*Album. A folio album of watercolours and drawings, circa 1840s and later, containing 17 views and portraits, including Ruins of Byland Abbey, near Thirsk, North Yorkshire, by Reverend George M. Musgrave, 1845, signed and dated, and inscribed with his address to verso, a small mid-19th century oil on stiffened canvas of a girl with basket of flowers, a wash drawing of a Native Butcher in India, a pencil study of trees by A.R. Ogle, a stormy landscape by A. Achenbach, a pencil portrait of Emma Neusche, by L.V. Martens, 1858, a pencil and coloured chalk portrait of a young woman, by Sophie H. Ogle, dated January 28 1856, and a pencil study titled 'The Squire, Bombay, 1845 (died Ooctacanam, January 1848, aged 33)', etc., all mounted on album leaves, one or two pages loose, contemporary black full morocco gilt, rubbed and scuffed and some marks, folio (1)
283287 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
283287 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
283287 Los(e)/Seite
*Edridge (Henry, 1769-1821). Portrait of Lady Mary Lennox (1740-1796), Duchess of Richmond, daughter of Charles Bruce, Earl of Ailesbury, fine pencil on laid paper, with touches of watercolour, some toning and scattered spotting, short closed tear to upper left corner, with extreme tip missing, sheet size 28 x 20.3 cm (11 x 8 ins), with later pencil inscription to verso giving details of the artist, subject, and provenance, modern gilt frame, glazed, with handwritten details repeated to verso, together with Morgan (Matthew Somerville, 1839-1890), Girl seated by a spinning wheel, 1861, watercolour heightened with white bodycolour, signed and dated lower right, slight discolouration, 27 x 20 cm (10.6 x 7.8 ins), framed and glazed, plus a pen and brown ink study of a gillie with two garrons carrying dead stag, and two dogs, with monogram lower right F.M.F., 22 x 31 cm (8.7 x 12.2 ins), framed and glazed Provenance: Formerly in the collection of Lord Sysonby. Sold Christie, Manson and Woods/Charles Osenton, Guildford, Catalogue of the Contents... of Great Tangley Manor, the property of the Lord Sysonby, 15 June, 1948. (3)
*English School. A collection of 34 English 19th century watercolours and drawings, including three small watercolour landscapes attributed to F.C. Lewis, a watercolour view On the Ravensbourn near Catford Bridge, Lewisham, by R.H. Lucas, a study of the Monastery of Osias Lukas, Greece, dated 1905, a view of Windsor from Eton Playing Fields, a pastel portrait of the Marquess of Anglesey (1768-1854), by E.C. Sydney, dated 1853, on dark brown paper, with ink signature of the Marquess of Anglesey mounted above, three views in Italy, a watercolour and brown ink study of Persian warriors, a mid-19th century Eastern scene, with sailing ships in a harbour (possibly India or China), etc. (34)
*Hope (Laura Elizabeth Rachel, 1858-1929). Margaret, 1928, pastel oval head and shoulders portrait of a young girl with fair hair cut in a bob and wearing a blue blouse with collar, signed, titled, and dated, 38 x 33.5cm (15 x 13.25ins), gilt moulded oval frame (partially damaged), glazed, with old newspaper notice of the artist's death on verso Laura Hope was a portrait painter and book illustrator, who exhibited at the principal London galleries, particularly known for her paintings of children and fairy subjects. The newspaper cutting on the verso states that she 'studied painting in London, being advised by John Millais, and working in Mr. Cope's studio, and exhibited at the New Gallery, the Dudley Gallery, and other exhibitions.' It also states that she was a member of the Pastel Society and painted between 700 and 800 portraits, including two of the Queen of Spain as a child, the daughters of the Duke and Duchess of Connaught at Osborne in 1891 for presentation to Queen Victoria, and two portraits of Queen Mary in 1903. (1)
*Blackley (Alexander, 19th c.). Dowager Lady Townsend Farquhar, 1842, pencil on paper with touches of pastel and bodycolour, half-length portrait of a lady seated, signed and dated lower right, lightly toned, some faint damp-staining to edges, 42.5 x 32.5cm (16.75 x 12.75ins), framed and glazed, with contemporary manuscript label on backboard with name of sitter, and later note above 'Bought at Christie's sale of contents of Cullen House, Banff c.1975 in a job lot' Erica Catherine (nee Mackay), Lady Townsend-Farquhar (1818-1899) married Sir Walter Minto Townsend-Farquhar in 1835. (1)
