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Los 179
SVETOSLAV NIKOLAEVICH ROERICH (RUSSIAN-INDIAN 1904-1993) Portrait of the Artist's Wife, the actress Devika Rani, sold along with a dedicated gift to Roerich from the Altai-Himalayas Conference each oil on board 30.5 x 40.6 cm (12 x 16 in.); the companion 20.3 x 27.9 cm (8 x 11 in.) comprising: a) a portait of the artist's wife Devika Rani (recto) and study of a woman (verso), and b) a landscape of the Himalays by an unknown artist. The second painting features a dedication to Svetoslav Roerich and his wife from the Yoga followers in Russian: Dear Svetoslav Nikolaevich! Participants of the International scientific and public conference "Altai-Himalayas-91", dedicated to the spiritual heritage of E.P.Blavatskaya, with the help of this work express their veneration of the contribution of the Roerichs' family to the spiritual rebirth of humanity and wish you and your wife Devika Rani-Roerich light and joy!LOT NOTES Svetoslav Roerich, son and chief collaborator of Nikolai Roerich, was a Russian-born painter, architect, illustrator and designer. Roerich’s peripatetic youth, from Russia to Finland to Great Britain to the United States, eventually led him to India, where he moved in 1931 and where he would go on to spend the rest of his life. Per his wishes, he was buried in Bangalore, at the 25-acre "Tataguni" estate he owned with his wife - soon to be remodeled into a museum of Roerich’s work. While Roerich began painting at a young age, it is his later portraits - including those of Nehru and Indira Gandhi at the historic Central Parliament Hall in New Delhi, his father and his wife Devika Rani, depicted here - that constitute the best-known part of his oeuvre.Film producer and actress (once student of Marlene Dietrich) Devika Rani, whose performances in some of the most popular films of the Indian Golden Age of Cinema earned her the title of “The First Lady of the Indian Screen,” married Roerich in 1945. Devika Rani sat for multiple large-scale paintings and countless drawings, some of the most sensitive portraits Roerich produced. Shown in profile, her chin upturned, her gaze undisturbed, Devika Rani imparts an air of composed sophistication. Her elegantly coiffed curled hair, softly highlighted skin, set against a background of mauve pink, as opposed to the majority of her portraits by Roerich, is less fraught with detail and decidedly more modernistic. Roerich outlines her silhouette with a single undulating stroke, parallelling her posture with three teal-colored forms at the lower left.The present portrait is accompanied by a mountainscape, dedicated to Roerich by members of the Altai-Himalayas Conference, whose name references Nikolai Roerich’s eponymous diaries. Like his father and mother, Svetoslav Roerich was deeply dedicated to the statues of the Treaty on the Protection of Artistic and Scientific Institutions and Historic Monuments, better known as the Roerich Pact, which, through his efforts, was signed by the Indian government in 1948. Besides an emphasis on the support of arts and sciences, the Roerichs were deeply influenced by the esoteric teachings of Theosopher Helena Blavatsky, referenced in the dedication. Throughout his life in India, Roerich actively lobbied for conservation efforts for ancient Indian art and monuments, and was, along with his parents, an inspiration to groups like those that organized the Conference.
![OSSIP ZADKINE (RUSSIAN-FRENCH 1888-1967)Female Portrait , charcoal on paper51 x 36.8 cm (20 1/8 x 14 1/2 in.) [sight]signed l](https://cdn.globalauctionplatform.com/5481b1f3-f748-45db-aa4e-a95f000b64f4/561a80e4-f57a-406c-e53b-d20a02565900/468x382.jpg)
Los 257
VASILY IVANOVICH EFREMOV (RUSSIAN 1894-1976)Portrait of Klava, 1935oil on panel55.5 x 39.5 cm (21 7/8 x 15 1/2 in.)signed and dated lower right PROVENANCE INFORMATIONThis work comes from the collection of Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. The dedicated collector acquired a multitude of books and artworks throughout decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American institutions. His sophisticated selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.
Los 75
FEDOR ENCKE (GERMAN 1851-1926)Portrait of a Young Black Woman, 1877oil on canvas35.5 x 28 cm (14 x 11 in.)signed, dated, and inscribed N.Y upper right; dedicated on versoPROVENANCEGift of the artist to Frau Hedwig Stieglitz, mother of photographer Alfred Stieglitz, December 1877 (Encke had lived with the family in New York in winter of 1877)
Los 597
Edgar Locks (British, 20th century): a still life with jug, coffee grinder, coffee and biscuits, oil on canvas, signed lower left, 45 by 55cm, together with an unsigned still life study on canvas, 35 by 45cm and a portrait of a young woman, oil on canvas, indistinctly signed, ' G. Ubrix'? lower right, 68 by 59cm, framed 72 by 63cm. (3)
Los 624
Johnson, Samuel (British, 1709-1784): The Works of Samuel Johnson, LL. D, together with His Life and Notes on the Lives of the Poets by Sir John Hawkins, Knt, London 1787, with various handwritten notes and interesting paper sheet attached to the fly leaf, 9 by 9.5cm, with lines written likely imitating Samuel Johnson's signature and lower left in another hand, 'Monday 13th Dec 1784 he died, seven in the evening' and further marginalia, 4to, 14 volumes, spine and boards full calf, spine brown with seven gilt bands with gilt lettering, gilt tooling on board edges, frontispiece portrait engraved by John Hall.Provenance: The Estate of Mr Joseph B. Hay, son of Major-General Arthur K. Hay DSO OBE - 100 years of a military family.
