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283287 Los(e)/Seite
Los 1377
A rose diamond and cameo bar brooch, decorated with the standing figure of a classical lady, between rose diamond set stepped sides, an oval shell cameo brooch, carved as the portrait of a classical gentleman with the top of a scythe, a oval pietra dura brooch, with a floral spray motif, a garnet and blister pearl set oval brooch, an oval moss agate brooch and a circular filligree brooch.
Los 1436
A gold and shell cameo necklace, the front carved as five female bust portraits, on an oval link neckchain with a cylindrical clasp, a gold and shell cameo link bracelet, mounted with five oval cameos, carved as portraits of ladies and on a snap clasp and a pair of gold mounted oval shell cameo earrings, each carved as the portrait of a lady, the tops with wire fittings.
Los 841
19th century tortoiseshell and yellow metal round box, the top inset with a portrait miniature of a young girl in a blue dress, encircled by inscription "C`est L`amitie Qui Vous La Donne" (in friendship we give), diameter 3" PROVENANCE; By direct descent from the family of Baron de Bosmelet, Chateaux du Fosse, Seine Maritime
Los 842
Portrait miniature of a French military officer, pen inscription verso reading "Armand de Bosmelet, son of Jean Francois Marie Antoinette Bosmelet and Clement Vuncaid, killed in a duel in 1821at Rouen, born in 1800 at Rouen" diameter 3.5" PROVENANCE; By direct descent from the family of Baron de Bosmelet, Chateaux du Fosse, Seine Maritime
Los 845
Naval portrait miniature of a French Officer Jacques Henri Gaston Thomas des Fosses Bosmelet inscribed on verso in French: "Born 29 September 1895, died Heroically Dauton 19 March 1917 aged 21 years", monogramed "V.M., 3.5in by 3in; and a photograph in the same uniform, 5in by 4in. The sitter was the son of Countess Regine Charlotte Agatha Diane PROVENANCE; By direct descent from the family of Baron de Bosmelet, Chateaux du Fosse, Seine Maritime
Los 863
George IV 1821 gilt bronze coronation medal, Rundell, Bridge & Rundell, with profile portrait and a recumbent lion with thistle and harp verso, 50mm diameter, and another gilt bronze medal by Rundell, Bridge & Rundell celebrating the centenary Jubilee in Honour of the Peace 1 Aug 1814, 67mm (2)
Los 931
Collection Of books on the Decorative Arts Meissen portrait figures - Adams British portrait miniature - Foskett European Jewellery - Bradford Paul de Lamerie - The Goldsmith Co Arthur Rackham - Hamilton Jewellery - Poynder Drapery & Curtain Designs - Jameson Laura Ashley - Irvine Sanderson - Mogg Windows beautiful
Los 946
Collection of books on porcelain and ceramics: W H Goss - Ward Sothebys Concise Encyclopedia of Porcelain - Battie Wade - Posgay Staffordshire Portrait Figures - Hall Jewitts - Godden British Pottery and Porcelain - Godden Doulton Figurines - Dale Collectors Plates Meissen - Fletcher Along The Royal Road, Burlin Porcelain The British Teapot - Porter Investing in Pottery and Porcelain - Fletcher Millers Ceramics of the 50`s and 60`s 17th/18th Century French Porcelain - Savage Belleek - Degenhardt English Pottery - Lewis Sylvac - Verbeek Pinxton China - Meeks
Los 956
Various books on the Decorative Arts: Millers Teddybears and Dolls Collectors Guide to Model Tin Figures - Ortmann Musical Boxes - Tallis Buttons - Epstein English Painted Enamels - Hughes British Portrait Miniatures - Foskett Arms & Armour - Cimarelli American Militiary Collectibles - Manion Militaria Arms and Armour - Curtis The Grosvenor House Antique Fair Handbook 1996 David and Peggy Rockafeller Collection (Vol. 1)
Los 1102
§ Sam Taylor Wood, b. 1967 - artist`s working proof for `XV Seconds` produced in 2000 The original weighed two tons, stood 60 feet tall and ran 900 feet around the outside of Selfridges to the bemusement of shoppers on London’s Oxford Street. The giant photograph – Selfridges claim that it was the biggest photograph and artwork ever seen in London – was created by UK conceptual artist Samantha “Sam” Taylor-Wood, essentially to wrap the building and hide the scaffolding while workmen renovated the façade of the famous department store in 2000. Sam Taylor-Wood turned the project into a much vaunted work of art. Called “XV Seconds”, the photomontage was her version of the Elgin marbles, a frieze in which the Greek gods were replaced by 21 icons of modern culture including Sir Elton John, Blur guitarist Alex James, Ray Winstone, Richard E. Grant, Timothy Spall, Adrian