ROME -- (OVERBEKE, B. ab. Reliquiæ antiquæ urbis Romæ. Amst., J. Crellius, 1708). Engr. portrait of the author by C. Vermeulen after J.C. le Blon, engr. dedicated to Queen Anna by M. Pool, engr. allegorical front. by M. Pool, fold. engr. map by M. Pool, and 143 (of 146) engr. plates, one dep. the Collosseum large fold. Fol. (Bind. and all texts lack, (blank) margins stained throughout, worsening a bit towards end (w. even some moulding to blank margins of some lvs.), split in fold. map/small tear in portr., both w. clumsy rep. on v°). NOTE:Bonaventura van Overbeek (1660–1705) was born and died in Amsterdam. According to Houbraken, he drew the Roman ruins from life and, while in Rome, he joined the Bentvueghels with the nickname Romulus. The 'Reliquiæ' is a book with descriptions of the major sites of Rome. Lacking all text and plates a24, a25, a34. Although the plates are in fact in very good condition, the work is sold w.a.f. as a collection of plates. - Kissner Coll. 318; Graesse V, 66.
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DOEVE, Josef Ferdinand ('Eppo') (1907-1981). Portrait of Tinnie van der Elzen (1911-1999), the artist's first wife. (1940). Oil on panel. 79 x 59 cm. Signed by the artist in the lower right margin. In contemporary frame. NOTE:The portrayed is holding a blackbird and wears a silver broche issued by the 'Nederlandsche Studenten Roei-bond'. This original broche is added to the lot. In the background a landscape is visible in which the castle of Cannenburgh (Vaassen) can be identified. This fine painting was exhibited during the exhibition 'Eppo Doeve. Terug in Wageningen' in 2019. Painted in the typical 'magisch realisme' style of the late 1930's which reminds of Dick Ket and Carel Willink. In very good condition.
VEREENIGING TOT BEVORDERING DER GRAFISCHE KUNST. 12 Prenten door leden der Vereeniging. (N.pl.), 1929. W. index/colophon leaf & 12 prints. Fol. Loosely inserted in or. clothbacked brd. portfol. w. woodcut decoration & title by A. v.d. Vossen. (Covers a trifle soiled). NOTE:Comprises: MEES, F. Inhoudsopgave; D.H. NIJLAND. (Man and a woman sitting on a bench, a harbour in the background); A.P. DERKZEN v. ANGEREN. (Harbour); S. MOULIJN. Dennen; J.P.J. FRANKEN Pzn. (Woman with shawl); S. JESSURUN DE MESQUITA. Reiger (snavel naar links); J. DIJKSTRA. (Female nude); F. MEES. (Military horseman); N.M. EEKMAN. "Cartomancienne"; E.W. KONING. (Mushroom and lizard); W.A. OEPTS. (Café scene); L.A. SENGERS. (Man); W.B. VAN HEUSDEN. (Portrait of a man). - Printed in 100 numb. copies, on Japanese paper. Our copy nr. 25.
BLOOMSBURY -- COLLECTION OF BIOGRAPHIES OF VIRGINIA WOOLF. C. 1940-2015. 21 in 22 vols. Or. binds. w. dust-j. (18) and owrps. NOTE:I.a. comprising: BELL, Q. Virginia Woolf. A Biography. 1973. 2 vols. -- Id. Bloomsbury recalled. (1995). -- P. PARMAR. Vanessa and her Sister. (2015). -- A. HARRIS. Virginia Woolf. (2011). -- S.M. HALL. Before Leonard. The Early Suitors of Virginia Woolf. (2006). -- G. SPATER & I. PARSONS. A Marriage of True Minds. An intimate portrait of Leonard and Virginia Woolf. (1977).
BLOOMSBURY -- NICOLSON, H. Diaries and letters. 1930-39 (&) 1939-45 (&) 1945-62. Ed. by N. Nicolson. (1966-68). 3 vols. -- J. LEES-MILNE. Harold Nicolson. A biography. (1980-81). 2 vols. Obrds. w. dust-j. -- N. NICOLSON. Portrait of a marriage. (1973). Obrds. w. dust-j. -- Id. Long Life. Memoirs. (1998). Obrds. w. dust-j. -- And 6 o., incl. 4 by H. Nicolson. (13).
