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Preisdatenbank abonnierenENGLISH SCHOOL, EARLY 19th CENTURY PORTRAIT OF A YOUNG OFFICER Half length, wearing a blue tunic with a white sash, oil on canvas 25 x 19.5cm.; with a watercolour portrait by Skeolan (lady in a plaid dress, 1846); and another of a young girl, each 29.5 x 22cm approx. (3) ++ The oil lined, some craquelure and retouching; the watercolours faded; period frames
SIR THOMAS LAWRENCE, PRA (1769-1830) PORTRAIT OF A GENTLEMAN, BELIEVED TO BE PHILIP JOHN MILES, MP (1773-1845) Bust length, wearing a dark coat, white neckcloth and winged stock, oil on canvas 74.5 x 62cm. * Miles was a notable Bristol figure, a very wealthy businessman and parliamentarian who was apparently Bristol's first recorded millionaire and a partner in the Miles Bank (that later merged with Nat West). Miles owned Leigh Court and Kings Weston estates on both banks of the River Avon in Bristol and also the Manor or Walton in Gordano, Clevedon as well as many more lands in the Bristol area. Lawrence himself was born in Bristol in 1769: the family lived in Redcross Street until Thomas Lawrence Senior took over the running of a coffee house and inn on Broad Street. This portrait may be dated to c.1815-1820. The sitter would appear perhaps to be in his forties. The only other known image of Miles is believed to be a small unascribed mezzotint portrait, published in 1822. Miles was a great friend of Richard Hart Davis (1766-1842), another Bristol born merchant and banker, who was also painted by Lawrence in 1815. Philip John Miles was also a friend of Richard Hart Davis and in 1813 he purchased his famous Old Masters art collection which became the nucleus of the celebrated Leigh Court Collection, dispersed in 1899. Provenance: By descent in the family of the sitter until sold with other family portraits at auction in 2014, where purchased by the present owner. ++ Old lining; a little scattered retouching
SIR FRANK BERNARD DICKSEE, PRA (1853-1928) PORTRAIT OF VIOLET MARY FRANCES STUART, LADY PAGE WOOD Signed and dated 1916, oil on canvas 100 x 84cm. * The sitter, born Violet Stuart Johnson (1875-1956), was the daughter of a prison governor, Henry Stuart Johnson. Violet married Sir John Page Wood, 5th Baronet, in 1906 but was widowed in 1912. Toll suggests that it is likely that the commission for this regal portrait arose through Margaret, Lady Brooke, The Ranee of Sarawak, who was Violet's aunt by marriage. Exhibited: London, The Royal Academy, 1916, no.428 (as `Lady Wood`) Literature: Simon Toll, Frank Dicksee 1853-1928: His Art and Life (Woodbridge, 2017) Provenance: By descent in the family to Sir Anthony Page Wood, Bt.; Private Collection ++ Unlined; good condition; a little scattered retouching
•LIONEL EDWARDS (1878-1966) PORTRAIT OF `WINGS`, A BAY HUNTER IN A PADDOCK Signed and dated 1949, oil on canvas 49.5 x 75cm. Provenance: A gift from the artist to the horse's owner, Enid Fisher (nee Chambers), upon her wedding in January 1950; thence by descent to her daughter. A photocopy of a note from the artist to Miss Chambers accompanies this lot. ++ Good condition; needs a very light clean
PIERRE-JEAN DAVID (1788-1856) known as David d'Angers, LJF Herold, a profile portrait, circular, bronze, inscribed 'David, Roma, 1815', Eck et Durand foundry marks, diameter 16.5cm Reference: Reinis (JG), The Portrait Medallions of David d'Angers, 1999, number 221. Footnote: Louis Joseph Ferdinand Herold (1791-1833) was a French musician and composer.
RUBBER SOULFrench (Odeon) re-issue in blue vinyl, 1970s stereo, Sgt.Peppers Lonely Hearts Club Band picture disc (USA) 1978, Silver Beatles picture disc (USA) 1980s numbered AR 30 003, Hey Jude Greek pressing 1970, stereo numbered 14C 062-04348, Hey Jude (German) stereo 1970 numbered 1C 062-04 348, Help! Japanese 1974 with lyric insert and obi, stereo AP-80060, Please Please Me (Japan) 1976 with booklet, stereo EAS-80550 (obi lacking), Rubber Soul (France) stereo 1973 PCS 3075, Let It Be (Portugal) stereo 1970s, and The Beatles / The White Album (German) double album, stereo, with booklet and four portrait cards of the band 2000s
An 18th Century Bust Portrait Miniature of A Lady, in a gold frame as a bracelet centre, measures 4cm by 3.3cm, signed 'SS 7.62' The miniature is in good condition. The frame is studded each side with six holes for attaching a bracelet, one side being a tongue clasp. The frame is slightly concave to fit a wrist. Gross weight 14.6 grams. Condition Report made 8th December 2017.
