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Wm. Savage Winchester, A Trustee Servant's portrait' pottery jug, 16cm; and another smaller version, possibly by Copeland, 10cm.Qty: 2Condition report:No chips, restoration or evident hairlines. The taller jug has some pitting to the handle (firing defect) and both jugs has patches of discolouration to the white ground. Minor wear to the gilding.
Victorian white metal engraved snuff box, oval form with hinged lid engraved with a portrait of a young woman in a central cartouche, surrounded by scrolling foliate design, the border cast with stars and floral swags, engraved to underside, 7.5cm wide.Condition report:The hinge is good, as is the overall shape, no dents or distortions. The engraving remains detailed but the patina is very patchy with the dull base metal colour showing through.
Henry George Hine RI (1811-1895) – ‘Old Tom’ the Brighton Fisherman, signed, watercolour, 31 x 21.5cm Provenance: The artist’s son, Harry Hine RI (1845-1941) Exhibited: Hove Museum, Spring Loan Exhibition 1931, “Portrait Study Old Tom Andrews of Brighton 1833 lent by Mr A J Wilkinson” Good condition, unexamined out of frame
Robert Beielstien (1859-1933) - Portrait of a Young Woman, in black lace with roses and jewellery, signed and dated 1891, oil on canvas, 70 x 56cm, unframed Tiny hole upper right corner and surface scratches in various places and well clear of subject, unlined and unrestored, on the original stretchers
Charles Beatson (1864-1949) - Portrait of a Young Woman in a red cap, head and shoulders, signed, oil on canvas, 27.5 x 23.5cm and three oil sketches and one and a pair of works on paper by the same, including head and life studies, a brass bowl and pair of watercolours of cavaliers, various sizes (7) Portrait of girl - surface cracks and impression of stretchers showing through. The others in good, original condition, would benefit from a clean
Art & the History of Collecting. Sutherland-Leveson-Gower (Lord Ronald, M.P.), The Lenoir Collection of Original French Portraits, London: Maclure & Macdonald, Lithographers [...], 1874, some foxing, title-page and prelims creased, 136 plates, original green quarter-morocco over cloth (rubbed, light losses), the upper-cover with a portrait of the collector, all edges gilt, marbled endpapers, (57cm x 45.5cm)
1999 Queen Elizabeth the Queen Mother's Century - large formal postcard IOM post folder containing S.G. 875-880 u/m set, S.G. MS881 u/m miniature sheet portrait postcard cancelled 1st day of issue on 877 and a group of (12) limited edition FDCs comprising of two of each country with 1999 issue of stamps and min sheets for Angola, Gambia, Ghana etc.
12 glossy reproduction photo prints (mostly 10 x 15") all bearing signed elements as follows:caricature half-poster for 'Pulp Fiction', signed by: Uma Thurman (Mia Wallace) and Samuel L. Jackson (Jules Winnfield)behind-the-scenes still from 'Snake Eyes', signed by: Nicholas Cagescene from 'Van Helsing', signed by: Kate Beckinsale (Anna Valerious)signed portrait of: Sandra Bullock (still from film unknown)'Spiderman' ('02) poster, signed by: Sam Raimi; Kirsten Dunst'Lion King' poster, signed by: Matthew Broderick (Simba); Jeremy Irons (Scar); Hans Zimmer (composer) and James Earl Jones (Mufasa).'Lord of the Rings' generic poster, signed by: Ian McKellan and Viggo Mortensen'Gosford Park' poster, signed by: Michael Gambon (William McCordle); Kristin Scott Thomas (Sylvia McCordle); Richard E. Grant (George); Eileen Atkins (Mrs. Croft); Emily Mortimer (Elsie); Charles Dance (Lord Raymond); Helen Mirren (Mrs. Wilson); Laurence Fox (Rupert Standish); Stephen Fry (Inspector Thompson); Tom Hollander (Anthony Meredith)scene from 'Jurassic Park', signed by: Laura Dern (Dr. Ellie Sattler)Jurassic Park' poster, signed by: Laura Dern (Dr. Ellie Sattler); Samuel L. Jackson (Ray Arnold) and Arianna Richards (Lex Murphy).behind-the-scenes still from 'Sweeney Todd', signed by: Tim Burton and Johnny Depp.behind-the-scenes still from 'Jurassic Park', signed by: Steven Spielberg and Kathleen Kennedy (producer)
