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Preisdatenbank abonnierenGeorge Augustus Freezor (act.1861-1900)/Portrait of a Lady/half-length/monogrammed and dated 1881/oil on canvas, 24cm x 19cm/Provenance: The Estate of Anthony J Beeson CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
English School, early 19th Century/Portrait of a Soldier/bust length, wearing a red uniform with epaulette's/watercolour, 20.5cm x 16.5cm/Provenance: The Estate of Anthony J Beeson CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
English School, early 19th Century/Portrait of Johnnie Rowlandson/half length, wearing a buff coloured coat/oval/watercolour, 17.5cm x 15.5cm/Provenance: The Estate of Anthony J Beeson CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
English School, circa 1828/Portrait of a Gentleman/half-length, wearing a Turkish Costume/indistinctly signed (Gubbins?) and dated 1828/11.5cm x 10.5cm/Provenance: The Estate of Anthony J Beeson CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
English School, 19th Century/Portrait of a Gentleman/half length, holding a book in his right hand/oil on canvas, 75cm x 62.5cm/Provenance: The Estate of Anthony J Beeson/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
English School, mid 18th Century/Portrait of a Lady/wearing a Turkish costume/pastels, 39cm x 31.5cm/Provenance: The Estate of Anthony J Beeson CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
English School, circa 1835/Portrait of a Lady/pen and ink, 27cm x 19.5cm and a pen and ink portrait of a gentleman in 18th Century dress/Provenance: The Estate of Anthony J Beeson CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Malcolm Ashman (born 1957)/Portrait of Adriano or 'Bollywood Boy'/monogrammed and dated '02/oil on board, 27.5cm x 58.5cm/Provenance: The Estate of Anthony J Beeson CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Friedrich Wilhelm Huhn (1821-?)/Portrait of a Gentleman/half-length, wearing a brown coat with brass buttons/oval/oil on canvas, 63cm diameter (canvas torn)/Provenance: The Estate of Anthony J Beeson CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Vincent Michael Brown (b.1971)/Portrait of Anthony Beeson Esq & Aethelstan/monogrammed/oil on canvas, 105cm x 89cm/Provenance: The Estate of Anthony J Beeson/see illustration CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Charles Edwin Andrew (1911-1996)/Portrait of a Man/bust length, wearing a hat/oil on canvas, 62cm x 51cm with still life to back of canvas/Provenance: The Estate of Anthony J Beeson CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
English School, 19th Century/Portrait of a Lady/half-length, wearing brown dress, lace shawl and lace bonnet/feigned oval/monogrammed AE and dated 62/oil on canvas, 35cm x 20.5cm/Note: Label verso indistinct 'wife of Samuel Parke'?/Provenance: The Estate of Anthony J Beeson CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
English School, mid 19th Century/Portrait of a Lady/Portrait of a Gentleman/a pair/oil on panel, 16cm x 13cm/Provenance: The Estate of Anthony J Beeson CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Jules Laurens (1825-1901)/Portrait of a Young Lady/half-length, wearing a black shawl and hat/signed and dated 1857/watercolour, 34.5cm x 26cm/Provenance: The Estate of Anthony J Beeson CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Various carved composite stone portrait plaques/Provenance: The Estate of Anthony J Beeson/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