*Chalon (Alfred Edward, 1780-1860). Portrait of Lady Churchill, circa 1850s, watercolour on paper, showing the sitter with a fan with trees in the background, 28.5 x 23cm (11.25 x 9ins), title and artist to mount, framed and glazed Probably Frances Anne Emily Spencer-Churchill (Vane) Duchess of Marlborough (1822-1899). (1)
*English School. Portrait of the actress Miss Maria Foote (1797-1867) as Maria Darlington in the play A Roland for An Oliver, circa 1825, small circular oil on thin wood panel, with contemporary inscription to verso in red ink 'Miss foote, Darlington', and numbered 14488, 92 mm diameter (3.6 ins) An engraved portrait of Maria Foote in the role of Maria Darlington, wearing a similar costume and garlanded veil, by Thomas Morton (1764-1838) was published in 1826. (1)
*Warburg (Blanche, late 19th/early 20th century). Portrait of a Dutch Woman, oil on canvas, signed to upper left corner, modern relining and revarnishing, 73.5 x 58 cm (29 x 23 ins), modern gilt frame The American artist Blanche Warburg is described as a portrait painter in the San Francisco newspaper The Call for Sunday July 8, 1906, where she is also listed amongst a group of American artists working in Florence in the early years of the 20th century, exhibiting at the Accademia di Belle Arti in 1904. (1)
*Weaver (Thomas (1774-1843)). Portrait of a Gentleman, 1824, oil on canvas, signed and dated centre right, three-quater length, depicting a gentleman in black silk robe and white crevat, with leather folio volumes in the background, relined, 76 x 63.5cm (30 x 25ins), contemporary gilt moulded frame (a little damage) (1)
*Wellesley (Gerald Edward, 1846-1915). A head and shoulders portrait of Nora Palairet, nee Hamilton Martin, wife of Charles Harvey Palairet, wearing a black evening dress with flocked floral wallpaper in background, 1901-1905, oil on canvas, signed and dated 1901-5 upper right, 61 x 51cm (24 x 20ins), period gilt moulded frame, glazed Provenance: The Earl of Oxford & Asquith. Nora Palairet married Charles Harvey Palairet in 1888. Her sister, Ada (1847-1933) married the artist Gerald Wellesley in 1880. (1)
*After Anthony Van Dyck (1599-1641). Portrait of Sir Kenelm Digby, red chalk on laid paper, with arched top, no watermark visible, 211 x 186 mm (8.35 x 7.3 ins), mounted on 19th century album leaf Provenance: Removed from an album of 19th century wash and pencil drawings, including some by William Turner of Oxford, formerly in the collection of Frederick Joseph Morrell, Solicitor to the University, Oxford (1811-1882); Philip and Lady Ottoline Morrell, thence by descent. A similar drawing in red chalk of the same subject and with more detail is held by the National Portrait Gallery, London (N.P.G. D20383). This drawing would appear to be based on the engraving of the same portrait by Robert van Voerst, which was published circa 1636. A studio copy of Van Dyck's portrait hangs at Worcester College, Oxford (formerly Gloucester Hall), of which Digby was an alumnus. (1)
*Ray-Jones (Raymond, 1886-1942). Self-portrait wearing a hat, 1915-21, etching on laid paper, watermarked F.J. Head & Co., signed in pencil, plate size 33 x 24.7 cm (13 x 9.75 ins), with margins, framed and glazed, together with Lamp-light (E.I.P.), etching on laid paper, signed in pencil, plate size 203 x 182 mm (8 x 7.2 ins), with margins, framed and glazed, with original printed label to verso Considered to be the artist's greatest print, the self-portrait wearing a hat was exhibited at the Seventh Exhibition of Modern Masters of Etching at the Leicester Galleries in 1922, at which all impressions were sold out on the first day. The work was described as "one of the finest etched portraits of contemporary times". (2)
*Strang (William, 1859-1921). A Matter of Fact, 1901, etching with aquatint, the second state, signed in pencil, with annotation regarding the state by David Strang, plate size 14.5 x 20 cm (5.75 x 7.9 ins), with margins, light spotting to edges, framed and glazed, together with The Farmer's Boy, 1902, etching with aquatint, a touched proof of the first state, initialled and annotated by David Strang in pencil to lower margin, plate size 22.5 x 17.5 cm (8.8 x 6.9 ins) with short margins, framed and glazed, plus The Greengrocer's Shop, 1884, etching, signed by William Strang and David Strang in pencil, plate size 17.7 x 22.7 cm (7 x 9 ins), framed and glazed, and three other etchings by William Strang, including one signed of a peasant couple, dated 1911, and a portrait of Thomas Hardy (second and final state), 1893, and another of women fieldworkers, all framed and glazed Strang 492, 535 & 78 for the first three works respectively. (6)
