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283287 Los(e)/Seite
Los 1223
English School, late 19th century, three quarter length portrait of a young girl reading to her doll, indistinctly signed and dated 1887, inscribed on old label verso 'Jessie Frances, daughter of Richard and Frances Simpson Walker, born March 11th 1881 at East Heslerton Vicarage, Yorkshire', oil on canvas, 74 x 61cm.
Los 2020
British Iron Age, ATREBATES and REGNI, Epaticcus (AD 20 - 40), silver Unit, head of Hercules right wearing lion-skin, epati before face, rev. eagle with open wings, holding serpent in talons, ringed pellet within field, 0.99g/11h (ABC 1346; VA 580-1; S 356). Very fine, portrait better £200-£260 --- Provenance: Bt N. Mills 1985
Los 2023
British Iron Age, ICENI, uninscribed issues, silver Unit, Bury type, female head left, wearing luna diadem, snake in front, rev. horse left, ringed sun above, 1.45g/5h (ABC 1495; COI 5a; S 432). Very fine, portrait better, dark toned and well centred £300-£360 --- Provenance: Bt N. Mills 1988 Struck from the same obverse die as the British Museum (3527) and Talbot (CCI 00.0970) specimens.
Los 2042
Kings of Mercia, Offa (757-96), Penny, Light Coinage, East-Anglia (Ipswich?), Wihtræd, portrait type, +offa + rex + around bust right with patterned tunic and flowing hair, rev. +p ih tr ed in angles of floriate cross lozenge, 1.16g/12h (Chick 178a, this coin; N 302/1; S 906). Trifling surface porosity, otherwise good very fine and struck on a full round flan; with a pleasing portrait of unusual style £4,000-£5,000 --- Provenance: Found at Great Hockham, Norfolk, October 1995 Bt P. Finn [but not listed in the FPL] Derek Chick listed two specimens of this type (178) within his 2010 Corpus. The piece offered for sale here, and a second example, found within Essex in 2006. The latter coin is struck from an obverse die of far inferior workmanship and bares a closer resemblance to Chick’s types 179-180.
Los 2043
Kings of Mercia, Coenwulf (796-821), Penny, portrait type, Canterbury, Gp IV, Oba, + coenvvlf rex m around diademed and draped bust right, breaking inner circle and dividing legend, rev. oba mon eta divided by three crosses, cross moline within inner circle, 1.46g/3h (Naismith C41.2f, this coin; BLS 65e, this coin; N 352; S 916). About extremely fine, rich cabinet toning over attractive surfaces £5,000-£6,000 --- Provenance: H.M. Reynolds Collection, Sotheby Auction, 4 May 1914, lot 9 R.C. Lockett Collection, Part III, Glendining Auction, 4-6 November 1958, lot 2653 Ridgemount Collection, Spink Auction 69, 20 April 1989, lot 35 M. Rasmussen FPL 27, Spring 2015 (5) Struck from the same obverse die as the Eastbourne (EMC 1987.0113), Fitzwilliam (SCBI 1, 399) and Leeds University (SCBI 955) specimens.
![Kings of Wessex, Æthelwulf (839-58), Penny, Inscribed Cross Phase [IV], Canterbury, Æthelnoth, aedelvvlf rex around draped bu](https://cdn.globalauctionplatform.com/e97d602e-6155-492b-ae58-af9000c6f0bf/c1a4fced-7a30-4e05-a112-af9000cf9834/468x382.jpg)
Los 2045
Kings of Wessex, Æthelwulf (839-58), Penny, Inscribed Cross Phase [IV], Canterbury, Æthelnoth, aedelvvlf rex around draped bust right breaking inner circle, rev. edelnod moneta arranged on limbs of, and around, beaded cross, 1.36g/12h (Naismith C139f, this coin; N 618; S 1051). Minor die-shift on reverse, good very fine, strong portrait, richly toned £3,000-£3,600 --- Provenance: G.C. Drabble Collection, Part I, Glendining Auction, 4-6 July 1939, lot 373 M.J. Grover Collection, DNW Auction 79, 24 September 2008, lot 3414 Bt Spink 2008 Struck from the same obverse die as the St Petersburg specimen (SCBI 50, 181).
