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283284 Los(e)/Seite
Los 475
Jean Shepeard (British, 1904-1989), Study of an Unknown Girl, Portrait of Josef Herman, RA (1911-2000), Portrait of Ronald Ossory Dunlop, RA (Irish, 1894-1973), all signed lower right with initials "JS", charcoal, 35 x 31cm; 28 x 19cm; and 29 x 23cm (3). Jean Shepeard was a noted beauty and a multi-talented Renaissance woman - an actress and painter, she captivated a range of admirers and the artists Frank Dobson and Ronald Ossory Dunlop were both her lovers, and they encouraged and supported her in her painting career. Shepeard first studied at the Slade School of Fine Art and then went on to RADA in 1925. Jean Shepeard`s first exhibition was in 1929 with her friend Francis Bacon. They shared the exhibition with Roy de Maistre, an Australian painter (1894-1968), and held it at Francis Bacon`s own house at 17 Queensbury Mews, South Kensington - it attracted critical acclaim with one critic writing: "Miss Shepeard`s drawings of heads show great sensibility and beauty of line and are, in their bold, unhesitating treatment, full of vigour and character". Later that year Shepeard exhibited at the Redfern Gallery in a joint exhibition with Augustus John, Lucian Pissarro, Paul Nash and Eric Gill. Constantly sketching, Shepeard`s drawings became sought after in theatrical and artistic circles. The Redfern Gallery exhibition was followed by an exhibition at the Modern Picture Library in Bloomsbury with Ben Nicholson, Frank Dobson, Ronald Ossory Dunlop and Epstein. The great collector Lucy Carrington Wertheim was a great admirer of her work. In 1920 Shepeard`s lover, Ronald Ossory Dunlop, founded the Emotionist Group, consisting of painters, musicians, philosophers, poets and actors, including Jean`s friend and flat mate, Peggy Ashcroft. Jean Shepeard had a one woman exhibition at the Alex Reid and Lefevre Gallery in 1933, when the art critic Gui St Bernard wrote: "Miss Shepeard is already mistress of the difficult art of elimination and art lovers who like the excitement of mild speculation should not miss the chance of what might prove very profitable investments in the near future. Why doesn`t everyone with a few spare pounds rush out and buy Jean Shepeard`s drawings?".
Los 505
English School (19th Century), Portrait of Mr Maude of Stricklandgate, Kendal, holding a Flute, oil on canvas, 90 x 74cm (35.1 x 28.86in). The present painting is in a carved frame which has at the top a shield charged with three gemel bars and overall a lion rampant. The Arms are those of the Maude family of Kendal, Westmorland. The Maudes were a prominent Kendal family of bankers in the late 18th and early 19th centuries. They lived at Stricklandgate House, built by Joseph Maude in about 1776. The sitter is likely to be one of the nine sons of Joseph and Sarah Maude, either Thomas, Frederick, William, Joseph, Warren, Edwin, John, Charles or Barnabas.
Los 551
Richard D (Dick) Lee (British, 1923-2001), Portrait of Frank Bowling, RA, a Notice for an Exhibition by Frank Bowling at William Darby, London, 1977, mixed media construction, in perspex case, 71 x 61cm (27.69 x 23.79in). Dick Lee was born in 1923 in Bulawayo in Southern Rhodesia (now Zimbabwe) and moved to England to become a student at Camberwell School of Arts and Crafts in South London. In 1953- 82 he joined the staff of Camberwell School and became a teacher. During thirty years of teaching Lee also gave to that institution his "notices". These were mixed media constructions, made up of scrap materials like timber, broken china, electrical flex, discarded brushes, dismembered toys and other bits of junk. He portrayed colleagues and contemporaries, mainly painters and contemporaries like Frank Auerbach, Robert Medley, Patrick George, Tony Eyton, Frank Bowling and others. Lee is said to be one of the most sensitive and uncompromising objective painters of his generation. His work is in the permanent collections of Trinity College, Cambridge, and the Royal Academy.
