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Preisdatenbank abonnierenAfter Sir Anthony van Dyck (19th century) Portrait of Cornelius van der Geest, head and shoulders, wearing a lace ruff Oil on canvas, 61cm by 46.5cm The original portrait dates from circa 1620 and is numbered 62 in room 22 of the National Gallery, purchased in 1924, the present picture is a Victorian copy
Circle of Gainsborough Dupont (18th century) Portrait of a Fashionable Lady, half length, wearing period costume; Portrait of an Elderly Lady, half length, wearing grey dress, white shawl and cream bonnet Both inscribed on plaques attached to the frame, oil on canvas, oval, each 32cm by 25.5cm (a pair)
Continental School (19th century) Portrait of a Young Gentleman, seated on a balcony, a distant landscape beyond; Portrait of a Gentleman, seated on balcony, holding a riding crop Oil on canvas, each 60.5cm by 45cm (a pair) The works look Scandinavian in style and may be Danish or Swedish, circa 1840-1860 See illustration
Samuel Gallimore (fl.1861-1893) Gentleman Seated beside a Table holding a Glass in his Right Hand; Lady Seated beside a Table holding a Cup and Saucer Both signed and dated 1868 and 1870 respectively, oil on canvas, each 53.5cm by 43.5cm (a pair) The artist exhibited five works at the RA 1861-1893 including a portrait of the Right Honourable W E Gladstone MP See illustrations
John Callcott Horsley RA (1817-1903) Portrait of Celia Brunel James, standing, three quarter length, wearing a cream dress decorated with pink ribbons; Portrait of Lilian Brunel James, standing, three quarter length, wearing a cream dress decorated with a blue ribbon Both signed and inscribed May 1878, oil on board, partial vignettes, each 54cm by 37.5cm The daughters of Arthur Coleridge James Esq of Eton College. Both works were exhibited at the Royal Academy Exhibition of 1879 The works are inscribed on the backing boards by J. Brunel and dated February 1879 See illustration
English School, circa 1800: Portrait Miniature of a Gentleman, bust length, his grey powdered hair en queue, wearing a ruffled jabot and blue jacket, against a sky background, oval, 7cm by 5.8cm, in gold metal frame with fixed ring for suspension, and plaited hair glazed back See illustration
I... S...: Portrait Miniature of a Lady, dated 1774, with lilac ribbon in her black combed back hair, wearing a fur edged plum dress and blue bodice, against a blue/grey background, initialled IS 1774, oval, 4.5cm by 4cm, in a later gilt metal frame with ring for suspension; and Two Other Miniatures, one depicting a nun, oval, 4.9cm by 3.7cm, the other as a lady, half length, with pearls in her hair, oval, 4.5cm by 3.6cm, both in later gilt metal frames (3)
English School, circa 1770: Portrait Miniature of a Gentleman, bust length, his hair en queue, wearing a blue jacket and lace cravat, against a sky background, oval, 3.7cm, in a closed back with later loop for suspension; and Two Other Decorative Miniatures, one depicting a young girl with long brown curly hair wearing a diaphanous robe, circa 1800, oval, 5.5cm, the other a bust length portrait of a lady, initialled CD, turning to sinister, wearing pearls around her neck and lace trimmed raspberry coloured dress, oval, 3.6cm by 2.7cm, both in later gilt metal frames (3)
English School, circa 1820: Portrait Miniature of a Lady, bust length, with curly black hair and wearing a necklace and cream dress, oval, 6.2cm by 5cm, in gold metal hair back frame; and Another, of a Gentleman, bust length, with brown hair and sideburns, wearing a blue jacket, oval, 6.2cm by 5.1cm, in gilt metal hair back frame (2)
English School, circa 1830: A Portrait Miniature of a Young Woman, bust length, with flowers in her brown curly hair, gazing to sinister, wearing a pearl necklace and lilac and cream dress, against a sky background, on ivory, oval, 8cm by 6.5cm, in a black lacquered papier mache frame with gilt metal mount
