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Los 204

George Perfect Harding (1779-1843) Portrait miniature of Mary Queen of Scots Inscribed, possibly with a monogram, also inscribed verso Oval, in an ebonised frame 90 x 70mm ++Some bowing and a small tear lower left and lower right

Los 206

George Perfect Harding (1779-1843) Portrait of Robert Earl of Lindsey, full length, standing in an interior Inscribed verso, in an ebonised frame 182 x 119mm ++Good condition

Los 207

Attributed to George Perfect Harding (1779-1853) after Joos van Cleve Portrait of an unknown lady Rectangular in a wood frame 180 x 130mm A copy of the original in the Uffizi, Florence

Los 209

ë English School c.1830 Portrait of Matilda, Lady Slade, wife of Gen. Sir John Slade, three-quarter length, seated in a luxurious interior Rectangular in a gilt metal frame 215 x 157mm ++Vertical split to ivory/ivorine otherwise good condition

Los 210

ë Mary A. Millington Mannin (c.1800-1864) Portrait of Sir Francis Charles Edward Denys-Burton as a young man, half length in a dark coat Rectangular in an enclosed giltwood frame 100 x 75mm Provenance: Sotheby’s, 12th July 71, Denys Trust sale, lot 42 ++Ivory/ivorine lightly rippled, a split lower centre, possibly some retouching

Los 211

ë English School early 19th Century Portrait of Lady Charlotte Denys, seated wearing a russet coat Rectangular in a giltwood frame 85 x 70mm Provenance: Sotheby’s, 12th July 71, Denys Trust sale, lot 43 ++Good condition

Los 212

ë English School c.1825 Portrait of Anna Maria Draycott Denys, half length in a cream dress and black shawl 90 x 70mm Provenance: Sotheby’s, 12th July 71, Denys Trust sale, lot 43 ++Ivory/Ivorine a little bowed otherwise good condition

Los 216

ë Valerie Serres (early 20th century) Portrait miniature of a lady, head and shoulders in white Signed Oval 68 x 51mm

Los 218

ë English School early 19th Century Portrait miniature of Eliza, wife of Thomas Baron le Despencer (d.1848), head and shoulders, wearing white with a coral necklace Oval, in a gilt metal frame with a crown surmount and red leather case 70 x 60mm ++Good condition

Los 219

ë Ernest Rinzi (1836-1909) Portrait miniature of James Cooper, head and shoulders Oval in a gilt frame 47 x 39mm

Los 220

ë Annie F. Shenton (19th/20th Century) Portrait miniature of Fozay, a pug Signed with a monogram and dated 28.9.1913 62 x 48mm

Los 222

ë Jessie Edith Prior (1882-1971) Portrait miniature of Miss Edith Burrell, head and shoulders in blue Signed with monogram and dated 1933 Oval 75 x 60mm With 8 further miniatures, early 20th century by Gladys Denman, Miss Flora Tomkins, Pauline Netterville, Paul Henri Bourguignon and others (9)

Los 223

ë Alexander H. Wardlow (19th/20th Century) Portrait of King George V; A Scotts Officer Two, both signed 237 x 192mm and similar (2) ++Both foxed

Los 243

Lady Diana Beauclerk (1734-1808) Portrait of Georgiana, Duchess of Devonshire Signed with initials on backing paper Plumbago on vellum 15 x 16.5cm; 6 x 6½in Provenance: The estate of Peter J. Rankin

Los 244

Richard Cosway R.A. (1742-1821) Portrait of Margaret Long and her son Signed with a monogram and inscribed on a label verso Grisaille washes over pencil heightened with watercolour 24 x 18.5cm; 9½ x 7¼in Provenance: With F.B. Daniell and Son

