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283287 Los(e)/Seite
Los 129
A late 18th century circular snuff or bonbonniere box mounted with a miniature equestrian portrait of Frederick II the Great, probably German, in papier mache painted to simulate tortoiseshell, the oval portrait painted on mother of pearl with a gold bezel, the cover and base mounts in gilt metal, 8.3cm (3 1/4in) diameter. See le Corbeiller, Clare European and American Snuff Boxes 1730-1830, New York 1966, no. 661 for a very similar equestrian portrait of Frederick mounted on an ivory box in the Osterrichische Tabakregie, Vienna.
Los 161
A Battersea enamel oval portrait plaque, circa 1750-1753, transfer printed in sepia with Elizabeth Gunning, in the original copper frame, 10.5cm (4 1/8in) high. Elizabeth Gunning, Duchess of Hamilton and of Argyll and 1st Baroness Hamilton of Hameldon in her own right (1733-1790). Provenance: Winifred Williams Antiques, Eastbourne (undated trade label).
Los 180
A Battersea enamel oval portrait plaque, circa 1750-51, transfer printed in pinkish purple with a profile portrait of William Augustus, Duke of Cumberland, after Simon-Francois Ravenet, hand-written note detailing the sitter pasted verso, in the original gilt metal frame, 10.5cm (4 1/8in) high
Los 214
Italian School, circa 1829. Portrait of a young gentleman, his right hand inside his black jacket, quarter length. Indistinctly inscribed verso Pietro Brunelli? .. 1829. 6.5cm x 5.5cm, oval. In an ebonised frame; Italian School, circa 1850. Portrait of a swashbuckling gentleman before the Colossuem, Rome, half length. 11.8cm x 9.2cm. In a rectangular gilt metal frame (2)
Los 218
Domenico Ventura (1812-1896). Portrait of an elderly gentleman seated reading, three-quarter length. Signed and dated Roma 1879 lower centre. 14cm x 11cm, oval. In an oval plain white alloy frame; Italian School, circa 1830. Portrait of a young lady wearing a fur trimmed dress, bust length. Signed and indistinctly dated Giovan Batista Bondoni middle right. 6.3cm x 4.8cm, oval. In a rectangular ebonised frame (2)
Los 222
After Francois Dumont, circa 1780. Portrait of a gentleman wearing a blue coat, shoulder length. Indistinctly signed middle right. 5.5cm diameter. In a circular brass frame; Continental School, late 19th century. Portrait of a lady wearing a blue hat and jacket. 8cm x 5.5cm, oval. In an oval brass frame (glass cracked); Continental School, circa 1810. Portrait of a gentleman wearing a blue jacket, half length. 5.6cm diameter. In a circular ivory frame (3)
Los 230
Italian School, early 19th century. Portrait of a young child, full length, seated in a landscape with a garland of flowers. 6.7cm diameter. In a brass circular frame; Continental School, mid 19th century. Portrait of an elderly gentleman, shoulder length. 7.5cm x 5cm, oval. In a gilt metal oval frame (2)
Los 236
Continental School, mainly 19th century, including: Giulia Mannucci (Italian, mid 19th century). Portrait of a young lady. Signed and dated 1844 lower right. 4.5cm x 3.8cm, oval. In an oval giltmetal fillet; A 20th century Madonna and Child. 9.5cm x 7.5cm. In a rectangular brass frame; An oval fired enamel of Arcadian lovers, 4.2cm x 3.3cm. In a cast brass frame, 9.7cm high, in a leather case; And two others small (5)
Los 245
English school, circa 1700. Portrait miniature of King William III and Queen Mary II. The reverse enamelled with a crown above a thistle flanked by Royal cyphers and a motto Volentes Per Populos beneath, on a white ground 2.5cm x 2.2cm, oval In an oval gold pendant frame with a suspension loop and a cable edge, 3.4cm (1 3/8in) long overall. In a later leather covered rectangular case with a handwritten provenance. Provenance: by repute given to Henry Somerset, 2nd Duke of Beaufort, by King William and Queen Mary, thence by descent. The handwritten provenance reads This fine gold locket with portraits of King William III and Queen Mary, a ducal coronet, a monogram of the - inscription Volentes Per Populos painted on white enamel, was presented to the young Duke of Beaufort on the occasion of their Majesties visit to Badminton House about 1700. The Duke, then a boy of 16, had succeeded his grandfather who died in 1699, and his mother, the Marchioness of Worcester, seems to have obtained the jewel. She subsequently married John, 1st Baron Granville and dying without further issue left the jewel to a niece Mary Granville (Mrs Delany). Mrs Delany died in 1788 and left it to her niece Mary D`Ewes (married John Port of Ilam 1770) who left it to her daughter Georgina Port (married Benjamin Waddington of Llanover 1789) who left it to her daughter Frances Waddington (married Baron de Bunsen 1817) who left it to her daughter Mary de Bunsen (married John B. Harford of Falcondale 1850) who left it to her daughter Agnes Harford (died unmarried 1936) who left it to her nephew Sir Arthur Harford, Baronet, of Falcondale.