Dunbar, Jane Horrocks, Amanda Ooms and models Jodie Kidd and Alex Wek. The artist’s working proof of the creation, a 24-foot computer-printed scale model of the finished article, signed on the reverse by Sam Taylor-Wood in black ink, is offered here. PROVENANCE; This lot is sent for sale by Mr Mario Capaldi, the creative director of the company responsible for overseeing production of the finished article, who believes the proof to be unique. He said: “The fit and colour management of the project was vital to its success. It was something no one had experience before, but it had to be bang on. I suggested the printers should produce a working proof, printed on the same material and exactly to scale, for Sam to approve. The job took many months to complete and when it was finished, the proof was returned to me. I cheekily asked Sam to sign it and I believe it to be unique. I remember her saying that even she did not have a copy.” “The full size version stopped the traffic when it was first unveiled in April 2000 and pictures of the artist posing in front of it with Elton John were on television and in all the newspapers. What happened to the original finished artwork is not clear, but on completion of the project Mr Capaldi was given this proof which he asked Sam Taylor Wood to sign for him. The artist commenced work on a series of major photographic works called “Five Revolutionary Seconds” in 1995. The title refers to an old Royal Air Force camera which registered a 360-degree view in one continuous five-second-long revolution. The Selfridges installation XV Seconds was her first major public commission. Its name was also a reference to the famous Warhol quip "Everyone is famous for 15 seconds". It was made with the special camera with her good friend Sir Elton John sitting in the centre of the circle as Zeus in a pose after the portrait by Ingres. The resulting photograph, which took 15 seconds to take, was the largest, heaviest, longest to print and the most difficult to achieve technically. Its unveiling coincided with the opening of Tate Modern and brought Sam Taylor-Wood’s work to the attention of a new and much wider audience. Nominated for the Turner Prize in 1998, she made her debut as a feature film director in 2009 with Nowhere Boy, based on the childhood experiences of John Lennon and was nominated for a BAFTA award last year. Since graduating in 1990 Sam Taylor Wood has had many solo exhibitions and has been represented in many multiple exhibitions throughout the World. The proof measures 19" x 24`, NOTE; A smaller version of this print was produced in 2000 in an edition of ten measuring 10" x 83" but it only covered part of the whole image. A copy was offered at Phillips de Pury in New York on 14th November 2008, lot no 417.
Los 1136
Sir Claude Francis Barry (1883-1970) - portrait of Mary Marshall, signed oil on board. Sir Claude Francis Barry was born 128 years ago into a rich family whose wealth was based on heavy industry. But he had a troubled childhood after the death of his mother when he was two and his father`s subsequent re-marriage in 1893. In 1905 he went to live in St Ives. Barry was a pacifist and was anyway exempted from military service; he did not fight in the First World War. From about 1905, he exhibited his pointilistic works at the Royal Academy and elsewhere. Between the Wars he became renowned for his etchings and spent much of his time on the Continent returning to St Ives in 1939. Most of his etching plates were stored in Milan and were destroyed by a bomb in 1944. After the War he left Cornwall to live on Jersey. It is during this period that he painted many of his portraits including this one. PROVENANCE; This portrait is sent in for sale by the sitter. Mary Marshall knew the artist well and he had great admiration for her as a singer. She was born in Bolton and was a solo artiste with Columbia in the 1950`s. For a short time she was a member of a group "The Three Shades". She moved from her recording company and accepted a contract to perform in the Channel Islands for impresario Sydney James, where she caused an unprecedented sensation; they were married in 1960 and settled in Guernsey. Mary continued in Sydney`s Olde Tyme Music Hall shows and cabarets for many years having had two daughters. She retired in 1979 and remains in Guernsey today having remarried after her husband`s death in 1985. 24 x 18in. (60.96 x 45.72cm)
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283287 Los(e)/Seite