Robert Taylor Carson HRUA (1919-2008) MUCKISH MOUNTAIN FROM BREAGHY HEAD, COUNTY DONEGAL watercolour signed lower left; inscribed with title on reverse Estate of the artist Robert Taylor Carson documented a well-travelled life in paint, from his early years in the Belfast College of Art - where he studied under scholarship from the age of fourteen - to his time travelling Ireland with his young family, and abroad to the United States and Europe. His subject matter is wide-ranging but an interest in people and their way of life is a common thread throughout his oeuvre. In the mid 1940s Taylor Carson became an unofficial war artist capturing the daily life of American troops based in Northern Ireland. This endeavour led to significant portrait commissions in the US. Numerous exhibitions of Taylor Carson's work have taken place throughout Ireland and the UK as well as New York and Chicago. He was also a regular contributor to the Royal Hibernian Academy, Dublin and the Royal Ulster Academy. Among his contemporaries and friends were Maurice Canning Wilks and Rowel Friers with whom he travelled and painted from counties Donegal to Kerry. 14 by 20in. (35.6 by 50.8cm)
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Robert Taylor Carson HRUA (1919-2008) BEACH AT DOWNINGS, COUNTY DONEGAL oil on panel signed lower left; signed and inscribed with title on reverse Estate of the artist Robert Taylor Carson documented a well-travelled life in paint, from his early years in the Belfast College of Art - where he studied under scholarship from the age of fourteen - to his time travelling Ireland with his young family, and abroad to the United States and Europe. His subject matter is wide-ranging but an interest in people and their way of life is a common thread throughout his oeuvre. In the mid 1940s Taylor Carson became an unofficial war artist capturing the daily life of American troops based in Northern Ireland. This endeavour led to significant portrait commissions in the US. Numerous exhibitions of Taylor Carson's work have taken place throughout Ireland and the UK as well as New York and Chicago. He was also a regular contributor to the Royal Hibernian Academy, Dublin and the Royal Ulster Academy. Among his contemporaries and friends were Maurice Canning Wilks and Rowel Friers with whom he travelled and painted from counties Donegal to Kerry. 19.50 by 23.50in. (49.5 by 59.7cm)
Robert Taylor Carson HRUA (1919-2008) CANADIAN ROCKIES, 1947 oil on panel signed lower left; signed, dated and inscribed with title on reverse Estate of the artist Robert Taylor Carson documented a well-travelled life in paint, from his early years in the Belfast College of Art - where he studied under scholarship from the age of fourteen - to his time travelling Ireland with his young family, and abroad to the United States and Europe. His subject matter is wide-ranging but an interest in people and their way of life is a common thread throughout his oeuvre. In the mid 1940s Taylor Carson became an unofficial war artist capturing the daily life of American troops based in Northern Ireland. This endeavour led to significant portrait commissions in the US. Numerous exhibitions of Taylor Carson's work have taken place throughout Ireland and the UK as well as New York and Chicago. He was also a regular contributor to the Royal Hibernian Academy, Dublin and the Royal Ulster Academy. Among his contemporaries and friends were Maurice Canning Wilks and Rowel Friers with whom he travelled and painted from counties Donegal to Kerry. 10 by 14in. (25.4 by 35.6cm)
Robert Taylor Carson HRUA (1919-2008) CHRYSANTHEMUMS, 1983 oil on panel signed lower left; signed, dated and inscribed with title on reverse Estate of the artist Robert Taylor Carson documented a well-travelled life in paint, from his early years in the Belfast College of Art - where he studied under scholarship from the age of fourteen - to his time travelling Ireland with his young family, and abroad to the United States and Europe. His subject matter is wide-ranging but an interest in people and their way of life is a common thread throughout his oeuvre. In the mid 1940s Taylor Carson became an unofficial war artist capturing the daily life of American troops based in Northern Ireland. This endeavour led to significant portrait commissions in the US. Numerous exhibitions of Taylor Carson's work have taken place throughout Ireland and the UK as well as New York and Chicago. He was also a regular contributor to the Royal Hibernian Academy, Dublin and the Royal Ulster Academy. Among his contemporaries and friends were Maurice Canning Wilks and Rowel Friers with whom he travelled and painted from counties Donegal to Kerry. 12 by 16in. (30.5 by 40.6cm)
Robert Taylor Carson HRUA (1919-2008) SEAGULLS, 1961 oil on panel signed lower left; signed, dated and inscribed with title on reverse Estate of the artist Robert Taylor Carson documented a well-travelled life in paint, from his early years in the Belfast College of Art - where he studied under scholarship from the age of fourteen - to his time travelling Ireland with his young family, and abroad to the United States and Europe. His subject matter is wide-ranging but an interest in people and their way of life is a common thread throughout his oeuvre. In the mid 1940s Taylor Carson became an unofficial war artist capturing the daily life of American troops based in Northern Ireland. This endeavour led to significant portrait commissions in the US. Numerous exhibitions of Taylor Carson's work have taken place throughout Ireland and the UK as well as New York and Chicago. He was also a regular contributor to the Royal Hibernian Academy, Dublin and the Royal Ulster Academy. Among his contemporaries and friends were Maurice Canning Wilks and Rowel Friers with whom he travelled and painted from counties Donegal to Kerry. 15.50 by 21.75in. (39.4 by 55.2cm)
