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Los 755

ENGLISH SCHOOL EARLY 19TH CENTURY Miniature portrait of a child wearing coral necklace, half length, on ivory; 5.75 x 4.75 cms together with a portrait of a clergyman, on ivory, and of a lady, on card (3)

Los 193

A Victorian layered agate cameo portrait brooch: the white agate cameo carved depicting a young woman in profile, 30mm x 23mm within a gold and split seed-pearl frame, 38mm x 33mm, the reverse with glazed compartment and hanging loop, 21.8gms gross weight.

Los 200

A carved oval shell cameo portrait pendant/brooch: depicting a young woman with pearl necklace and a bird, within a rope-twist frame, 62mm overall length.

Los 351

Thomas Cooper Gotch [1854-1931]-Patricia holding an Iris, 1917,:-signed T C Gotch bottom rightoil on canvas66 x 45cm.* Notes Patricia was the artist's granddaughter.* Notes The Golden Dream, Pamela Lomax, 2004.* Notes Exhibited. The Royal Academy 1917, No.476Cornwall Country Council Centenary Exhibition, October 1989, Newlyn, where catalogued as a portrait of Deidre* Provenance With Christopher Wood 1977

Los 353

Thomas Cooper Gotch [1854-1931]-Young Phyllis; a portrait study of Phyllis Gotch,:-oil wash on hardboard,52 x 40cm* Notes This is a preliminary sketch for the painting 'Holy Motherhood'* Notes See The Golden Dream by Pamela Lomax, P.110, for a similar finished study in pencil* Provenance Mrs Deidre MacLellan, the artist's grand-daughter

Los 390

Jean Paul Laurens [1838-1921]-A head and shoulders self-portrait:-monogrammed and dated 1881, also inscribed 'a mon ancien eleve, T.C. Gotch',oil on canvas,42 x 32cm

Los 396

* Harold Knight [1874-1961]- The Turquoise Dress; a half-length seated portrait,:- signed Harold Harvey bottom right oil on canvas 61 x 51cm. * Notes Exhibited. Summer in February, 2013, Penlee House Gallery & Museum, Penzance.

Los 413

Samuel Cotes [1734-1811]-A miniature portrait of a lady, said to be Lady Murray [1734-1818],:- head and shoulders, with long powdered hair and wearing a lace bonnet with blue ribbon and pearl brooch,signed with initials and dated SC 1783 lower rightbears contemporary signature and date on the backing boardon ivory, oval, 9.4cm

Los 414

Philip Jean [1755-1802]-A miniature portrait of a gentleman, head and shoulders,:-with powdered wig and brown eyes, wearing a blue tunic with gold braid and brass buttons,signed with initials PJ bottom rightoval, on ivory, 5.7cm, within a seed pearl mounted frame with blue guilloche enamel, plaited hair and seed pearl reverse.

Los 415

Attributed to Christian Friedrich Zincke [1685-1767]-A miniature enamel portrait of a nobleman,:-head and shoulder, with long dark wig and wearing armour,oval, 4.5cm.

Los 423

Attributed to George Richmond [1809-1896]-Portrait of a gentleman, three-quarter length standing,:-pencil and chalk drawing on brown paper35 x 29.5cm.

Los 432

Circle of James Archer, 19th Century-A portrait of a young boy, bust-length, wearing Scottish tartan,:-oil on canvas, painted oval40 x 40cm.

Los 434

European School 18th Century-Portrait of a lady, bust-length, wearing a lace bonnet and a white lace trimmed dress,:-oil on canvas, 63 x 48cm, unframed,together with an 18th Century English School In Memoriam oil on canvas, 52 x 39cm, unframed. [2]

Los 435

After Sir Joshua Reynolds [19th Century]-Portrait study of a Youth; Figure by a classical statue;Seated woman and figures,:-a group of three, mixed media sketches,largest 20.5 x 14cm.

Los 438

Italian School 17th Century-The Scribe; portrait of a scholar sharpening a quill,:-oil on canvas82 x 69cm, unframed.

Los 370

Four coloured sporting prints, coloured book plate depicting an agave plant, three portrait prints (8)

Los 403

Georgian horn portrait miniature frame with gilt slip and gilt acorn hanging finial, 11.75cm x 16.5cm (provenance- from Burton Constable Hall, Yorkshire)

Los 622

Portrait of a lady with pink hair, oil on canvas, housed in a gilt frame, the oil 31.5cm x 41cm, portrait of a lady wearing a blue and white dress, oil on board, housed in a gilt frame, the oil 34.5cm x 44.5cm, portrait of a young lady wearing a white blouse with gold brooch and gold cross necklace, oil on canvas, housed in a gilt frame, the oil 39.5cm x 49.5cm (3)

Los 123

An Oval Gilt Framed Edwardian Photo Portrait of a Young Lady, 63cm Tall

Los 23

An Advertising Glass for Haig's Whisky, Glass Etched Try John Haig Glenleven, by Appointment, the Oldest Distillers in the World, Revers with Etched Portrait of His Majesty King George, 9.5cm high

Los 152

Bernard Pegot (1830-1900) 19th century large full length pastel portrait of a lady, signed lower left, gilt framed, 45 x 33óin. (114.4 x 86cm.)

