283284 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
283284 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
283284 Los(e)/Seite
Thomas Cooper Gotch [1854-1931]-Patricia holding an Iris, 1917,:-signed T C Gotch bottom rightoil on canvas66 x 45cm.* Notes Patricia was the artist's granddaughter.* Notes The Golden Dream, Pamela Lomax, 2004.* Notes Exhibited. The Royal Academy 1917, No.476Cornwall Country Council Centenary Exhibition, October 1989, Newlyn, where catalogued as a portrait of Deidre* Provenance With Christopher Wood 1977
Thomas Cooper Gotch [1854-1931]-Young Phyllis; a portrait study of Phyllis Gotch,:-oil wash on hardboard,52 x 40cm* Notes This is a preliminary sketch for the painting 'Holy Motherhood'* Notes See The Golden Dream by Pamela Lomax, P.110, for a similar finished study in pencil* Provenance Mrs Deidre MacLellan, the artist's grand-daughter
Samuel Cotes [1734-1811]-A miniature portrait of a lady, said to be Lady Murray [1734-1818],:- head and shoulders, with long powdered hair and wearing a lace bonnet with blue ribbon and pearl brooch,signed with initials and dated SC 1783 lower rightbears contemporary signature and date on the backing boardon ivory, oval, 9.4cm
Philip Jean [1755-1802]-A miniature portrait of a gentleman, head and shoulders,:-with powdered wig and brown eyes, wearing a blue tunic with gold braid and brass buttons,signed with initials PJ bottom rightoval, on ivory, 5.7cm, within a seed pearl mounted frame with blue guilloche enamel, plaited hair and seed pearl reverse.
Portrait of a lady with pink hair, oil on canvas, housed in a gilt frame, the oil 31.5cm x 41cm, portrait of a lady wearing a blue and white dress, oil on board, housed in a gilt frame, the oil 34.5cm x 44.5cm, portrait of a young lady wearing a white blouse with gold brooch and gold cross necklace, oil on canvas, housed in a gilt frame, the oil 39.5cm x 49.5cm (3)
AN EARLY 20TH CENTURY CAST BRASS PRESENTATIONAL CIRCULAR PLAQUE depicting a profile portrait of Wellington and with the presentation label beneath, 'presented to Mrs Jeffrey Blake' as a memento of the Battle of Jutland 31-V-1916 from HMS Iron Duke 1914-17, the plaque mounted on a turned bakelite mount 25cm diameter together with three further brass plaques, one in the form of a shield with a lion rampant, the other two with depictions of Queen Elizabeth I (4)
A pair of 9ct gold oval engine-turned cufflinks, a set of three 9ct gold dress studs and sundry items, including a 9ct gold miniature portrait frame with brooch and easel mount, various pairs of gilt metal, chrome and other cufflinks, various naval buttons and badges, WWII miniature medals, Masonic jewels, a gentlemen's vintage Avia stainless steel wristwatch with Arabic numerals and subsidiary seconds, a Toye, Kenning & Spencer limited edition enamelled 'Santa Maria' box (cased), a 1938 100 Yards running award, a collection of tailor's awls, etc.
Two scrap albums of various etchings and engravings, 17th to 19th century one containing various portrait engravings stuck down on to manuscript or blank sheets, small topographical and other bookplates (including from Excursions Through Norfolk, Suffolk, Surrey and Sussex), two small sepia etchings by Dickinson after Bartolozzi, two unframed Baxter prints, an amateur watercolour and an ink drawing of a monk, initialled 'JA 1829', etc. (all loosely inserted); the other album with many interior, topographical, rural and sentimental scenes (all stuck down), the albums a.f.
SVETOSLAV NIKOLAEVICH ROERICH (RUSSIAN-INDIAN 1904-1993) Portrait of the Artist's Wife, the actress Devika Rani, sold along with a dedicated gift to Roerich from the Altai-Himalayas Conference each oil on board 30.5 x 40.6 cm (12 x 16 in.); the companion 20.3 x 27.9 cm (8 x 11 in.) comprising: a) a portait of the artist's wife Devika Rani (recto) and study of a woman (verso), and b) a landscape of the Himalays by an unknown artist. The second painting features a dedication to Svetoslav Roerich and his wife from the Yoga followers in Russian: Dear Svetoslav Nikolaevich! Participants of the International scientific and public conference "Altai-Himalayas-91", dedicated to the spiritual heritage of E.P.Blavatskaya, with the help of this work express their veneration of the contribution of the Roerichs' family to the spiritual rebirth of humanity and wish you and your wife Devika Rani-Roerich light and joy!LOT NOTES Svetoslav Roerich, son and chief collaborator of Nikolai Roerich, was a Russian-born painter, architect, illustrator and designer. Roerich’s peripatetic youth, from Russia to Finland to Great Britain to the United States, eventually led him to India, where he moved in 1931 and where he would go on to spend the rest of his life. Per his wishes, he was buried in Bangalore, at the 25-acre "Tataguni" estate he owned with his wife - soon to be remodeled into a museum of Roerich’s work. While Roerich began painting at a young age, it is his later portraits - including those of Nehru and Indira Gandhi at the historic Central Parliament Hall in New Delhi, his father and his wife Devika Rani, depicted here - that constitute the best-known part of his oeuvre.Film producer and actress (once student of Marlene Dietrich) Devika Rani, whose performances in some of the most popular films of the Indian Golden Age of Cinema earned her the title of “The First Lady of the Indian Screen,” married Roerich in 1945. Devika Rani sat for multiple large-scale paintings and countless drawings, some of the most sensitive portraits Roerich produced. Shown in profile, her chin upturned, her gaze undisturbed, Devika Rani imparts an air of composed sophistication. Her elegantly coiffed curled hair, softly highlighted skin, set against a background of mauve pink, as opposed to the majority of her portraits by Roerich, is less fraught with detail and decidedly more modernistic. Roerich outlines her silhouette with a single undulating stroke, parallelling her posture with three teal-colored forms at the lower left.The present portrait is accompanied by a mountainscape, dedicated to Roerich by members of the Altai-Himalayas Conference, whose name references Nikolai Roerich’s eponymous diaries. Like his father and mother, Svetoslav Roerich was deeply dedicated to the statues of the Treaty on the Protection of Artistic and Scientific Institutions and Historic Monuments, better known as the Roerich Pact, which, through his efforts, was signed by the Indian government in 1948. Besides an emphasis on the support of arts and sciences, the Roerichs were deeply influenced by the esoteric teachings of Theosopher Helena Blavatsky, referenced in the dedication. Throughout his life in India, Roerich actively lobbied for conservation efforts for ancient Indian art and monuments, and was, along with his parents, an inspiration to groups like those that organized the Conference.

-
283284 Los(e)/Seite