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283287 Los(e)/Seite
![[§] JOHN BYRNE (SCOTTISH B.1940)SELF PORTRAIT AND SCULPTURE Signed, watercolour and ink on paper24cm x 19cm (9.5in x 7.5in)Ex](https://cdn.globalauctionplatform.com/f2981c36-8f70-474e-a10d-a9eb00b492df/514d0d93-62ea-4f6b-bee6-aa1e00b7d242/468x382.jpg)
Los 1
AFTER RAFAELLO SANZIO, CALLED RAPHAEL PORTRAIT OF BINDO ALTOVITI inscribed extensively u.r. oil on panel 62.1 x 53.0 cm. / 241/2 x 207/8 in. Provenance: William Mills Esq. Thence by descent to the present owner unframed The present work is a copy of Raphael's painting of c.1515, which now hangs in the National Gallery of Art, Washington D.C.
Los 112
• ATTRIBUTED TO BEN ENWONWU, M.B.E. (1917-1994) DANCERS signed & dated l.l. BEN ENWONWU 1951 oil on canvas 81.5 x 46.0cm / 32 x 18in Odinigwe Benedict Chukwukadibia Enwonwu was one of the most influential African artists of the 20th Century. Enwonwu began his formal figurative art training at the Slade, having won a scholarship in 1944. He spent his time at the Slade between London and the Ruskin School, in Oxford, where the Slade had been relocated during the war. Following his diploma he studied a postgraduate degree in anthropology at the University of London In 1944, under a joint Shell Petroleum Company and British Council scholarship, he attended the prestigious Slade School of Fine Art, University College, London and in 1945, the Ruskin School, Ashmolean, Oxford University where the Slade had been relocated during World War II. In 1947, he received a first class diploma in fine art from the Slade and registered for postgraduate courses in anthropology (with a focus on West African ethnography) at the University of Londo, graduating a year later. Following his training, he worked as an art teacher and professor at a number of schools in Nigeria, being made a Government Art Advisor in 1948. During the next ten years Enwonwu became increasingly well-known outside Nigeria, and in 1956 he was commissioned to create a portrait bust of H.M. Queen Elizabeth II, on her tour to Nigeria. unframed
Los 113
OFFERED WITHOUT RESERVE - • BERTRAM NICHOLLS, P.R.B.A., R.O.I. (1883-1974) THE DEVIL'S BRIDGE, KIRKBY LONSDALE, CUMBRIA, signed and dated l.r. Nicholls 1967 oil on board 28.5 x 34.0cm / 111/5 x 142/5in Bertram Nicholls first began his studies in his 20's under the Mancunian portrait artist Reginald Barber, at the Slade. Nicholls rejected the modernism of his generation of students, later remarking that it took a number of years to unlearn the principles he learnt at Art School. It was only after 1904 that Nicholls discovered an affinity for landscapes, painting en plein air, under the mentorship of Frederick Jackson. Combining what he learnt from the older Jackson with his meticulous study of Sir Joshua Reynolds and Richard Wilson, he created the serene, tonal landscapes for which he is known today.
Los 130
GREVILLE IRWIN, R.B.A. (1893-1947) LIFEGUARDS signed l.r. GREVILLE IRWIN oil on panel 45.7 x 56.3cm / 18 x 221/4in Exhibited: Royal Society of Portrait Painters (label verso) unframed Irwin studied art at the Académie Julian in Paris and later in 1926 at the Academie des Beaux Arts in Brussels. It is most probable that he served in the Great War, but it was in the inertwar years that his career came into its own. Exhibiting at a number of major venues, his works were indicative of his extensive travels, with depictions of Mevagissey and Polperro in Cornwall, Concarneau in Britanny and Parisian and London scenes. Irwin was especially proficient as a painter of symbolic military events, including many of the major Royal occasions of the 1930's.
Los 214
OFFERED WITHOUT RESERVE - • CHARLES ERNEST CUNDALL, R.A., R.W.S (1890-1971) PAIR OF VIEWS OF WINDSOR watercolour on paper mounted as one 24.0 x 38.0cm / 91/2 x 15in Cundall was a member of the New English Art Club, the Royal Watercolour Society, the Royal Society of Portrait Painters and regularly exhibited at the Royal Academy, being elected an Academician in 1944. unframed
Los 216
OFFERED WITHOUT RESERVE - • VICTOR HUME MOODY, R.B.S.A (1896-1990) A PAIR OF DRAWINGS including a study of a foxglove, and a figure study pencil & chalk Largest: 32.6 x 25.8cm / 123/4 x 101/4in Moody studied under Sir William Rothenstein at the Royal College of Art and later became Headmaster of Malvern School of Art. He exhibited at the Royal Academy, the Royal Society of Portrait Painters and the Royal Society of British Artists. unframed (2)
Los 236
OFFERED WITHOUT RESERVE - A GROUP OF MISCELLANEOUS PRINTS INCLUDING A PORTRAIT OF T. MORRELL, A CONSULTATION PREVIOUS TO A RECORD BREAKING AIRBORNE EXPEDITION, WYMONDHAM ABBEY, A PORTRAIT OF RICHARD SUTTON, AN EXHIBITION AT THE NORWICH POLYTECHNIC INSTITUTION, A PRIVATE OF THE GREYS & FRANCE 1914-1917 CARTOON, INCLUDING A SCENE IN DOWNING STREET, THE ART OF LIMNING, A PORTRAIT OF A LADY, ABBOTSFORD & THE REV. J. WILLIAMS, MADAME SAQUI, ADVICE TO SYLVIA, GEORGE FRIEDRICH HANDEL AND THE STATUE OF G.F. HANDEL prints Largest: 27.5 x 22.0 / 11 x 81/2in Provenance: Dr Alan Borg C.B.E. (16)
Los 243
OFFERED WITHOUT RESERVE - A GROUP OF MISCELLANEOUS PRINTS INCLUDING A FETE CHAMPETRE, A SIGNED PRINT AFTER MEISSONIER, A CHURCH INTERIOR, A REPRODUCTION OROVIDA PISARRO PRINT, TWO PUTTI MOTIF ENGRAVINGS, TWO ITALIAN STREET SCENES, A FASHION ILLUSTRATION PRINT, A JOHN MELVILLE KELLY LITHOGRAPH, TWO REPRODUCTION PRINTS OF GRANADA, THE VERSPER HYMNAL & A PORTRAIT OF TWO SISTERS all various prints (16)
Los 135
George III Silver Indian Peace Medal. Period of the Revolutionary Wars, Undated. Middle size. First reverse. Silver Solid. Single piece die struck. 61.0mm. Unsigned dies. Armoured bust right of George III (Obverse 1); Royal Arms with Unicorn and Lion supports, (Reverse A). Original loop, Condition: Buckle close to edge near suspension loop, otherwise light surface scratches, definition of portrait and arms still sharp and good with little wear. See Lot 55 Stack Bowers Galleries, NY, US, 17th Oct 2006 for identical example sold for $9,000. These medals were presented to second rank native Americans and Canadians who actively supported the British cause during the American Revolution.
Los 250
A pair of 19th century portraits signed 'Heaton 1852', of a military gentleman and another with pencil inscription verso, 'Wife of Colonel Haulfrow Fleming', 22cm x 20cm together with a gilt frame portrait of flowers, a pair of 19th century prints of a romantic couple and a wedding scene and together with two other antique needlework pictures (7).
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283287 Los(e)/Seite