12 glossy reproduction photo prints (mostly 10 x 15") all bearing signed elements as follows:Quentin Tarantino'Deathly Hallows' image, signed by: Tom Felton (Draco Malfoy); Matthew Lewis (Neville Longbottom); Alfie Enoch (Dean Thomas); Miriam Margolyes (Prof. Sprout); Warwick Davis (Prof. Flitwick); Daniel Radcliffe (Harry Potter); Nick Moran (Scabior); Helena Bonham Carter (Bellatrix Lestrange); Devon Murray (Seamus Finnigan); Evanna Lynch (Luna Lovegood); Michael Gambon (Albus Dumbledore); Fiona Shaw (Petunia Dursley); Peter Mullan (Yaxley); Jim Broadbent (Prof. Horace Slughorn) and Helen McCrory - deceased (Narcissa Malfoy).'Love Actually', signed by: Hugh Grant (The Prime Minister); Joanna Page (Just Judy); Colin Firth (Jamie Bennett); Thomas Brodie-Sangster (Sam); Bill Nighy (Billy Mack); Richard Curtis* (director); Chiwetel Ejiofor (Peter) and Liam Neeson (Daniel).'Raiders', signed by: Lawrence Kasdan (writer); Kathleen Kennedy (producer); Karen Allen (Marion); Paul Freeman (René Belloq) and George Lucas (writer/producer).scene from 'Twister', signed by: Helen Hunt (Jo Harding) -scene from 'Romancing The Stone', signed by Kathleen Turner (Joan Wilder)Guardians of the Galaxy', signed by: Bradley Cooper (Rocket Raccoon); Dave Bautista (Drax the Destroyer) and Zoe Saldana (Gamora).scene from 'Snake Eyes', signed by: Nicolas Cage (Rick Santoro)scene from 'Gladiator', signed by: Ridley Scott; Djimon Hounsou (Juba); Omid Djalili (Slave Trader) and Hans Zimmer (composer)signed portrait of Ben Whishawscene from 'Moonstruck', signed by: Nicolas Cage (Ronny Cammareri)
A 'Portrait of Champions' print c 2000, signed by 17 past champions to include Padraig Harrington, Nick Faldo, Mark O'Meara, Sandy Lyle, Tony Jacklin, Todd Hamilton, Henrik Stensson, Darren Clarke, Ernie Els, Stewart Cink, Paul Laurie, Tom Lehman, Justin Leonard, Mark Calcavecchia, John Daly, Louis Oosthuizen and Johnny Miller.Signatures obtained in person by a dedicated collector in the Manchester area, who collected tens of thousands of autographs from stars of sport, music and screen.
1953 A.D. or later. Steel obverse medal die (incuse and reversed). Obv: profile bust with ELIZABETH II legend and stars. 255 grams, medal 28mm diameter. Property of R W M collector. No commemorative medal from this die has been traced so there is no information as to the event being celebrated although the youthful portrait suggests that the 1953 coronation is perhaps likely; it may be a pattern type that was not issued. [No Reserve]
Late 17th century A.D. One side with the Crucifixion scene, Virgin Mary and Saint John weeping at the foot of the cross, the soldier Longinus piercing the side of Jesus; the other side with a diptych painted on paper representing a crowned Saint George (Bet Gorgis) and his servant Seqrates dressed like a priest, watching the miracle of the transformation of water into wine; lines of Ge'ez text in black ink on the reverse; wooden frame with closure on both sides, surmounted by a small cross. See similar image of dressed Saint George in Walters Gallery, Ethiopian Manuscript W835, folio 37.455 grams, 25.7 cm (10 1/8 in.). Ex Cy Lester, an antiquarian bookseller, London, UK, circa 1990. Ex central London gallery. Among the imagery of Ethiopian equestrian saints, three main representational categories can be distinguished: 1) simple portrait of the saint armed with spear or lance and holding the reins of a horse; 2) the saint spearing an enemy; 3) the saint according to one of the aforementioned types placed in a narrative scene. [No Reserve]
