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283287 Los(e)/Seite
Los 39
PORTRAIT OF A MAN PLAYING A GUITARSigned l.r. 'Jan Zamoyski'Oil on canvasImage size: 100 x 67cm. (39½ x 26¼in.)Framed size: 134 x 102cm. (53 x 40in.)Jan Zamoyski was born in Poland, and was a painter, stage designer and decorator. His style represented the traditionalist trend in art during the 1930s and socialist realist aesthetics in the post-war period. From 1921-1922, he studied under John Kauzik, Wladyslaw Skoczylas and Mieczyslaw Kotarbinski at the Municipal School of Decorative Arts in Warsaw. He continued his study at the School of Fine Arts under the tutelage of Tadeusz Pruszkowski during 1923-1928.In 1925 he, along with fellow creatives, founded the Brotherhood of St. Luke. The most notable exhibitions by the group were at the Warsaw Society for the Encouragement of Fine Arts (1928,1929, 1932, 1938.), the Institute of Art Propaganda (1938) and the Palace of Art at Krakow (1930, 1938). Zamoyski exhibited extensively abroad, including the Musée Rath in Geneva (1931), the Brooklyn Museum in New York (1933), Pruessiische Akademie de Künste in Berlin (1935) and the Dutch Association of St. Luke in Amsterdam (1936). Zamoyski also practised interior design; his involvement in the design and painting of the fresco that adorned the lobby of the Military Geographical Institute in Warsaw (1919-1949) depicting Polish history became the highlight of his interior design career.During the Second World War, Zamoyski was drafted and took part in the September campaign. From 1939-1945, Zamoyski was captured and sent to Oflag II B Arnswalde, a prisoner of war camp, where he taught art classes and gave lectures on art. After the liberation, Zamoyski continued to pursue a successful career in art and interior design. He was later awarded the Gold Cross of Merit (1954), the medal of the 10th anniversary of Peoples Republic (1955), Knight~s Cross of the Order of the Rebirth of Poland (1956), Officer's Cross of the Order of the Rebirth of Poland (1969) and the Cross of Military virtue, the equivalent to the Victoria Cross. By the end of his life, Zamoyski was highly regarded as both an artist and soldier in Poland, exhibiting unwavering patriotism for his country, evident in his art and military career.Provenance: The Tony Bingham Collection
Los 40
PORTRAIT OF THE STADTHOLDER PRINCE MAURITS OF ORANGE-NASSAU (1567-1625)Oil on canvasImage size: 120 x 100cm. (47 x 39in.)Framed size: 140 x 114cm. (55 x 44in.)Maurits spent his youth in Dillenburg, Nassau, and studied in Heidelberg and Leiden. In 1585, after the death of his father, William the Silent, Maurits became stadholder of Holland Zeeland, as well as stadtholder of Utrecht, Guelders and Overijssel in 1590, and of Groningen in 1620. During his role as Captain-General and Admiral of the Union, Maurits organized the Dutch rebellion against Spain. His leadership resulted in a coherent and successful revolt against Spain, earning him the reputation as a formidable military strategist. Under his leadership and in cooperation with the Land's Advocate of Holland, Johan Van Oldenbarnevelt, the Dutch States Army achieved many victories and drove the Spanish forces out of the north and east of the Republic. During the Twelve Years Truce, Maurits set out to revise and transform the classical doctrines of Vegetius and led the way for new European forms of armament and drill. After the Truce, Maurits failed to achieve the victories he accomplished in his youth. He died with no legitimate heir. His brother, Frederick Henry, succeeded as stadtholder. The familial line is very much evident in the brothers' portraiture, and the similarities between the two portraits are startling. The portrait of Frederick Henry is currently held by the Rijksmuseum (SK-A-254) and is attributed to the studio of Michiel Jansz van Mierevelt^ circa 1632. The ruff worn by Maurits in his portrait, and the rounder form of the pauldrons indicates that the sitter is seen as representing an earlier fashion, than that found in the Rijksmueseum's portrait of Frederick Henry, which coincides with the line of succession.The original portrait of Prince Maurits is currently held at the Prinsenhof in Delft.