Los 251

Sir Thomas Lawrence P.R.A. (1769-1830) Portrait of the Calmady children of Langdon Court, Devon Signed T. Lawrence PRA Delit Pencil and coloured chalks, in a period giltwood frame 75 x 62cm; 29½ x 24½in Provenance: By descent in the sitters’ family until purchased by the present owner at Bearne’s 3rd-4th July 2001, lot 286 Literature: Sir Thomas Lawrence, A Complete Catalogue of the Paintings by Kenneth Garlick, mentioned in footnote to No. 152, p.161 The Life and Correspondence of Sir Thomas Lawrence by D. E. Williams (1831), p. 337 onwards, Extract: Upon the mother’s expressing her delight at the chalk drawing, as soon as the two heads were sketched in, he replied, |that he would devote that day to doing a little more to it, and would beg her acceptance of it, as he would begin another|. The public, in one sense, must be glad at this liberality, for a more free, masterly, and exquisitely beautiful sketch was scarcely ever made. It may be doubted, however, whether, upon the whole, this circumstance is to be rejoiced in, for the sketch gave promise of a more beautiful piece than that which he afterwards completed. Both the faces were full, and that of the child now in profile was even more beautiful than the side face; and both were rich and lovely, and more soft and delicate in the sketch than in the finished picture. A portrait of Emily and Laura Anne Calmady, the eldest daughters of Charles B. Calmady and his wife, Emily Greenwood. This drawing is inscribed on the backing panel and also on a letter by the mother, Emily. The drawing has been confirmed by Dr. Kenneth Garlick in 2002 as the original drawing to the painting in the Metropolitan Museum of Art, New York, which Lawrence himself favoured as one of the few by which he would wish to be known. The inscription on the backing panel reads: Emily & Laura Calmady. Born 1818 & 1820 drawn by Sir Thom. Lawrence, P.R.A. July 1823 & intended to be painted on but being much admired by their mother this drawing was presented to her & the present painting begun Exhibited in Soho Square in 1824 Engraved by F. C. Lewis 1825 Leant to the Directors of the British Institution, Pall Mall 1830 exhibited with other works after Sir Thos.’ death that year. Was returned by them in the Waggon instead of the Mail by which they received it & was wet through & spoiled. E.C. The letter reads similarly but also adds: Engraved by F. C. Lewis in 1825. 800 of the engravings were sold within a month after its publication. Signed Emily Calmady. 1844

Los 297

Follower of François Clouet Portrait of a gentleman, head and shoulders, wearing a gold coloured coat, in a wooded landscape Inscribed Bene qui latiut bene vixit, Oil on panel 47 x 38cm; 18½ x 15in The latin translates as One who lives well, lives unnoticed (Ovid) ++Repaired split to panel, marked flaking and lifting in several areas with some to the face with a little paint loss, retouched, varnish patchy

Los 300

After Sir Anthony Van Dyck Portrait of Charles I Oil on panel, in a carved wood and gesso frame 31.5 x 26cm; 12 x 10¼in ++Panel joined centre and split to right of centre, join strengthened verso, a little visible retouching, not examined under u.v.

Los 301

Circle of Jan Anthonisz Ravesteyn Portrait of a gentleman with a lace collar Oil on canvs 58 x 44.5cm; 23 x 17½in ++Old lining, paint thin in some places, visible retouching

Los 326

English School early 18th Century Portrait of a girl wearing blue, holding a basket of flowers Oil on canvas 127 x 101 cm; 50 x 40in Provenance: Rutland Gallery, London ++Good restored condition

Los 327

English School 18th Century Portrait of an actress holding a mask Oil on canvas, oval unframed, unstretched 57 x 46cm; 22½ x 18in ++Unlined, un-stretched, right side missing, poor condition - advise viewing

Los 328

English School c. 1700 Portrait of Mary Marriott (d. 1703) Full length standing in an interior Oil on canvas 95 x 74cm; 37½ x 24in Provenance: The Manor House, Chipperfield ++Relined, evidence of restoration

Los 329

James Northcote R.A. (1746-1831) Portrait of Mrs. Thomasine Yonge or Young Oil on canvas 76 x 63.5cm; 30 x 25in Provenance: By descent to the sitter’s neice Mrs. Brater and gifted to Her son William Brater Frost & Reed Private Collection, U.S.A. Private English Collection Literature: Memorials of an Eighteenth Century Painter - James Northcote by Stephen Gwynn (1898): List of Portraits painted at Plymouth 1776/7, No. 41, Mrs Yonge, Pg. 266 Extensive old inscription verso detailing the sitter, artist and early provenance: Mrs. Thomasin Young Wife of Charles Young Esq. of Plymouth and Daughter of Revd. Thomas Worth Rector of High Bickington and Canon of Exeter Cathedral died March 10th 1796 Northcote pinxit 1777 This picture of her dear Aunt (her Father’s Sister) is given by Mrs. Brater to her son William Brater. Mrs Thomasine Yonge or Young was the wife of Charles Yonge (1726-1807) an eminent surgeon from Plymouth. He was instrumental in setting up the Plymouth Public Dispensary in 1798 and to which he left a bequest of £1000 in his will in 1807 James Northcote was born in Plymouth in 1746 and joined the studio of Sir Joshua Reynolds as a pupil and assistant between 1771 and 1776. The present picture is an example of his early portraits, greatly influenced by Reynolds. ++Old lining, some repairs and restoration, some crystallising to varnish

