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A salt-glazed stoneware teapot with associated cover c.1755, the globular body brightly painted with a portrait of the King of Prussia beneath the inscription 'Fred Prussia Rex', the reverse with a crowned black eagle behind an armorial shield and motto, all reserved on a dense black and white ermine ground, with crabstock handle and spout, the cover matched from a Jackfield teapot, 19cm across. (2)
Six Sunderland lustre jugs 1st half 19th century, one printed to two sides commemorating the Orange Institution, another pineapple moulded with a silver lustre band, one inscribed for 'William Rudge Born March 1757', another in blue on copper lustre with 'Martha Heading 1821', one commemorating Queen Caroline with a portrait and verse, the last decorated in silver lustre and red on a canary yellow ground, 17.3cm max. (6)
A pair of pearlware portrait plaques c.1800, modelled in high relief with profile portraits of Louis XVI and Marie Antoinette, coloured and reserved on a pink ground within a beaded black border, the Marie Antoinette plaque restored, 18.5cm. (2) Provenance: the collection of Aurea Carter. Cf. Griselda Lewis, Pratt Ware, p.132 for a similar pair. Lewis attributes the source of these plaques to a pair of Wedgwood Jasperware plaques modelled by William Hackwood in 1778.
A German porcelain plaque 19th century, painted with a portrait of Napoleon Bonaparte after Paul Delaroche, dressed in military uniform and with one hand tucked into his waistcoat, in a gilt metal frame, impressed mark for Carl Magnus Hutschenreuther of Hohenberg, Bavaria, the plaque 14.5cm.
A Meissen figure of a Dutch fisherman mid 18th century, modelled by Peter Reinicke, standing with his right arm outstretched, two large fish on the ground in front of him, faint blue crossed swords mark, the fish in his right hand lacking, 14.5cm. Cf. Yvonne and Len Adams, Meissen Portrait Figures, p.148.
THE RIOTERS OF RUSSIAby Otto von Courcelles; poems by Mishenka Giftman. Munich: German People’s Publishing House of Dr. Bepple, [1920s.]Rarity. Anti-Communist pamphlet.The pamphlet contains caricatures of Lenin, Zinoviev, Trotsky, Uritsky, Sverdlov, Radek and others. Each portrait is accompanied by a poetic epigram.
Domenico Bossi (1767-1853)Miniature. Portrait of the Emperor Alexander I signed and dated ‘D.Bossi pinxit 1807’ (lower left)gouache, watercolour on ivory6.4 x 5 cmexecuted in 1807ProvenanceFrom the collection of Marshal Berthier (1753-1815), Prince of Neuchâtel and Valangin and Prince de Wagram and his descendants.in black uniform with red collarwearing the blue moiré sash and breast-star of the the Imperial Russian Order of St. Andrew
ALPERT MAX (1899-1980)Portrait of Galina Ulanova Inscription in Russian: «Photo by my husband M. Alpert», Signature of the Alpert’s widow Glafira; stamp: «Photo by M. Alpert», stamp “Borodulin’s Collection” (on the reverse)1940s.Gelatin silver print29 ? 22 cmProvenance: Borodulin CollectionGalina Ulanova was one of the greatest ballerinas of the 20th century.Max Alpert (1899-1980) was a Soviet photographer and photo reporter. He was one of the founders of Soviet serial reportage photography. He traveled extensively throughout the Soviet Union photographing construction sites and workers celebrating the country, creating images aimed at depicting the life of the happy workers of the Soviet Union. At the same time, Alpert worked for “Pravda” newspaper, where he took portraits of virtually all major Soviet and many foreign politicians, military officers, writers, actors and chess players.
Antique cameo brooch, carved shell cameo depicting a portrait of lady in profile, with leaves and grapes in her hair, in a tested 9 ct frame, measures 4.8 x 3.8cmCondition Report: Gross weight approximately 10.83 gramsThere are a few light dents in the frame and a significant dent near the clasp hinge
Murrle Bennett & Co pendant, central oval panel containing painted portrait of a girl, surrounded by a border of seed pearls, surmounted by a seed pearl set bow and articulated bail, to the reverse is another hinged glazed section, mount stamped 9 ct and bearing Murrle Bennett & Co makers mark, 5.4 x 31cm Condition Report: weight 12 gramsall pearls are presentevidence of repair work to back of bow
Silver and costume jewellery, including a Scottish agate dirk brooch, an enamel painted portrait brooch with seed pearl border, a silver Albert chain with tassel termination and T-bar, a gilt metal double sided locket, engraved tested silver coin bracelet, two silver bangles, one hallmarked Birmingham 1963 and one hallmarked 1967 and both bearing makers marks for Joseph Smith & Sons, silver coin holder, hallmarked Birmingham 1904, mesh coin purse stamped Alpacca, tested silver curb link bracelet, novelty brass pig vesta case and Medana silver cased watch Condition Report: Silver gross weight 126 gramsEwbank's do not guarantee the working order or accuracy of any lots sold.
