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Hallett, Job. De Venereo Morbo: A Practical Treatise of Treatment and Cure on the Venereal Disease, seventh edition, London: Printed for the Author, [1822]. Complete with 12 plates [on six pages] as called for, hand-coloured etchings heightened with gum arabic, plus stipple-engraved frontispiece portrait of Job Hallett, Surgeon. Octavo, contemporary paper-covered boards, untrimmed page edges, advertisement/ticket on front pastedown, 'Mr. Hallett may be Consulted at his Establishment as usual, No.12, Cherry-Street, Birmingham'; owner inscription on front free endpaper, 'G. Grunhard (Surgeon), Inspector of Hospitals, Malta, 1826'; indistinct owner inscription, Erdington, on upper board. Contents generally good, clean, bright; some light creasing; some nicks and short tears to edges of plates; some loss to title page; a few little marks to endpapers; binding with discolouration/rubbing, some wear/loss to delicate paper covers. Very scarce
Bigsby, Robert. Historical and Topographical Description of Repton in the County of Derby, London: Woodfall & Kinder, 1854. Pictorial title page, portrait of the author, all plates as called for plus further woodcut illustrations within the text. Contents generally good and bright with foxing to opening leaves/titles; rebound incorporating publisher's original embossed buckram lettered in gilt; later endpapers bearing blind-stamp for Library of Richard Baker; mounted armorial bookplate for Sir Robert Peel, Drayton Manor
A large collection of 19th Century silhouette portrait profile miniatures, various family members to include younger and older ladies and gentleman, various family labels verso to include John and Lucy Kirby, Mrs Elizabeth Taylor aunt to Richard Kirby, Mrs Kirby (Bicester), Eliza Kirby, mother of William H. Kirby, George Betham, 18 years, 1852 etc (parcel)Provenance: By descent. Vendor's late husband was descended on his mother's side from noted artist Benjamin West PRA (American, 1738-1820)
Henry Bone R.A., (British, 1755-1834), after Benjamin West P.R.A. (British, 1738-1820), portrait of Benjamin West P.R.A., half length, seated at his desk, a classical bust behind, miniature in enamel on copper, signed and dated 1803 l.l., inscribed verso 'Benjamin West Esq, President of the Royal Academy London, Historical Painter to His Majesty, Member of most of Academies of Europe, and those of America. Born on 10 October 1738 at Springfield and Chester Country Pennsylvania in North America...London Dec 1803. Painted by Henry Bone A.R.A., enamel Painter to His Royal Highness, The Prince of Wales, after the original by Mr West, painted in 1800'. also inscribed on original backing paper 'Portrait of Benjamin West...bequeathed by him to Mrs Raphael West as a token of his regard, 1820. Henry Bone, No.15 Berners St, London'. 18 by 14.5cm, in the original gilt composition frameProvenance: a gift from Benjamin West to his daughter in law Mrs Raphael West, 1820Additional provenance: By descent. Vendor's late husband was descended on his mother's side from noted artist Benjamin West PRA (American, 1738-1820)
Bacon, Francis. The Essayes or Counsels, Civill and Morall, first complete edition, first issue, London: Printed by John Haviland for Hanna Barret and Richard Whitaker, 1625. Small quarto, contemporary calf boards, rebacked. Text complete in 340 pages, plus opening blank leaf, title page, and Epistle Dedicatorie to Duke of Buckingham; lacking The Table (two leaves). Owner inscription on title page, 'John Cranch, 1796'; heavily inscribed to opening endpapers, blank leaf and verso of title, 'Elogies on the illustrious author'; occasional marginalia throughout; the second leaf of Dedication with trimmed margins and pasted copper-engraved portrait of the author. Pale dampstaining to pages; old tape hinging title to blank leaf; loosely inserted auction/catalogue clipping