English School, early 17th Century/Portrait of a Man in Armour/traditionally identified as Sir Ellis Hicks (circa 1315-circa 1390)/half-length/feigned oval/oil on canvas, 76.5cm x 63.5cm/Note: The 'shadowy threads' of family history are particularly hard to unravel here, 'A Cotswold Family' acknowledges that this portrait depicts a man in 17th Century armour and suggests that Sir Michael Hicks Kt (1645-1710) may have 'desired for the family an ancestor with the grand air' and contrived the portrait as a sort of touchstone for later Hicks. A more recent theory is that it could depict Sir Elias Hicks (circa 1600-1679) who served as a soldier to Charles I and gained favour due to his daring actions that lifted the Siege of Montauban in 1621. The latter figure was perhaps a cousin of and certainly a contemporary of Sir William Hicks (1596-1680)/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Circle of Cornelius Johnson/Portrait traditionally identified as Sir Michael Hicks Kt (1543-1612)/half-length, wearing a hooded black cloak, a broad neck ruff and a white shirt with gilt buttons/oil on canvas, 77cm x 63.5cm/Note: Sir Michael Hicks was the eldest surviving son of Robert Hicks (circa 1524-57), iron monger and later mercer, of the White Bear, Cheapside, London. He was in Lord Burghley's household and was one of his two principal secretaries, 1580-98, dealing with matters of patronage, a position in which, owing to his position as gatekeeper to the Lord Treasurer, he became wealthy/Literature: 'A Cotswold Family' p.186 'Like his first master, Burghley, Michael Hicks eludes the definitions of posterity, and is for his own descendants only a 'picture on a wall.' We cannot help feeling that the sitter in this portrait is in fact female and that the crudely added inscription represents an attempt by some long gone family member to 'fill a gap' in the collection of portraits/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Circle of Garret Morphy (act. 1680-1716)/Portrait of Letitia, Countess of Donegal (1626-1691)/three-quarter length, in a landscape, wearing a richly embroidered dress with a jewel at her breast/oil on canvas, 104.5cm x 72cm/Note: Daughter of Sir William Hicks, 1st Bt/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Follower of John Michael Wright (circa 1617-1694)/Portrait of Countess Longford (died 1697) (nee Anne Chichester)/half-length, wearing pearl earrings and a pearl necklace/feigned oval/oil on canvas, 73.5cm x 63.5cm/Note: The daughter of Arthur Chichester, 1st Earl of Donegall by his third wife Letitia Hicks, she married firstly John Butler, 1st Earl of Gowran and secondly Francis Aungier, 1st Earl of Longford/Literature: In one of the more colourful passages of 'A Cotswold Family' the portrait, erroneously attributed to Godfrey Kneller is described thus: 'there is a picture of a woman of Hicks lineage at Witcombe which makes the Saxon savage not a probable, but the only possible, ancestor. The savage may die out in man, but it will never die in a woman; and this truth the picture of Kneller's declares'/see illustration CONDITION REPORT: Has been cleaned, otherwise in good condition in a contemporary frame.
Circle of John Riley (1646-1691)/Portrait of Richard Howe Esq/bust length, bewigged and wearing a black cloak and white stock/oval/oil on canvas, 76cm x 63cm/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Circle of Godfrey Kneller (1646-1723)/Portrait of Sir Michael Hicks Kt (1645-1710)/Portrait of Lady Hicks (died 1724)/both bust length, he bewigged and wearing a brown cloak, she wearing a red cloak over her shoulder/a pair/oval/oil on canvas 76cm x 62cm/Note: Sir Michael was the younger surviving son of Sir William Hicks (1596-1680) 1st Bt. His father settles the Witcombe Park Estate on him on his marriage and he built a new house there circa 1697. His wife Susanna was the youngest daughter of Sir Richard Howe, Sheriff of London/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
English School, late 17th Century/Portrait of Fortune Watts/half-length, wearing a white silk hood, pearl necklace and fur stole/feigned oval/oil on canvas, 77cm x 64cm/Exhibited: Cheltenham Art Gallery, 'Fine Paintings from Gloucestershire Houses and other sources,' 5th to 17th July 1965, cat no 74/Note: The mother-in-law of Howe Hicks, Fortune Watts' portrait is described on p. 240 of 'A Cotswold Family' as having 'a fair, clearly-cut face which looks down from it's frame out of a white hood with an air of immense reticence...'/see illustration CONDITION REPORT: The portrait has been cleaned and relined, the paint is thin especially on the fur stole and the background, the face and hood are in good condition, there is no sign of restoration.