![Kings of Wessex, Edward the Elder, Penny, Diademed bust type [HT 1], Wessex, Wulfred, + eadvveard rex around diademed and dra](https://cdn.globalauctionplatform.com/e97d602e-6155-492b-ae58-af9000c6f0bf/736c4e35-b11e-4d3a-b6c5-af9000cf48a6/468x382.jpg)
Los 2048
Kings of Wessex, Edward the Elder, Penny, Diademed bust type [HT 1], Wessex, Wulfred, + eadvveard rex around diademed and draped bust left within inner circle, rev. vvlf red mo in two lines divided by three crosses, trefoil of pellets above and below, 1.59g/6h (O’Donovan, BNJ 1964, 210; CTCE 45; N 651; S 1084). Neatly struck on a round flan, portrait of unusually naturalistic style, good very fine, toned and very rare £3,000-£3,600 --- Provenance: A.J. Arnot Collection, BDW Auction 11, 21 March 1995, lot 68 DNW Auction 158, 24 April 2019, lot 162 For a portrait of similar style see Lockett 2716
![Eadred (946-955), Penny, Crowned Bust type [BMC v], Norwich, Hrodgar, +eadred rex, crowned and draped bust right breaking inn](https://cdn.globalauctionplatform.com/e97d602e-6155-492b-ae58-af9000c6f0bf/8c26d0ab-d1c0-4c79-831e-af9000cf729f/468x382.jpg)
Los 2056
Eadred (946-955), Penny, Crowned Bust type [BMC v], Norwich, Hrodgar, +eadred rex, crowned and draped bust right breaking inner circle, rev. x hrodglr mo norpi around small cross, 1.51g/9h (CTCE 228; SCBI East Anglia 1121; N 715; S 1116). Slight wave to flan, otherwise good very fine, clear portrait, very rare £4,000-£5,000 --- Provenance: Baldwin Auction 44, 2 May 2006, lot 854 bt. York Coins 2012
Los 2059
Eadgar (959-975), Penny, Reform type, Stamford, Riculf, ricvlf m-o stanfo’, 1.32g/3h (Jonsson p. 47, this specimen unlisted; BMC –; BEH –; N 752: S1141). Good very fine, strong portrait, very rare, especially so with this moneyer £4,000-£5,000 --- Provenance: Bt P. Finn, FPL 6 Winter 1996 (90) Struck from the same obverse die as the Lincoln specimen (SCBI 27, 1062).
Los 2060
Edward the Martyr (975-978), Penny, Sole type, Stamford, Boia, eadpard rex ang (ng ligate), diademed bust left, rev. boia m¯o stanf, small cross, 1.41g/7h (Wells 24, same dies; BMC 24; N 763; S 1142). Extremely fine, superb portrait and attractively toned; extremely rare £6,000-£8,000 --- Provenance: H.H. Allan Collection, Sotheby Auction, 7-10 July 1908, lot 19 R.C. Lockett Collection, Part III, Glendining Auction, 4-6 November 1958, lot 2759 ‘Ridgemount’ Collection, Spink Auction 69, 20 April 1989, lot 70 L.R. Stack Collection, Sotheby Auction, 22-3 April 1999, lot 492 J. Hall Collection, DNW Auction 71, 28 September 2006, lot 46 Struck from the same dies as the Lord Grantley specimen (1106).
