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Los 2656

An African carved ivory head and shoulders portrait bust of a woman, together with an African carved hardwood figure of a standing man and a figure of an elephant.

Los 19

Mid-20th Century British School - Full Length Portrait of a Young Woman, oil on canvas, approx 90cm x 54cm.

Los 32

South American School - Half Length Portrait of the Madonna in Prayer wearing a White Headdress and Jewelled and Floral Robe, 18th Century oil on canvas, approx 68cm x 54cm, within a gilt frame.

Los 95

Attributed to Denis Fildes - Portrait of an Elderly Woman seated, wearing Traditional Dutch Costume, early 20th Century pen, ink and wash, Rowley Gallery label verso, approx 25cm x 20cm.

Los 96

Mid-19th Century British School - Oval Three-quarter Length Portrait of a Gentleman seated holding a Quill beside a Table, watercolour, approx 29cm x 24cm, within a gilt composition frame.

Los 98

After C.F. Goldie - Oval Head and Shoulders Portrait of a Tattooed Maori, early 20th Century lithograph printed in colours, approx 36cm x 29cm, within a painted oval frame, together with a print after Greuze.

Los 104

British School - Half Length Portrait of a Gentleman seated, wearing a Blue Stock, White Chemise and Brown Jacket, mid-19th Century oil on canvas laid on board, approx 15cm x 12cm, together with a watercolour.

Los 105

Early/mid-19th Century British School - Oval Miniature Head and Shoulders Portrait of a Gentleman wearing a Red Jacket, watercolour on ivory, approx 5.5cm x 4cm, within a papier-mâché frame with gilt metal clasp.

Los 106

Rodier - Oval Miniature Head and Shoulders Portrait of Napoleon, late 19th/early 20th Century watercolour on ivorine, signed, approx 8cm x 6.5cm, within an Empire Revival gilt frame.

Los 123

Snow-Gibbs - Portrait of a Man carrying a Basket beside Two Geese, charcoal and pastel, signed, approx 31cm x 24cm.

Los 132

Circle of Margaret Carpenter - Head and Shoulders Portrait of a Lady, Eliza Caddick, early/mid-19th Century oil on canvas, inscribed label verso, approx 40cm x 38cm, within a gilt composition frame.

Los 150

H. Heine - Portrait Studies of Gentlemen, a pair of oils on board, signed and dated 1916 and 1920 respectively, both within gilt composition frames, each approx 23.5cm x 19cm, together with three decorative pictures.

Los 408

A set of six Art Nouveau silver buttons, each decorated in relief with a bust portrait of a maiden within a floral surround, Birmingham 1904 by Joseph Gloster, cased.

Los 558

A Victorian gold and oval shell cameo bangle, the front carved as the portrait of a classical warrior wearing a helmet with a shield and spear, within a shaped border, between scroll engraved sides.

Los 559

An oval shell cameo stick pin carved as the portrait of a classical lady, a gold topped and pearl set stick pin, a gold band ring mounted with a lava cameo, a gold and rose diamond set single stone ring with pierced shoulders, and a pair of imitation pearl earrings.

Los 583

A 9ct gold mounted oval shell cameo ring designed as the portrait of a lady, a pair of silver gilt mounted shell cameo earrings, a pair of oval opal doublet single stone earstuds, a circular pendant glazed with gold nuggets, fitted to a gold neckchain, a pair of circular earrings, mounted with gold nuggets, and a 9ct gold tennis racket charm.

Los 608

A 9ct gold, amethyst and seed pearl set bar brooch, a 9ct gold and seed pearl set bar brooch with a scrolling motif, a gold and pale blue gem set bar brooch, and an oval filigree brooch glazed with a watercolour portrait of a female saint, signed Enzzoni.

Los 612

A Victorian gilt metal oval brooch glazed with the portrait of two young children to the front and a feathered hair locket to the back, the border with foliate motifs, a gilt metal mounted oval agate set brooch, an oval carved cornelian set brooch, an amethyst set pendant cross with a silver neckchain, an imitation branch coral necklace, two imitation pearl necklaces, three further necklaces, five heart shaped padlock clasps, further clasps and sundry.

