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283284 Los(e)/Seite
Los 377
A GOLD SPOON with a fluted oval bowl, the centre with a profile portrait bust, probably representing a Roman Emperor, within a beaded border, the flattened stem decorated with lions pursuing and bringing down an antelope, 208mm long. See illustration This enigmatic spoon appears to the without parallel. It has been suggested that the design and iconography are redolent of Roman imperial metalwork emanating from the Eastern Mediterranean, or North Africa.
Los 1136
A GEORGE III OAK AND MAHOGANY LONGCASE CLOCK, the white enamel dial signed “J Ivifon, Carlisle”, with Arabic numerals and subsidiary seconds dial, the arch painted with a portrait of a bearded gentleman, the spandrels with neo-classical style motifs, with a thirty hour movement, striking on a bell, the hood with scrolling cornice, the trunk with a long door, flanked by quarter recessed columns, 89" high.
Los 29
AN EARLY 19TH CENTURY NEEDLEWORK PANEL worked in gros and petit point with an equestrian portrait entitled 'Field Marshall Suwarrow, Commander in Chief of the Allied Forces of Austria and Russia Acting Against the French in Italy in the year of our Lord 1800, Done by me Jane Jeffries', within a diamond border, 49cms x 31cms
Los 90
WHITAKER (THOMAS DUNHAM) - THE HISTORY AND ANTIQUITIES OF THE DEANERY OF CRAVEN IN THE COUNTY OF YORK London 1805, portrait frontis., ills. throughout with monochrome aquatints and steel eng., rebound quarter calf; RIPON MILLENARY, A RECORD OF THE FESTIVAL 1892, illust. Jellicoe and Railton, numerous b/w plates and vignettes in the text, half calf, dec. gt. brown cloth; GRAINGE (WILLIAM) THE HISTORY AND TOPOGRAPHY OF HARROGATE AND THE FOREST OF KNARESBOROUGH, John, Russell Smith 1871 frontis. folding map, orig. green cloth; SPEIGHT (HARRY) - NIDDERDALE AND THE GARDEN OF THE NIDD: A YORKSHIRE RHINELAND steel eng. frontis. of Knaresborough, b/w photographic plates throughout, quarter calf, lacking spine (4)
Los 115
STERRY (WASEY) - ANNALS OF THE KING'S COLLEGE OF OUR LADY OF ETON BESIDE WINDSOR, London 1898, numerous photographic plates, a.e.g., orig. blue morocco gt. decor, gilt doublures, raised spine bands; GRAY (THOMAS) - POEMS AND LETTERS, privately printed for Eton College by Chiswick Press 1874, presented to Carolo S Greenwood 1875, portrait frontis., a.e.g. full tan calf gt. raised spine bands; another copy 1938; FERGUSON (BERNARD) - ETON PORTRAIT, John Miles London 1938, 2nd edition, illustrated, orig. green cloth (4)
Los 120
BURKE (EDMUND) - WORKS, 16 VOLS. London 1815, new edition, full calf gt., vol. 1 top board partially detached, some minor losses and tears to spine; D'AUBIGNE (J. H. MERLE) - HISTORY OF THE REFORMATION In The Sixteenth Century, 3 vols. London 1843, portrait frontis, half calf marble boards; MOORE (THOMAS) - THE POETICAL WORKS, 10 vols. London 1869, eng. frontis bookplate of Egerton Leigh Esq., half morocco marble boards; LITCHFIELD (FREDERICK) - ILLUSTRATED HISTORY OF FURNITURE, 1 vol. London 1922, 7th edition, col. frontis and numerous b/w illustrations, orig. red cloth gt. faded (30)
Los 228
A PAIR OF 19TH CENTURY BOHEMIAN OVERLAID GREEN GLASS AND GILT METAL TWO-HANDLED VASES, of classical urn form, the ground gilt with scrolling tendrils and each applied with a white overlay oval panel painted with a three-quarter portrait of a young girl, one holding aloft a platter of fruit, the other proffering a casket of jewels, on pedestal foot, 28.5cms high x 16.5cms diameter
Los 427
J*** W*** DOBSON (19th century) Portrait of Frederick Barnardiston Greenwood (1854 - 1886) as a boy, full length, in a black jacket, red kilt, holding a feathered hat and riding crop, standing in a landscape, oil on canvas, signed with monogram and dated 1861 lower left, sitters details and artists name verso, 143cms x 103cms
Los 557
After Girolamo Francesco Maria Mazzola, il Parmigianino (Italian, 1503-1540) Portrait of Antea oil on canvas 99 x 73cm Provenance: Private collection, Cambridgeshire Antea is generally believed to have been an Italian noblewoman from Parma, hence her jewels and ermine stole. She bears a striking resemblance, too, to the angel in Parmigianino's Madonna of the Long Neck. The original is in the Museo di Capodimonte, Naples.
