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283284 Los(e)/Seite
Los 828
A 19th Century Stobwasser style papier-mâché circular panel, decorated with the heads of five people smoking and taking snuff, diameter approx 8.4cm, together with a porcelain oval panel, painted with a maiden, an enamel oval plaque, painted with a head and shoulders portrait of a lady, two paintings on mother-of-pearl, a printed oval glazed panel depicting a pavilion and four Canton mother-of-pearl counters (some faults).
Los 1532
A Continental porcelain rectangular plaque, early 20th Century, decorated with the Madonna and Child in polychrome enamels and heightened in gilt, approx 15cm x 10.3cm, and an oval porcelain plaque, decorated with a head and shoulders bust portrait of a lady wearing a lavender coloured dress, approx 10cm x 7.8cm.
Los 1584
A Royal Doulton stoneware Lord Nelson commemorative milk jug and matching sugar bowl, early 20th Century, each decorated on one side with a portrait of Lord Nelson and with a warship on the other, the neck inscribed 'England expects every man will do his duty', heights approx 8cm and 7cm, together with a collection of other Doulton stoneware, including two pairs of miniature vases, two condiments and another vase.
Los 510
ERIC HARALD MACBETH ROBERTSON (1887-1941)The Bathing Partysigned and dated 'Eric Robertson May 19th 1919' (lower right)pencil16 1/2 x 20 1/2 in (41.9 x 52.1cm)The artist trained as an architect before studying art. Considered a brilliant young student, he and his wife, the artist Cecilie Walton, were closely involved with the Edinburgh Society of Artists. Robertson moved from Edinburgh to Liverpool in the early 1920's, where he established himself as a portrait painter.
Los 578
SIR JAMES JEBUSA SHANNON R.A., R.B.A., P.R.S.P.P. (1862-1923)Portrait of Kittystanding full length, wearing a white dress and hatoil on canvas72 1/2 x 40 in (184.2 x 101.7cm)Provenance: The artist's family, by descent; thence to the present vendor's familyIn this portrait Shannon's limited colour palette, thinly washed paint surface and flattened compositional space shows the influence of WhistlerThis full length portrait of Shannon's only child Kitty (1887-1974) can be compared with an 1897 full length portrait of her in the Carnegie Museum of Art, Pittsburgh. A variant portrait of that was exhibited at The Royal Academy of Arts, Winter Exhibition 1928 no. 23 Shannon initially studied under Sir Edward Poynter Bt. PRA., and increasingly turned his attention to portraiture. He was a founding member of the Society of Portrait Painters in 1891. The purpose of this Society was to display and promote the variety of portraits available from a younger generation of portrait painters. Over the next few years Shannon's profile rose rapidly. Along with John Singer Sargent, and James Abbott McNeill Whistler, Shannon was considered by Munsey's Magazine in 1895 to be one of the three most 'distinguished American portrait painters to have flourished side by side in this generation among the mists and glooms of London'By the mid 1890's Shannon was at the height of his powers, elected an Associate of the Royal Academy in 1897. An American commentator of the time recorded 'As to Mr Shannon, his career in England has been simply phenomenal. Almost unknown three or four years ago he has, with his grace, elegance and refinement climbed to the very top of the ladder'
Los 509
ATTRIBUTED TO CHARLES SHIRREFF (1750-1831)Portrait miniature of the Hon. Col. William Monson, wearing uniform, oval,1 1/2 x 1 1/4in (3.8 x 3.2cm)and two portrait miniatures of Gentlemen by other hands, circa 1790; three (3)Colonel Hon. William Monson (1760-1807) was the son of John Monson, 2nd Baron Monson of Burton. In January 1786 at Calcutta he married Anne Debonnaire, daughter of John Debonnaire, merchant of Lisbon and Calcutta. Soon after they sat for an important portrait by Arthur William Devis.First commissioned in the 52nd regiment in 1780 he proceeded to India. By 1785 rising to the rank of Captain. He commanded a light company of the 52nd at the attack on Seringapatam in the 1792 campaign against Tipu Sultan. In 1797 he transferred to the newly arrived 67th Regiment as Colonel. He particularly distinguished himself in the second Anglo-Maratha War bravely leading his troops at the Battle of Mukandwara Pass, also known as 'Monson's Retreat' 8-10th July 1804.After his return from India he became Member of Parliament for Lincoln 1806-1807.