Los 332

After Sir Henry Raeburn Portrait of Walter Scott Oil on canvas 76 x 63.5cm; 30 x 25in ++Old lining and restoration, some bitumen in darker areas, paint separation, surface dirt and decorators paint splashes, not examined under u.v. light

Los 341

After Elisabeth Louise Vigée Le Brun Self portrait Oil on canvas 50.5 x 40.5cm; 20 x 16in ++Unlined, a scratch lower right with paint loss, An area of paint loss with retouching below centre and centre, further area of lifting and retouching to left of bonnet

Los 342

Sir George Hayter (1792-1871) Self portrait Inscribed and dated verso Georgius Hayter, Se Ipsum pingebar, 1828 Oil on canvas, oval in a rectangular frame 31 x 26cm; 12½ x 10¼in ++Unlined, some visible craquelure, not examined out of frame and glass very dirty

Los 345

After Sir Thomas Lawrence Portrait of King George IV in garter robes, c.1810 Oil on canvas 61 x 46cm; 24 x 18in

Los 346

English School 19th Century Portrait of Ebenezer Reed (1805-1841) Oil on canvas 91.5 x 74cm; 36 x 29in

Los 37

‡ Christopher Richard Wynne Nevinson A.R.A. (1889-1946) Portrait of a wounded soldier Signed Oil on canvas 50.5 x 40.5cm Painted c.1916 This painting was executed almost 100 years ago by Nevinson who had been at the heart of the action on the Western Front. Nevinson’s early works in the Futurist mould took a diversion with the onset of the First World War but he was determined to continue with the ‘Futurist technique’ to express the reality of War. However by 1916 his mètier was in retreat to a form of moderate modernism which won him much critical acclaim. His works at the time of the War are bleak, outspoken and often angry but his paintings of 1915-16 count among the masterpieces of his career. The unknown sitter is depicted gazing calmly at the artist but with a wealth of emotion in the eyes. He was to turn more to portrait painting after the War and this painting is a rare glimpse of Nevinson succeeding as a portrait artist at a watershed moment of his career ++Relined, good restored condition

Los 389

John Emms (1843-1912) Portrait of George Wateridge, Master of the New Forest Buckhounds with a horse and hounds Signed Oil on canvas 51 x 40.5cm; 20 x 16in ++Relined, good restored condition

Los 4

Henry Scott Tuke R.A. (1858-1929) Portrait of William Humphries Signed and dated 99 Oil on board 26 x 21cm Provenance: By family descent to the present owner ++Some fine craquelure in the darker areas

Los 429

Follower of James Jacques Joseph Tissot Portrait of a lady in profile, seated, wearing white Oil on canvas 46 x 36cm; 18 x 14in ++Relined, good restored condition

Los 57

‡ Frank O. Salisbury (1874-1962) A young lady in blue; Portrait of Mrs. Buchannan; Col Hutton Piers Lagle Three, all signed and titled, one indistinctly, Mrs. Buchannan painted 1908 All chalk on brown/grey paper, unframed 62 x 48cm and smaller (3) Provenance: By direct descent from the artist

Los 3071

A George III portrait panel mourning ring, central round portrait, maiden in the garden, watercolour, surrounded by a single band of seed pearls, later mounted to an unmarked yellow metal shank, size L, 8.4g gross

Los 3107

A five panel cameo bracelet, each circular panel carved as a maidens head, 9ct gold fancy S links, stamped 375, 6.1g gross; a pair of conforming earrings; a silver mounted cameo portrait pendant etc (6)

Los 3183

A Victorian cameo brooch, Venus seated in her swan drawn chariot, Cupid aloft, polished jet mount; another portrait; a yellow gold mounting brooch, central crystal, triple banded wheel surround, platted hair reverse, engraved Doris -Charlie; etc (4)