Los 362

An Indian style framed portrait, watercolour and pencil (13.9cm x 11.3cm)

Los 258

E. MOORE (LATE 20TH CENTURY ENGLISH SCHOOL) A portrait of Queen Elizabeth I, signed lower right and dated '71, oil on canvas 115cm x 99.5cm

Los 274

A PORTRAIT MINIATURE OF NAPOLEON in an ivorine frame, the oval portrait indistinctly signed, the frame 11.8cm x 13.9cm

Los 277

A 1920'S WATERCOLOUR MINIATURE HALF LENGTH PORTRAIT depicting a lady wearing a pearl necklace and a pink dress, unsigned, 6cm x 7.5cm (oval)

Los 381

LATE 18TH / EARLY 19TH CENTURY ENGLISH SCHOOL Portrait of three children holding peaches, oil on canvas, 68cm x 89cm

Los 502

MAUD HOWELLS a head and shoulder portrait of a World War I soldier, awarded the Military Cross, 59cm x 49cm

Los 55

AN EARLY 20TH CENTURY CAST BRASS PRESENTATIONAL CIRCULAR PLAQUE depicting a profile portrait of Wellington and with the presentation label beneath, 'presented to Mrs Jeffrey Blake' as a memento of the Battle of Jutland 31-V-1916 from HMS Iron Duke 1914-17, the plaque mounted on a turned bakelite mount 25cm diameter together with three further brass plaques, one in the form of a shield with a lion rampant, the other two with depictions of Queen Elizabeth I (4)

Los 173

A 19th Century black and white engraving depicting a seated young girl; together with a 19th Century coloured portrait print; and a black and white lithograph depicting a gentleman, by W.Hunt

Los 467

A gilt framed portrait print of a young girl; together with a fashion print and a white painted and wool work firescreen

Los 3

An 18th Century style Chinese polychrome painted and carved portrait, of planked elm construction, H.77cm W.58cm

Los 304

20th century Continental School, portrait of a man smoking a pipe, oil on board H.30 W.24cm

Los 46

Leonor Fini (Argentian, 1907-1996) , portrait of a girl, lithograph, signed lower right in pencil, edition 215/220, H.57cm W.38cm

Los 60

A 20th Century oil on board portrait of a lady with blonde hair, signed lower right, framed and glazed, H.50cm W.41cm

Los 75

A pair of early 20th Century signed portrait prints, glazed and with in Arts and Crafts leaf decorated gilt frames, H. 62cm W.49.5cm (2)

Los 590

A pair of 9ct gold oval engine-turned cufflinks, a set of three 9ct gold dress studs and sundry items, including a 9ct gold miniature portrait frame with brooch and easel mount, various pairs of gilt metal, chrome and other cufflinks, various naval buttons and badges, WWII miniature medals, Masonic jewels, a gentlemen's vintage Avia stainless steel wristwatch with Arabic numerals and subsidiary seconds, a Toye, Kenning & Spencer limited edition enamelled 'Santa Maria' box (cased), a 1938 100 Yards running award, a collection of tailor's awls, etc.

Los 609

A yellow metal and split pearl mounted circular miniature portrait brooch, 41mm.

Los 162

Two scrap albums of various etchings and engravings, 17th to 19th century one containing various portrait engravings stuck down on to manuscript or blank sheets, small topographical and other bookplates (including from Excursions Through Norfolk, Suffolk, Surrey and Sussex), two small sepia etchings by Dickinson after Bartolozzi, two unframed Baxter prints, an amateur watercolour and an ink drawing of a monk, initialled 'JA 1829', etc. (all loosely inserted); the other album with many interior, topographical, rural and sentimental scenes (all stuck down), the albums a.f.

Los 351

Albert de Belleroche (1864-1944)oil on canvasHalf length portrait of a lady 'L'Amie'37 x 25in., unframed

Los 352

Charles Relitt, oil on canvas, 'Life's a Bumper', a portrait of The Tideswell Glee singers, depicting the celebrated singer Samuel Slack, signed, 49 x 61cm

Los 360

Albert de Belleroche (1864-1944)oil on canvasPortrait sketch of a lady probably Mrs Harry Vane Millbank, the artist's mother23 x 19in., unframed

Los 365

Modern Russian School, portrait of a young girl wearing a headscarf, signed 'Igor Golanin' (or 'Galanin') verso and dated 2004, oil on canvas, in moulded gilt frame with linen slip, 51 x 41cm

Los 371

19th century English School, oil on canvas laid on card, portrait of a dog in a stormy landscape, 28 x 38cm

Los 378

19th century English Schooloil on canvasPortrait of a pensive young woman with rose decorated bonnet14 x 10.5in.