Lady Farnborough, Amelia Long (British, 1762-1837), Bromley Hill, titled and signed l.r., pencil, 37 by 24cm, unframed, together with an oval watercolour portrait of a young lady, circa 1820, unsigned, and a 19th Century preliminary sketch of a child angel, unsigned, pencil and chalk, framed (3)Provenance: By descent. Vendor's late husband was descended on his mother's side from noted artist Benjamin West PRA (American, 1738-1820)
A George III oval portrait miniature on ivory, label verso, Henry Bagshaw, 1799, born December 4th 1795, H. Spalding, Lincolnshire, 5cm by 4cm, in a black lacquer frame with applied pressed brass flowers, together with another of a young gentleman in a similar frame (2)Provenance: By descent. Vendor's late husband was descended on his mother's side from noted artist Benjamin West PRA (American, 1738-1820)
Nussey Family. The Poetical Works of Robert Browning, in two volumes, London: Smith, Elder, 1899, bearing etched bookplate of Helen G Nussey, plus loosely inserted note with gift inscription for the same from University Extension Lectures, Chislehurst. Octavo, full crushed morocco lettered in gilt by Bumpus of Oxford, rebacked, boards detached on second volume. Together with Verses, by Christina Rossetti, London: Society for Promoting Christian Knowledge, 1895, bearing owner inscription of Mary C. Nussey, 1896, featuring copy of the frontispiece portrait that featured in New Poems, Macmillan, 1896, with quote after William Michael Rossetti, cloth lifting away at spine. As found (3)NB: Please see Gaskell's Life of Charlotte Bronte in this sale
Frederick Thomas Lines (British, 1809-1898), portrait of a young lady, three quarter length, seated at a window, watercolour heightened with white, 42 by 34cm, framed, portrait of a bearded man in the style of Walter Langley, watercolour, 41 by 31cm, framed and a watercolour of chickens by a pool, signed with initials W.A.C, 36 by 26cm, framed (3)
Burns, Robert. Poems, Chiefly in the Scottish Dialect, to which are added Several other Pieces not contained in any former edition of his poems, Glasgow: Chapman & Lang, 1801. Contemporary half-calf with marbled boards, stipple-engraved frontispiece portrait of Burns, etched plate depicting the house in which he was born. Contents with toning and occasional light spots and stains; binding with bumping and wear; lacking title label to spineProvenance: By descent. Vendor's late husband was descended on his mother's side from noted artist Benjamin West PRA (American, 1738-1820)
Harrison, George. I Me Mine, Guildford: Genesis Publications Limited, 1980, from the limited edition of 2000 copies - but not numbered or signed. Finely bound in full crushed morocco lettered in gilt, all page edges gilt, tipped-in frontispiece portrait with protective tissue-guard. Contents good, clean, bright; binding very good, tight, solid
Vigano, Vico (Illus.). Albo Pascoliano, limited edition signed by the artist and numbered 95 of 500, Bologna: Nicola Zanichelli, 1911. Quarto, full vellum, 15 etched plates with protective tissue-guards, etched portrait mounted on upper board, two indistinctly signed inscriptions on half-title. Light foxing throughout; binding well-preserved with a few scratches and light marks
MATT GOSS: MORE THAN YOU KNOW, THE AUTOBIOGRAPHY, London, Harper Collins, 2005, 1st edition, signed, original cloth, d/w + FRANCIS ROSSI & RICK PARFITT: JUST FOR THE RECORD, THE AUTOBIOGRAPHY OF STATUS QUO, London, Bantam Press, 1993, 1st edition, signed by both authors, original cloth, d/w + STEWART COPELAND: STRANGE THINGS HAPPEN, A LIFE WITH THE POLICE, POLO AND PYGMIES, London, The Friday Project, 2009, 1st edition, signed, original cloth, d/w + MIDGE URE: IF I WAS... THE AUTOBIOGRAPHY, London, Virgin Books, 2004, 1st edition, signed, original cloth, d/w + STING: BROKEN MUSIC, A MEMOIR, London, Simon & Schuster, 2003, signed on label pasted down on fly title, original cloth, d/w (price clipped) + ANDY SUMMERS: ONE TRAIN LATER, London, Portrait, 2006, 1st edition, signed, original cloth, d/w (6)