![Stephen (1135-1154), Penny, Cross Moline type, Southwark, Alfwine, a[lf]pi[ne :] on : svd :, 1.28g/8h (Allen, BNJ 2012, p.115](https://cdn.globalauctionplatform.com/e97d602e-6155-492b-ae58-af9000c6f0bf/23344c4a-3961-4905-a2d7-af9000cf5578/468x382.jpg)
Los 2079
Richard I (1189-1199), Penny, class IIIab2, Winchester, Willelm, willelm · on · win, 1.48g/11h (Winchester Mint 2556 [dies B/c]; N 967 S 1347). Reverse struck slightly off-centre, otherwise very fine, strong portrait £120-£150 --- Provenance: Bt Studio Coins 1997 Struck from the same dies as the Gittoes (55) and Mass (SCBI 56, 845-6) specimens.
Los 2092
Edward IV (First reign, 1461-1470), Light coinage, Groat, York, class IX, mm. lis, trefoils by neck and on all cusps, e on breast, 2.96g/1h (BW XI.4; N 1583; S 2014). Very fine with a clear portrait, dark patina; the variety scarce £300-£360 --- Provenance: Rochester Collection, Spink Auction 194, 27 March 2008, lot 643
Los 2095
Richard III (1483-1485), Groat, London, type 2b, mm. boar’s head (no.2), nothing below bust, rev. barred a in civitas, 3.17g/7h (Winstanley 6; N 1679; S 2156). A full and attractive coin; good very fine, portrait better and very rare £2,400-£3,000 --- Provenance: Glendining Auction 6 November 1991, lot 510
Los 2100
Henry VIII (1509-1547), Third coinage, Testoon, Tower, mm. lis, broken saltire stops both sides, reads orevm, 7.63g/8h (Jacob O4/R9; N 1841; S 2365). Some peripheral weakness, otherwise very fine, clear portrait and richly toned £2,400-£3,000 --- Provenance: Glendining Auction 6 November 1991, lot 519
Los 2111
James I (1603-1625), Third coinage, Shilling, mm. lis, sixth bust, 6.07g/4h (Morrieson pl. II, 16; N 2124; S 2668). Extremely fine, excellent portrait and beautifully toned £900-£1,200 --- Provenance: H.M. Lingford Collection, Part II, Glendining Auction, 20 June 1951, lot 1264 [described as ‘In mint state and prettily toned’] E. Norweb Collection, Part II, Spink Auction 48, 13 November 1985, lot 406 [from Spink 1957] bt Studio Coins 1988
Los 6152
French School (Early 19th century): Half length miniature portrait on ivory of a lady, wearing a tulle shawl and holding a book, signed Bordes and indistinctly dated, in a circular gilt metal easel frame, with beaded border and ribbon cresting, D6.5cm. This item has been registered for sale under Section 10 of the APHA Ivory ActCondition Report:Ivory Act - Submission reference: ZJ2V3BJG
Los 6153
Early 20th century cased miniature portrait, half-length watercolour on ivory of an elderly woman wearing a white lace cap, grey hair and wearing a black dress 7cm x 5.5cm, in the original leather easel back case. This item has been registered for sale under Section 10 of the APHA Ivory ActCondition Report:Ivory Act - Submission reference: FNT3C4NK
Los 6154
Early 20th century oval porcelain miniature with a half length portrait of Madame Necker within a gilt and cobalt blue border and giltwood frame, inscribed 'Mme Necker' verso, 9cm x 7.5cm, a printed miniature in copper frame and another depicting Reed Harvest at Thurne Dyke, indistinctly signed (3)
Los 550