Los 422

Albert de Belleroche (1864-1944)lithographPortrait of the artist's father, Paris 1909, catalogue number 470, from an edition of 1011 x 8in.

Los 425

William Lee Hankey (1869-1952)watercolourPortrait of Madame Rénésigned, labels verso13.25 x 9.75in.

Los 430

Attributed to William Hoarepastel on canvasPortrait of Lady Archibald Hamilton24 x 18in.

Los 432

Harold Owen, sepia chalk, portrait of a terrier, signed and dated 1929, 22 x 27cm

Los 433

English School c.1900, oil on canvas, portrait of a milk maid, 31 x 23cm

Los 442

Early 19th century English Schooloil on wooden panelFull length portrait of a boy seated in woodland31 x 24in.

Los 443

After Sir Godfrey Knelleroil on canvasHalf length portrait of a young man with rearing dog30 x 24.5in.

Los 444

English School c.1820oil on canvasPortrait of a young girl with hoop23 x 19in.

Los 446

Continental Schooloil on canvasPortrait of a seated child holding a lap dogindistinctly signed31 x 25in.

Los 453

19th century English School, oil on millboard, portrait of a 17th century gentleman

Los 141

HENRI MATISSE 'Portrait', 1944, Editions Cahiers D'Art, numbered justification page verso, 28cm x 21cm, framed and glazed.

Los 170

CONTEMPORARY SCHOOL PORTRAIT OF A LADY, print, framed and glazed, 133cm x 102cm.

Los 179

SVETOSLAV NIKOLAEVICH ROERICH (RUSSIAN-INDIAN 1904-1993) Portrait of the Artist's Wife, the actress Devika Rani, sold along with a dedicated gift to Roerich from the Altai-Himalayas Conference each oil on board 30.5 x 40.6 cm (12 x 16 in.); the companion 20.3 x 27.9 cm (8 x 11 in.) comprising: a) a portait of the artist's wife Devika Rani (recto) and study of a woman (verso), and b) a landscape of the Himalays by an unknown artist. The second painting features a dedication to Svetoslav Roerich and his wife from the Yoga followers in Russian: Dear Svetoslav Nikolaevich! Participants of the International scientific and public conference "Altai-Himalayas-91", dedicated to the spiritual heritage of E.P.Blavatskaya, with the help of this work express their veneration of the contribution of the Roerichs' family to the spiritual rebirth of humanity and wish you and your wife Devika Rani-Roerich light and joy!LOT NOTES Svetoslav Roerich, son and chief collaborator of Nikolai Roerich, was a Russian-born painter, architect, illustrator and designer. Roerich’s peripatetic youth, from Russia to Finland to Great Britain to the United States, eventually led him to India, where he moved in 1931 and where he would go on to spend the rest of his life. Per his wishes, he was buried in Bangalore, at the 25-acre "Tataguni" estate he owned with his wife - soon to be remodeled into a museum of Roerich’s work. While Roerich began painting at a young age, it is his later portraits - including those of Nehru and Indira Gandhi at the historic Central Parliament Hall in New Delhi, his father and his wife Devika Rani, depicted here - that constitute the best-known part of his oeuvre.Film producer and actress (once student of Marlene Dietrich) Devika Rani, whose performances in some of the most popular films of the Indian Golden Age of Cinema earned her the title of “The First Lady of the Indian Screen,” married Roerich in 1945. Devika Rani sat for multiple large-scale paintings and countless drawings, some of the most sensitive portraits Roerich produced. Shown in profile, her chin upturned, her gaze undisturbed, Devika Rani imparts an air of composed sophistication. Her elegantly coiffed curled hair, softly highlighted skin, set against a background of mauve pink, as opposed to the majority of her portraits by Roerich, is less fraught with detail and decidedly more modernistic. Roerich outlines her silhouette with a single undulating stroke, parallelling her posture with three teal-colored forms at the lower left.The present portrait is accompanied by a mountainscape, dedicated to Roerich by members of the Altai-Himalayas Conference, whose name references Nikolai Roerich’s eponymous diaries. Like his father and mother, Svetoslav Roerich was deeply dedicated to the statues of the Treaty on the Protection of Artistic and Scientific Institutions and Historic Monuments, better known as the Roerich Pact, which, through his efforts, was signed by the Indian government in 1948. Besides an emphasis on the support of arts and sciences, the Roerichs were deeply influenced by the esoteric teachings of Theosopher Helena Blavatsky, referenced in the dedication. Throughout his life in India, Roerich actively lobbied for conservation efforts for ancient Indian art and monuments, and was, along with his parents, an inspiration to groups like those that organized the Conference.

Los 189

OSSIP ZADKINE (RUSSIAN-FRENCH 1888-1967)Female Portrait , charcoal on paper51 x 36.8 cm (20 1/8 x 14 1/2 in.) [sight]signed lower leftPROVENANCEAcquired by the mother of the present owner in the 1940sThence by descent

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