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Philip Sutton"Portrait of Dennis Hawkins",signed, inscribed and dated June '53,oil on board,85 x 59cms; 33 1/2 x 23 1/4in.EXHIBITEDThe Hatton Gallery, Newcastle University "Every home should have one", November 2000-January 2001.Artist's Resale Rights may apply, please refer to our Terms & Conditions.
A Victorian gilt-mounted and cut glass double-ended scent bottle set with coronet and watch,c.1880,the central hinged double mount pierced and engraved with scrolls, opening to reveal a portrait and a mirror monogram, engraved inside one rim 'W BARKER & CO, 172 NEW BOND STREET', with detachable bottles at each end, one mounted with a watch with star-cut face and Roman numerals, set to the interior with a further conforming retail stamp, the other with pull-off stopper, set with a mirror monogram below a coronet,15.7cm long
A collection of twenty-one silver dressing table items,various dates and makers, Birmingham, 1897-1913,chased after Reynolds Angels, comprising:three tall cylindrical glass containers and six glass circular containers with detachable silver covers,a rectangular glass container with silver mounted cover, match box cover, a heart-shaped pin cushion, a silver frame, a hand mirror, a hand brush, a prayer book, three button hooks, a round dish and an oval dish,together with EPNS: a nurse's clip-on buckle, a circular box and a match box cover; and two silver-plated dishes (26)The chased angels' heads are after Joshua Reynolds' 'A Child's Portrait in Different Angles: Angel's Heads', 1786-7, which may be seen in Tate Britain.
An Art Deco single stone diamond ring,with diamond set shoulders, with an old brilliant cut diamond, estimated as approximately 0.58ct, four claw set to a square collet. A baguette cut diamond rub set in a portrait position to each side, with a baguette cut diamond rub set to each shoulder. Flat section open shoulders to a flat section shank. Indistinctly marked 'PLAT'. 7.30g. Diamond assessed as approximately:Colour: I/JClarity: P2/P3Finger size S
An 18ct yellow and white gold, emerald and diamond pendant,by Evan Grant. An open rectangular portrait frame with a fine hammered finish and a white gold central vertical bar. An oval mixed cut emerald, two graduated brilliant cut diamonds and a circular mixed cut emerald, all four claw set in scattered four claw collets, London, 2006. Dimensions 38 x 13mm, 11.21g
ENGLISH SCHOOL C.1910 Portrait of a child, her hair with blue ribbons, on ivory; 8.5 x 6.25 cms in Empire style frame; English School early 19th century, portrait of a beauty wearing pearl jewellery, on ivory; 8.5 x 7 cms and a portrait of a lady signed P. Gaslini and dated 1867, on ivory; 7.75 x 6.25 cms (3)
V. BOUTELLIER Portrait of Napoleon II, King of Rome (1811-1832), wearing sash & star, on ivory; 7 x 5.5 cms in gilt outer frame; English School c.1840, portrait of a young lady, on ivory (damaged); 11 x 9 cms; two portraits in 17th century style in simulated tortoiseshell & brass frames and another portrait (5)
RICHARD COSWAY R.A. (1742-1821) Portrait of a lady wearing white dress, her grey hair plaited in a wreath, sky background, on ivory 6 x 5 cms in 19th century frame bordered with brilliants. An inscription on a label c.1900 on reverse gives the identity of the sitter as Susan Countess of Guilford*. The miniature has been seen and authenticated as being the work of Cosways by Dr. Stephen Lloyd. *For an illustration of a drawing by Cosway of Susan Coutts, Countess of Guilford with her daughters and stepdaughter dated 1801 see Lloyd Dr. Stephen, "The Cosway Inventory of 1820" Walpole Society 2004 (Vol. LXVI) fig.129.
ENGLISH SCHOOL EARLY 19TH CENTURY Portrait of a lady wearing a turban & shawl, half length on ivory; 9.25 x 7.25 cms; portrait of Richard Fisher (inscribed on reverse "Mr. Kingston, Liverpool 1828"), on ivory; 8.5 x 7 cms and a portrait of a lady signed with initials "FC" and dated 1833, on ivory; 9.5 x 7.5 cms (3)
AN EARLY 19TH CENTURY STAMPED BRASS COMMEMORATIVE BOX with a portrait of King George III on the cover, the base with the text "George III was born June 4. 1738, ascended the British throne Oct 25th 1760. The Grand National Jubilee celebrated 25h Oct. 1809 Long Live the King"; 2.8" (7.2 cms) diameter
ENGLISH SCHOOL, LATE 19TH CENTURY Portrait of a lady wearing pearl necklace, head & shoulders, on ivory; 9 x 6.5 cms, J. Joiffre c.1830, portrait of a young man seated on a red chair, half length, on ivory; 9 x 6.75 cms, F. Higginton: portrait of a priest and a portrait of a young man c.1830 (4)
English School early 19th Century-A double-sided bust-length miniature portrait of a young lady and young man:, she with dark wavy hair tied high in a plait, brown eyes and rosy cheeks, wearing a loop earning and necklace, a white dress with blue ribbon, on ivory, oval, 8cm, within a seed pearl mounted frame, the reverse with a portrait of a young cleric.
