, shield & portrait detail weak o/wise Fine, legends better; sixpence 1570 3rd/4th issues MM coronet, intermediate bust, lightly clipped & flat spots in legends AFine; threepence 1575 3rd/4th issues, MM eglantine, digs both sides o/wise full, round flan Fine or+; halfgroat 7th issue, London Mint MM 1, light obv. scratches but some portrait & shield detail VG & penny 6th issue, London Mint, MM A, VG
4 x English Hammered Silver Coins comprising: Edward II penny, London Mint, portrait detail weak o/wise AFine; Edward III halfgroat, London Mint MM cross 1, Pre-Treaty period with French title, Lombardic M & R with wedge-shaped tail (S1565), portrait flat & edge faults, clear legends, portrait Fair o/wise Fine; Henry VIII halfgroat, 2nd coinage, Canterbury Mint, MM cross patonce, W A beside shield (Archbishop Warham), parts of shield & portrait weakly struck but full, round flan, with full, clear legends, nicely toned GFine to AVF & James I sixpence 1605 3rd bust (MM worn), obv. scratches & corroded surfaces, edge chip below bust between 5 & 7 o`clock, flat spots in legends but good portrait detail AFine
16 x English Hammered Silver Coins including: Richard II penny, MM cross pattee, York Mint, King`s name clear but no portrait detail; Henry VIII `sovereign` penny, Durham Mint, Bishop Tunstall, C D beside shield; Elizabeth I threehalfpence 1561 MM pheon, James I, 3 x pennies (rose & thistle type), one holed & Charles I, 2 x halfgroats & 3 x pennies; various grades, generally Fair to AFine, a couple Poor

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283287 Los(e)/Seite