Robert Taylor Carson HRUA (1919-2008) DIGGING BAIT, MULRANNY, COUNTY MAYO, 1989 oil on canvas signed lower left; signed, dated and inscribed with title on reverse Estate of the artist Robert Taylor Carson documented a well-travelled life in paint, from his early years in the Belfast College of Art - where he studied under scholarship from the age of fourteen - to his time travelling Ireland with his young family, and abroad to the United States and Europe. His subject matter is wide-ranging but an interest in people and their way of life is a common thread throughout his oeuvre. In the mid 1940s Taylor Carson became an unofficial war artist capturing the daily life of American troops based in Northern Ireland. This endeavour led to significant portrait commissions in the US. Numerous exhibitions of Taylor Carson's work have taken place throughout Ireland and the UK as well as New York and Chicago. He was also a regular contributor to the Royal Hibernian Academy, Dublin and the Royal Ulster Academy. Among his contemporaries and friends were Maurice Canning Wilks and Rowel Friers with whom he travelled and painted from counties Donegal to Kerry. 16 by 20in. (40.6 by 50.8cm)
Robert Taylor Carson HRUA (1919-2008) FISHERMEN'S GOSSIP, COSTA DEL SOL watercolour signed lower left; inscribed with title on reverse Estate of the artist Robert Taylor Carson documented a well-travelled life in paint, from his early years in the Belfast College of Art - where he studied under scholarship from the age of fourteen - to his time travelling Ireland with his young family, and abroad to the United States and Europe. His subject matter is wide-ranging but an interest in people and their way of life is a common thread throughout his oeuvre. In the mid 1940s Taylor Carson became an unofficial war artist capturing the daily life of American troops based in Northern Ireland. This endeavour led to significant portrait commissions in the US. Numerous exhibitions of Taylor Carson's work have taken place throughout Ireland and the UK as well as New York and Chicago. He was also a regular contributor to the Royal Hibernian Academy, Dublin and the Royal Ulster Academy. Among his contemporaries and friends were Maurice Canning Wilks and Rowel Friers with whom he travelled and painted from counties Donegal to Kerry. 9.75 by 14in. (24.8 by 35.6cm)
Robert Taylor Carson HRUA (1919-2008) LACKAGH BRIDGE, COUNTY DONEGAL watercolour signed lower left; inscribed with title on reverse Estate of the artist Robert Taylor Carson documented a well-travelled life in paint, from his early years in the Belfast College of Art - where he studied under scholarship from the age of fourteen - to his time travelling Ireland with his young family, and abroad to the United States and Europe. His subject matter is wide-ranging but an interest in people and their way of life is a common thread throughout his oeuvre. In the mid 1940s Taylor Carson became an unofficial war artist capturing the daily life of American troops based in Northern Ireland. This endeavour led to significant portrait commissions in the US. Numerous exhibitions of Taylor Carson's work have taken place throughout Ireland and the UK as well as New York and Chicago. He was also a regular contributor to the Royal Hibernian Academy, Dublin and the Royal Ulster Academy. Among his contemporaries and friends were Maurice Canning Wilks and Rowel Friers with whom he travelled and painted from counties Donegal to Kerry. 9.75 by 14in. (24.8 by 35.6cm)
Robert Taylor Carson HRUA (1919-2008) GIRL READING watercolour signed lower left; inscribed with title on reverse Estate of the artist Robert Taylor Carson documented a well-travelled life in paint, from his early years in the Belfast College of Art - where he studied under scholarship from the age of fourteen - to his time travelling Ireland with his young family, and abroad to the United States and Europe. His subject matter is wide-ranging but an interest in people and their way of life is a common thread throughout his oeuvre. In the mid 1940s Taylor Carson became an unofficial war artist capturing the daily life of American troops based in Northern Ireland. This endeavour led to significant portrait commissions in the US. Numerous exhibitions of Taylor Carson's work have taken place throughout Ireland and the UK as well as New York and Chicago. He was also a regular contributor to the Royal Hibernian Academy, Dublin and the Royal Ulster Academy. Among his contemporaries and friends were Maurice Canning Wilks and Rowel Friers with whom he travelled and painted from counties Donegal to Kerry. 8.50 by 9.75in. (21.6 by 24.8cm)
Robert Taylor Carson HRUA (1919-2008) YOUNG GIRL I watercolour signed lower left; inscribed with title on reverse Estate of the artist Robert Taylor Carson documented a well-travelled life in paint, from his early years in the Belfast College of Art - where he studied under scholarship from the age of fourteen - to his time travelling Ireland with his young family, and abroad to the United States and Europe. His subject matter is wide-ranging but an interest in people and their way of life is a common thread throughout his oeuvre. In the mid 1940s Taylor Carson became an unofficial war artist capturing the daily life of American troops based in Northern Ireland. This endeavour led to significant portrait commissions in the US. Numerous exhibitions of Taylor Carson's work have taken place throughout Ireland and the UK as well as New York and Chicago. He was also a regular contributor to the Royal Hibernian Academy, Dublin and the Royal Ulster Academy. Among his contemporaries and friends were Maurice Canning Wilks and Rowel Friers with whom he travelled and painted from counties Donegal to Kerry. 9.75 by 8.50in. (24.8 by 21.6cm)
