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AFTER AUGUSTUS LEOPOLD EGG, RA (1816-1863) THE COUNCIL OF WAR IN THE CRIMEA: LORD RAGLAN, OMAR PASHA AND MARECHAL PELISSIER Mixed method engraving by S. Bellin, published by Henry Graves and Co, 1857, a proof before titles 63.5 x 53cm. with a related photograph by Roger Fenton, published by T. Agnew & Sons, 1855, 18.7 x 15.2cm. [see illus.]; and a group of pictures of Raglan interest, to include an engraved portrait of Field Marshal Lord Raglan after Sir Francis Grant (85.5 x 40.5cm), another after D. J. Pound; prints and a watercolour of Raglan (or `Ragland`) Castle; a lithograph of `Interior of Lord Raglan's Head Quarters` (Crimea) by Wm Simpson, 1855; a coloured lithograph of `The Graves of the Officers of the Guards who fell at Inkerman` by V. Brooks, 1855; a Vanity Fair portrait print after Spy of the 3rd Lord Raglan, 1901; and two portrait prints of Prince Albert and Princess Beatrice, these apparently gifts from Queen Victoria in 1859 and 1867 (15 items, all but one framed) ++ Principal item with prominent tear within image upper right and tear in left margin; others mixed, generally satisfactory/fair
STEPHEN CATTERSON SMITH (1806-1872) PORTRAIT OF CATHERINE AND MARIA DOVETON; PORTRAIT OF ELIZABETH JANE PAGET (nee DOVETON) (1804-1881); PORTRAIT OF JOHN MOORE PAGET (1791-1866) Three. the latter two signed and dated 1836, each black crayon heightened with coloured chalks 31.5 x 26cm.; 30.5 x 22.5cm.; 30.5 x 23cm. (3) Provenance: By descent in the family of the sitters ++ Foxing; a little time staining; period frames
A 19th CENTURY ALBUM containing two pen and ink drawings attributed to Bartolomeo Pinelli (one entitled `Costumi di Cerbaro`), two coloured aquatints of `Le Staubbach dans la Vallee de Lauterbrunnen` and `Vue sur le Wetterhorn`, a fine charcoal copy of Anton Raphael Mengs's self portrait [Hermitage] and assorted other works including a watercolour of Greenwich Hospital, nature studies, landscapes etc by various hands, contemporary tan straight grain morocco, borders gilt, 4to ++ Contents in generally good condition; binding a little rubbed and worn/grubby, slip cased
CHARLES MARCH GERE, RA, RWS (1869-1957) PORTRAIT OF MARY (nee FARQUHAR), 2ND WIFE OF THE 2ND LORD RAGLAN Inscribed MARY, watercolour 17 x 11.5cm. with four further watercolour portraits, to include a young lady by John Hayter after Simon Jacques Rochard. c1840, 22.5 x 17.5cm.; Henry Lygon at Eton, c.1830-50, 19 x 12.5cm.; Lily Legh Richmond by J. Fisher, c.1852, 18.5 x 14cm; and Henry, 4th Earl Beauchamp by Richard Dighton, 25.5 x 16cm. (5) ++ Mixed condition; some foxing, fading, staining etc
CIRCLE OF WALTER LANGLEY (1852-1922) PORTRAIT OF A GENTLEMAN, BELIEVED TO BE A SELF PORTRAIT Watercolour 25.5 x 22.5cm.; with a watercolour portrait of a boy in a sailor suit, bears signature and date W Langley 1907, possibly over a photographic base, 21 x 16.5cm. (2) ++ The former in good condition; the latter a little pale
CIRCLE OF KWAN KIU CHEONG, called LAM QUA (1801-1860) PORTRAIT OF A MANDARIN; PORTRAIT OF AN INDIAN GENTLEMAN Two, oil on board Each 26 x 21.5cm. (2) * The former portrait relates closely to a self portrait of the artist ++ Each with characteristic craquelure; the latter also with a little retouching in the background
ALLAN RAMSAY (1713-1784) PORTRAIT OF SIR PETER HALKETT, Bt. OF PITFIRRANE, FIFE (c.1660-1746) Half length, wearing a russet coat and brocaded waistcoat, his hat under his left arm, bears inscription in the upper corners (Sr. Peter Halket/ Wedderburn and of Pitferren and/ Gosford. Bart. Aged 87.), within a painted oval 75 x 62.5cm.