Los 661

A seed pearl and shell cameo necklace, the oval shell cameo carved as the classical portrait bust of a lady, from a four row seed pearl necklace on a snap clasp.

Los 677

A 9ct gold and oval shell cameo ring, carved as the portrait of a lady, a gilt metal mounted oval shell cameo brooch, a pair of gilt filigree and shell cameo earrings, and a group of costume jewellery.

Los 1084

An oval portrait miniature on ivory, of a lady with a garland of flowers in her hair, and another of a gentleman in uniform (2)

Los 1085

An oval portrait miniature, of a lady in 18th century costume, on ivory, in a gilt metal frame chased with a bird and foliate decoration

Los 1086

A Georgian oval portrait miniature of a young girl, on ivory, with woven hair surround, with seed pearl monogram to reverse

Los 1295

English School,1878, Portrait of a Girl in a Tartan Scarf, in front of a Mill, with monogram WL (entwined), oval watercolour, 30cm x 37cm

Los 212A

* ALEXANDRA (SANDY) GARDNER PORTRAIT OF A WOMAN oil on board, signed 23cm x 23cm

Los 3013

ASTRUP, Eivind. With Peary near the Pole… translated… by H.J. Bull. London: 1898. 8vo (220 x 136mm.) Portrait frontispiece, numerous illustrations, folding map bound at rear. (Light browning.) Original cloth blocked in gilt and blind, t.e.g. (extremities bumped, spine faded). Provenance: Capt. C.E. Salvesen (signature, dated ‘India, June 1898’ recto of frontispiece).

Los 3014

PEARY, Robert E. Northward over the “Great Ice”, A Narrative of Life and Work along the Shores and upon the Interior Ice-Cap of Northern Greenland in the Years 1886 and 1891-1897. London: 1898. First U.K. edition, 2 vols., 8vo (224 x 160mm.) Portrait frontispieces, numerous illustrations. Original cloth, t.e.g. (extremities lightly bumped). Provenance: L. Breitmeyer (bookplate).

Los 3015

COOK, Frederick A. My Attainment of the Pole, being the Record of the Expedition that First Reached the Boreal Center 1907-1909. New York: The Polar Publishing Co., 1911. First edition, 4to (250 x 184mm.) Portrait frontispiece, 31 plates. (Minor light browning, small marginal tear to pp.39 & 53.) Original decorated cloth (head and foot of spine lightly bumped). Provenance: Reuben Bullock (prize certificate to front pastedown). – And one other volume of similar interest (Robert E. Peary, ‘The North Pole’, London: 1910, 4to) (2).

Los 3045

BROWN, R.N. Rudmose, and W.G. Burn MURDOCH. A Naturalist at the Poles. The Life, Work & Voyages of Dr. W.S. Bruce the Polar Explorer. London: Seeley, Service & Co. Ltd., 1923. First edition, 8vo (215 x 131mm.) Portrait frontispiece, 28 plates (on 23 leaves), 3 maps (2 folding and bound at rear), 4pp advertisements at rear. (Some spotting and browning.) Original cloth (head and foot of spine lightly bumped), dust-jacket (slightly soiled with chips to head and foot of spine). Spence 194.

Los 3050

ARMSTRONG, Nevill A.D. Yukon Yesterdays, Thirty Years of Adventure in the Klondike. London: John Long Ltd., 1936. First edition, 8vo (230 x 148mm.) Portrait frontispiece, numerous illustrations. (Light spotting or browning.) Original cloth (extremities bumped), dust-jacket (spotted, minor nicks). Provenance: C.W. Gleeson (signature to half-title). – And fourteen others, the majority on the Yukon and Alaska (15).

Los 3052

CHRISTENSEN, Lars. Such is the Antarctic… translated by E.M.G. Jayne. London: Hodder and Stoughton, 1935. First edition, ?second impression, 8vo (220 x 138mm.) Portrait frontispiece, 4 folding maps, 44 plates. (Occasional spotting.) Original cloth (extremities bumped), dust-jacket (torn with loss of folds). – And seven others relating to the Antarctic (8).