Circa 6th century A.D. Rectangular in plan with ornament to all four faces; Side A: facing bust in a stepped square recess, with band of textured short hair, broad face with fleshy features, below this a severe undercut with median D-section column supporting the frame formed as openwork vine-leaves with couchant stag and fawn flanked by two panels of flowering creepers; Side B: facing female bust with band of straight hair, some remains of raised border, deep recessed vertical slot below; Side C: upper panel largely absent, undercut with D-section column of vine-leaves and bunch of grapes flanked by scrollwork; Side D: facing female bust with band of straight hair, remains of fluted border to one side, deep recessed vertical slot below; upper face with one large drilled socket and two smaller; mounted on a custom-made stand. See Mango, C., Antique Statuary and the Byzantine Beholder, Dumbarton Oaks Papers, 17, 1963, pp.53-75; Beckwith, J., Early Christian and Byzantine Art, London, 1979.72.7 kg total, 58.5 cm high including stand (23 in.). Ex UK art market. Acquired London in 2009. Ex central London gallery.Accompanied by an academic report by Prof. Neritan Ceka. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.202057. The treatment of the hair on portraits with the hair combed straight and raised on the forehead, covering the ears, refers to the portraits of sculptures, mosaics, coins, or ivory plaques of Justinian period (527-568 A.D.) and namely to the portrait of Byzantine Empress Theodora (500-548 A.D.) in the Musei del Castello Sforzesco, Milan, Italy. The decorative sculpture of that period was relatively limited in the presentation of human portraits and our object takes on a special meaning in the framework of the anthropomorphic art of the early Byzantine period. [No Reserve]
Follower of Sir Anthony van Dyck/Portrait of a Bearded Gentleman/half-length/oil on canvas, 92cm x 61cm/in a gilt frame/Provenance: Duke of Abercorn, Baronscourt, Christie's 10. 7. 1992, lot 152A CONDITION REPORT: Relined and cleaned otherwise good in a very slightly but complete plaster gilt frame.
Elizabeth Hughes/Portrait of a Young Girl/looking right, wearing a white bonnet and cloak/oil on canvas laid to board, 21cm x 15cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
English School, 19th Century/Portrait of a Gentleman/three-quarter length, wearing a black coat and holding a pair of spectacles/and the companion portrait of his wife/oil on board, 38cm x 28cm and/D Cox and H Lamb/To Miss Rogers'/Views of Dowdeswell House/printed and published by SY Griffith & Co. Cheltenham/four coloured engravings, the largest 10.5cm x 15cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
English School, 18th Century/Portrait Miniature of a Gentleman/said to be Matthew Boulton (1728-1809)/watercolour on ivory, 8cm x 6cm/in a fine Neoclassical frame, 18cm x 25cm/Ivory registration reference: MSHRE69G CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
An 18th Century portrait miniature of a child holding a bouquet of flowers, oil on panel, 7.5cm x 6cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Dutch School/Portrait of a Fishwife/monogrammed 'Jn V'/ink and wash on paper, 23cm x 18cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Sir Joshua Reynolds PRA (1723-1792)/Study for a Portrait of Thomas Markham (1719-1807), Archbishop of York/circa 1777/ink on mourning stationery, 16cm x 9.5cm/Note: Markham sat for Reynolds in April 1777 and paid £94.10s for 'his picture and a copy'. The original is at Christ Church, Oxford, and the copy at Bishopthorpe Palace, York CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Italian School, 16th/17th Century/Portrait Study of a Man/wearing a court dress/monogrammed EA and '84/inscribed verso in pencil 'Alex March 8-45/ink on paper, 11cm x 18.5cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Attributed to Henry Treganowan/Portrait of James Polkinghorne/Portrait of his wife Ruth/both three-quarter length/extensive inscriptions verso/watercolour, 28cm x 23cm (2) CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
A Mettlach stoneware two-handled vase and cover in the majolica style, the globular body applied to each side with a cameo portrait bust signed M. Hein, late 19th Century, impressed 'abbey' mark, 44cm high CONDITION REPORT: One very minor flake to glaze above socle, otherwise in very good condition.