HULDE AAN FRÖBEL. Album containing numerous specimens of handiwork for children, including 106 coloured examples of paper plaitwork, cut-and-paste designs, and needlework, gradually increasing in difficulty. All meticulously organised with manuscript title-p., incl. a woodcut mounted portrait of Fröbel, and 9 manuscript half-titles set within decorative coloured paperwork frames. Flanders, (ca. 1880). (68) lvs. 4°-obl. Bound in cont. hcl. w. gilt title "ALBUM" on front side. NOTE:A beautiful and incredibly varied course in Fröbel handiwork, including a plaited Flemish Lion, festoons, a cut table and chairs, mounted photographs, among which 6 of the Belgian royal family, scraps, and picture postcards within detailed handiwork frames.
FREDERIK, Prins der Nederlanden (1797-1881). Signed letter to P.J. Landrij (1802-1865) regarding festivities on November 17th 1863, dated Huis de Pauw (Wassenaar), Sept. 23rd 1863. Written in a legible hand on 1 side of a folded 4° sheet of paper. With the or. envelope w. (faded) wax seal. -- Added: Id. Letter to the heirs of P.J. Landrij (1802-1865) regarding the erection of the National Monument 1813 at The Hague, dated Nov. 1st 1871. Written in a legible hand on 1 side of a folded 4° sheet of mourning stationary (his daughter Louise died that year in March). -- Also added: Unused stationary of Prince Alexander of the Netherlands (1851-1884). Folded 8° sheet of paper w. blindstamp and 2 watermarks, one of which is a portrait of the Prince. -- (3).
Scottish School, early 19th Century,Portrait of Rev'd George Muirhead, half length seated at a reading table,oil on board, unsigned,27x22cm,Portrait of Mrs Maxwell Muirhead, half length seated in a chair,oil on canvas, unsigned,36x30cm.Sold together with the original Contract of Marriage between The Reverend Mr George Muirhead and Mrs Maxwell Fleming, 1807.Qty: 3Footnote:George Muirhead was a Scottish Minister of the Church of Scotland, until the Disruption of 1843 when he joined the Free Church.
A collection of silver to include decanter labels and a 9ct gold shell cameocomprising a pair of 'Sherry' and 'Whisky' decanter labels, Sheffield, 1966 by C J Vander Ltd, a 9ct gold mounted carved shell cameo portrait brooch with ropetwist border, a pair of Victorian silver handled steel folding chatelaine scissors, a silver Yard-O-Led pencil, a German .800 sauce ladle a 3d coin bracelet, a bangle with engine turned decoration etc., (qty)weighable silver approx. 2.47 ozt.Condition: occasional knocks and dings, shamrock brooch lacking a piece of Connemara marble, bangle with knocks, ding to pencil
A 9ct cased gold tooth pick and a 14K cased pocket watchthe tooth pick with heavily chased case and sliding collar marked 9ct, the ladies pocket watch with enamel dial, single hour hand and engine turned outer case, together with a large memorial swivel fob with hair to one side and portrait to another in pinch beck frame, with gilt metal lorgnette a/f (4)weight of tooth pick 4g approxCondition: The lorgnette a/f and with broken frame. Fob watch with dented case. Inner dust cover is base metal and without inscription. Does not wind or run. Case diamter 29 mm, gross weight of fob watch 22.2 g
K.G. Beater (active late 19th century)after Jean-Baptiste Greuze (1725-1805) 'Portrait of a Girl Looking Up', oil on canvas, inscribed verso with artist, title and dated 1898, framed,overall 67 x 58.25cm, the canvas 47 x 39cm Condition: After the Jean-Baptiste Greuze portrait 'A Girl' - National Gallery, London. Portrait would benefit from cleaning, craqueleur visible across entire work, frame with losses and cracks.
Henry Frederick Lucas-Lucas (1848-1943)a horse portrait 'Fable', oil on canvas, signed, dated and titled, further inscribed verso ''Fable, Painted by H. F. Lucas Lucas, Rugby, April 1907', within oak frame,overall 51cm x 61cm, within frame 33.5 x 45cm Condition: Evidence of damp, staining to rear of horse and visible to entire right hand quarter, flaking, damage and losses to paint along entire lower edge. Picture title appears to have been repainted to frame.