Los 3063

DE LONG, George Washington. The Voyage of the Jeannette, the Ship and Ice Journals… edited by… Emma De Long. Boston & New York: 1883. 2 vols., 8vo (234 x 138mm.) Portrait frontispiece to vol. I, lithographic frontispiece to vol. II, numerous illustrations, charts, diagrams and maps (some folding, 1 folding in pocket at rear of vol. I). (Light marginal browning.) Original decorated cloth (head and foot of spines somewhat bumped). Provenance: Frank L. Harris (address labels to preliminary blanks); Mrs R.W. McCormick (presentation label to:); Farnsworth Art Museum. – And two other volumes (Adolphus W. Greely, ‘Three Years of Arctic Service’, New York: 1886. 2 vols., 8vo, original cloth) (4).

Los 3067

MAWSON, Douglas. The Home of the Blizzard being the Story of the Australasian Antarctic Expedition, 1911-1914… abridged popular edition. London: Hodder and Stoughton Limited, 1930. 8vo (236 x 151mm.) Portrait frontispiece, folding maps, numerous illustrations. (Spotted.) Original cloth. – And six others, including three others relating to Mawson (7).

Los 3083

RUSKIN, John. – William SHAKESPEARE. The Poems. London: William Pickering, 1842. Small 8vo (160 x 98mm.) Portrait frontispiece. (Minor spotting or browning.) Contemporary green morocco gilt, the covers elaborately tooled with a foliate panel in gilt, the spine in six compartments with raised bands, lettered in the second compartment, the others with repeat decoration in gilt, gilt turn-ins, g.e. (spine slightly faded and rubbed). Provenance: John Ruskin (bookplate to front pastedown; signature to preliminary blank).

Los 3087

DICKENS, Charles. The Life and Adventures of Nicholas Nickleby. London: Chapman and Hall, 1839. First edition in book form, early issue, 8vo (210 x 133mm.) Portrait frontispiece, 39 plates by ‘Phiz’ [H.K. Browne]. (Lacking half-title, some spotting or browning predominantly to plates.) Contemporary green half-calf, spine gilt (extremities slightly rubbed and scuffed). Note: p123 has ‘sister’ correct.

Los 3092

DICKENS, Charles. The Life and Adventures of Nicholas Nickleby. London: Chapman and Hall, 1839. First edition in book form, early issue, 8vo (205 x 125mm.) Portrait frontispiece, 38 plates by ‘Phiz’ [H.K. Browne]. (Lacking half-title, some spotting and browning, heavy to title-page and plates, title-page somewhat creased, 3 plates torn and repaired, 1 plate torn with loss to margin, 1 other plate torn with substantial loss.) Modern half-calf over contemporary marbled boards (some scuffing). Note: p.123 has ‘visiter’ instead of ‘sister’.

Los 3124

BRUN, A.H. Troublous Times, Experiences in Bolshevik Russia and Turkestan. London: 1931. First edition, 8vo (194 x 128mm.) Portrait frontispiece, occasional plates. (Occasional light spotting.) Original cloth (extremities bumped and faded), remnants of dust-jacket. – And a quantity of others, various (a quantity).

Los 3163

MINIATURE BOOKS. Sir Winston S. Churchill, Honorary Citizen of the United States of America by Act of Congress April 9, 1963. Worcester, Massachusetts: 1964. Small 8vo (58 x 39mm.) Portrait frontispiece. Original red morocco gilt, g.e. (spine slightly faded). – And twenty-four other small format books (25).

Los 3187

JOHNSON, Samuel. The Lives of the Most Eminent English Poets… a new edition, corrected. London: 1794. 4 vols., 8vo (210 x 127mm.) Portrait frontispiece to vol. I. (Minor browning.) Contemporary speckled calf (rebacked). Provenance: In’o Donkin (signature to title-pages).

Los 3192

SHAKESPEARE, William. The Plays. London: 1824. 10 vols., 12mo (177 x 105mm.) Portrait frontispiece to vol. I. (Some spotting and browning.) Near contemporary green half-calf (somewhat rubbed and scuffed).