Two Rosenthal porcelain plates, in the Art Nouveau style each printed with a bust portrait of a maiden, the rims moulded with pansy flower heads, 22cm wide CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
An early 19th Century plaster intaglio bust portrait of a Pope, in a gilt surround, another, three seal impressions all boxed and a tortoiseshell snuff box CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
A pair of terracotta roundels of Night and Day after Thorwaldsen, a small framed roundel similar, a framed collection of portrait medallions and five French creamware black painted plaster with nobles CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Two Russian lacquer boxes, each decorated a portrait of gentleman to the lid and with red interior, the larger 11.5cm long x 9cm wide CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Montfaucon,B.de.: L'Antiquité expliquée, et représentee en figures. 5 in 10 Bdn. sowie 5 Suppl.-Bde., zus. 15 Bde. Paris 1722-24. Fol. Mit gest. Front. u. Portrait, 10 gest. Titelvign., zahlr. gest. Vign. u. Init. sowie 1362 (statt 1394) tls. dplblgr., einige gefalt. Kupfertafeln. Ldrbde. d. Zt. mit Rverg. u. Rsch. (Abweichend gebunden, Format tls. abweichend; best. u. berieb., tls. etw. läd.). PMM 175. Brunet III, 1861-62. Lipperheide Ba 6 (gute Übersicht). - Die Bände 1-5 in 2. Aufl. von 1722 (Erstausg. 1719). Die Supplemente, die häufig fehlen, sind nur einmal aufgelegt worden. - "Gab in 15 Bänden eine Übersicht über die gesellschaftlichen und künstlerischen Seiten der antiken Zivilisationen". - ╔Es fehlen folgende Tafeln in den Suppl.-Bänden:╗ Bd. 1 ohne Taf. 46, 48, 56, 60, 64, 65 u. 80; Bd. 2 ohne Taf. 21, 31, 32 u. 42; Bd. 3 ohne Taf. 8, 11, 15, 27, 67 u. 71; Bd. 4 ohne Taf. 46; Bd. 5 ohne Taf. 10, 33, 42, 43, 52, 53, 56, 59, 60, 65 u. 70-73. - Stellenweise etw. gebräunt u. fleckig, tls. wasserrandig, einige Bl. lose (Bd. 1 (Tl. 1)). - ╔Beiliegen:╗ 3 Dubletten. Bd. 1 (Tl. 2), Bd. 2 (Tl. 1) sowie Suppl. Bd. 3. - Zus. 18 Bde.
Basan,(P.F.).: Recueil d'estampes gravees d'apres les tableaux du Cabinet de Monseigneur le Duc de Choiseul. Paris, für den Autor 1771 (= 1774). 4°. Mit gest. Titel, gest. Portrait, gest. Widmung, 12 Bl. gest. Text sowie 130 gest. Abb. auf 125 Taf. Hldr. d. 19. Jh. (Berieb. u. best., Hdeckel wasserfleckig). Cohen/R. 115. Graesse I, 306. Fürstenberg 104, 114, 143, 151. - Enthält hauptsächlich Wiedergaben von Werken niederländischer, französischer und italienischer Künstler wie Bruegel, Breenbergh, Ostade, Velde, Mieris, Rembrandt, Teniers, Berchem, Claude Lorrain, Robert, Ruisdael, Tizian oder Greuze. - Die Kupfer sind 1-123 nummeriert, dazu kommen die Tafeln 68*, 69*, 76*, 78* u. 101*; die Abbildungen 3/4, 44/45 und 93/94 jeweils auf einer Tafel. - In den breiten w. Rändern etw. fleckig bzw. wasserrandig.
Basan,P.F.: (Recueil d'estampes gravees d'apres les tableaux du Cabinet de Monseigneur le Duc de Choiseul). Paris, für den Autor 1771 (= 1774). Fol. Mit gest. Widm.-Bl., 12 S. gest. Text, gest. Portrait u. 103 (von 125) Kupfertaf. Ohne Einband. Cohen-R. 115. - Enthält hauptsächlich Wiedergaben von Werken niederl., franz. u. ital. Künstler wie Bruegel, Breenbergh, Ostade, Rembrandt u.a. - Es fehlen der Kupfertitel u. 22 Tafeln. In den breiten w. Rändern fleckig (Darst. meist sauber). Widm., Text u. 3 Taf. lose.
Hogarth,W.: Zeichnungen. Mit der vollständigen Erklärung ders. von G.C. Lichtenberg, hrsg. u. fortgesetzt v. F. Kottenkamp. 2 Bde. Stgt., Literatur-Comptoir 1840. Gr.8°. Mit Portrait u. 92 Stahlstichtaf. XXIV, 591 S.; 3 Bl., S. 592-994. Pbde. d. Zt. (Rckn. mit Lwd. erneuert). Graesse III, 318. Jung, Lichtenberg-Bibl. 2141. Erste Ausgabe in dieser Zusammenstellung. - Gebrauchsspuren. - ╔Dabei: Riepenhausen,E.╗ Lichtenbergs ausführliche Erläuterungen der Hogarthischen Kupferstiche... Lieferungen 3-8 in 2 Bdn. Göttingen 1796-1805. - Zus. 4 Bde.
