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283322 Los(e)/Seite
Los 436
A 19th century finely drawn crayon portrait miniature group of six family members, many family details of the sitters to verso, framed and glazed, 17cm by 17cmCondition ReportIn good condition with no foxing, damage or repairs. The frame is missing some gesso on all edges and the size including the frame is 28cms by 28cms.
Los 19
A shell cameo brooch/pendant, stamped "14K" in yellow precious metal. The cameo features the portrait of a woman in profile. The mount is as found, having split at the base. The brooch is marked "14k JJ" and the mount tests as 14ct gold. The brooch has a trombone clasp. Approximate length 5cms. Approximate gross weight 14.8 grams.
Los 1188A
Gilt Framed Mirror, early 19th century, with bevelled mercury plate and gadrooned arch top frame, together with an oval gilt framed black and white portrait, possibly Charles II, a gilt and ebonised framed roundel mirror, and a contemporary gouache picture, study of a pine marten, signed Chris Sparrow (Newcastle artist), 1984 (4)
Los 1124
Dona Salmon (20th Century)Portrait of a ladySigned, signed and dated Nov. 1955, oil on canvas, 49cm by 39cmSome surface dirt and discoloured varnish. Stretcher shadow with associated vertical, linear craquelure. Sporadic patches of dark spots to surface. Patches of fine craquelure, mostly notable in the green background. Light crease/linear push mark from back to front running diagonally. Push mark from front to back within the lady's hair, which has broken the canvas, with associated paint losses in evidence. Small gouge above this in the green background, with associated paint loss and retouch. Othe small imperfections and nicks to the surface in this area and elsewhere. Not examined under UV light. See images.
Los 1146
English School (19th Century)Richmond Castle from the River SwaleIndistinctly signed, oil on canvas board, 37cm by 49.5cm; together with a 19th century head and shoulders portrait of a young girl, oil on board, and a further oil on canvas, with a figure on a bridge in an extensive rural landscape (3)
Los 1145
Follower of Sir Francis Grant (1803-1878)Portrait of an elegant lady riding side saddle, by repute Elsie Paget Maternal Grandmother LaingMixed media; together with a portrait by the same hand of Grandfather Laing, 24.5cm by 19.5cm, and a collection of further military and sporting prints (a collection)
Los 212
An Art Nouveau Royal Vienna Wahllis Terracota Portrait Bust, modelled by Doebrich, "Gloria", impressed mark and signed, 40cm high, together with three Art Deco style bronzed metal and ivory effect figures of dancing girls raised on slate and marble plinths (4)Portrait Bust - one large chip to the foot, chips to foliate elements and several areas of glaze lossArt Deco style figures with damage to the extremeties
Los 29
Mersad Berber, "Flora", Mischtechnik, signiert, galeriegerahmtMersad Berber, 1940 Bosanski Petrovac, Bosnien-Herzegowina - 2012 Zagreb, Kroatien, Gründungsmitglied der Akademie der Künste in Sarajewo, hier: Portrait einer jungen Frau mit Hut, Farblithographie mit aufgewalztem Blattgoldrand, collagiert, 52 x 36,5 cm, signiert, bez., num. 12/250, unter Glas galeriegerahmt
Los 451
Eduard von Gebhardt, Portrait des Düsseldorfer Malers Wilhelm Döringer, Ölgemälde, gerahmtEduard Karl Franz von Gebhardt, 1835 Sankt Johannis, Gouvernement Estland-1925 Düsseldorf, Maler und Professor an der Kunstakademie Düsseldorf. Er gilt als bedeutender Vertreter der Bildnis- und Historienmalerei der Düsseldorfer Schule, Portrait von Wilhelm „Willi“ Döringer, 1862 Oestrich - 1926 Düsseldorf, deutscher Maler und Lithograf der Düsseldorfer Schule und Hochschullehrer an der Kunstakademie Düsseldorf, Öl/Malkarton/Holz, 20 x 20 cm, sign., hinter Glas im Goldstuckrahmen, aus Besitz der Familie Döringer