Los 561
Henry Walter (H. Walter) Barnett, 1862-1934, a sepia photograph portrait of a young lady standing by a pillar, together with a photograph of Agnes Elizabeth, wife of Charles, 2nd Viscount Halifax by J. Russell & Sons, together with an engraving after Sir Joshua Reynolds, portrait of Louisa, Mrs Peter Beckford (nee Pitt) engraved Fred Bromley and an early 20th century photographic print of a portrait of a gentleman after A.M Hay (4)
Los 79
Follower of Sir Godfrey Kneller (18th century) Portrait of a gentleman in armour oil on panel 8 x 6¼in. (20.25 x 16cm.) * Condition: Appears to be in very original condition, with no evidence of overpainting or retouching. Panel has warped slightly, causing a faint shrinkage crack to upper right, from the top edge down past the edge of the wig (approx. 2in. long). There is another smaller shrinkage crack to the very top left corner. Light and fairly even cracklure across the surface. Three small paint blisters and small (poorly) retouched chip to armour, just to left of the tip of the cravat. A few small old surface chips to the paint to lower edge from contact with frame (some beneath later varnish) and a few other elsewhere to very edges. Slightly heavier chipping to very top right corner. Painting has old revarnishing, which has matted in some areas. Label verso is illegible - paper very dark brown - and has some losses. In a 19th century gilt and gesso frame (nicotine stained, overpainted and some gesso losses).
Los 109
Jean Jalabert (French, 1815-1900) Portrait of Thomas de la Rue of Guernsey, three quarter length, seated upon a chair pastel, signed and dated 1849 lower left, inscribed to contemporary pasted label verso 14¼ x 10¾in. (36.25 x 27.25cm.) * Thomas de la Rue was founder of the De La Rue printing firm, world famous for production of stamps, banknotes and playing cards.
Los 657
English School (circa 1820) a portrait miniature of Rebecca Gillman of Hoveton, Norfolk, wearing a yellow dress, white chemise with blue and gilt brooch, pale pink sprigged shawl, white lace ruff collar and white lace bonnet, watercolour on ivory, 9.2 x 6.9cm., ivory split, in a black papier-mâché and gilt frame with gilt metal hanging mount.
Los 662
Miss Florence Hannam (British, fl.1890-1898) a portrait miniature of Constance May Baker, wearing a blue dressed with ruched sleeves, a pearl necklace with cross pendant around her neck and her hair parted with curled fringe, oval watercolour on ivory, 9.2 x 7.3cm., the reverse glazed with ivory silk lining and tied lock of hair within, in a gilt metal frame with tied ribbon surmount. * Constance was the great grand daughter of Sir Robert Baker. The lot also includes one of his visiting cards, inscribed verso.
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283287 Los(e)/Seite