Los 719
Two late 18th / early 19th century portrait miniatures, the first of Marie Antoinette after portrait by Elisabeth Louise Vigée Le Brun, in gilt oval frame painted on ivory, depicted in blue day dress with pink ribbon trim and holding a bunch of flower, signed Felia to one side, the back with inscription, 9.7 by 13.5cm, the second also of a lady in a blue day dress, oval portrait within rectangular gilt frame, indistinctly signed Cerres, 11.5 by 15cm. (2)
Los 720
A late 18th century circular portrait miniature of a lady, indistinctly inscribed to back, within gilded brass frame, 10.5 by 12cm, together with a yellow metal pendant form portrait miniature of a gentleman in a blue coat, the back of the pendant with lock of hair behind glass, 2.5 by 4cm. (2)
Los 721
An unusual George III double portrait miniature in the form of a brooch, depicting George III and Charlotte, painted on ivory, set within white metal frame with ribbon detailing accented by a ruby to top, the two portraits separated by engraved and gilded partition, apparently unsigned, 10.9g, 4.2 by 3.2cm.
Los 214
A Scottish mahogany cased longcase clock, James Cuthbert Perth, early 19th century, the brass dial with Roman numerals within shell and scroll spandrels under an arch inset with a portrait engraving, and with date aperture and subsidiary seconds dial, within a conforming hood, the door flanked by columns, over a plain trunk with arched door, on bracket feet, eight day movement, with weights. Height 210cm
Los 231
FYFE, Andrew. A Compendium of the Anatomy of the Human Body. Intended Principally for the Use of Students, Edinburgh, J. Pillans & Sons, 1807, 3 vols., 8vo., thirty-four engraved plates (three hand-coloured), two folding (one hand-coloured), lightly browned throughout, some light soiling, some plates with marginal tears not affecting image, contemporary calf, gilt, spines gilt, extremities rubbed, corners bumped, some scuffing; together with THE TATLER, London, C. Whittingham and Joahn Sharpe, 1804, 4 vols., engraved portrait frontispieces, engraved title pages and plates, some spotting and browing, contemporary calf, gilt, spine gilt, one spine label lacking, extremities rubbed, corners bumped and a set of A Pictorial History of England by Cassells, together ten volumes (27)
Los 77
Queen Victoria; an albumen portrait photograph by John Chancellor of Dublin showing the Queen with her three heirs, Edward Prince of Wales, George Duke of York and Prince Edward (later Edward VIII), inscribed "The 4 Generations, Victoria RI, 1899", possibly in the Queen's hand, framed, the photograph impressed with the photographer's mark. Image 28.5cm by 22cm. Note: this image was taken at Osborne House shortly after the Queen's 80th birthday.
Los 83
WILLIAM FRIESE-GREENE (1855-1921) -- Photographic portrait of young woman, signed and dated by the photographer, 1888, in contemporary blue velvet frame (worn), glazed, internal measurements 36cm x 28.5cm; together with a smaller copy. Note Friese-Greene was a professional photographer but also a noted founding father of the British film industry: "William Friese-Greene was a British photographer, chemist and maverick inventor spanning both the Victorian and Edwardian era and credited, by some, as the inventor of cinematography (the recording of photographic images for use in cinema or the use of a film camera to take pictures). He constructed a series of proto-type cameras and pioneered the motion picture camera (patent 10131 - June 1889) in addition to stereoscopic and colour cinematography." Science Museum Group Collection
Los 138
Art Nouveau embossed picture frame, Reuge music bow in the form of a guitar, 19th century portrait miniature painting on ivory, Victorian crystoleum depicting a man and woman, WWII period Electric Traffic No 2 lantern, coffee grinder, stained glass mirror, two vintage mirrors and miscellanea in two boxes Condition Report Click here for further images, condition, auction times & delivery costs
Los 1220
A signed photograph portrait of Margaret Thatcher, overall 32 x 25cm, together with a collection of facsimile signed Greetings cards by British Prime Ministers from 1970s and 1980s, 3x Harold Wilson, 4x Jim Callaghan, 5x Edward Heath, 8x Margaret Thatcher also two from Nigel Lawson, in good condition
Los 1001
Bindings - Dore (Gustave, illus.) The History of Don Quixote by Cervantes, contemporary half morocco, chipped, Cassell, Petter, and Galpin, c. 1870 with Moore (Thomas) Moore's Irish Melodies, portrait frontis. and other illus., contemporary half morocco, William Mackenzie, c. 1870 with Graham (Don Lucius, compiler) Downside & the War 1914 - 1919 Containing List of Old Gregorians who served in H.M. Forces during the War......portrait illus., contemporary morocco, chipped, Downside School, 1925 plus 16 other leather bound vol., v.s (19)
![[Goldsmith (Oliver)] The Life of Richard Nash, Esq., Late Master of the Ceremonies at Bath, Extracted Principally from his Or](https://cdn.globalauctionplatform.com/df2b9fdb-bff7-4365-9f71-a96c00c987c9/f8c33b47-c569-412c-abc3-a28df8816898/468x382.jpg)
Los 1034
Omer - Cooper (Wilfrid) The Fishing Village and Other Writings (Literary and Scientific) portrait frontis., original boards, Bournemouth, Horace G. Commin, 1917 with Milner (John) Letters to a Prebendary, first edition, contemporary calf, worn and rubbed, joints cracking, lacks title - piece, Winchester, Robbins, 1800 with Nyren (John) The Young Cricketer's Tutor, original cloth, marked, spine dulled, David Nutt, 1893 with Bellenden (John) An Essay on the Archaelogy of our Popular Phrases and Nursery Rhymes, 1 vol., only, title taped, original cloth and paper spine label, torn, London & Southampton, 1835, plus various other vol., v.s. (2 Box)
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283287 Los(e)/Seite