Los 385
Andy Warhol, nach, gepflegter Sammlungsnachlass mit 14 Farboffset-PrintsAndy Warhol, 1928 Pittsburgh - 1987 New York City, nach, amerikanischer Künstler, Filmemacher und Verleger sowie Mitbegründer und bedeutendster Vertreter der amerikanischen Pop Art, hier: Sammlungsnachlass mit: 5 x Cars (Achenbach/ Hans Meyer, Düsseldorf 1988), je 90 x 70 cm // 4 x Goethe (3 x Achenbach art edition, 66 x 66 cm - zwei versch. Farbvarianten, 1 x "Salve" - Weimar 1999, Kulturstadt Europas, 80 x 60 cm) // 1 x Willy Brandt, teNeues, 70 x 70 cm // 1 x Diamant Dust shoes & 1 x Dollar, teNeues, je 80 x 60 cm // 1 x Mick Jagger, 83 x 57 cm // 2 x Self portrait in zwei Farben, Achenbach Art edition 1993, je 65 x 65 cm, alle Arbeiten in sehr guter Erhaltung
Los 1045
Reservistenkrug und -bild eines Dragoners, Mülhausen 1907-09Porzellankrug mit Bodenlithophanie und Zinndeckel, bez.: "3. Eskr. Drag. Regt. Prinz Karl v. Baden 3. Bad. Nr. 22 Mülhausen 1907-09", Deckel mit Adlerdrücker und fahnenschwingendem Reiter, intakt, H 31,5 cm, dazu das Reservistenbild mit koloriertem Portrait und Schulterstück, in verglastem Nussholzrahmen,
Los 760
Sammlung Zwiebelmuster-Porzellane, paar Obstteller, paar Zierteller & vier Böttger-Steinzeug-Reliefplaketten, Meißen, 3 x 1. Wahl u.a.Zwiebelmuster: ovale Schale, L 26,5 cm und runde Deckeldose, 1. Wahl; Teller, Dm 25,5 cm, Aschenbecher und Schuh-Schale, Schwertermarke, mehrfach durchschliffen; Teller mit Portrait von Wolfgang Amadeus Mozart, Blaumalerei, verso "Serie 2 - 1974" "Wolfgang Amadeus Mozart - 1756 - 1791", Dm 25 cm, 1. Wahl; Teller mit Ansicht des Dogenpalastes Venedig 1976, Blaumalerei, Dm 25,5 cm, Schwertermarke einmal durchschliffen; paar Obstteller, Goldrand, Dm 17,7 cm, Schwertermarke doppelt durchschliffen; vier Reliefplaketten mit Porträts: Wolfgang Amadeus Mozart 1756-1791; Joseph Haydn 1732-1908; Kopf einer Mannes mit Tirolerhut, sign. Oehme, verso "Feierobnd 's is Feierobnd-Es Togwark is vullbracht" sowie Pferdeprotome, alle in Relief auf runden Plaketten, Dm 15 cm
Los 967
Sammlungsnachlass mit 12 Miniaturen ab ca. 1800Portrait einer jungen Dame um 1800, Feinmalerei, H 3,7 cm, hinter Glas im Rahmen der Zeit; Miniatur-Landschaft, Feinmalerei, 2,5 x 2,5 cm, in profiliertem, rundem Holzrahmen; Portrait eines Offiziers des Biedermeier, Feinmalerei, Dm 6 cm, Gesicht leicht verwischt, hinter Glas gerahmt; Portrait einer jungen Frau mit Haube, Feinmalerei, H 8,5 cm, sign. Nettion, hinter Glas im Messingrahmen; Portrait einer Frau des Rokoko, Feinmalerei, Dm 4,5 cm, hinter Glas gerahmt; Portrait der Elise List aus der Schönheitengalerie Ludwig I., Feinmalerei nach Gemälde von Gustav Pacher von Theinburg um 1845, H 6 cm, hinter Glas gerahmt; zwei Rokoko-Schönheiten, Feinmalerei, H 6 cm, hinter Glas im perlmuttbelegten Rahmen; Portrait eines Offiziers des 19. Jhs., Feinmalerei, Gesicht etwas verwischt, H 8,5 cm; Portraits von Napoleon Bonaparte und Kaiserin Josephine im Profil im Relief, H ca. 6,2 cm, auf Samt montiert und gerahmt; Portrait eines Kriegers mit Helm des 17.Jhs., Edelholz-Relief, oval, H 5,3 cm
Los 37