Los 7
PORTRAIT OF A CELLIST AND PORTRAIT OF A VIOLINIST SMOKING A PIPEA pair, both oil on panelEach: 20 x 14cm. (8 x 5.5in.)Framed size: 32.5 x 26.5cm. (13 x 10½in.)(2)Born in Brussels, Madou studied at the Academie Royale des Beaux-Arts; tutored by Pierre Joseph Celestin Francois. After a brief period of service with the topographical military division at Kortijk, Madou was commissioned to complete a series of lithographic works from a publishing company in Brussels. In the 1820s, he began his career as an artist. During 1825-1827, Madou made some of his more notable contributions which include: Les Vues pittoresques de la Belgique and Life of Napoleon. His work in La Physionomie de la societe en Europe depuis 1400 jusq~a nos jours and Les Scenes de la vie des peintres in the 1830s, gained the artist a great reputation. Only in the 1840s, did Madou change medium and began working with oils. This change of medium granted the artist even greater success, which resulted in his creation of a series of pictures representing scenes of village and city life. During this time, he also created the Societe Royale Belge des Aquarellistes which held annual exhibitions. During his later years, Madou completed a series of decorative paintings for King Leopold I, which were hung in the King~s chateau at Ciergnon. Madou died in Saint-Josse-ten-Noode in 1877. The Madou Plaza Tower bears his name.Provenance: The Tony Bingham Collection
Los 368
Three Doulton Lambeth stoneware Royal commemorative items, comprising Edward VII and Queen Alexandra 1902 Coronation jug with four portrait medallions, Rose, Thistle and Shamrock decoration, numbered 1331, 18cm high, a similar tobacco jar with two portraits and Art Nouveau floral panels, 16cm high, and a George V jug, two portraits and legend, 16cm high, (3)
Los 319
J. Horsburgh Guild (20th/21st century) - a still life of anemones and other flowers in a blue and white jug, signed, pencil and watercolour, 10.25" x 14"; together with three further pictures including a watercolour of an Eastern Mosque scene, a loch scene with blue flowers in the foreground and a charcoal drawing which is indistinctly inscribed depicting a head and shoulder portrait of a lady, various sizes (4)
Los 326
B* Spackman, (20th/21st century) - thatched cottage and barn, signed pencil and watercolour, 10.5" x 14"; together with nine further decorative furnishing prints and pictures by or after Clements Hassell, Sir Hans Heysen, Kathleen Caddiet, 'The Ridgeway', limited edition print 103/250 colour reproduction, portrait of Sir Winston Churchill, various other subjects, various sizes, (10)
Los 150
An early 19th century portrait miniature in a yellow precious metal brooch mount, depicting a young woman with ringletted hair, glazed panel to verso with two tied locks of hair, circa 1830, 5.5 x 4.8cms; and a pair of small Victorian gilt metal earrings, stipple engraved with stylised tulips, 2.2cms drop
Los 306
A 19th century yellow metal brooch, set with a portrait miniature on ivory depicting a young boy, approx 3.5cm x 2.8cm, unmarked assessed as gilt metal, approx 6.1gms; a 20th century Italian shell cameo pendant/brooch, carved portrait depicting a female, approx 2.8cm x 2.5cm, in a yellow metal frame stamped 331NA, approx 3.6gms; together with a Victorian shell cameo brooch, in a gilt metal frame (3)
Los 324
A 20th Century miniature portrait 18ct gold mounted as a brooch pendant, size approx 32 x 25mm, total gross weight approx 7.7gms along with a 9ct gold box chain, length approx 24'', and a diamond set wish bone in unmarked yellow metal probably 9ct gold and a 9ct gold chain, combined total gross weight aprox 12.3gms Further details: good wear and tear commensurate with age
Los 87
A pair of 19th Century Kerr and Binns Worcester porcelain vases of flattened bottle form, each with a hand painted portrait panel against a gilt patterned ground depicting Marguerite de France and Louise de Lorrain, the shoulders with moulded satyr heads and the reverse with a coronet and circular crest, the neck and foot with a gilt pattern, one with a printed mark, the other unmarked, height 15cm, the unmarked vase S/D.
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283287 Los(e)/Seite