Los 555
Alfred Neville Lewis (South African, 1895-1972), Nubian Girl, signed upper right "Neville Lewis", oil on canvas, 60 x 50cm (23.4 x 19.5in). Lewis was born in Cape Town, South Africa in 1895 and moved to Cornwall where he studied under Stanhope Forbes. In 1914 he went to the Slade School in London and concentrated on portraiture, where he was influenced by Augustus John. After building a high reputation as a portrait-painter in London he decided to return to South Africa where he was appointed as the first official War artist in South Africa. Whilst travelling through the country he painted many important personalities and selected a group of them which were made ino African War postage stamps. While living and `working between London and South Africa his commissioned works included Sir Winston Churchill, Field Marshall JC Smuts, King George II of Greece; Field Marshall Lord Montgomery; Field Marshall Lord Alexander. He exhibited in Europe, United States and South Africa and concentrated in his later years on still-life subjects.
Los 367
ENGLISH SCHOOL (LATE 19TH CENTURY) - "Godalming from Frith Hill with steam train", watercolour, dated 1894, 6 1/4" x 8 1/2" and two further works to include Glyn Heard "Harbour at Tenby"; and portrait of an Arab, pastels in spot hammered Liberty style pewter frame embossed with love heart (3).
Los 702
Cook * - half length portrait of a gentleman with powdered wig, wearing a navy blue jacket and white shirt, signed, on ivory, 2.5" x 2", within a fine quality gold, blue enamel and seed pearl set oval frame, bearing the monogram initials of the sitter W B verso set in seed pearls and within a gold frame surmounted by doves over floral swags, with plaited hair set behind. *Some research has been undertaken with regard to the sitter whose monogram W B appears verso. There is a possibility that it could be William Bligh who bears a close resemblance in later years*
Los 603
A gouache on paper of a dancer wearing the Banana Dance costume by Dodo Burgner, annotated in pen, the reverse with a pencil preparatory drawing, and six other watercolour designs unsigned sheet 31 x 24cm.The woman in the Banana Dance dress is probably a portrait of Josephine Baker. In 1928 Dodo produced a design for Ulk of a woman with her scottie dog staring up in awe at a poster of Josephine Baker in Revue dressed in the infamous banana costume.
Los 64
ATTRIBUTED TO, JOHN THEODORE HEINS SNR (1697- 1756), Portrait of a Gentleman, traditionally identified as Joseph Banks, three-quarter length, wearing a brown Coat, and long, surcoat with lavish embroidery , holding a staff in his right hand, oil on canvas, 47 x 40 1/2in (119.8 x 101.6cm). Provenance : The Property of The Lady Beryl Gilbert, removed fom Revesby Abbey, Boston, Lincolnshire. Christie`s 8 February 1918. Lot 122 as J. van der Banck . Portrait of Joseph Banks, Esq. sold for £14 14 sh to Schroder. The Property of H.J. Banks-Davis, Esq. FRCP, deceased, late of 8 Portman Square, London W1. Christie`s 20 April 1936 as J. Van der Banck. Portrait of Joseph Banks, Esq. Sold for £8 18sh 6d to Porter. The presumed sitter in this portrait is Joseph Banks 11 (1695-1741) of Revesby Abbey, near Boston, Lincolnshire.Thanks to his marriage to an heiress, he was an extensive landowner , and was M.P. for Peterborough from 1728-1734, He was the grandfather of Sir Joseph Banks (1743-1820) who financed and accompanied James Cook on his 1768 voyage to the South Pacific.He also was High Sheriff of Lincolnshire. The staff that he is holding in this portrait may indicate his appointment to that office, A Portrait depicting Lettice Mary Banks ( Joseph`s Banks daughter) by William Hoare ( Holburne Museum at Bath ) shows a fair likeness to the sitter in this painting. The attribution to Heins remains tentative. A degree of studio involvement is also likely.
Los 115
NETHERLANDISH SCHOOL, c.1560/1570, Portrait of a Lady, half-length, wearing black Costume , with puffed sleeves,and white ruff collar, with gold chains, and holding a Purse, on panel, 26 1/2 x 21 1/2 in (67.3 x 32.1cm). Provenance: Westwell Manor, Burford (from circa 1930 ) ; Thence by family descent. The portrait is close in style to the work of, Arthur (Arnold ) Bronckhorst ( Fl. c. 1573-1583)
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283284 Los(e)/Seite