A PORTRAIT OF A COURT LADY, IMPERIAL SCHOOL, 18TH TO 19TH CENTURYPublished: Gary Dickinson & Linda Wrigglesworth, Imperial Wardrobe, London, 1990, page 187.China. Ink, gilt, and watercolors on paper, with a silk brocade frame and laid down on cardboard. Depicting a lady dressed in a red silk dragon jacket (mang ao), her hair tied behind a blue and red phoenix crown (feng guan) embellished with the four characters 'feng tian gao ming' ('I have received an official appointment from Heaven') and strings of pearls with blue and red beads.Provenance: From the private collection of Linda Wrigglesworth, London, United Kingdom. Finding her passion for Chinese textiles in 1976, when encountering her first dragon robe, Linda Wrigglesworth opened her gallery in 1978, and over the following decades became one of the world's leading experts in antique Chinese costumes and textiles, helping to buy and sell pieces to private collections and public institutions worldwide. She has written countless articles and curated countless exhibitions. In 2008 she retired from her business and sold her private collection of Imperial textiles at Christie's New York. Condition: Very good condition with minor wear, little soiling, and few minuscule tears. The colors still very crisp.Dimensions: Image size 24.6 x 20.3 cm, Size incl. backing 32.5 x 25 cmFeng guan (phoenix crown) is a type of traditional headgear for women in Hanfu. It was worn mainly by noblewomen at ceremonies or official occasions. The feng guan is also used as a traditional headgear for brides and could be worn as a set with traditional Chinese wedding dresses, such as the fengguan xiapei. According to De Groot in his book, The Religious System of China, the feng guan, was also known at the Imperial court as Feng tian gao ming, which can be translated as 'I have received an official appointment from Heaven'.The Mang ao (dragon jacket) is a side fastening jacket decorated with dragons worn by the wives of Chinese officials. Auction result comparison:Type: RelatedAuction: Sotheby's London, 5 November 2014, lot 293Estimate: GBP 8,000 or approx. EUR 12,500 converted and adjusted for inflation at the time of writingDescription: A portrait of a lady, Qing dynasty, late 18th centuryExpert remark: Compare the motif. Note the full body depiction and very large size (221 x 108).十八至十九世紀貴婦肖像圖中國，紙本水墨設色描金，鏡片。工筆描繪一位身著紅綢龍襖的貴婦，束發頭，頭戴青紅鳳冠，上面點綴著“奉天誥命”四字 和帶有藍色和紅色珠子的珍珠串。 出版：Gary Dickinson & Linda Wrigglesworth，Imperial Wardrobe，倫敦，1990年，187頁。 來源：英國倫敦Linda Wrigglesworth私人收藏。1976 年，Linda Wrigglesworth 在遇到她的第一件龍袍時激發了她對中國紡織品的熱情，並於 1978 年開設了她的藝廊，在接下來的幾十年裡成為世界知名的中國古董服飾和紡織品專家，幫助世界各地的私人收藏和公共機構購買和銷售藏品。她撰寫了無數文章，策劃了無數展覽。2008年，她從公司退休，在紐約佳士得拍賣行出售了私人收藏的御用織品。品相：狀況極好，有輕微磨損、少量污漬和撕裂。顏色依舊清爽。 尺寸：畫面24.6 x 20.3 厘米，尺寸incl. backing 32.5 x 25 厘米 鳳冠是漢服中女性傳統頭飾中的一種。貴婦在重要儀式或官方場合佩戴。同時，鳳冠也被用作新娘的頭飾，可以與鳳冠霞佩等中國傳統婚禮禮服搭配佩戴。根據De Groot在他的著作《The Religious System of China》(中國的宗教制度)一書中的說法，封官在朝廷中也被稱為“奉天誥命”，可以理解為“我收到來自上天的正式任命”。 拍賣結果比較： 形制：相近 拍賣：倫敦蘇富比，2014年11月5日，lot 293 估價：GBP 8,000（相當於今日EUR 12,500） 描述：清十八世紀《美人圖》 設色紙本 專家評論：比較主題。請注意此圖描繪整身，以及較大的尺寸 (221 x 108)。
Los 444
A FINE FAMILLE ROSE PLAQUE DEPICTING WANG ZHAOJUN, QING DYNASTYChina, 1644-1912. Exquisitely painted in bright enamels with Wang Zhaojun in a cold winter landscape with gnarled barren branches, bamboo leaves, craggy rockwork, and towering mountains partly obscured in the fog, shrouding herself in her voluminous robes, a youthful attendant walking behind her and carrying her silk-covered pipa, both with well-detailed, expressive faces of reddened complexion.Provenance: English trade, previously in an English private