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Preisdatenbank abonnieren* Robert O. Lenkiewicz [1941-2002]- Three Tone Studies:- Study of Elaine. Demonstration to Nahem and Desmond; Demonstration to Nahem, Geoff and Desmond of the National Portrait Gallery Postcard; each signed, inscribed as titled and further inscribed 'Gift to Graham' on the reverse oils on board largest 38.5 x 36 cm. [3]
* Robert O. Lenkiewicz [1941-2002]- Colour Tone Study. Self Portrait:- oil on board 40.5 x 40.5cm. * Notes. Lenkiewicz was a generous teacher of students of any age with a serious interest in learning to paint academically - a skill that had all but disappeared from art schools. Over the years he had devised a very clear system of instruction which he called: the tone of the tone; the shape of the shape; the colour of the colour. By following its structured exercises the student could gain a basic grounding in being able to render the three-dimensional world on a two dimensional canvas. One of the painting challenges was to produce a self-portrait in which random colours were to be used but their tones, the relative lightness or darkness, should accurately represent what the student saw. Removing the colour from the image example makes clear how Lenkiewicz himself handled shadow and light in this demonstration piece.
A pair of 18th Century Louis XV style silver twin handled sweetmeat baskets, of oval form, the pierced lattice work body draped with laurel garlands, each side with central profile portrait framed with a laurel wreath and surmounted by a tied bow, the handles wrapped with ribbons, raised on foliate C scroll mask feet, Paris control crowned G dated letter, London import marks for 1894, 14cm, approx 273.1g (2).
Mary Piercy (20th Century British). Nude sunbathers, oil on canvas, signed dated 85, framed 53 x 53cm together with reclining figures in deck chairs, oil on board and a group family portrait, oil on board (3). Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.
Mary Piercy (20th Century British). Modernist portrait of two elderly Spanish women, oil on board, signed, framed, 70 x 91cm together with full length portrait of a beggar woman holding a child, signed and another of two girls feeding doves, both oil on board (3). Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.
Mary Piercy (20th Century British). Portrait of a woman standing next to an oil lamp, oil on canvas, signed dated 59, 51 x 76cm together with oil on board sketch of market scene and other figurative study (3). Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.
Mary Piercy (20th Century British). Portrait sketch, 'Wrestler Standing', oil on board, signed andf dated 57, 46 x 61cm and two other sketches (3). Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.
Mary Piercy (20th Century British). Modernist portrait of a seated woman, oil and mixed media on board, signed, framed. 61 x 76cm. Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.
BEATTY WARREN: (1937- ) American Actor & Director, Academy Award winner. Signed 8 x 10 photograph by Beatty, the image depicting the actor in a close-up smiling portrait from The Only Game in Town (1970). Signed (`Best wishes Warren Beatty´) in bold black ink to a light area of the image. VG. £80-100
MISTRAL FREDERIC: (1830-1914) French Writer. Nobel Prize winner for Literature, 1904. A.L.S., F. Mistral, on a postcard, Maiano, 7th October 1908, to Jaume Gelabert, in Occitan. The inside of the card bearing a printed portrait of Mistral. Alongside his portrait, the author writes few lines to his correspondent, referring to Mallorca where he lives and blessing him. Underneath and to the lower part of the card, Mistral writes two poems of four verses each, in Occitan. Hand addressed and postmarked. Some overall age wear, G £100-150
DU MAURIER DAPHNE: (1907-1989) British Author. Signed postcard by Du Maurier (`With all good wishes from Daphne du Maurier´, postmarked in St. Austell 29th August 1974, Together with a signed postcard by Du Maurier (`With very best wishes and thank you, Daphne du Maurier´ to the verso of a panoramic view of Urbino. Also including an oblong 4to featuring a printed pen and ink portrait of Du Maurier who has written alongside (`With best wishes, Daphne du Maurier 1985´). VG, 3 £100-120
DURRELL LAWRENCE: (1912-1990) British Novelist & Poet. Small selection comprising two ink signatures ('Lawrence Durrell') on individual cards, one in black ink with an inscription and date, Paris, 1960, in his hand, and the other in bold red ink, dated 1988 in his hand; and a vintage signed sepia magazine portrait of Durrell, neatly laid down to a blank postcard and with an ink annotation in the hand of a collector to the base, beneath the image. G to VG, 3. £100-120