Los 3194

THEATRE. The Select London Stage. London: G. Balne, [n.d. but circa 1830.] 8vo (214 x 128mm.) Portrait frontispiece. (First few leaves browned.) Contemporary half-calf (scuffed and rubbed, upper joint splitting). – And four other volumes, all leather-bound (5).

Los 3208

RAY, John. The Wisdom of God, Manifested in the Works of the Creation… the seventh edition, corrected. London: 1717. 2 parts in one vol., 8vo (196 x 123mm.) Portrait frontispiece. (Occasional spotting or browning.) Contemporary panelled calf (extremities scuffed, rebacked, spine now rubbed and scuffed).

Los 3258

ART REFERENCE. – Michael BRYAN. A Biographical and Critical Dictionary of Painters and Engravers… a new edition… by George Stanley. London: 1873. 8vo (260 x 172mm.) Portrait frontispiece, 9 plates bound at rear, occasional illustrations. (Some light browning, minor damp-staining to plates.) Contemporary red half-morocco (extremities slightly scuffed). – And fourteen others of art reference interest (15).

Los 3295

ART REFERENCE. – Lionel CUST (editor). The National Portrait Gallery. London, Paris, etc.: 1901. 2 vols., 4to (307 x 211mm.) Titles printed in red and black, numerous illustrations. (Some spotting and browning.) Contemporary half-morocco, t.e.g. (extremities slightly scuffed, spines slightly faded). – And a quantity of others, most art reference (a quantity).

Los 3

ALEXANDER GORDON SINCLAIR (SCOTTISH 1859-1930) PORTRAIT OF A GIRL oil on canvas, signed and dated 1915 41cm x 35.5cm

Los 54

SIR WILLIAM FETTES DOUGLAS (1822-1891) NOCTURNE oil on panel, signed 20cm x 15cm Note : Sir William Fettes Douglas was a Scottish painter in the19th century. He began as a hobbyist, while working at a bank. He became a professional painter at the age of 25. His work features, notably, occult and alchemical subjects of which `NOCTURNE` is a fine and typical example. William pursued this interest in the occult throughout his travels to Italy and to "the East" where he acquired antiquarian objects which were of his fascination. In 1877 he was appointed Director of the National Gallery of Scotland and in 1882 President of the Royal Scottish Academy. His works are displayed at such notable museums as the National Galleries of Scotland, Harvard University Art Museums, the National Portrait Gallery, Tate Gallery, and the Victoria and Albert Museum. Provenance: Fine Art Society label verso, number 10956, April 1989 Purchased by the present owner at Lyon & Turnbull, lot 14, 26 January 2006 for £2800 hammer price.

Los 58

SIR JOHN LAVERY RA (IRISH 1856-1941) PORTRAIT OF MARY oil on canvas, signed verso 30cm x 24cm Provenance : Sitter`s name taken from the original letter from Lavery to the sitter, which is to be sold with this lot. Note : The artist John Lavery was born in Belfast, and studied in Scotland at the Glasgow School of Art from about 1874. After finishing studies at the Glasgow School of Art he set up as an independent artist at 23, further studying in London and Paris. He then became a leading member of informal group of painters known as the Glasgow School or `Glasgow Boys` with works characterised by great energy. His first success came with the showing of his `Tennis Party` at the Royal Academy, London, in 1886; it was much admired and, better still, bought for the Neue Pinakothek in Munich. Two years later he received a commission to paint the state visit of Queen Victoria to the Glasgow Exhibition, and this gave him social connections that brought him valuable commissions for the next fifty years. His career from then on was one of uninterrupted success. Knighted 1918, elected member of the RA 1921; he was also a member of the RHA, Royal Scottish Academy, and the academies of Rome, Antwerp, Milan, Brussels, and Stockholm. He received honorary degrees from QUB and TCD and was made a freeman of Belfast and Dublin. At 84 he published his autobiography, `The Life of a Painter` (1940). Died at Rosenarra House, Kilkenny, 10 January 1941.