An Enamelled Equine Portrait Crop Brooch, measures 2.5cm by 6.5cm The brooch is in good condition, the circular plaque is later applied and one screw is loose. The enamel is in good condition with very light surface scratching. The circular plaque is stamped 18CT and the crop is stamped 15CT. It fastens with a safety pin clasp. Gross weight 9.3 grams. Condition Report made 22nd December 2017.
A 19th Century Bronze Charger in the Renaissance Style, the central domed circular panel cast with the portrait head of Mars, within a dished border and flange rim pierced and richly cast with oval medallions tied by cornucopiae of leaves, with gadrooned rim, 46cmThere is a slight bend to the rim at 2 0'clock, and the obverse has been polished at some time in its life
L'Estrange (Sir Roger) Fables of Aesop and other eminent mythologists...FIRST EDITION engraved portrait frontispiece, with engraved plate, light finger-soiling, contemporary ink ownership signature to title, contemporary calf, rebacked and recornered, top board detached, worn, [Wing A706], 4to, R.Sare, et al, 1692.
HRH Diana, Princess of Wales, a signed portrait black and white photograph, inscribed in ink 'Dearest Ian, lots of love, Diana', 10 x 7.5cm (4 x 3in), in monogrammed black leather frame, with original Buckingham Palace franked jiffy bag addressed to the recipient Frame in near mint condition, ribbon intact. Ink a tiny bit faded.
After Sir Thomas Lawrence, PRA, FRS (British, 1769 – 1830) Portrait of the Duke of Wellington, KG, GCB, GCH, PC, FRS (1769 –1852) oil on canvas 59 x 49cm (23 x 19in) Very stiff lining. Oil on canvas which has been lined. The canvas tension is good. The paint layer has a prominent network of age cracks which are stable and secure. There are areas of retouching which appear slightly opaque and milky but they are not to distracting. The varnish is even and glossy. The frame is in a good condition.
COPELAND; an Art Union of London Parian bust after Mary Thornycroft 'Alexandra' portrait bust raised on socle base, height 39cm. CONDITION REPORT: P&P within the UK for this lot would be £18 + VAT. Some lateral movement to base/stand with chips to top section of base and two hairlines to foot rim beneath 'Thornycroft' - possibly firing. Chips to bottom left and right corners of 'Alexandra' section, further cracks around bust detail and top top fold of dress right shoulder, again possibly firing, another between chin and neck, otherwise some surface dirt and discolouration.
EARLY 19TH CENTURY ENGLISH SCHOOL; a pair of oval portrait miniatures 'Lord Horatio Nelson' and 'Emma Hamilton', mounted in an elaborate gilt frame with twin hinged doors and pierced foliate border stamped 'Toulmin & Gale, 7 New Bond St, London', each miniature 8 x 5cm, the frame 21.25 x 16cm. CONDITION REPORT: The hinged back is a replacement, very light surface wear to the gilt decoration, there is a small break to the bottom right hand corner of the frame. The miniatures themselves are in good order and are protected by the doors.
A 19th century portrait miniature of a woman, framed and glazed, 5.7 x 4.3cm, also a contemporary miniature of a man, framed and glazed, coloured engraving of Napoleon arranged as a portrait miniature and further printed examples as well as a Victorian daguerreotype of a gentleman. CONDITION REPORT: There is a hairline crack running down first portrait miniature from top to bottom, second portrait miniature of gentleman displays some damage with areas of loss to the paint and areas of discolouration. Image second from left, bottom row (the man in robes with a hat) is a print.
English School, 19th century, Portrait of a gentleman, unsigned, watercolour, 20.5 x 15.5cm.; 8 x 6in. Condition Report: The painting is in good, original condition with strong colours. The paper has browned slightly in some areas and there is the odd very minor spot of foxing across the painting. The painting is ornately framed and glazed. The frame has the odd knock and loss commensurate with age. No condition reports for this sale.
A group of engravings including a portrait of Sir Norton Knatchbull, Knt. & Bart. after Hoogstraten and a depiction of the bombardment of Algiers, all framed and glazed, a number of predominantly military themed prints to include '1919. The First Airship to cross the Atlantic', The Thin Red Line, etc, and a pencil sketch depicting Reginald Cheethman in the RAF when stationed in Germany, July 1947.
A late 18th century court sword, with embossed pommel, walnut grip and embossed shell, each decorated with portrait masks and with triangular section blade, length of blade 69cm. CONDITION REPORT: PLEASE NOTE: we are unable to post this lot using our own in-house packing and postal service. Please arrange your own packing/courier service. Small pin repair to the top of the walnut grip, the wirework towards the lower section is loose and slightly misshapen, the blade is pitted with a few light chips to the pitted edge.
A mid-19th century court sword, with ornate brass pommel, ribbed mother of pearl grip, portrait mask and lion mask adorned shell and with triangular blade with traces of gilt heightened engraved detail, length of blade 81cm. CONDITION REPORT: PLEASE NOTE: we are unable to post this lot using our own in-house packing and postal service. Please arrange your own packing/courier service. The blade is quite dark in colour with a few small nicks to the edges and the very tip, gentle surface wear elsewhere.
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