Babington (Gervase). Works, 1637, copper-engraved portrait frontispiece, eleven titles, a few small burnholes and inkspots, scattered light spotting, 18th c. panelled calf, rebacked and repaired, brass clasps, rubbed, folio, together with The Secret History of the Most Renowned Q. Elizabeth and the E. of Essex, 1725 (2)
Bible [English]. The Holy Bible, containing the Old Testament and the New, Newly Translated out of the Original Tongues, and with the Former Translations Diligently Compared and Revised, London: printed by Henry Hills and John Field, 1660, numerous eng. plts. (one eng. portrait hand-col.), lacks general title, II Kings 23-25.5 (leaf R5), Psalms 24-50 (Z3-Z6), Mark 7.14-9.37 (2P2) and two engravings to Genesis, slight worming to lower outer corners of few leaves at front of volume, slight fraying and few tears etc., 18th c. mottled calf with red morocco title label, rebacked retaining spine, 8vo. Herbert 669. (1)
Bugg (Francis). The Pilgrim’s Progress, From Quakerism to Christianity: Containing a Farther Discovery of the Dangerous Growth of Quakerism, not only in Points of Doctrine, but also in their Politicks..., 2nd ed., 1700, engraved portrait frontispiece, folding engraved plate of the Quakers Synod (loss at inner margin with repair to verso), occasional light spotting, contemporary panelled calf, losses at spine ends, rubbed, 8vo. After embracing Quakerism in 1657, Francis Bugg (1640-1727) returned to the Church of England in 1680 after a disagreement, and began writing books against them. (1)
Gernshein (Helmut, & Alison). The History of Photography, from the Camera Obscura to the Beginning of the Modern Era, revised and enlarged ed., 1969, b&w illusts., orig. cloth in d.j., together with a copy of the first edition of 1955, orig. cloth in d.j., a little soiled and torn, both small folio, together with Pfister (Harold Francis), Facing the Light, Historic American Portrait Daguerreotypes, Washington, 1978, b&w illusts. from photos, orig. cloth in d.j., a little soiled and faded on spine, 4to, plus Ford (Colin, ed.), An Early Victorian Album, The Photographic Masterpieces (1843-1847), of David Octavius Hill and Robert Adamson, 1st US ed., 1976, b&w illusts., orig. cloth in d.j., a little rubbed and soiled, 4to, plus other photography interest including some reference, 19th c. interest and a few duplicates (35)
Herkomer (Hubert). Etching and Mezzotint Engraving, Lectures Delivered at Oxford, 1st ed., 1892, decorative etched frontis. of a print maker cutting a plate, twelve further etched plates (complete as list), very occ. spotting throughout, untrimmed, comtemp. cloth gilt, stained, spine faded, 4to, together with, Baldry (A. L.), Hubert von Herkomer R.A., A Study and a Biography, 1901, etched portrait frontis., dec. title page printed in red & black, half title, fifteen b & w gravure plates and ninety-two photographic illustrations (complete as list), contents shaken, t.e.g., orig. pubs. cloth gilt, rubbed and frayed at extrems., folio, with, Herkomer (Professor Sir Hubert), My School and my Gospel, 1908, title and half title, tipped in colour frontis., numerous tipped in plates throughout, contemp. qtr. cloth, printed label to spine, 4to, together with another four similar (7)
Letchford (Albert, illust.). A Series of Seventy Original Illustrations to Captain Sir R.F. Burton’s “Arabian Nights”, pub. Nichols, 1897, portrait of Sir Richard Burton and seventy plates, captioned paper guards, scattered light spotting, loose as issued in original blue buckram portfolio, paper label to upper cover with previous owner inscription, remnants of cloth ties, a little rubbed and stained, folio. Edition de Luxe, one of 250 copies. (1)
McClelland (Nancy). Historic Wall-Papers from their Inception to the Introduction of Machinery, Philadelphia & London, 1924, twelve col. plts., t.e.g., orig. cloth, rubbed, together with Thorp (Joseph), Eric Gill, with a Critical Monograph by Charles Marriott, 1929, b&w illusts. throughout, orig. cloth gilt, spine ends torn, plus a letter to William Orpen (Orps) from Joseph Thorp, thanking him for ‘the sitting, the beer - and the portrait!’, plus Woodall (Mary), The Letters of Thomas Gainsborough, The Cupid Press, 1963, frontis., b&w illusts. to text, orig. cloth-backed boards, rubbed, all 4to, plus two others art related (6)