estate. Condition: Very good condition with some wear and expected firing irregularities, minor fritting to edges, and a small chip to one corner.Dimensions: Size 50.5 x 32.5 cmWang Qian, commonly known by her courtesy name Wang Zhaojun, was known as one of the Four Beauties of ancient China. Born in Baoping Village, Zigui County (in current Hubei Province) in the Western Han dynasty (206 BC-8 AD), she was sent by Emperor Yuan to marry Chanyu Huhanye of the Xiongnu Empire in order to establish friendly relations with the Han dynasty through marriage. The present plaque depicts Wang's journey north across the steppe.Wang Zhaojun was endowed with dazzling beauty and an extremely intelligent mind. She was adept in playing the pipa and was also a master of the ancient 'Four Arts of the Chinese Scholar' - the guqin, weiqi, calligraphy, and Chinese painting. Although Zhaojun was a concubine in the harem of Emperor Yuan (Han Yuandi, reigned 48-32 BC), he had never noticed her. One reason was that she refused to bribe a painter, Mao Yanshou, so his painting of her did not do her justice. As a result, when a Central Asian nomad prince named Huhanye came looking for a bride, the Emperor volunteered her (by another account she was so desperate that she volunteered herself). She then had to spend the rest of her life in the barren lands of Central Asia. When her husband died, she was married to her stepson, as custom dictated. She requested permission from Han Emperor Cheng to return home, but he refused.A set of tombs near the Inner Mongolian capital, Hohhot, is said to include the grave of Wang Zhaojun. The grave is mentioned as early as the Tang dynasty, by which time stories of Wang Zhaojun had become very popular. There are a number of poems about her. Most of them are sad, dwelling on her desire to return home. Typical is this poem by Li Bai, which at the end mentions her grave:The moon above the Han palace and land of Qin, Sheds a flood of silvery light, bidding Mingfei ("the radiant lady") farewell. She sets out on the road of the Jewel Gate, a road she will not travel back. The moon above the Han palace rises from the eastern seas, But the radiant lady wed in the west will return nevermore. On the Mongolian mountains flowers are made of the long winter's snow, The moth-eyebrowed one, broken-hearted, lies buried in the desert sand. Living she lacked the gold, and so her portrait was distorted, Dying she leaves a green mound, which moves all the world to pity. (taken from Yang Gang, Zhongguo ming sheng shi ci da ci dian, 2001, page 161)清代粉彩王昭君瓷板畫中國，1644-1912年。粉彩描繪王昭君出塞圖，枯枝竹葉，怪石嶙峋，巍峨群山半掩於霧中；王昭君身披寬大紅色斗篷，丫鬟抱著她的琵琶。瓷片髮色沉著，畫面生動。 來源：英國古玩交易，來自英國私人舊藏。 品相：狀況極好，有一些磨損和燒製瑕疵，邊緣有輕微磨損，一個角有小缺口。 尺寸：50.5 x 32.5 厘米 內蒙古首都呼和浩特附近的一個墓葬群，據說包括王昭君的墳墓。早在唐代，王昭君的故事就已廣為流傳。有很多關於她的詩，訴說著她想回家的願望。最典型的是李白的這首詩，最後提到了她的墳墓：漢家秦地月，流影照明妃。一上玉關道，天涯去不歸。漢月還從東海出，明妃西嫁無來日。燕支長寒雪作花，蛾眉憔悴沒胡沙。生乏黃金枉圖畫，死留青塚使人嗟。（摘取自楊剛，《中國名勝詩詞大辭典》，浙江大學出版社，2001年，頁161）
Los 544