Los 259

R. O'Conor The cameo brooch, Mrs Siobhan Geragty, County Tyrone pastel portrait.

Los 333

David Griffiths (Welsh, Bn.1939) Portrait of Hywell Morris, TV Designer signed, titled and signed with initials to verso, 60cm x 50cm

Los 266

TWO FRENCH DECORATIVE PORTRAIT MINIATURES OF LORD NELSON AND THE BLUE BOY, THE FRAMES VENEERED WITH 19TH CENTURY IVORY PIANO KEYS

Los 267

19TH CENTURY NAIVE ARTIST, PORTRAIT MINIATURE OF A LADY HALF LENGTH IN BLACK DRESS HOLDING A RED BOOK, EBONISED FRAME AND TWO OTHER MINIATURES

Los 361

WINIFRED D. BOYNTON - ON ACTIVE SERVICE PORTRAIT OF ARNOLD BOYNTON HALL LOST AT SEA IN HMS "EXMOUTH" JAN 21 1940, SIGNED AND DATED 1940, OIL ON CANVAS, LAID ON BOARD

Los 371

MARIAN E. SWINSCOE - PORTRAIT OF DR G. SWINSCOE, BUST LENGTH IN A BROWN DRESS, SIGNED, DATED 19 SEPT '29 AND INSCRIBED, WATERCOLOUR

Los 196

A pair of Victorian portrait photographs of Victor Hugo and Mary Anne Hugo, in gilt frames with glazed outer cases

Los 361

A double sided portrait miniature of William Hutton in gilt metal brooch mount, two 9ct gold dress studs, an 18ct gold dress stud and a gilt metal fob seal

Los 400

A Victorian watercolour, double portrait of Rice Richard and Augustus Phillip Clayton as young boys, 7 1/2" x 10", in heavy gilt frame decorated flowers and acorns, and a pastel portrait of a lady (probably a member of the same family), inscribed "Farago Cannes 1956", 12" x 10"

Los 414

K Massy: a 19th Century watercolour, oval portrait of Eleanor Somerville, 8 1/2" x 7", signed and dated 1840, in scroll decorated gilt frame, and a pen and wash cartoon of Colonel Somerville relating to the Suffragette movement

Los 280

19th century portrait miniature of an army officer in a red jacket, 10cm x 9cm,

Los 1347

Malcolm Osborne (1880-1963)etching,head and shoulder portrait of Job Nixon (1891-1938), signed and inscribed to Mrs Job Nixon and dated 'Dec 1st/38', 12.5 x 7.25in; and other items relating to the artist including his Rome Scholarship medal, 1920, various exhibition catalogues and ephemera

Los 1351

Late 19th century English Schoolpastel,Portrait of a nude woman,oval, 16.5 x 13in.

Los 136

An oval Victorian relief carved marble portrait plaque of a bearded gentleman, unsigned, 18 x 14.5in.

Los 1361

Giuseppe Giardiello (1887-1920)pair of oils on board,Portrait of an Italian man smoking a pipe, and his wife,signed,11 x 6.5in.

Los 1368

John Byam Shaw (1872-1919)oil on canvas,'Olive'; Portrait of a girl holding a Chinese doll,signed,23 x 16in.

Los 1388

William John Wainwright (1855-1931)watercolour,Portrait of a 17th century gentleman,signed,10 x 7in.

Los 1408

Miss May Head (Exh.1913-14)pastel,Portrait of an officer in the Hussars,signed and dated 1913,36 x 28in.

Los 1419

George Goodwin Kilburne (1839-1924)oil on canvas,Portrait of a horse in a field,signed and dated '99,11.5 x 17.5in.

Los 1420

George Goodwin Kilburne (1839-1924)oil on canvas,Portrait of three horses in a field,signed and dated '99,15 x 24in.

Los 1472

§ Edward Wolfe (1897-1982)oil on canvas,Portrait of a lady brushing her hair,signed,20 x 16in.

Los 1534

Alan Parkeroil on board,Portrait of a gentleman in a landscape,inscribed verso,24.5 x 26in.

Los 1549

§ Sherree Valentine Daines (1956-)oil on canvas,Portrait of Mona,inscribed verso,16 x 12in.

Los 265

A Continental porcelain portrait plaque, late 19th century, painted with a dancer from the ballet La Bayadere, label verso inscribed 'Bayadere', 18cm x 13cm, framed

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