Henry Frederick Lucas-Lucas (1848-1943)a horse portrait of a bay gelding 'Chieftain', oil on canvas, signed, dated and titled, further inscribed verso ''Chieftain, Painted by H. F. Lucas Lucas, Rugby, March 1912', within oak frame,overall 51.5 x 61.5cm, canvas 35 x 45.5cmCondition: Overall condition good, has been cleaned, some craqueleur visible to legs, canvas with tear verso against stretcher. Ex lot 96, Phillips, The Contents of Stone Farm Exford, Somerset, May 1992.
Frances (Florence) Mabel Hollams (1877-1963)'Lop', portrait of a horse, oil on panel, signed, framed, labelled verso 'Francis & Co' with images and additional provenance attached,overall 40.5 x 50cm, panel 30.5 x 40cmCondition: Overall condition good, some flaking, frame with knocks throughout. According to the information provided 'Lop' was owned by Oliver Chadwick-Healey and was stabled at Newplace, Porlock, Somerset.
British School (early 20th century),'Art Deco Portrait of a lady', oil on canvas, signed 'F.E. Wilde' and dated 1930, framedoverall 69 x 59.2cm, canvas 56 x 42cm Condition: Overall fair condition - however tear to canvas - would benefit from cleaning, some losses to lower edge, wear to central portrait especially visible to hair, some flaking and craquelure, losses to frame.
A collection of vertu and costume jewellery to include an Essex crystal pincomprising an Essex crystal stags head button stud mounted on a pin, a continental pierced gilt metal drawstring chatelaine purse, a tortoiseshell necklace, a silver filigree mounted portrait miniature brooch, a beadwork misers purse, two paste buckles, etc., (qty)variousCondition: Overall fair condition
An interesting and varied collection of matchbox covers, vesta and matchbook cases to include Rudyard Kipling brass example with an applied copper elephant portrait, inscribed with the quote 'A woman is only a woman but a good cigar is a smoke', a middle eastern brass holder with painted and mother of pearl plaque painted with figures an applied painted sadeliwork panel, two Canton enamel holders, a gunmetal matchbook case with applied white metal Mumm champagne bottle, Italian tooled leather examples, commemoratives, and many others, (qty)variousCondition: Mostly fair condition. A couple of the painted examples rubbed. Viewing recommend in person
A collection of mostly 19th century hardstone portrait cameosto include a large finely carved oval agate cameo of maiden facing righta pair of oval banded onyx renaissance style cameos of maidens, other subjects to include the Fox from Aesop's Fables, Psyche, classical portraits, a carnelian intaglio cameo of Shakespeare, a lava portrait cameo of man wearing a laurel wreath, etc., (16)first 42 x 30 mm.Condition: carnelian intaglio of shakespeare has a small chip to top side edge, One renaissance. Otherwise fair condtion, some with small fleabites. Viewing recommended in person
18th century British School 'portrait miniature of a gentleman, wearing a full wig and red coat', oil on copper, oval, gilt gesso frame17.5 x 14.2 cmCondition: Small areas of loss to jacket. A couple of black spots on surface. Frame is cracked and later gilt. Back is lose and has cellotape across back
An oval portrait miniature of George III,early 19th century, after Sir William Beechey (1753-1849), George III wearing red General Officer uniform decorated with the Order of the Garter, watercolour on ivory, within gilt metal surround and wooden frame,overall 15.25 x 13.5cm, miniature height 9cm Condition: Unexamined out of frame - Miniature appears in good order overall, frame split, gilt surround with some tarnish.