MACKENZIE ALEXANDER: (1847-1935) Scottish Composer & Conductor. A.L.S., A.C. Mackenzie , two pages, 8vo, Sydenham, n.d. ('Wednesday 14th', c.1882?), to Miss. Gillespie. Mackenzie thanks his correspondent for her letter and continues to inform her that Jason was very successful, although he does not know when it will be performed in Edinburgh, adding 'I have not been able to come to Edinh. this time having been very busy here and wish to return to Florence on Friday as I have much work in hand which is pressing, besides that which is always on the easel. End of March I return and will probably spend the summer in Scotland' and further remarking 'You know I have written a Opera for Carl Rosa which comes out here in April'. With blank integral leaf. Together with an A.M.Q.S., A. C. Mackenzie, one page (manuscript paper), oblong 8vo, n.p., 6th April 1902. In bold, dark fountain pen ink the composer has penned over ten bars of music, with words, which he identifies as being from 3 Sonnets by Shakespeare. Signed and dated immediately beneath the quotation. Neatly mounted. Also including John Frederick Bridge (1844-1924) English Composer & Organist. A.M.Q.S., J Frederick Bridge, one page (manuscript paper), slim oblong 4to, n.p., n.d. In dark fountain pen ink Bridge has penned two bars of music, with words, 'What is the Flag of England?', from Rudyard Kipling's poem The English Flag (1891). Neatly mounted. Further including Hubert Parry (1848-1918) English Composer. Brief A.L.S., C Hubert H Parry, one page, 8vo, South Kensington, London, 26th November 1913, to Vincent Jones, on the printed stationery of the Royal College of Music, sending his signature (with neat calligraphic annotations and a small affixed newspaper portrait and brief biography) and an ink signature ('with Sir Hubert Parry's compliments', in the third person) and date, 13th March 1905, in his hand on a sheet of 8vo printed stationery from the Royal College of Music. G to generally VG, 5. £100-150
NUREYEV RUDOLF: (1938-1993) Russian Ballet Dancer. Signed 7 x 8.5 photograph of Nureyev, the image depicting the dancer in a close up semi profile portrait. Signed ('R Nureyev') in bold black ink with his name alone to a dark part of the image. Together with Signed 8 x 8 photo page removed from a programme, the image depicting Nureyev in a full length pose dancing with Margot Fonteyn. Signed ('R Nureyev') in bold black ink with his name alone to the image. Also including a slim 8vo printed programme for a performance by Nureyev, Fonteyn and the Royal Ballet at the International Festival of Santander, 2nd, 3rd & 4th August 1968, signed ('R Nureyev') by Nureyev in bold black ink to a clear area of the front cover. Further including a printed slim 8vo programme for a performance by Nureyev, Fonteyn and the Royal Ballet at the International Festival of Santander, 2nd, 3rd & 4th August 1968, signed ('R Nureyev') by Nureyev in bold black ink to a clear area of the front cover and also signed by the ballerina Lucette Aldous with her name alone in blue fountain pen ink, also to a clear area of the front cover. Some very light, extremely minor age wear, VG, 2. £100-150
VÉDRINES JULES: (1881-1919) French Pioneer Aviator, the first to fly at more than 100 mph. Rare vintage signed and inscribed postcard photograph, showing a Vedrines monoplane in flight and with a small inset head and shoulders portrait of the pilot, issued on the occasion of the Aviation Week in Marseille, October 1911. Signed in bold black fountain pen ink to a clear area of the image and dated 18th October 1911 in his hand. Autographs of Vedrines are rare in any form as a result of his early death at the age of 37 following a crash landing. VG. £80-100
VICTORIA: (1819-1901) Queen of the United Kingdom Great Britain & Ireland 1837-1901. Final page of an A.L.S., with her initials VR, one page, 8vo, n.p., n.d., [to Princess Clementine], in French, on attractive colour printed stationery. The Queen concludes her letter by sending her regards, and those of Prince Albert too, and in a postscript asks 'Has the portrait of Clotilde been started?'. Some very light, minor age wear and creasing, about VG. £200-300. Princess Clementine of Orleans (1817-1907) Princess of Saxe-Coburg and Gotha, wife of Prince August, the cousin of Queen Victoria and Prince Albert. Princess Clementine was the mother of Tsar Ferdinand I of Bulgaria. Princess Clotilde of Saxe-Coburg and Gotha (1846-1927) Archduchess of Austria. Eldest daughter and third child of Prince August and Princess Clementine.