Circle of Jonathan Richardson (1665-1745)/Portrait of Mrs Howe Hicks (circa 1694-1728)/half-length, wearing a green dress with a red ribbon tie at her breast/feigned oval/oil on canvas, 76.5cm x 63cm/Note: The daughter of Jeffrey and Fortune Watts of Great Leighs in Essex and the widow of Benjamin Eames she married Howe Hicks (1689-1727) in 1717/Literature: 'A Cotswold Family' p.241 'she is so absolutely Georgian in appearance that she might have come directly from corrupt little Herrenhausen itself/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
English School, early 18th Century/Portrait of Rev John Browne of Salperton Park (born 1668)/half-length, bewigged and in clerical garb/feigned oval/oil on canvas, 76cm x 63.5cm/Note: On the death of Howe Hicks (1689-1727) and his wife Mary Watts (circa 1694-1728) within a twelve month period, their children were taken in by Rev John Browne of Salperton Park. He later became father-in-law to his ward Howe Hicks (1722-1801)/Literature: 'A Cotswold Family' pp. 266-267 'He is truculent and red of face, with all the impossible truculence and the impossible redness of the Eighteenth Century, and the humour that is undoubtedly there too, gleams coarsely in the middle of it all'/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
English School, early 18th Century/Portrait of Mrs Elizabeth Browne (nee Bourne) (died 1766)/half-length, wearing a fur stole and blue dress/feigned oval/oil on canvas, 76cm x 63cm/Note: Elizabeth Browne, nee Bourne was an heiress of Windlebury in Oxfordshire/Literature: 'A Cotswold Family' p267 'In her tightly laced blue gown she is extravagantly meagre, and it may have been the heroic bracing together of the waist which contracted the mouth and gave the nose its pinched look'/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Attributed to Henry Pickering (circa 1725-circa 1775)/Portrait of Sir Howe Hicks (1722-1801) 6th Bt/Portrait of Lady Hicks (1715-1802)/both half-length, he in a blue coat and white waistcoat with a gilt front, she in a white dress trimmed with lace and a blue cloak with ribbons/a pair/oil on canvas, 76cm x 63.5cm/Note: Sir Howe Hicks married Martha, daughter of his guardian Rev John Browne in 1739/Literature: 'A Cotswold Family' p.267 '...the slim boy eminently a gentleman in his blue velvet coat and white satin waistcoat and brown peruke...' 'Plump Martha Browne by his side was seven years older than he, but she was a little thing, with red lips and rounded shoulders and a trim waist...'/see illustration CONDITION REPORT: Both have been relined and cleaned otherwise condition is good, in contemporary frame with minor damage.
Attributed to Henry Pickering (circa 1725-circa 1775)/Portrait of Susannah Earle of Eastcourt (died 1796/1797)/half-length, wearing a silk dress with lace collar and blue ribbons/oil on canvas, 76cm x 63cm/Note: Susannah Earle of Eastcourt in Wiltshire was the daughter of Alice White nee Hicks (born 1693) and therefore a first cousin of Howe Hicks. She was born at Witcombe and later was instrumental in introducing her Hicks cousins to the Beach family of Wiltshire paving the way for the creation of the Hicks Beach dynasty/Literature: 'A Cotswold Family' p.271 'She had twinkling pearl earrings and fashionable lace, and constantly reminded Witcombe, we may be sure, that Gloucestershire was not the universe'/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Attributed to Henry Pickering (circa 1725-circa 1775)/Portrait of Mrs E Browne/half-length, wearing a gold coloured dress with ribbon ties to the arms and bodice/oil on canvas, 77cm x 64cm/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Henry Calvert (1798-1869)/Portrait of William Hicks Hicks Beach (1810-1844)/half-length, wearing a brown coat, grey waistcoat and black stock/signed and dated 1844/oil on canvas, 76cm x 61cm/Note: The younger brother of Sir Michael Hicks Hicks Beach, he died at the age of 33 after straining himself cutting trees in Oakley Park. William was intended to inherit the Great Witcombe Estate from his first cousin once removed Lady Ann Cromie [nee Hicks], but predeceased her by forty years/see illustration CONDITION REPORT: Surface is very dirty, the varnish is frosted and the surface crazed.There is a large tear lower left,
English School, circa 1900/Portrait of a Gentleman/probably a member of the Hicks Beach family/bust length, wearing a black coat/oil on canvas, 66.5cm x 46cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
William Hoare of Bath (1707-1792)/Portrait of Claude Champion de Crespigny/half-length, be-wigged and wearing a buttoned crimson coat and fine needlework waistcoat (now in the Victoria and Albert Museum)/oval/oil on canvas, 72cm x 57cm, in a fine gilded wood and plaster frame/Note: Claude Champion de Crespigny was married to Mary Ann Surtees (1785-1873), daughter of John Hawkins and Anna Hawkins and sister to Sir John Caesar Harkins 1st Baronet (1711-1786), surgeon to George II and George III/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
English School, circa 1800/Portrait of a Gentleman/bust length in profile, wearing a black coat/oil on canvas, 61cm x 48cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
English School, circa 1890/Portrait of a lady/oil on canvas, 52.5cm x 42.5cm/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Attributed to Thomas Beach (1738-1806)/Portrait of a Gentleman and Lady/half-length, he wearing a white stock with ribbed coloured collar and brown coat, she wearing a lace bonnet and brown dress tied with a pink sash/oil on canvas, 61cm x 51cm/see illustration CONDITION REPORT: Pair of portraits, these have both been cleaned and relined, in gilt frames that are a bit chipped
English School, circa 1840/Portrait of a Lady/half-length, wearing a blue dress with a lace collar and bonnet, holding a pair of spectacles/oil on canvas, 90cm x 69.5cm/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Continental School, 19th Century/Portrait of a Lady/half-length, wearing national dress/oil on canvas, 79cm x 62cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
William Drummond (1801-1873)/Portrait of an Artist/possibly an obituary portrait of William James Muller (1812-1845), seated with sketchbook of Egyptian views/signed, dated 1846 and inscribed 'Light from the Left'/arch-top watercolour, 38.5cm x 28.5cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Edward Henry Corbould (1815-1905)/Portrait of a Young Girl/full-length, wearing a white dress and standing on a garden step/signed on the balustrade/watercolour, 22cm x 24cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Richard Dighton (1795-1880)/Portrait of a Gentleman/full-length, wearing a top hat and carrying a walking stick/signed lower right with inscription '67 St George's Place, Cheltenham'/watercolour, 26cm x 21cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
WEDGWOOD INTEREST. A late 19th century, continental porcelain plaque with an oval portrait of John Egerton, Bishop of Durham. Engraved by John Taylor Wedgwood, the son of the potter Thomas Wedgwood & a cousin of Josiah Wedgwood. He worked as an engraver in Paris for many years. Inscribed in pencil to the reverse, 'Countess Ostheim' & 'Bought by A.G.V....? in Paris, 18 Oct 1889'. 29.5 x 24cm.