ENGLISH SCHOOL (CIRCA 1825)PORTRAIT OF A TUTOR WITH HIS TWO CHARGES, ONE POINTING TO SOUTH AMERICA ON A GLOBEOil on canvas117 x 106.5cm (46 x 41¾ in.)Provenance:Sarah, Duchess of Marlborough.Anonymous sale. Christie's, London, 11 June 1999, lot 55.With Wilkins and Wilkins.Literature:C. Plante, Inside Out: Historic Watercolour Drawings, Oil Sketches and Paintings of Interiors and Exteriors 1770-1870, London, 2000, no. 36. This family group portrait is of particular interest to the furniture historian, as the painter has paid a significant amount of attention to details such as the globe, on which one can read the name Cary as globe-maker. The form of the globe-stand is one utilised by the great Lancaster based firm of Gillows and the visible furniture in the room - centre table, sabre leg chairs, chimney piece, and overmantel looking glass - are indeed all typical of their designs, as recorded in their extensive archives. The composition of this oil painting gives prominence to the young man seated in the centre, apparently a naval officer. A sea-shell from the southern hemisphere prominently displayed upon the chimney piece indicates a memento of a recent voyage, perhaps the profession of the black-clad brother inspecting either the destination or recent port of call of his adventurous brother. The more sombre black-clad figure at the table is most likely a tutor or a legal guardian, as indicated by the large open book. An earlier portrait upon the wall hints at family clerical connections.
FOLLOWER OF ROBERT WALKER PORTRAIT OF THE RT. HON. SIR GEORGE RAWDON, 1ST BART.Oil on canvasInscribed 'Commander of the King's Army in Ulster. Born 1604' (lower left) and 'Rt. Hon.ble Sr. George Rawdon 1st Bart.' with a family crest (lower right)123 x 97.5cm (48¼ x 38¼ in.)Also inscribed (on a label on the reverse): 'Sir George Rawdon of Rawdon and Moira created Baronet in 1665. Distinguished royalist friend and confident of General Monk. Married 1st daughter of Sir Francis Stafford of Bradney, County Salop, secondly Dorothy, daughter of Lord Viscount Cornway, his own god-daughter, died 1684' Provenance:Reputedly commissioned by Sir George Rawdon 1st Bt for Rawdon Hall. Removed from Rawdon Hall in 1870 Returned to Rawdon from Ardwell House in 1947Catalogue Note:By family repute this present picture was commissioned by Sir George Rawdon 1st Bt. for Rawdon Hall. Upon the Briggs family tenancy of Rawdon in 1870 it was removed by Gilbert Theophilus Clifton-Hastings-Campbell, 3rd Baron Donington who lived in London. It was inherited by his daughter, The Hon. Margaret MacTaggart-Stewart nee Hastings-Campbell, who resided at Ardwell House, Dumfries and Galloway. It was returned to Rawdon upon the tenancy of a family friend, Judge Richard Nevin in 1947.Sir George Rawdon 1st Bt was the son of Francis Rawdon and Dorothy Aldeburgh. He made his fortune through the patronage of the Conway family. He was a successful military commander acting as secretary to the first and second Viscounts Conway, and through marriage to the sister, and only surviving sibling, of the third Viscount and first Earl his influence grew further. He rose to prominence serving in Ireland following the Catholic rebellion in Ulster in 1641. His grandson would become the 1st Earl of Moira who in turn married the 6th Countess of Loudon fusing the Hastings and Rawdon names.
ENGLISH SCHOOL (19TH CENTURY)PORTRAIT OF AN OFFICEROil on canvas29.5 x 24.5cm (11½ x 9½ in.)Condition Report: Areas of fine craquelure, but the paint layer appears to be stable. Some abrasions around the edges from contact with the frame. A repair visible on the reverse. UV light reveals signs of retouches.Condition Report Disclaimer