A LARGE PAINTING DEPICTING SHOULAO AND AN ATTENDANT, BY GU JIANLONG (1606-1687), DATED 1679China. Ink and watercolors on paper. Depicting Shoulao holding a lingzhi fungus in his right hand, his face with a cheerful expression, dressed in fine robes with a floral hem, a jade pendant in the form of a ruyi cloud tied to his waist, followed by his attendant carrying his master's cane with attached gourd, the attendant also dressed in fine robes embellished with medallions of scrolling clouds, both standing in a rocky landscape below a gnarled pine tree backed by clouds, with rockwork issuing lingzhi in the foreground.Inscriptions: Upper left, inscribed 'The magical fungus of immortality', 'Painted in the autumn of the Year of Ji Wei (corresponding to 1679) in the manner of Tang Ziwei (also known as Tang Yin, 1470-1523)', 'Painted in the Studying Straw Hall of Deep Willow', and signed 'Yun Chen Gu Jianlong'. Two seals, 'Gu Jianlong Yin' and 'Yun Chen'. Provenance: From the collection of James Kedzie Penfield, and thence by descent in the same family. James Kedzie Penfield (1908-2004), after graduating from Stanford, joined a hand-picked team who traveled to China to work for the American Diplomatic Corps during the 1930s and 1940, where, according to his daughter, he spent the best years of his life. During his stay, he established friendships with local artists, including Zhang Daqian, one of the most famous Chinese painters of the 20th century, and was gifted a painting by him as a farewell present, which was sold at Woolley & Wallis on 1 July 2020, lot 15, for GBP 50,000. In 1954, James Penfield became the High Commissioner for Austria and was sent there to re-establish a neutral and democratic country.Condition: The painting with extensive wear, tears, creasing, losses, touch-ups, soiling, and stains, but overall displaying remarkably well despite obvious signs of age. Mounted and stabilized behind a solid wood frame with glass. The frame with few small nicks and light scratches.Dimensions: Image size 226 x 107 cm, Size incl. fame 239.5 x 119.5 cmGu Jianlong (1606-1687) was born in Suzhou Taichang and served at the Qing court as a painter during the 1660s and 1670s, where he painted portraits of the Emperors Shunzhi and Kangxi as well as of the Imperial family.Literature comparison:Compare a related silk scroll painting by Gu Jianlong, in the British Museum, registration number 1910,0212,0.486. Compare also a related portrait of Ma Shiqi (1650-1714), illustrated in Wai-Kam Ho, et al., Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and The Cleveland Museum of Art, p. 347-348, no. 255.Auction result comparison:Type: Closely relatedAuction: Christie's New York, 19 March 2021, lot 852Price: USD 50,000 or approx. EUR 53,000 converted and adjusted for inflation at the time of writingDescription: With signature of Gu Jianlong (1606-after 1687), Shoulao on a White DeerExpert remark: Compare the closely related motif. Note the slightly smaller size (182.5 x 97 cm).顧見龍(1606-1687)款《長壽仙芝》，1679年中國，紙本水墨設色。壽老右手持一株靈芝，面帶喜色，身著細花邊長袍，腰佩如意佩，侍從手持仙杖跟在後面，仙杖上掛著一個葫蘆，同樣身著精美的長袍，上面飾有雲紋理。一側青松高聳，祥雲浮動。面前地上靈芝遍地。 款識：長壽仙芝, 時己未之秋仿唐子畏筆意寫於深柳讀書草堂，雲臣顧見龍製；鈴印：顧見龍印，雲臣 來源：James Kedzie Penfield私人收藏，保存在同一家族至今。James Kedzie Penfield (1908-2004) 從斯坦福大學畢業後，於1930 年至 1940 年間前往中國為美國外交使團工作。據他的女兒說，他在那裡度過了一生中最美好的時光。在中國，他與藝術家建立了友誼，其中包括二十世紀最著名的中國畫家之一張大千，並獲張大千贈送一幅畫作為告別禮物，該畫於 2020 年 7 月 1 日在 Woolley & Wallis 售出，Lot 15，售價 50,000 英鎊。1954 年，James Penfield 成為高級專員，並被派往奧地利重建一個中立和民主的國家。 品相：磨損、撕裂、摺痕和汙漬，儘管有明顯的年代痕跡，但整體狀體極好。帶玻璃的木框。框架有一些小劃痕。 尺寸：畫面226 x 107 釐米, 總 239.5 x 119.5 釐米 顧見龍(1606-1687) 生於蘇州太倉，1660 至 1670 年代在清宮任畫家，曾為順治、康熙及皇室畫像。
Los 208