Los 506
GERARD LESLIE BROCKHURST RE RA RP (1890-1978)Portrait of the artist Henry Rushbury RA REetching, pencil signed, Pl. 9 x 7 in (22.8 x 17.8cm); sold with another (earlier state) impression of the same etching; an etching by Ian Strang depicting The Rue de Mont Cenis, Montmartre; and an etching of a Beggar by William Fairclough; four (4)
Los 537
SIR JAMES JEBUSA SHANNON R.A., R.B.A., P.R.S.P.P. (1862-1923)A Folio containing a selection of unframed Drawings and Watercolour sketches: the pencil drawings comprise:Three Figures in an Interior; 'John sitting to Shannon'; The artist painting a Portrait;Study for a Fountain; Figure Studies; a Lady standing; a Lady seated; the watercolours comprise: A Child riding a prancing Pony; Child on a Donkey; A Mother and daughter seated (mixed media on paper); A Portrait head; Venice; Plough-time; Mud-flats at low Tide; Design for a Statue; Sea and Sky; Figures on a Pier; A Sailing Boat passing near a beached Hulk, recto; On an Estuary, verso; A Child reading; A Child by a window in a country House; By a Window; A Shore-line at low tide.varying sizes, 10 x 15 in (25.4 x 38.2cm) and smaller; twenty two (22) a/fProvenance: The artist's family, by descent; thence to the present vendor's family
Los 540
JOHN SERGEANT (1932-2010)The Life Classsigned and dated 1982coloured crayon and chalk27 x 28 in (68.6 x 71.3cm)Sold with an oil study by the same artist depicting H.M. The Queen Mother inspecting troops at a Military Parade; together with five oil portrait studies variously by John or Carolyn Sergeant, a number depicting John Sergeant; and various other portrait sketches, principally by John Sergeant (qty)John Sergeant trained at Canterbury College of Art from 1954-57. He entered the Royal Academy Schools in 1959, winning the Drawing Prize in his final year there as a student in 1962. Later he taught at the Canterbury, Dover and Folkestone Schools of Art
Los 542
JOHN WARD CBE RA (1917-2007)Study of a Handsigned and dated 'John Ward 1998' (centre right)watercolour13 x 9 1/2 in (33.1 x 24.2cm)Provenance: with Hazlitt, Gooden & Fox, London, 4th May-1 June 2000, 'John Ward in Venice' cat no.30 Sold with two watercolour portrait sketches of children; a watercolour depicting a still life with flowers in a Vase (1970); and a pen and ink drawing titled 'Tail Piece from 1963 Show Music Programme', all by the same artist; and an oil painting by K.W. Back depicting a View from Dover Cliffs (1963); six (6)
Los 579
SIR JAMES JEBUSA SHANNON R.A.,R.B.A.,P.R.S.P.P. (1862-1923)Portrait of Florence, the artist's wifeseated three quarter-length, wearing a black dress, cloth hat with coloured scarf, and grey wrapoil on canvassigned 'J.J. Shannon' (lower left)40 x 30 in (101.6 x 76.3cm)Provenance: The artist's family, by descent; thence to the present vendor's family The former Florence Mary Cartwright (d.1948) married James Jebusa Shannon in 1886. She had met him two years previously while she had been attending the South Kensington School of Needlework.Florence was painted on a number of occasions by Shannon, at different periods of her life. Two portraits for instance in a private UK collection depict her in the years after her marriage; and as a young mother with her daughter Kitty. cf. also a portrait of Florence holding a guitar, c.1915, Christie's 7 July 2016, lot 10; and a Portrait of Florence c.1905 (on the New York art market, 2014)Throughout his career as an artist she provided a source of support and encouragement for her husband.James Jebusa Shannon was knighted in 1923. After his death, Florence (now Lady Shannon) actively promoted her late husband's work in the UK and the USA where she helped promote a memorial exhibition that toured to museums in Buffalo, Columbus, Cincinatti and Brooklyn
Los 581
‡SIR GERALD FESTUS KELLY KCVO., PRA., RHA. (1879-1972)Portrait of Consuelo 1 inscribed 'Consuelo', numbered (i), signed and dated 19 on the reverseoil on canvas32 x 23 1/2 in (81.1 x 59.6cm)Amendment: image of portrait numbered 575 in printed catalogue is lot 581Provenance: 'The Contents of the Studio of the Late Sir Gerald Kelly', Christie's, King St. London, 8th February 1980 lot 133Exhibited: The Royal Academy London, no. 406, 1920 Oldham Art Galleries and Museum, no. 189, 1921 P. Knoedler 1921 Poole and East Dorset Art Society, 1928 Usher Art Gallery, Lincoln 1929 The Royal Hibernian Academy, Dublin, 1936 The Leicester Galleries, London no.30 1950 The Royal Academy, Diploma Galleries, Sir Gerald Kelly, P.R.A., Retrospective Exhibition no. 192 1957After graduating from Cambridge, Kelly lived in Paris. Later he travelled extensively in Spain, America, South Africa and Burma. He was elected to The Royal Academy in 1930 and served as it's President from 1949-54
Los 580
‡SIR GERALD FESTUS KELLY, KCVO, PRA, RHA (1879-1972)A Seville Chorus Girl (Consuelo V11)signed 'Kelly' (lower left), signed again and inscribed 'Consuelo V11' on the reverseoil on canvas41 x 32 1/2 in (104.2 x 82.6cm)Provenance: Sir Malcolm Sargent, on loan 'The Contents of the Studio of the late Sir Gerald Kelly'. Christie's, King Street, London, February 8th 1980 Lot 145 Exhibited: National Portrait Society, no 9, Agnews 1920 Walker Art Gallery, Liverpool, 1920 Ferens Art Gallery, Hull 1921 Art Gallery of Ontario,Toronto, Canadian National Exhibition 1921 International Biennale, Venice 1922 Whitechapel Art Gallery, London 1929 The Royal Hibernian Academy, Dublin 1933 Bath Society of Artists,1935 Bristol City Art Gallery, 1936 The Royal Glasgow Institute of Fine Arts, 1950 The Royal Academy, London 1951 no. 171 Arts Council of Great Britain (travelling) 1951 Bradford City Art Gallery and Museum, Cartwright Hall 1953 no. 57 Atkinson Art Gallery, Southport 1955 The Royal Academy, Diploma Galleries Sir Gerald Kelly, PRA Retrospective Exhibition 1957 no.180 City Museum and Art Gallery, Plymouth 1958The artist painted Conseulo on a number of occasions and she must have been a favourite model. She is depicted in The Blue Door (Consuelo V11), Kelvingrove Art Gallery and Museum, Glasgow. cf. also Bonhams, London. March 2016 lot 98 (Conseulo no 6, Perezosa)
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283284 Los(e)/Seite