*Haviland (Frank, died 1912). Beerbohm Tree as Jasper, His Majesty's Theatre, Jan 6th 1908, charcoal and monochrome wash on card, oval half-length profile portrait turned to right, depicting Beerbohm Tree as John Jasper in a theatre production of Charles Dickens' The Mystery of Edwin Drood, titled to lower margin, and signed lower right, 33 x 22.5cm (13 x 9ins), mounted and framed Frank Haviland was a painter of miniatures, figure subjects and portraits. He lived in London and exhibited at the Royal Academy from 1894. English actor and theatre manager Sir Herbert Beerbohm Tree (1852-1917) was highly-regarded for his versatility and skill on the stage, and was particularly lauded for his character roles, although his mannered style was seen as somewhat old-fashioned by the end of his career. He founded the Royal Academy of Dramatic Art in 1904 and was knighted for his contribution to theatre in 1909. (1)
*Powell (Alfred H., fl. 1890-c.1922). Self Portrait, pencil on card, inscribed to verso 'Alfred Powell drawn by himself', together with two pen & brown ink humorous sketches of a desk clerk and a woman with a large basket on her head, circa 1880s, and a chalk study of a hand, initialled D.W. Provenance: Sidney Cockerell; purchased from him by Wilfrid Blunt in 1979. (4)
*Robinson (F., 20th century). Young woman in a wide brimmed hat, with green scarf, seated, 1922, watercolour with gouache on paper, signed and dated lower right, 50 x 40 cm (19.75 x 15.75 ins), framed and glazed, with printed label of Cameo Galleries, Salisbury, Rhodesia, to verso (1)NB. This is thought to be a portrait of the actress Isadora Duncan.
*Rowe (Cosmo, 1877-1952). Earth & Sea & Sky, 1938, watercolour heightened with bodycolour, on card, depicting a transfigured angel standing at the water's edge between rocks and trees, holding a lyre and with her face raised heavenwards, semi-circular at ends and within painted border, titled to lower margin, signed and dated lower right, 44 x 22cm (17.5 x 8.75ins), mounted and framed, with inscription in white chalk on backboard 'Mrs Brooks 26 Byron Mansions' Cosmo Rowe, born William John Monkhouse Rowe, but always known as Cosmo, was a friend of H.G. Wells and William Morris. He provided the illustrations for Wells's 'War of the Worlds' and was Literature Secretary of Morris's Hammersmith Socialist Society, as well as painter of the sign which hung outside the room where the Society met. He painted a rather magnificent profile portrait of Morris which is now in the National Trust collection at Wightwick Manor. (1)
*Picasso (Pablo, 1881-1973). Group of four original photographs of Picasso with friends and family at the beach, taken by the artist and cartoonist Edmund Xavier Kapp (1890-1978), Golfe-Juan near Antibes, circa 1948, comprising two smaller images, one showing Picasso holding his son Claude on the beach by the restaurant Chez Nou Nou, the other a group of nine adults, possibly including Jaime Sabartes, 90 x 60 cm (3.5 x 2.5 ins), and similar, a slightly larger photograph of Picasso with three woman on a pavement in Golfe-Juan, inscribed in purple ink to verso, in a French hand 'souvenir de Mme et Mr. Marcel, Hotel de la Mer, 26 Juin, 1948. Golfe-Juan', 11.5 x 7 cm (4.5 x 2.75 ins), plus a larger photograph showing Picasso on the beach, possibly with Francoise Gilot sitting nearby, several creases, 16 x 11.5 cm (6.25 x 4.5 ins), and a colour lithograph poster on newspaper by Picasso, entitled Tete de Roi, designed for the Nice Carnival, 1951, printed by Imprimerie de la Victoire, Nice, and published in the newspaper Le Patriote de Nice et du Sud-est, trimmed and creased where previously folded, a few marks to margins, sheet size 500 x 405 mm (19.75 x 16 ins), with printed text to verso, plus an oil self-portrait by the artist Edmund Xavier Kapp, 30 x 24.5 cm (11.75 x 9.5 ins), framed Provenance: From the estate of Edmund Xavier Kapp. (6)
American School, 19/20th Century Oil on Canvas in the Manner of J.G. Brown. Depicts a portrait of a seated male holding a sailboat. F. W. Devoe & Co., New York label stamped on obverse side of the canvas. Wear to canvas, rubbing to paint, and restorations. Measures 20" H x 16" W (canvas), frame measures 23-3/4" H x 19-1/2" W. Shipping $115.00 (estimate $50-$100)
Loading...-
283287 Los(e)/Seite