Agustin Arrieta (Santa Ana Chiautempan, Tlaxcala, Mexico, 1803 - Puebla, Mexico, 1874)"Still Life with Prickly Pears"Oil on canvas.80 x 106 cm.As indicated in the report by art historian José Gómez Frechina:"The 19th-century painter José Agustín Arrieta, son of the Basque Tomás Arrieta and María Rita Fernández, lived in the Mexican city of Puebla from an early age, where he began his artistic training at the Academy of Fine Arts under the supervision of painters such as Julián Ordóñez and Lorenzo Zandejas at the time of the recent independence of Mexico.Arrieta painted portraits (Portrait of General Don Felipe Codallos's Family, Soumaya Museum) and religious paintings in the early years of his artistic career. Later, distancing himself from academic influences, he captured passages of sociological value on his canvases, reflecting the reality of the society of Puebla, especially the lower classes (Pulquería Gathering). He became famous for his paintings of "chinas poblanas" (women from Puebla) and especially for his still life paintings, known at the time as "dining room paintings."Examples of his still life work and social-themed paintings were shown in exhibitions at the Academy of San Carlos in Mexico in 1850 and at the Academy of Fine Arts in Puebla in 1851, 1853, and 1855. Despite being one of the principal artists working in Angelópolis, as stated by his biographer Francisco Pérez Salazar, he faced certain difficulties: "However, his talent and skill were not enough to secure him a comfortable position, and around 1852, he had to take on the role of caretaker at the Congress to make a living."The importance of the culinary world and the inclusion of fruits and crafts typical of Puebla and Tlaxcala are reflected in José Agustín Arrieta's still life paintings, as in this unique "Still Life with Prickly Pears," the symbolic nature of which is quite clear due to the presence of the nopal (prickly pear cactus) and its fruits. This sacred cactus, related to an Aztec legend identifying it with the founding of Mexico-Tenochtitlan, appears on the National Coat of Arms of Mexico. This native species of cactus, also known by other names such as xoconostle or chumbera, found in dry and semi-desert environments, was introduced to many areas of the Mediterranean by the Spanish in the 16th century.The presence of fruits native to Mexico, such as limes, papayas, pitahayas, mameyes, and prickly pears, is often accompanied by other elements such as bottles, crystal glasses, pots, or baskets in Arrieta's still life work.The still life in question features a jug in the central axis of the composition and two wicker baskets full of prickly pears (also known in the Hispanic world as higos chumbos) - one of them overturned. The popularity of the nopal and its edible fruit in Mexico is well-known, as are the fleshy paddles of the plant, highly appreciated for their healing properties.In the foreground are two clay pots, common ceramic plates with floral decoration, a polychromed clay oil bottle and an oil lamp with glass sections. Various types of prickly pears with white or orange-reddish peel are depicted. It is also worth mentioning the scissors, the prickly pear sliced at both ends, and sectioned to show the edible part, and the presence of two snails (Helix aspersa Maxima).As is customary in Arrieta's paintings, there is special attention to the depiction of objects and textures, observed in the glass, the clever arrangement of scissors with their shadows, and in the clay pots with water droplets." Reference bibliography:Castro Morales, Efraín, Homenaje Nacional a José Agustín Arrieta (1803-1874), Museo Nacional de Arte (México) INBA 1994; Fraile Martín, Isabel, "Pintura y pintores en Puebla: Una revisión a los modelos y tendencias del siglo XIX" Estudio, 2015, n. 20, p.17-31. The study by José Gómez Frechina is included with the lot.