R. N. HIND (ENGLISH FL. 1825 - 1847)PORTRAIT OF A GIRL WITH HER CATWatercolourSigned (lower right) and inscribed 'The close, Salisbury' (verso)17 x 13.5cm (6½ x 5¼ in.) (8)Provenance:Simon Carter, LondonThe setting for the charmingly naïve portrait is a garden close near Salisbury Cathedral, the spire of which can be seen in the background. The technique and style of painting of the portrait is typical of the folk art tradition of painting portraits in the early nineteenth century in England. Together with seven additional watercolours and drawings comprising: Dutch School, (c.1840), Study of a woman in a red scarf; French School, (c.1810), Portrait of a woman, Red and black chalk; Abraham Constantin (1785-1855), Study of two ladies, Red and black chalk; French School, (c. 1790), Study of a young man eating fruit, Watercolour with gouache; Henry Woods (1846-1921), Portrait of Mary Mulready, Watercolour; Sir Thomas Brock, R.A. (1847-1922), Portrait of a lady, Watercolour with pen and ink; English School (c.1840), Young man waving hello, Watercolour, Various sizes (8)
Y ABRAHAM CONSTANTIN (SWISS 1785 - 1855)STUDIES OF A GENTLEMAN AND HANDSRed and black chalk20 x 27cm (7¾ x 10½ in.) (4)Provenance:Clarendon Gallery, London.Together with three others comprising: Spanish School, (circa 1825), Portrait of a man, Watercolour on ivory; French School, (circa 1810), Double profile portrait, Red and black chalk; French School (19th Century), Study of a young man, red and black chalk; Various sizes (4)
ITALIAN SCHOOL (18TH CENTURY)TWO STAGE SET DESIGNS, COMPRISING; AN ENCAMPMENT WITH TENTS; A ROYAL ENCAMPMENTPen and ink with sepia washesOne inscribed in French (on the reverse)24 x 21cm (9¼ x 8¼ in.) and smaller (2)Provenance:Ch. Gasc, Paris (c. 1850), (Lugt 1068)Condition Report: Portrait sheet: several creases in the paper, particularly along the upper and left edge as well as a diagonal crease across the sheet. Two pinprick holes in the corners upper left and right. Under glass and unexamined outside of frame.Landscape sheet: Slight foxing and discolouration of the paper. A hole in the lower right corner. Some paper loss in the upper left corner. Under glass and unexamined out of frame. Condition Report Disclaimer
Ramsay: The History of Henri de la Tour, in 2 vols. 1740, with a portrait, trimmed and pasted to front endpaper as a frontis. Cont. full calf, rubbed & hinges cracked; Tryals for High-Treason, and other crimes. With proceedings on Bills of Attainder, and Impeachments.. Volumes: 1, 2 & 4 only of 6. 1720. Cont. full calf; rubbed & hinges cracked. (5)
MUSIC: BENJAMIN BRITTEN & PETER PEARS: A LARGE COLLECTION, OVER 50 BOOKS, including: Britten, B & S. Nolan (ill): The Children's Crusade. Faber music, 1973, Limited edition of 1000 copies, large 4to. very good; Legrove, J (Edit): A MUSICAL EYE, THE VISUAL WORLD OF BRITTEN AND PEARS. Artists choice edn, 2012; Limited edition #95/650. Cloth backed pictorial boards; Fine; Peter Pears: photograph, with a cut out of his inscription and signature, mounted, framed & glazed; Plus: a photographic copy of Kenneth Green’s portrait of Britain & pears, mounted, framed and glazed. (qty.)
Books on Maria Callas, Sisters (Jackie Callas), Maria Meneghini Callas (Michael Scott), The Callas Legacy (Ardoin), Callas as they saw her (David Lowe), My Daughter Maria Callas (Evangelia Callas), Callas La Divina (Galatopoulos), Callas - Portrait of a Prima Donna (Jellinek), Diva (Steven Linakis), Maria (Stassinopoulos), Callas – A Tribute (Pierre-Jean Remy), My Wife Maria Callas (Giovanni Battista Meneghini), Maria Callas (Jurgen Kesting) (12)
Books on French and Hispanic female singers, The Operatic Adventures of Blanche Arral (tr. Glackens), Regine Crespin - On Stage, Off stage (tr. Bourdain), Lily Pons - A Centennial Portrait (ed. Drake and Ludecke), Adelina Patti - Queen of Hearts (Cone), Raquel Meller – Me llamaron Raquel (Saiz Valdivielso), Montserrat Caballe - Casta Diva (Pullen and Taylor), Helena Arizmendi (Carlos Manso), Delia Rigal (Carlos Manso), Victoria de los Angeles (Hauert and Gavoty), Victoria de los Angeles (Peter Roberts), (10)
A WWI Monmouthshire Regiment medal trio, awarded to Private Ernest Cheek (2486), the framed and glazed display containing his medal trio, a military photographic portrait, his Commemorative scroll and images of the Loggia, Menin Gate Memorial, Cheek was in the 'A' Coy, 1st Battalion of the Monmouthshire Regiment, serving in France and Flanders, he was Killed in Action as a Rifleman in May 1915 aged 23
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