'A PORTRAIT OF AUTUMN', BY ZHOU SICONG (1939-1996), DATED 1978China. Ink and watercolors on paper. Depicting two young boys playing with bowls, framed by banana leaves which are suggested by vivid brushstrokes. Note the gently graduated intensity of the black ink, adding depth and three-dimensionality to the work, one of the widely acclaimed skills of Zhou Sicong.Inscriptions: Top left, inscribed 'A Portrait of Autumn', dated 'First month of the year wuwu (1978)'. One seal of the artist, 'Sicong'.Provenance: From a British private collection, acquired between 1978 and 2000, and thence by descent. Condition: Excellent condition with minor wear.Dimensions: Size incl. frame 62.5 x 47 cm, image size 34.5 x 27.5 cmFramed behind glass. (2)Zhou Sicong (1939-1996) was a Chinese painter born in Ninghe, Hebei Province. She graduated in 1963 from the Chinese painting department of the Central Art Academy and later worked at the Beijing Painting Institute. Zhou is well-known for her figurative watercolor and oil paintings. Her work won the first prize in the prestigious Fifth National Fine Arts Exhibition in 1979, only one year after the present work was painted, and is now in the collection of the National Museum of Fine Arts, among other public collections. Her paintings have been exhibited across China, Japan, and other parts of Asia, as well as in Europe and the US.Auction result comparison:Type: Closely relatedAuction: China Guardian, Beijing, 25 March 2012, lot 1706Price: CNY 402,500 or approx. EUR 70,500 converted at the time of writingDescription: Children and Banana Leaves (1979), Zhou Sicong (1939-1996)Expert remark: Compare the closely related motif and composition. Note the size (68 x 45 cm).Auction result comparison:Type: Closely relatedAuction: China Guardian, Beijing, 19 March 2011, lot 543Price: CNY 230,000 or approx. EUR 41,500 converted and adjusted for inflation at the time of writingDescription: Children Playing (1981), Zhou Sicong (1939-1996)Expert remark: Compare the closely related motif and composition. Note the size (66 x 45 cm).Auction result comparison:Type: Closely relatedAuction: China Guardian, Beijing, 13 January 2018, lot 69Price: CNY 172,500 or approx. EUR 23,500 converted and adjusted for inflation at the time of writingDescription: Children playing (1979), Zhou Sicong (1939-1996)Expert remark: Compare the closely related motif and composition. Note the size (68 x 46 cm).1978年周思聰《秋趣圖》中國 ，紙本設色。兩個小童在芭蕉樹下斗蛐蛐兒。小兒一派天真無邪，十分惹人喜愛。筆墨清新、灑脫，富有表現力。 款識：秋趣圖，戊午正月；鈴印：思聰 來源：英國私人收藏，購於1978 至2000年間，保存至今。 品相：品相極好，輕微磨損。 尺寸：總62.5 x 47 厘米，畫面34.5 x 27.5 厘米 玻璃裝框 (2) 拍賣結果比較： 形制：非常相近 拍賣：北京嘉德，2012年3月25日，lot 1706 價格：CNY 402,500（相當於今日EUR 70,500） 描述：周思聰《秋趣圖》 專家評論：比較非常相近的主題和佈局。請注意尺寸(68 x 45 厘米)。 拍賣結果比較： 形制：非常相近 拍賣：北京嘉德，2011年3月19日，lot 543 價格：CNY 230,000（相當於今日EUR 41,500） 描述：周思聰《童玩》 專家評論：比較非常相近的主題和佈局。請注意尺寸(66 x 45 厘米)。 拍賣結果比較： 形制：非常相近 拍賣：北京嘉德，2018年1月13日，lot 69 價格：CNY 172,500（相當於今日EUR 23,500） 描述：周思聰《秋趣圖》 專家評論：比較非常相近的主題和佈局。請注意尺寸(68 x 46 厘米)。
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Leibovitz (Annie) Photographs: 1970-1990, first edition, original pictorial boards, translucent dust-jacket, tiny nick to upper edge at spine, New York, 1991 § Seidner (David) Portraits, text by Richard Martin, tipped-in colour plates, one or two with slight damage at upper edge where previously adhered to facing leaf, original boards with illustration to upper cover, slightly rubbed and soiled, corners bumped, New York, [1999] § Skrebneski (Victor) Portraits: A Matter of Record, original boards, dust-jacket, slightly soiled, tear to upper edge, New York, 1978 § Shear (Jack) Four Marines & Other Portraits, one of 2000 copies, original cloth dust-jacket, Pasadena, CA, Twelvetrees Press, 1985 § Selkirk (Neil) See No Evil: Photographs, original boards, Tucson, AZ, Nazraeli Press, 2006, photographic illustrations, a few colour; and c.15 others, portrait photography, 4to & 8to (c.20)