Stuttgarter Almanach: zur angenehmen Unterhaltung auf das Jahr 1799. Stgt., Löflund (1798). Kl.8°. Mit Kupfertitel, gest. Portrait-Front. u. 12 dplblgr. Kupfertaf. 5 Bl., XII S., 6 Bl., 207 S. Illustr. Okart. mit Goldschn. (Etw. fleckig u. verzogen). Köhring 19. Baumgärtel 78. Marwinski 169. - Alles Erschienene. Die Kupfer von D'Argent nach Stoll zeigen württembergische Burgruinen. - Vereinzelt leicht fleckig, S. 17/18 mit Einriß. - ╔Dabei: Taschenbuch╗ auf das Jahr 1804. Die natürliche Tochter. Trauerspiel von Goethe. Tbg., Cotta (1803).
Demoustier,C.A.: Lettres a Emilie sur la mythologie. Derniere edition. 6 Teile in 3 Bdn. Paris, Renouard 1801. Mit gest. Portrait-Front. u. 36 Kupfertaf. von P. Audouin u. C.E. Gaucher nach Charles Monnet. Ldrbde. d. Zt. mit goldgepräg. Fileten, Rsch., Stehkanten- u. reicher Rverg. (Tls. Innengelenke etw. brüchig). Rümann 452. Sander 451. Vgl. Cohen-Ricci I, 136. Lewine 283. Reynaud 122. - Seltene dritte Oktav-Ausgabe der berühmten Briefe zur antiken Mythologie. Gegenüber der ersten Ausgabe von 1786-1798 hier mit der doppelten Anzahl der schönen klassizistischen Kupferstiche. - Tls. leicht fleckig.
Goethe,(J.W.v.).: Werke. Vollständige Ausgabe letzter Hand. 58 (von 60) in 29 (von 30) Bdn. Stgt. u. Tbg., Cotta 1827-42. Kl.8°. Mit 1 Portrait-Front. u. 1 Taf. Lwdbde. d. Zt. mit Rsch. (Berieb.). Hagen 23. - Ohne Bde. 21-22. Die sogenannte Taschenausgabe in Kleinoktav. Die Bde. 1-5 in einem von G. Loeper entdeckten Paralleldruck von 1828 (vgl. WA I.2.299, dort mit C 2 bezeichnet). - Aus dem Besitz des Tübinger Prof. für Ästhetik Karl Reinhold von Köstlin (1819-1894). - Das Portrait aus dem ersten Nachtragsband in Bd. 1 vorgebunden. Mit der Tafel zur Geologie in Bd. 51. - Tls. etw. fleckig bzw. wasserrandig. - ╔Dabei: Döring,H.╗ Supplement-Band zu Göthe's Werken. Göthe's Leben. Weimar, Hoffmann 1828. Kl.8°. Mit Faksim. - Zus. 30 Bde.
Chasis,H. u. W.Goldring.: Homer William Smith Sc.D. His scientific & literary achievements. New York, University Press 1965. Gr.8°. Mit Portrait-Front. u. 17 Abb. auf Tafels. X S., 2 Bl., 282 S., 1 Bl. Ohlwd. mit Kopfgoldschn. in Opp.-Schuber. Nr. 123 von 300 Ex., von beiden Autoren im Druckverm. sign. - ╔Dabei: Ferguson,J.╗ Bibliotheca Chemica. Reprint. 2 Bde. London 1954. - ╔Boas,M.╗ Robert Boyle and 17-century chemistry. Kraus Reprint 1976. - (58, 1465, B-23). - ╔Clemens,J.F.R.╗ Pericula nonnulla microscopico chemica circa sal seri. Praes. H.F. Delio. Erlangen, Walther 1766. Kl.4°. Mit 1 Kupfertaf. XXX S. Mod. Brosch. - Bayle & Thillaye II, 450. - Seltene Hochschulschrift. - Etw. fleckig u. gebräunt. - (1137). - ╔Corvisart,L.╗ Sur une fonction peu connue du Pancreas la digestion des aliments azotes. Experiences paralleles sur la digestion gastrique et intestinale, inductions cliniques. Paris, Masson 1857-58. 3 Bl., 123 S., 32 S. Vlg.-Verz. Spät. Lwd. mit Rsch. u. eingeb. Vdeckel des OU. - (= Extrait de la Gazette Hebdomadaire de Medecine et de Chirurgie). - Titelbl. mit eh. Verf.-Widm. u. Unterschr.: "a Mr le Prof. C. Schmidt, hommage de l'auteur Dr. L. Corvisart". - Wasserrandig, St.a.T. - Exlibris. - (568)

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283284 Los(e)/Seite