Superb quality, large 20th/21st oil on board, portrait of King Henry in full coronation regalia with an Ermine on his arm wearing a crown round its neck, indistinctly monogrammed & in a superb heavy which suits the portrait completely,The portrait measures 76 x 50 cm and is in superb, clean condition, without any issues.
A 17th century enamelled portrait miniature, depicting Lady Frances Haversham, her auburn hair in fashionable ringlets, wearing a choker necklace and attired in lace-edged décolleté crimson gown, within green enamelled mount with white foliate enamelled borders, applied with pierced gold work and rose-cut diamond highlights, painted on vellum, later mounted into a 19th century gold locket-back pendant, the reverse engraved ‘Frances Lady Haversham born 1646’ beneath a baron’s coronet, length including suspensory fitting 43mm, diameter 33mm. £1,200-£1,500 --- Born 1646, Lady Frances Annesley was the daughter of 1st Earl Of Anglesey and Lady Elizabeth Altham, Countess of Anglesey. Her first marriage was to Francis Wyndham but when widowed in 1688, she married Sir John Thompson, 1st Baron Haversham (1648-1710), an English politician, with whom she had at least eleven children. Thompson was the first surviving son of Maurice Thompson of St Andrew, Eastcheap, City of London and Haversham, who at one time is said to have obtained a monopoly of the Virginia tobacco trade. Sir John was created a Baronet of Haversham in the County of Buckingham in 1673, and later returned to Parliament where he held a seat for Gatton until 1696, and was raised to the peerage as Baron Haversham. Between 1699 and 1701, he was Lord of the Admiralty. Lady Frances Haversham died in March 1705. Her son Maurice succeeded as 2nd Baron Haversham after his father’s death in November 1710. He entered the House of Lords, between 1717 and 1718 he was a Treasurer of Excise. He married twice, with at least two daughters from his first marriage, but having no sons, after his death in April 1745, his titles died with him.
A 19th century miniature wax portrait bust of a lady, in the manner of Samuel Percy, the model full face and crafted in high relief, her auburn hair braided and wearing a cream and silvered laced bodice with green gilt heightened overgown, and jewelled necklace, in oval ebonised glazed frame, the reverse with paper handwritten label reading ‘Coloured wax by Lady Lucas 27 Bruton Street L.’, overall length 17cm. £100-£120 --- Samuel Percy (1750-1820) was an Irish wax-modeller and sculptor, active in England from 1772 and recorded as moving to London in 1777 where he established a thriving practice as a portraitist in wax. Wax portraits became highly fashionable in the 18th century.
A portrait pendant and paste set circular pendant, the oval portrait within a plain polished mount and depicting a lady in Regency dress, together with a smaller circular locket pendant with paste surround, glazed verso, lengths: first (including suspensory loops) 9.9cm, second 5.2cm. £80-£100
Corelli, Arcangelo. Opera Prima, XII Sonatas of three parts for two Violins and a Bass, with A Through Bass for ye Organ Harpsichord or Arch Lute, London: Walsh, [c.1740], nos. 364, 365, 366, 367, the four parts bound as one (four separate title pages). Small folio, half-calf with marbled boards, engraved frontispiece portrait. Contents very good, clean, bright; manuscript numbering to opening leaves; binding worn. Together with Handel's Celebrated Overtures, London: Preston, [c.1811], small folio, half-calf; Six Duets for Two Violins, composed & dedicated to Wilson Braddyll Esq. by Ignace Pleyel, London: Clementi, [c.1805], small folio, half-calf, as found with boards detached; Anna, A Favourite Scotch Air, by Jan Ladislav Dussek, London: W. Mitchell, n.d., unbound; two bound volumes of miscellaneous sheet music, c.1840, including Rossini and Mozart, quarto, half-calf, as found with boards detached (6)
Darwin, Francis (Ed.). The Foundations of the Origin of Species, A Sketch Written in 1842, by Charles Darwin, Cambridge: University Press, 1909. Octavo, quarter-vellum binding with printed paper-covered boards, frontispiece portrait of Charles Darwin, untrimmed edges. Contents generally good and bright with pale spotting in places, a crease to corner of title, page removed before contents (presumably to eliminate owner inscription), slight wear to paper boards
Anson, Brevet-Major O.H.S.G. With H.M. 9th Lancers During the Indian Mutiny, first edition, London: W. H. Allen & Co., Limited, 1896. Octavo, publisher's blue cloth lettered in gilt, portrait frontispiece. Contents very good, clean, bright, a few pale spots on opening leaves; recased in orignal cloth with faint wear to extremities, spine darkened, new endpapers; loosely inserted owner notes/research and catalogue entry from Peter Harrington. Scarce

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283287 Los(e)/Seite