Robert Taylor Carson HRUA (1919-2008) SARITA, HOTEL FLORIDA, FUENGIROLA, SPAIN watercolour signed lower left; inscribed with title on reverse Estate of the artist Robert Taylor Carson documented a well-travelled life in paint, from his early years in the Belfast College of Art - where he studied under scholarship from the age of fourteen - to his time travelling Ireland with his young family, and abroad to the United States and Europe. His subject matter is wide-ranging but an interest in people and their way of life is a common thread throughout his oeuvre. In the mid 1940s Taylor Carson became an unofficial war artist capturing the daily life of American troops based in Northern Ireland. This endeavour led to significant portrait commissions in the US. Numerous exhibitions of Taylor Carson's work have taken place throughout Ireland and the UK as well as New York and Chicago. He was also a regular contributor to the Royal Hibernian Academy, Dublin and the Royal Ulster Academy. Among his contemporaries and friends were Maurice Canning Wilks and Rowel Friers with whom he travelled and painted from counties Donegal to Kerry. 11 by 8.25in. (27.9 by 21cm)
Glanvil, Joseph - Seducismus Triumphatus; or Full and Plain Evidence concerning Witches and Apparations ..., 2nd edition, lacking portrait and illustration at end, text incomplete, calf, rebacked, London 1681, bound with More, Henry - An Answer to a Letter of a Learned Psychopyrist and A Continuation of the Collection or, an addition of some few more remarkable and true stories of Apparitions and Witchcraft, both London 1682
A Charles Calverley (American 1833-1914) carved marble head and shoulders portrait bust of a young man, in shirt, tie and blazer, on socle base, signed C Calverley verso and dated 1880, h.68cm Condition Report / Extra Information Crack across nose.Two large chips to socle.Chip to collar.Heavy wear to shoulder.Small chip to ear.The whole is weathered and grubby.
*A Victorian daguerreotype three-quarter portrait of a young girl, in fitted leather case, with hand-written annotation 'Edith C Taylor, aged 3 years, taken by Mayall, 1847', 7.5 x 6cm; together with various other Victorian daguerreotypes, ambrotypes, and over-painted photographic portraits, each in fitted leather cases, many with hand-written and dated annotations (7)Note: Edith Taylor was the daughter of Dr Alfred Swaine Taylor, who has been considered as the 'father of British forensic medicine' and was an important early pioneer of photography. Condition Report / Extra Information The largest with significant mould residue all over.Both 'cabinet portraits' are overpainted, with some fading, otherwise good.Miss Larisa (elderly woman) in very good condition.Family group with losses to edges and some crazing in several areas.Edith Taylor aged 3 - daguerreotype, some minor spots to spots, otherwise good.Small oval female portrait on glass - very good.Small oval male portrait on glass - very good.
*A Victorian hand-coloured daguerreotype three-quarter length portrait of a lady, in fitted leather case, with hand-written annotation 'Mrs Harris, aunt of D.A.S. Taylor, died 1863', together with a lock of her hair, the case with J.C. Barrable Photography, 24 Regent Street label, 12 x 9.5cm; together with four other Victorian hand-coloured daguerreotypes, each in fitted leather cases with hand-written annotations (5) Condition Report / Extra Information All slightly grubby.Hand-coloured.With some fading.Otherwise good.
*A Victorian hand-coloured daguerreotype three-quarter length portrait of a seated gentleman, in fitted J.C. Barrable Photographer red leather case, with hand-written label verso 'Alfred Swayne Taylor' and dated 1859, 12 x 9.5cm; together with four other Victorian portrait daguerreotypes, each in fitted leather cases with hand-written annotations (5)Note: Dr Alfred Swaine Taylor has been considered as the 'father of British forensic medicine' and was an important early pioneer of photography. Condition Report / Extra Information Daguerreotype of Swaine Taylor - numerous spots to glass plate, fine scratch lower left, otherwise good.Daguerreotype of Edith Taylor and her mother, 1847, some dust under glass case, otherwise appears excellent.Three remaining portraits - each with some losses.All annotated verso.
Late 18th century English school - Profile portrait of Mr & Mrs Thriscutt Fowey, silhouettes, each framed as ovals, 10 x 7.5cm, in ebonised frames Condition Report / Extra Information It is possible that the images are not original to the frames, but both fit well.Some light discolouration to both.
Assorted modern Meissen porcelain cabinet plates, to include; pair decorated in the Onion pattern with matching leaf shaped dish, one decorated in the Chinese famille rose palette, one underglaze blue decorated with a portrait of Rembrandt, two calendar plates for 1975 and 1979; together with a cheese dish and cover decorated with flowers and insects, all with underglaze blue crossed sword mark verso (8)
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