Los 209
Genesis Publications.- Dylan (Bob).- Schatzberg (Jerry) Thin Wild Mercury (Touching Dylan's Edge), number 746 of 1500 copies signed by Schatzberg, photographic illustrations by Schatzberg, a few colour, original cloth with portrait mounted on upper cover, g.e., original cloth slip-case and fabric drawstring bag, 4to, Guildford, 2006.
Los 27
Aarons (Slim) A Wonderful Time: An Intimate Portrait of the Good Life, first edition, colour photographic illustrations, original cloth, dust-jacket, price-clipped, a little sunned, slight wear to head of spine panel, New York, 1974; and 3 others, similar, by Aarons, 4to (4)⁂ Photographic record of American, European and British aristocrats at leisure.
Los 31
Anderson & Low. Circus, one of 1000 copies, also signed by Anderson & Low, original boards, dust-jacket, Lucky Panda Press, 2008; Champions, National Portrait Gallery, London, UK, 30 October 2008 - 18 January 2009, one of 1500 copies, original rexine, Lucky Panda Press, 2008; Athletes [&] Gymnasts, together 2 vol., one of 2000 sets, original boards with dust-jackets, together in cloth slip-case, Santa Fe, NM, Twin Palms, 2002, photographic illustrations; and another by Anderson & Low, 4to & oblong 4to (5)
Los 39
Avedon (Richard) Avedon, exhibition catalogue, text stapled in original wrappers, illustrations loose as issued, together in silver card portfolio fastened with sticker (seal broken), a little rubbed at edges, Minneapolis, Minneapolis Institute of Art, 1970; Evidence 1944-1994: Essays by Jane Livingston and Adam Gopnik, signed by Avedon across double-page preliminary leaves, original pictorial boards, dust-jacket stained on inner flaps very slightly affecting boards, New York, 1994; Portraits, original cloth, dust-jacket, New York, 1976; In the American West, first English edition, original cloth with mounted illustrations, transparent dust-jacket, 1985; An Autobiography, original cloth, portrait mounted on rear cover, transparent dust-jacket printed in red, a couple of short tears to lower edge of rear panel, New York, 1993, first editions, photographic illustrations; and 9 others by or about Avedon, v.s. (14)
Los 46
Beard (Peter) Fifty Years of Portraits, first edition, signed and inscribed by Beard with characteristic footprints in paint on half-title, photographic illustrations, with prospectus and photograph of Beard "signing" books with his foot loosely inserted, original leatherette with portrait mounted on upper cover, 4to, Sante Fe, NM, Arena Editions, 1999.
Los 241
A collection of Ten Royal Mint coin sets to include year sets 2011, 2019, 2018, 2008, the 25p four coin set, the fourth circulating coinage portrait set, the fourth and fifth circulating coinage portrait collection set, emblems of Britain set, Victoria to Elizabeth penny set and the 2013 60th anniversary queens coronation set.
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