JAMES JOYCE: 2 titles: ULYSSES, Pennsylvania, V Franklin Library, 1976, limited edition, limitation not stated, original decorative leather gilt, vgc; A PORTRAIT OF THE ARTIST AS A YOUNG MAN, intro Hugh Kenner, ill Brian Keogh, Connecticut, The Heritage Press, 1968, original pictorial cloth, slip-case (some wear and soiling), both titles from the collection of Derek Cottam (2)
JOHN KNOX LAUGHTON: THE NELSON MEMORIAL, NELSON AND HIS COMPANIONS IN ARMS, London, George Allen, 1896, (100), 1st edition numbered, large paper printed on Arnold's paper, coloured frontis, 29 plates as list, uncut, 4to, original vellum backed green cloth gilt, top board with gilt embossed medallion portrait of Nelson
Renaissance Revival carved elm throne chair, the back headed by 'Green Man' mask between scrolls, over Romayne-style profile portrait roundel, between mask-carved stiles and open arms plus conforming front supports and front seat rail, 67cm wide x 129cm high Condition: Horizontal crack across Romayne panel as per images. Wide gap between the two planks of the solid seat. Otherwise general wear commensurate with age and use - **General condition consistent with age
Kathleen Hale OBE (1898-2000) - Oil on board (double sided) - Portrait of Douglas McClean, the artists husband, reading a book, unsigned, the reverse - Portrait of a seated figure, the face painted out with black paint, 34.5cm x 29cm, in a gilt frame - Artist Resale Rights May Apply - Provenance: The Kathleen Hale Collection: Kathleen Hale OBE (1968-2000) was the creator and Illustrator of the eighteen children’s books featuring ‘Orlando – The Marmalade Cat’. Her autobiography ‘A Slender Reputation’ published in her 96th year chronicled a life that included a stint as Augustus John’s secretary prior to the creation of Orlando, her Utopian feline character, a bed-time favourite for generations of bedtime story recipients. The extensive collection of artworks in a variety of media together with her copies of Orlando books in various languages are offered for auction on the instructions of the Executors of the estate of Nicholas McClean, Kathleen’s son. Condition: Flaking and loses to edges of gilt frame particularly to left side outer edge - **General condition consistent with age.
Andrew Beer (1862-1954) - Oil on board - Pigeon portrait - 'Red Hackle' and 'Maid of the Moor' with race history, signed and dated 1944, 36.5cm x 46.5cm, Artist Resale Rights May Apply Condition: Some speckling to the surface would benefit from a light clean - **General condition consistent with age
Mary Olive Edis (1876-1955) - Photography Interest - Collection of books originally from the Studio of Olive Edis, some over pasted to front board with sepia portrait photographs, including Reith, JCW, 'Broadcast over Britain', inscribed 'M.Olive Edis 34 Colville Terrace W11-The Studio, Sheringham; Gask, Lilian, 'Folk Tales from Many Lands' illustrated by Willie Pogany, inscribed 'From Olive Edis to the Cullimore Bequest 1926; Newlandsmith, Ernest, 'The Temple of Art', 3rd Edn, 1919, inscribed 'To Mr & Mrs Galsworthy with fraternal greetings from the Author, Norfolk 1930 (Olive Edis married Edwin Galsworthy in 1928), and others (13). Olive Edis was Britain's first female War Photographer (1918-19), documenting operations in France and Flanders. She was a pioneer in the use of autochrome, inventing a viewing diascope. Principally a portrait photographer, she produced her own branded cards, and notable sitters included Nancy Astor, Emmeline Pankhurst, Thomas Hardy, George Bernard Shaw, Prime Ministers Herbert Asquith and David Lloyd George, and the future King George VI. She also produced some of the first colour images of Canada on behalf of the Canadian Pacific Railway. Collections of her portraits are held at both the National Portrait Gallery and Imperial War Museum. Condition: Mixed lot of books, uncollated and with pasted photographic editions, ink inscriptions etc, sold as seen and not subject to return. We recommend inspecting this lot in person, or telephone the saleroom for more information. **General condition consistent with age

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