HEALY TIM: (1855-1931) Irish Nationalist Politician. Brief T.L.S., T M Healy, one page, 8vo, Vice Regal Lodge, Dublin, 12th December 1922, to a gentleman. Healy states, in full, 'I gladly comply with your wish for an acknowledgement of your hearty message'. Neatly laid down and with a newspaper portrait of Healy affixed to the lower left corner, partially obscuring the name of his correspondent. G. £80-100
INDIAN POLITICAL LEADERS : Small selection of signed photographs and signed piece (1) by political leaders of India comprising GANDHI INDIRA (1917-1984) Indian Prime Minister 1966-77, 1980-84. A bold blue ink signed piece, matted in black, underneath a portrait colour photograph of Gandhi, to an overall size of 8 x 12; Desai Morarji (1896-1995) Indian independence Activist and Prime Minister of India 1977-79. Signed 3 x 4 photograph by Desai, in Indian, the image depicting the Prime Minister in a head and shoulders pose. Also dated 1st September 1978, in his hand; Reddy Neelam Sanjiva (1913-1996) President of India 1977-82. Signed 4.5 x 6 photograph of Reddy in a head and shoulders pose. Signed in bold black ink to a clear area of the image, and Radhakrishnan Sarvepalli (1888-1975) Indian Philosopher and Statesman. Second President of India 1962-67. Signed 4 x 6 photograph of Radhakrishnan in a head and shoulders pose. Signed in bold black ink to a light area of the image. Accompanied by two original envelopes sent with the autographs. VG, 4. £150-200
Three Baden-Powell items including B-P oil jar with silver neck and oval portrait, a B-P pottery biscuit barrel with metallic screw fix to lid with B-P portrait and rare tin enamel mug with portraits of B-P 'Our Bobs' (Lord Roberts) in white, brown and navy blue (Graham has only ever seen one of these!)
Loading...![* Robert O. Lenkiewicz [1941-2002]-
Three Tone Studies:-
Study of Elaine. Demonstration to Nahem and Desmond;
Demonstration t](https://cdn.globalauctionplatform.com/1420244c-4569-4c10-84f7-a44800de466c/faca0f07-407e-4707-861d-641f173ba87b/468x382.jpg)
![* Robert O. Lenkiewicz [1941-2002]-
Colour Tone Study. Self Portrait:-
oil on board
40.5 x 40.5cm.
* Notes. Lenkiewicz was](https://cdn.globalauctionplatform.com/1420244c-4569-4c10-84f7-a44800de466c/aed74eda-194f-44b6-f6f6-dc6331b0782c/468x382.jpg)
![* Robert O. Lenkiewicz [1941-2002]-
Studies for a wood carving:-
Suicide Theme - Self Portrait with Mary - Man Cutting Himsel](https://cdn.globalauctionplatform.com/1420244c-4569-4c10-84f7-a44800de466c/b6acfe12-0d13-4ec7-eee3-8d6524dc491e/468x382.jpg)