Los 59
Novo-Hispanic School. Possibly Potosí. Bolivia. Signed Fonceca, 1774."True Portrait of Our Lady of Soterraña"Oil on canvas glued to wood. Signed "fonceca pint." and dated 1774.41.5 x 31 cmThe cartouche at the bottom margin reads: "La Milagrosa Imagen de Nuestra Señora de la Soterraña venerada en Santa María de Nieva, especial defensora de rayos y centellas." (The Miraculous Image of Our Lady of Soterraña venerated in Santa María de Nieva, a special defender against lightning and sparks.)The Virgin of Soterraña is a Marian advocation venerated in the church of the town of Santa María la Real de Nieva in Segovia, where, as reported by Josemi Lorenzo in his interesting research on the church, "ten representations of the Virgin of Soterraña, eight pictorial and two sculptural," are found, indicating the strong devotional weight this image has historically had in the place where it appeared."The image of this Virgin Mary was found at the end of the 14th century buried in a cave on the hill that was then in the municipal district of Nieva. Its name, in fact, means 'subterranean' in old Castilian. As Lorenzo continues to explain, and as we indeed read on the cartouche of this painting, the image was the "special protector against storms and hail [and] was fundamental in an agrarian context which faced adverse weather."Its worship spread to other areas of Spain such as Navarra and Logroño, Lorenzo continues to report, "shepherds and sailors [...], the former through migration, the latter by sailing the sea, spread her virtues and devotion to places such as Argentina, Bolivia, and the Philippines, where a ninth example which has been moved to an unknown location is documented."Of the eight painted depictions in the parish church in Segovia, we would like to highlight the most complex of those preserved, from the first half of the 18th century, where the Virgin of Soterraña with the Child in her left arm is depicted, along with Ensign Alonso del Canto y Ocampo, conqueror of the Philippines in 1563. It is a votive offering made a century after the death of the ensign to whom it is dedicated, which adds additional interest to the painting, as Josemi Lorenzo affirms.Another highlight from amongst these eight is the True Portrait of the Virgin of Soterraña, "exhibited in the northern end" of the church, which, was donated by Alejo Bonifaz and painted in San Luis de Potosí in 1785.With the painting we have in the auction, added to the existing ones, we reach a dozen pictorial representations of this curious Marian advocation. Taking into account the expansion of the worship of the Virgin that we mentioned and that the painting was created in Potosí in 1785, it is reasonable to assume that this painting, from a similar time, came from the same cultural nucleus. Without a doubt, this True Portrait, with the accompanying angels and the liturgical scenery with candlesticks, candelabra, and drapery, is more elaborate than the True Portrait in the church.Reference bibliography:- Lorenzo Arribas, Josemi. (2016). La iglesia de Santa María la Real de Nieva (Segovia). Epigrafía en la portada norte; Lucas el estucador; exvotos pintados; un Niño montañesino, y un lienzo devocional de la Virgen de la Soterraña. Biblioteca. Estudio e investigación", 31, 197-218.
![Voyages.- [Prevost (Abbé) and others.] Histoire Générale des Voyages ou Nouvelle Collection de toutes les Relations de Voyage](https://cdn.globalauctionplatform.com/b851303b-4446-40fb-ad36-b120007e9696/a3f75b7f-3f5d-4e70-9713-b1200084f74a/468x382.jpg)
Los 204
Voyages.- [Prevost (Abbé) and others.] Histoire Générale des Voyages ou Nouvelle Collection de toutes les Relations de Voyages par Mer et par Terre..., 19 vol. only (of 20), some with half-titles, titles printed in red and black, engraved portrait frontispiece, c.555 engraved maps, plans and plates, many double-page or folding, folding letterpress table to vol. 13, bookplate of the Rev. F. Hutcheson with ownership inscription "F. Hutcheson 1776" to titles, vol. 1 with one folding map chipped at edges and loosely inserted and rear free endpapers torn and frayed, vol. 6 large folding map with 2 short tears without loss, vol. 18 title with imprint trimmed and laid down, vol. 19 worm trace to fore-margin towards end, a few folding plates creased or little chipped at margins, occasional spotting or light browning, occasional light soiling or damp-staining, but in general very good copies, contemporary mottled calf, spines gilt in compartments and with morocco labels (some chipped), some worming to joints, rubbed and worn in places, [Hill 1391; Sabin 65402], 4to, Paris [vol. 17 Amsterdam], Didot [and others], 1746-1770; sold not subject to return. *** "An important and scarce collection" (Hill) including voyages to Africa, China, India, the Americas and elsewhere. Volumes 1-7 are a translation of Green’s A new general collection of voyages and travels, first published in 1745, and the Abbé Provost compiled volumes 8-15. Volume 16 is the general index for the work, and volume 17 (Amsterdam, Arkestée et Merkus) gives the account of the Dutch East Indies, taken from the edition printed at La Haye. Volumes 18, 19 and 20 (the last not present in this set, as often), published in 1768, 1770 and 1789 respectively, are a continuation of the work by MM. Querlon and De Surgy.