D. IVALL. Ship portrait,"Iron Clipper Ship, 'Castle Holme', 1042 tons, 1876, Thomas Sawle, Commodore". Oil on canvas (?) with hardboard back board. Signed. 45 x 60cm.NOTE: We cannot ship this lot by our postal shipping service due to its size or being a fragile or glazed painting. Buyer collect or arrange carrier.Our recommended carrier is MBE Plymouth: Telephone +44 (0) 1752 257224 or info@mbeplymouth.co.uk
Collection of postcards inc Park Villa football club 1932, Haverton Hill Middlesbrough RP team, Cairo Egyptian military (cricket team, hurdling), Johore Sultan and Mosque, Sakai Sembilan nude natives, In Memoriam George V Funeral card, silhouette portrait London 1942, Poona street scenes, Yorkersgate Malton, shipping interest, Greasy Cooks Wathgill Camp 1928, The Green Howards Wathgill Camp 1928, Stockton on Forest, etc.
A BOXED ROYAL MINT QUEENS DIAMOND JUBILEE PROFF SET AND OTHER COINS, five pound coin set of eighteen crown size coins, issuing authority Alderney in Royal Mint fitted case with COAs, a Diamond Jubilee twenty four coin set gold layered, issue of authority Chanel Islands with other crown sized coins in a West Minster case, a first edition portrait set, Royal Mint carded coins such as London 2012 Olympic coins, Royal weddings, Royalty commemoratives, year sets, a Royal Mint proof 2008 year set in box of issue, etc
A QUANTITY OF ROYAL MINT SILVER PROOF COINS, to include a Queens portrait collection of four five pound coins silver proof 2013 in box of issue with COA, a 2008 Royal Mint silver proof emblems of Britian collection in case of issue, a Royal Mint 2008 silver proof Royal shield of arms cased set, a 2012 Britainnia four coin silver proof set in box of issue, a 30th anniversary of the one pound coin set, x3 silver proof coins with the Royal arms, a boxed National Trust silver medal, a Royal Mint 2008 Queen Elizabeth I silver proof five pound boxed coin, together with a quantity of fine silver Royal mint carded coins such as x3 Winston Churchill twenty pound silver coins, x3 George and the dragon 2013 twenty pound silver coins, x3 Royal mint outbreak 2014 twenty pound coins, a Buckingham palace 2015 UK one hundred pound silver coin, a 2014 quarter ounce silver coin, a Britannia 2015 boxed one ounce silver brilliant uncirculated coin
TROIKA (TROIKA are a collaboration of three artists, Eva Rucki, Conny Freyer and Sebastian Noel) 'BEAUTY', a graffiti style head and shoulders portrait of a female figure, signed verso, mixed media on canvas, approximate sizes - image 100cm X 100cm, frame 117cm x 117cm, Condition: good condition (artist resale rights apply)
TROIKA (TROIKA are a collaboration of three artists, Eva Rucki, Conny Freyer and Sebastian Noel) A GRAFFITI STYLE PORTRAIT OF A FEMALE FIGURE, stencil signature verso, mixed media on canvas, approximate sizes - image 119cm x 100cm and frame 127 x 108cm, condition: scratches and paint loss to the frame (artist resale rights apply)
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