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283287 Los(e)/Seite
Los 270
An early 19th Century Victorian oil on canvas portrait painting depicting an aristocratic Lady wearing black dress with white veil with black ground seated on red chair. Lady believed Sarah Lowe. Set to an ornate carved gilt frame. Signed by artist to white. Measures 62cms x 75cms / Frame 107cms x 95cms approx
Los 172
Sarah Siddons (Welsh-born English actress 1755-1831) A 19th Century oil on board portrait study of Sarah SIddons as an elderly lady shown seated reading a book wearing a black gown and bonnet. Glazed, set within a gilt frame having acanthus leaf decoration. Artist unknown. Measures 28cm tall y 23cm wide. Frame measures 39cm tall by 33cm wide.
Los 311
signed in pencil in the margin, 24/88 in pencil in the plate; thumbprint and dated 2017 on the reverse silkscreen on hand torn archival paper 122 by 92cm Brazen, unapologetic and positioned at the forefront of street art culture, Mr. Brainwashis one of the fearless renegades of contemporary art. The French-born, Los Angeles-based artist is lesser known by his given name of Thierry Guetta, yet his moniker has become synonymous with the explosive collision between pop art and graffiti culture.Treading the boundary between high art and guerrilla satire, Guetta walks arm-in-armwith another one of the urban contemporary scene’s ubiquitous enigmas, Banksy.It was fellow street artist’s Banksy’s Academy Award-nominated 2010 documentary,Exit Through the Gift Shop, that helped to propel Guetta’s unconventionally swift riseto commercial stardom(1).Following the release of the acclaimed documentary, critics began to speculate asto whether Guetta was an authentic creator or an elaborate hoax conjured by theanonymous Banksy. After noting the undeniable likeness between the two artists’styles, some suggested that Mr. Brainwash’s works had actually been created byBanksy himself, while his unruly protégé was an intricate comment on the nature offame within the art world(2). Banksy took to his website to vehemently deny the claims.The widespread controversy only further amplified the notoriety of Mr. Brainwash.The artist’s works toy with pop culture iconography, subverting society’s mostrecognizable images through the sharp-witted use of reconceptualised appropriation.Guetta has captured the imagination of the international market, captivating thediscerning eye of collectors with his large-scale works currently fetching hundreds ofthousands of dollars(3).Deeply inspired by the work of Pop Art prince, Andy Warhol, Guetta has oftenfeatured Hollywood celebrities and cultural icons as the subjects of his vivid portraits.The artist has created images paying tribute to Kate Moss, Jimmy Hendrix, CharlieChaplin, Albert Einstein, and here, Dr Martin Luther King Jnr.Aptly entitled King, the limited edition monochromatic screenprint features the faceof the civil rights movement’s most influential figure. The portrait, with King’s piercinggaze and the austere use of black ink, is exceptional amid the artist’s more typicaltechnicolour works. As a characteristic tongue-in-cheek nod to the controversysurrounding the authenticity of his work, the screenprint boasts Guetta’s ownthumbprint on the reverse. - E.S.K.1. Ben Davis. 9.5 These on Art and Class. Chicago: Haymarket Books, 2013, p.992. Angela Dalle Vacche. Film, Art, New Media: Museum Without Walls? London: Palgrave Macmillan, 2012, p.893. Eric Grzymkowski. Art 101: From Vincent van Gogh to Andy Warhol, Key People, Ideas, and Moments in the History ofArt. New York: Simon & Schuster, 2013, p.67
Los 608
Comprising: a seed pearl and turquoise brooch, in 9ct gold; a seed pearl brooch, maker's mark W.M.C , Chester, 1894, cigar-shaped, each seed pearl set in a triangle, in 9ct gold; a garnet brooch, designed as a bow, acid tested as 9ct gold; a gold brooch, designed as a horseshoe mounted on a bar, in 15ct gold; a cameo brooch, oval, carved as a woman to sinister, in 9ct gold; a portrait miniature brooch, depicting a young man with a stick over his shoulder; a citrine bar brooch, the oval-cut citrine set in an openwork shamrock-shaped frame, acid tested as 9ct gold and a Wedgwood brooch, depicting Cupid on a cloud, acid tested as 9ct gold (8) (8)
Los 319
signed and dated Born in the Eastern Cape in 1923, JohannesMeintjes enjoyed career success by the age of20 rarely experienced by South African artists.His first exhibition was in 1944 at GainsbouroughGalleries in Johannesburg. Meintjes studied underFlorence Zerffi but found an affinity with theGerman Expressionist style of renowned artists'Irma Stern and Maggie Laubser and claimed MayHillhouse as his closest mentor and critic.With his hooded eyes, high cheekbones andsculpted features, we believe this painting to bea self-portrait by the artist. Johannes Meintjespainted a number of portraits of his handsomelovers, many of which are stylised to resemble theartist himself. In this portrait the subject appearsbrooding, with sharp facial features in contrastto the curved lines of the headscarf, which arcaround the subject’s head like a halo. -S.D.“Bibliography,” Johannes Meintjes: Artist, Author and Historian,accessed September 24, 2019, http://www.johannes-meintjes.co.za/biography.html
Los 55
Portrait Miniature of Alfred Harmsworth Senior. By Seymour Lucas, R.A., Ca. 1870s. Facing ¾ left in his barrister attire. Ornate gilt wood frame, 5 ½ x 6 ½". Barrister Alfred Harmsworth (1837-1889) married Geraldine Mary Maffett on Sept. 21 1864 in St. Stephen's Church, Dublin. They had 14 children (three died in infancy). Of them several became the proprietors of Britain's leading newspapers, five of whom were honored with hereditary titles - two viscounts, one baron and two baronets, while another son designed the iconic Perrier mineral water bottle. Frame chipped upper right. From the estate of the late Lord Harmsworth.
Los 61
Quartet of Portrait Miniatures -- Classical and Amorous Scenes. All Prints, late 19th-20th Century. 82-65mm - Two nude young forest sprites hunting dogs sniffing before them; Young dandy professing his affection for a reclining shepherdess, her friend looking on by tethered sheep (wood frames); 68 x 82mm -- Two aristocratic young women seated holding hands (fabric frame, scuffed edging); and 65 x 85mm oval. Young fop or jester, eyes wide with surprise after espying a bare-breasted young maiden asleep behind red velvet curtains. Brass border in recessed ebonized wood frame, 3 7/8 x 4 ¾". (4)
Los 60
Trio of Portrait Miniatures. Bearded Gentleman wearing blue-striped vest and cravat. 19th Century. 2 1/3 x 2 5/8". Loose from ebonized oval frame, two full vertical cracks, tape-backed; Child wearing frock collared red striped blouse. Late 19th-20th Century. 2 ¾ x 3 3/8". Set in a Brass frame; and Young Woman sporting tight curls and wearing necklace. 19th Century. Unframed, 1 3/8 x 1 ¾". (3)
Los 93
Pierre Marie Brisson (b. 1955) "Portrait III". Large Mixed media painting on canvas. Purchased from Bowles/Sorokko Galleries, New York in 1992. Brisson's work is displayed in the Fine Arts Museum of San Francisco, San Francisco Museum of Art, Fort Lauderdale Jewish Museum, New York George Page Museum, Los Angeles Bibliotheque Nationale, Paris Musee de la Poste, Paris Pushkin Museum, Moscow Musee Faure, haute couture Paris Groupe Cartier, and the Argentina Musee de L'Hospice Saint-Roch, among many others. Sight Size: 45.75 x 35 in. Overall Size: 51 x 40.5 in.
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283287 Los(e)/Seite