Los 93A

19TH CENTURY CONTINENTAL SCHOOL PORTRAIT OF A GENTLEMAN oil on canvas 92cm x 71cm

Los 108

JESSIE R. ALLAN (SCOTTISH 1889-1923) ROSEMARY oil on canvas, signed 62cm x 42cm note: this lot is a portrait of the late Helen Brown Noble, as identified by the family. These works were completed in the earlier part of the 20th century.

Los 20

A late 19th Century Taylor Tunnicliffe & Co Hanley circular pottery wall plaque painted with a portrait of a young woman wearing a headscarf on a blue ground, 18.25ins diameter, signed to reverse “E. Crutchley” and impressed factory mark), and a late 19th Century Doulton Lambeth faience circular pottery plaque painted with a portrait of a young woman, 15.5ins diameter, signed to reverse “E. Crutchley” and impressed factory marks - cracked through and with restoration)

Los 160

17th Century Belgian School - Oil painting - Full length portrait of Anne Françoise Hubertine de Carondelet, Comtesse de Merode at De Montford (1616-1668) - Dressed as “Diana”, and Ferdinand, Comte de Merode at De Montford (1633-1687) - As a child dressed in part armour, both depicted within a classical interior and crest of Ferdinand de Merode to lower right hand corner, relined canvas 29.25ins x 20.25ins, unsigned, in narrow gilt moulded frame, and bearing full titles on metal plaques to top and lower part of frame Provenance : From the Family de Merode formerly at La Briserie, Mons, Belgium

Los 164

Late 17th/early 18th century (English school) - Oil painting - Portrait of a lady wearing blue shawl, canvas 30ins x 24ins, in early carved and gilded frame

Los 195

George Paice (1854-1925) - Oil painting - “Bourton Hill” - Portrait of a standing racehorse, canvas 20ins x 27ins, in moulded gilt frame (painting restored and relined)

Los 228

Alfred Crowdy Lovett (1862-1919) - Watercolour - Portrait of Private J. Norman, 2nd Glosters - Second Battalion - The Gloucestershire Regiment” - Full length portrait in uniform carrying kit bag, 13ins x 9.25ins, signed in black, in modern frame and glazed Note : Complete with two letters to vendor from Lt. Colonel Henry Ridice from The Regimental Headquarters, The Gloucestershire Regiment, dated 31st May and 14th June 1985 identifying the uniform and what is thought to be the departure portrait of the Private for Malta on 10th November 1910

Los 240

19th Century - Lithograph - Portrait of Queen Victoria made up in 173,000 words describing the principal events of her reign to celebrate the Diamond July 1897, 33ins x 28ins, in wooden frame and glazed

Los 391

An early 19th century sampler worked in colours and depicting a portrait of Admiral Vernon, victor of the Battle of Portobello, together with depictions of ships, castles and religious texts within a freely running border of flowers, by Sarah C. Bingham Fright, 1837, 18ins x 13ins, in rosewood frame and glazed, and an early 19th century sampler with the Lords Prayer worked by Susanna Hookeys, June 30th 1823, 19ins x 16.75ins, framed and glazed

Los 393

Late 18th Century English School - Pair of oil paintings - Half length portrait of a young woman, and a miniature of a young man, each oval 4ins x 3ins, in moulded gilt frames and glazed

Los 394

A 19th century English School - Miniature - Shoulder length portrait of a young man with side whiskers, oval 2.75ins x 2.5ins, contained in black lacquered frame and glazed, a 19th century miniature - Shoulder length portrait of a young gentleman, oval 3.25ins x 2.25ins, two early 19th century silhouettes of young women with gilt highlights, and a 19th century photograph of a seated gentleman

Los 395

A Victorian miniature portrait painting of a young woman, 2.75ins x 2.25ins, in gilt metal frame, contained in leather case

Los 440

A 19th Century French “Prisoner of War” bone set of dominoes (28 pieces), contained in bone box, the sliding lid inset with two glazed watercolours of a male and a female figure in Neo-classical dress, 6ins x 2.5ins x 1in high (damaged), two early 19th Century enamel oval boxes, one inscribed “A Trifle from Canterbury”, and a pair of late 18th Century steel candle snuffers with inset English enamel oval plaque painted with a portrait of a woman, 6.5ins long

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