Los 185
Spain.- Berni (Joseph) Creacion Antiguedad, y Privilegios de los Titulos de Castilla, first edition, additional engraved title, engraved portrait and plate, engraved illustrations, scattered spotting, occasional faint marginal water-staining, T1-V4 with worming to bottom margin, 4C2 (final text ff.) with worming affecting odd word, worming to final endpapers, contemporary vellum, soiled, rubbed and worn, lacking ties, folio, Valencia, 1769.
Los 189
Spain.- Negges (Johann Simon) and Johann Matthias Lederer. Chronologia Hispanica seu Regum Hispaniae Series... Carolus III, rare broadside, with portrait of Charles III of Spain, map of the Iberian Peninsula and panorama of Madrid below, the borders listing the kings of Spain, engraving, mezzotint, the map with hand-colouring, the mezzotint pasted on in place, the sheet 690 x 450 mm (27 1/4 x 17 3/4 in), horizontal drying crease, edges with minor nicks uniformly reinforced with conservation support verso, surface dirt, unframed, [circa 1745]*** From a series of broadside histories printed with a portrait, map, topographical view and history of the country. The Royal Collection hold another impression, but we cannot trace any examples having been offered at auction.
Los 41
Britain.- Camden (William) Camden's Britannia, Newly Translated into English...by Edmund Gibson, engraved portrait frontispiece (marginal repairs), 8 engraved plates of coins, 50 maps by Robert Morden, 2 folding (Kent & Norfolk) and the rest double-page mounted on stubs, engraved and woodcut illustrations, lacking 2U1-2 but with *2U1-2 in duplicate, title with ink ownership name to head and short tear into imprint repaired without loss, maps and a few illustrations with contemporary hand-colouring, a few with additional place names or details supplied in manuscript (see Westmorland), a few maps trimmed within platemark, map of Scotland with small loss at central fold, one or two other small holes within plates, a few marginal defects, some short tears and repairs to text and plates without loss, 2Z2 paper-flaw hole within text and engraved illustration to verso, [2]c1 flaw to upper corner with loss to a few letters, some light soiling, final few ff. creased and little frayed, contemporary panelled calf, rebacked and recornered, worn, covers detached, [Wing C359], folio, F. Collins, for A. Swalle...and A. & J. Churchill, 1695. *** First edition of Gibson's translation and the first with Morden's maps.
Los 64
Europe.- Six Views of Waterloo. drawn on stone from sketches taken on the spot 1816, 6 lithographs, marginal creasing and light soiling, original printed paper wrappers, lacking lower cover, previous owner's printed paper label to upper cover, rubbed, chipping and small loss to edges and extremities, a little soiled, R. Ackermann, 1830 § Beattie (William) The Waldenses or Protestant Valleys of Piedmont, Dauphiny and the Ban de la Roche, engraved portrait frontispiece, additional engraved title, plates, tissue-guards, one folding map, occasional marginal spotting, ex-library with usual label and occasional ink-stamps, original cloth, a little rubbed, bumping to corners and extremities, 1838; folio & 4to (2).
Los 10
Africa.- Livingstone (David) Missionary Travels and Researches in South Africa, first edition, first issue, folding tinted lithograph frontispiece, engraved portrait, 2 tinted lithographs (one with marginal water-staining), 20 wood engraved plates, illustrations, 2 folding maps (1 in pocket at end), one folding table, 8pp. publisher's advertisements dated 'November 1, 1857' at end, scattered spotting, neat repairs and strengthening to hinges, original cloth, bumping to corners and extremities, neat repairs and restoration to spine ends, [Hosken p.126], 8vo, 1857. *** There is some confusion over which variant is the first edition, first issue. This copy matches the precedence given by Gaston Renard with the lithographs by W. West facing pp.66 and 225.
Los 117
Middle East.- Aramco.- Oil and Arab Politics, portrait illustration, one folding plate, 2 folding maps (one loosely inserted), postcard showing King Faisal and King Ibn Saud loosely inserted, original printed paper wrappers, short tear to upper cover at bottom corner, faint spotting to fore-edges, a little rubbed, 8vo, Egypt, 1960.