Pugh (P.D. Gordon). Staffordshire Portrait Figures and Allied Subjects of the Victorian Era, 1st ed., 1970, num. illusts., some col., orig. cloth in d.j., square 4to, together with Murdoch (John), Seventeenth-century English Miniatures in the Collection of the Victoria and Albert Museum, 1st ed., 1997, num. col. and b & w illusts., orig. cloth in d.j. and slipcase, 4to, plus Tait (Hugh), Catalogue of the Waddesdon Bequest in the British Museum. I. The Jewels, 1st ed., 1986, port. frontis., num. col. and b & w illusts., orig. cloth in d.j., 4to, and other art and antiques reference, mostly G/VG (42)
Dundonald (Lieut.-Gen., Earl of). My Army Life, 1st ed., 1926, photogravure portrait frontispiece (loose), half-tone plates, a few spots, bookplate, original cloth, upper joint splitting, tears at spine ends, 8vo, with a 4pp. letter tipped-in from the author dated Dec. 1926, to a Mr Hood mentioning the book, together with Steevens (G.W.), From Capetown to Ladysmith. An Unfinished Record of the South African War, 1st ed., 1900, two maps, one folding, publisher’s presentation inscription to half title, press clippings of the author at front, original buckram, spine a little faded, 8vo, plus Atkins (John Black), The Relief of Ladysmith, 1st ed., 1900, maps and plates, endpapers browned, original cloth gilt, library sticker remnant to upper cover, spine rubbed, 8vo, with other Boer and Zulu War interest including H. Rider Haggard’s The Last Boer War, 1899, J. Barclay Lloyd’s One Thousand Miles With the C.I.V, 1901, Owen Spencer Watkins’ Chaplains at the Front, 1902, Treatise on Service Ordnance, 5th ed., (HMSO, 1900), and The National Bazaar in Aid of the Sufferers by the War, Souvenir and Official Programme, May 1900 (20)
Le Comte (Louis Daniel). Memoirs and Observations Topographical, Physical, Mathematical, Mechanical, Natural, Civil and Ecclesiastical, Made in a Late Journey Through the Empire of China, 2nd ed., 1698, engraved portrait frontispiece, folding engraved map (torn), two engraved plates, folding table, A4 cropped affecting some text, some corner and marginal repairs, annotation at front, spotting and browning throughout, 18th c. mottled calf, old reback, 8vo. Wing L831. (1)
M’Leod (John, Surgeon). Voyage of His Majesty’s Ship Alceste, Along the Coast of Corea, to the Island of Lewchew; With an Account of Her Subsequent Shipwreck, 2nd ed., 1818, half title, engraved portrait frontsipiece, five hand-coloured aquatinted plates, some light spotting, contemporary half calf, rubbed, 8vo. Abbey Travel 559. (1)
Perry (Commodore M.C.). Narrative of the Expedition of an American Squadron to the China Seas and Japan, Performed in the Years 1852, 1853, and 1854, Compiled from the Original Notes and Journals of Commodore Perry... by Francis L. Hawks, New York, 1856, engraved portrait frontispiece, folding maps and charts, engraved plates and illustrations, scattered light spots, original blindstamped cloth gilt, spine faded, a little rubbed, 4to (1)
Andree (S.A.). The Andree Diaries, 1st U.K. ed., 1931, portrait frontispiece, folding maps, half-tone plates, original red cloth, a little faded, 8vo, together with Andree’s Story. The Complete Record of his Polar Flight, 1897, 3rd printing, pub. Viking, New York, 1931, b & w plates, presentation inscription, endpapers renewed, bookplate, original cloth, a little faded, 8vo, plus Andree’s Balloon Expedition in Search of the North Pole, by Henri Lachambre and Alexis Machuron, New York, 1898, half-tone illustrations, a few spots, front hinges cracking, bookplate, original cloth, slightly rubbed, 8vo, with others related including Roald Amundsen & Lincoln Ellsworth’s The First Flight Across the Polar Sea, c. 1927, De Eerste Vlucht Over de Noordpool, van Roald Amundsen en Lincoln Ellsworth, Amsterdam, c. 1926 and Andree and his Balloon, 1898 (37)
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