Attributed to Georg Siegmund Stobwasser, a papier mache box and cover: of circular form the cover printed in colours with an amusing scene captioned 'Portrait einer Cholera Praservativ - Frau von M.G. Saphir' after the original by Peter Carl Geissler depicting the efforts a woman and her dog go to avoid disease, circa 1850, 9 cm diameter, [slight chip on foot].
After Moritz Michael Daffinger-A miniature portrait of a young European royal, said to be Princess Metternich:- bust-length in an interiorwith ringlets and wearing a pink rose in her hair and a pearl necklace, a fir stole over her shoulderindistinctly signed lower rightoval, on ivory, 7.8cm, in an ornate ormolu easel frame.
* Laurence Stephen Lowry [1887-1976]-The Lowrys; The Artist's Mother. The Artist's Father. Self-Portrait of The Artist:-three prints with title page No.242 in an edition of 300each signed in pencil, sheet size 36.5 x 27cm,together with the accompanying Morris Singer Foundry bronze medallion of L S Lowry by Lea Salomon.
Studio of Sir Peter Lely [1618-1680]-A recumbent nude on a balustraded balcony, her left hand raised, a pair of doves nearby, a Palladian house and trees in the distance:-oil on canvas129 x 196cm* Provenance. Viscount Cullen, Rushton Hall, Northamptonshire circa 1660.By family descent toThe Hon. William Cockayne, Governor of Limerick Castle, circa 1780.Elizabeth Charlotte Cockayne, circa 1850,Edmund H. Cockayne Pery, Coolcronan House, Ballina, Co. Mayo, Ireland, circa 1890.Edmund Arthur Gore Pery-Knox-Gore, circa 1900.Simon Pery-Knox-Gore; Blackheath, London, circa 1965.By family descent to the present owner, Devon.* Note. The head of the sitter is close to that of the clothed portrait of Elizabeth Trentham, Viscountess Cullen [1640-1713] by Lely at Kingston Lacy. The naked body is derived from Italian Renaissance paintings of Venus reclining, particularly those associated with Titian and his followers, and appears to be by a different hand.
A First Period Worcester 'Marquis of Granby' mug: of slightly waisted cylindrical form, printed in black with a portrait of General John Manners, The Marquis of Granby after Sir Joshua Reynolds and engraved by Robert Hancock, flanked by the seated figure of Mars and Fame flying amongst clouds, circa 1760, 14 cm high [restored].
An Adams & Co. parian portrait bust of Richard Cobden: sculpted by Wyon, head and shoulders and on circular socle, impressed marks 'Adams & Co./ Richard Cobden/E.W.Wyon F./Published by John Stark Etruria June 1865', 42 cm high.* Richard Cobden [1804-1865] was a Liberal politician popular for his involvement in the Anti-Corn Law League and the abolition of slavery.
A Minton parian portrait figure of Sir Henry Morton Stanley: modelled after the original by John Alexander Patterson McBride with the explorer standing holding a book and binoculars with a pistol at his side, on a square captioned base, impressed J.A.P. McBride 1890, with impressed date code for 1890, 43 cm high.
An early 19th century King George IV Memoriam buff coloured stoneware jug: commemorating the death of the George IV in 1830, of globular form with lion handle, decorated in relief with a portrait bust within a sunburst border, figures of Victory to either side, the rim with roses, thistles and shamrock, 19 cm high.
English School [circa 1800]-A miniature portrait of a lady:, bust-length, with dark curling hair and brown eyes, wearing a coral bead necklace and white satin dress, seated at a window, on ivory, 11.5 x 8.5cm, together with a miniature of a girl with flowers and an oval miniature of a lady, each with gold slips and gilt gesso frames [3]
A Bristol blue and white delftware 'King of Prussia' plate: painted with a half length portrait of Frederick the Great below the letters 'K P' and within a single line border, circa 1760, 22 cm diameter [minor rim chips].* The 'Seven Years War' was fought between 1756 and 1763. Frederick II of Prussia was an ally and a popular figure in Great Britain.
A Wedgwood & Sons parian portrait bust of Sir Colin Campbell: sculpted by Wyon, head and shoulders and on circular socle, impressed marks 'Campbell/Josiah Wedgwood & Sons/Published March 29 1858/E.W.Wyon', 40 cm high.* Sir Colin Campbell [1792-1863] was a British Army Officer who had an extensive and successful military career which included Imperial India and the Crimea.

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