Los 563
Attributed to Sir John Baptist Medina (British, 1655-1711) Portrait of a Gentleman oil on canvas 65 x 59cm Provenance: The Walker Galleries Ltd., Harrogate Sir John Baptist Medina was born in Brussels in 1655 and studied at the Rubens School before moving to London in 1688, where he built up a very good circle of wealthy clients to paint to commission. He later moved to Edinburgh where he died at the age of 56.
Los 564
Circle of Charles d'Agar (French, 1669-1723) Portrait of a Boy feeding Plums to a Crimson Rosella oil on canvas 71 x 60cm Provenance: Acquired at an Irish country house sale, together with a collection of portraits by Stephen Slaughter The Walker Galleries, Montpellier Gardens, Harrogate, Yorkshire Private collection, Cambridgeshire
Los 565
Thomas Stokes (British, fl.1730-1737) Portrait of Sir Stafford Fairbourne, Vice-Admiral of the Red (c.1666-1742) inscribed on the reverse on an old label "T Stokes pinxit Nov. 1737" oil on canvas 74 x 60cm Provenance: Beeleigh Abbey, Essex Inscribed on the reverse: "Painted aged 71, thirty years after the death of his first wife Dorothy Fane, T Stokes pinxit Nov. 1737" A three-quarter length portrait of Fairbourne. He wears a red velvet coat with black buttons and button holes and a grey full bottom wig. Fairbourne saw early service in Tangier against the Moors in the 1680s. He commanded the 'Warspite' at the battle of Beachy Head in 1690, and the 'Elizabeth' at Cape Barfleur in 1692. During the War of Spanish Succession 1702-13 he recognised the strategic importance of Mediterranean operations and held a variety of commands in the Channel culminating in the capture of Ostend in 1706, at which he was the senior naval officer. Here his co-operation with the Duke of Marlborough helped to secure a valuable depot for continental transport.
Los 615
Elizabeth Polunin (née Hart) (British, 1887-1921) Portrait of a Russian Girl oil on canvas 34 x 24cm Elizabeth Polunin (née Hart) (British, 1887-1921) Study of a Thames Barge signed lower left "Elizabeth Polunin" oil on canvas 36 x 26cm two (2) Provenance: By descent within the family of the artist Elizabeth Polunin studied at the Ecole des Beaux Arts and worked with Diaghilev's Ballet Russe.
Los 212
Cricketing interest: a large Staffordshire figure of a batsman standing before the wicket, possibly a representation of the Surrey player Julius Caesar, wearing an orange cap and sash, c.1865, a small chip to the front of the stumps, 33.7cm. Cf. Gordon Pugh, Staffordshire Portrait Figures, Section F, fig.14.
Los 405
An unusual pair of New Hall plates, painted in pattern 2679 with scenes of the inimitable Dr Syntax after Thomas Rowlandson's prints, he 'Painting a Portrait' and 'Being Chased by a Bull', on a gilded blue ground, the rims moulded with flowers and fruit and painted with floral panels, titled to the reverse in iron red, c.1823-27, 21.2cm. (2) Cf. Geoffrey Godden, New Hall Porcelains, p.393 for examples from the same service.
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283284 Los(e)/Seite