Los 47
Central Asia.- Wolff (Rev. Joseph) Narrative of a Mission to Bokhara in the years 1843-1845, 2 vol., first edition, half-title, lithograph frontispieces and 7 lithographs, scattered spotting, cracked hinges, original green cloth, sunned spines and extremities, a little rubbed, bumping to corners, chipping and small tears to spine extremities, 1845 § [Beauchamp (Alphonse de)] The Life of Ali Pacha, of Janina, Vizier of Epirus, Surnamed Aslan, or the Lion, portrait frontispiece, scattered spotting and staining, occasional marginal pencil markings, contemporary half-calf, sunned spine, rubbed, bumping to corners and extremities, 1822; and 2 others including a duplicate copy of the second mentioned, 8vo & 4to (5).
Los 57
China.- Le Comte (Louis) Memoirs and Observations ... Made in a late Journey Through the Empire of China, third edition, engraved portrait frontispiece, 3 engraved plates (2 folding), 1 folding table, engraved illustrations, lacking folding engraved map, scattered spotting and staining, trimmed occasionally affecting signature of catch-word, previous owner's ink signature to title and frontispiece verso, lacking final free endpapers, later panelled calf, upper cover detached, rubbed, small loss to lower board, bumping to corners and extremities, [Wing L833], 8vo, for Benjamin Tooke, 1699.
Los 65
Europe.- Swinburne (Henry) Travels through Spain in the years 1775 and 1776, 2 vol., second edition, portrait frontispiece, 10 engraved folding plates, 2 engraved folding maps, marginal tear to N4 vol. 2, faint scattered spotting and off-setting, contemporary calf, a little rubbed, slight bumping to corners and extremities, 1787 § Fischer (Christian Augustus) A Picture of Madrid: taken on the spot, 2pp. publisher's advertisements at end, lacking free endpapers, scattered spotting, pencil marks to R3, abrasion mark to foot U1 verso, cracked hinges, contemporary boards, defective backstrip but holding firm, rubbed and worn, bumping to corners and extremities, 1808 § Russell (John) a Tour in Germany, and some of the Southern Provinces of the Austrian Empire, 2 vol., second edition, half-titles, hinges strengthened, spotting to first and last few ff., ex-King's Inn Library Dublin with occasional ink-stamps, contemporary calf, rebacked and recornered, rubbed, bumping to corners and spine extremities, Edinburgh, 1825; and others, most on Spain or Portugal, 8vo (10).
Los 161
Polar.- Heyerdahl (Thor), Soren Richter & H.J. Riiser-Larsen. Great Norwegian Expeditions, special edition, photographic plates and illustrations, very occasional light spotting, original morocco, gilt, t.e.g., very slightly rubbed, Oslo, [c.1955] § Kane (Elisha Kent) Arctic Explorations: The Second Grinnell Expedition in search of Sir John Franklin, 2 vol., first edition, engraved portrait frontispieces, additional engraved titles, 18 engraved plates, two folding maps, loose advertisement leaf at start of vol.1, bookplates, foxing on titles and plates, original blind-stamped cloth, spines sunned, corners and spine ends rubbed, Philadelphia, 1856 § Christie (E.W. Hunter) The Antarctic Problem, first edition, photographic illustrations, folding map at rear, loosely inserted telegram by the editor requesting a book review, original cloth, very slightly rubbed and soiled, 1951; and c.30 others, polar, v.s., (c.35)
Los 154
Persia.- Two Safavid School leaves with poetry by Hafiz, inks and opaque pigment, heightened with gold, each leaf approx. 200 x 115 mm (7 7/8 x 4 1/2 in), under glass, the two mounted as one, minor cockling, framed, [circa 1700 or later]; together with a 20th century copy after a portrait of a Prince, now held in LACMA, framed, 20th century (2)
Los 889
Coins: an 'Queen Elizabeth II The Equestrian Portrait' crown set, comprising: 1953, 1977, 2002 and 2022, with booklet and box; together with 'The Coronation Of Queen Elizabeth II British Coin & Stamp Set of 1953', with booklet and box; and a 2020 Royal Dutch Mint 'Europe Remembers 75th Anniversary of VE Day' silver three coin set, with CoA and box. (3)
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283322 Los(e)/Seite