FRANCIS LINDO (1714-1767) FAMILY PORTRAIT OF JAMES ERSKINE, LORD ALVA (1722-1796), WITH HIS WIFE MARGARET AND THEIR TWO CHILDREN, 1761 Oil on canvas, in the fine original carved wood frame decorated with the Erskine coat of arms, signed and dated F. Lindo pinxt 1761 lower left corner. 90 x 121cm. * Erskine was the only son of Sir Charles Erskine Bt (1680-1763), Lord Tinwald, Justice Clerk of Scotland and his wife Grizel, daughter of John Grierson of Barjarg. He was appointed Lord of Sessions in Scotland (a senior judiciary role) and took the title Lord Barjarg (named for the family property on his mother's side, later sold) and subsequently changed his name to Lord Alva. Erskine married Margaret Maguire (1729-1766) in 1749. They had three children: Charles (1751-1761, commemorated in the portrait held here by his father), Isabella and John. After Margaret's death at the age of 37, Erskine married Jean Stirling in 1772 and she bore him a daughter, also called Jean. Lord Alva and his family also feature in a more significant group portrait by David Allan (1744-1796), an Edinburgh portraitist who worked in the tradition of artists like Romney, Batoni and Zoffany. Alva made keen efforts to establish Allan's career in the 1760's and he commissioned a portrait in 1780 to reflect his being founder-subscriber of St Cecilia's Hall, the venue for the Musical Society of Edinburgh. The work may be seen in the Scottish National Gallery, Edinburgh. Provenance: By descent in the family of the sitter. ++ Old lining; some associated retouching; some craquelure; a little thin in a few places
A diamond set gold pendant, the old circular-cut stone is set in 18ct yellow gold on a fine link gold neck chain. And a diamond three stone ring, set with graduated old cut diamonds in 18ct yellow gold. And a yellow gold Victorian bracelet mounted with a mother of pearl backed portrait clasp.
A collection of Long Play vinyl albums to include Paul McCartney (1st press ) PCS 7102 on apple laminated gatefold, Flowers in the Dirt Wporld Tour Pack No 06730, Tumbleweed Connection Elton John, Now Thats What I Call Music, Motown Chartbusters Vol.5, This Is Soul, Touch the Supremes, Portrait the Walker Brothers, Simon and Garfunkel Bridge over Troubled Water, Rod Stewart Foolish Behaviour.
LAURENCE STEPHEN LOWRY (1887-1976); a folder of three limited edition signed prints, "The Artist's Mother", signed in pen, "The Artist's Father", and "Self Portrait", both signed in pencil, and a boxed bronze medallion of a Lowry from an original model by Les Solomon, prints and medallion both with certificates confirming number 192/300, and a catalogue of the Salford Collection issued in 1978. (D) CONDITION REPORT: Condition good. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
A QUANTITY OF JEWELLERY including a hardstone cameo brooch, depicting a classical scene, a Victorian gold pendant, the centre with a sepia portrait of a woman leaning on an open bird cage, a carved shell cameo brooch, depicting the profile of a classical woman, a Victorian gold mourning clasp, set with small pearls, a George III gold brooch, pin missing, and various other items.
Charles Hunt (1803-1877)The Duke of Beaufort Coach, Starting from the Bull & Mouth, Regent's Circus, PiccadillyThe London to Brighton coach, after W.J. ShayerAquatint with hand-colouringJ.W. Laird, 184153cm x 65cmConfidenceTrotting horse portrait by Hunt after W. WombillAquatint with hand-colouringJ. Moore, 184446cm x 60cmWith another hand-coloured aquatint by R.G. Reeve after H. Alken containing four coaching scenes (3)
A late 19th/early 20th Century ivory oval portrait miniature Painted depicting a young infant boy dressed in yellow suit, with smiley jovial expression painted before a pale blue ground set within a brass frame, unsigned, mounted in a tan leather with gilded tools decoration, 9.5cms long x 7cms wide.

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