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A 9ct gold mounted oval shell cameo ring designed as the portrait of a lady, a pair of silver gilt mounted shell cameo earrings, a pair of oval opal doublet single stone earstuds, a circular pendant glazed with gold nuggets, fitted to a gold neckchain, a pair of circular earrings, mounted with gold nuggets, and a 9ct gold tennis racket charm.
A Victorian gilt metal oval brooch glazed with the portrait of two young children to the front and a feathered hair locket to the back, the border with foliate motifs, a gilt metal mounted oval agate set brooch, an oval carved cornelian set brooch, an amethyst set pendant cross with a silver neckchain, an imitation branch coral necklace, two imitation pearl necklaces, three further necklaces, five heart shaped padlock clasps, further clasps and sundry.
ASTRUP, Eivind. With Peary near the Pole… translated… by H.J. Bull. London: 1898. 8vo (220 x 136mm.) Portrait frontispiece, numerous illustrations, folding map bound at rear. (Light browning.) Original cloth blocked in gilt and blind, t.e.g. (extremities bumped, spine faded). Provenance: Capt. C.E. Salvesen (signature, dated ‘India, June 1898’ recto of frontispiece).
PEARY, Robert E. Northward over the “Great Ice”, A Narrative of Life and Work along the Shores and upon the Interior Ice-Cap of Northern Greenland in the Years 1886 and 1891-1897. London: 1898. First U.K. edition, 2 vols., 8vo (224 x 160mm.) Portrait frontispieces, numerous illustrations. Original cloth, t.e.g. (extremities lightly bumped). Provenance: L. Breitmeyer (bookplate).
COOK, Frederick A. My Attainment of the Pole, being the Record of the Expedition that First Reached the Boreal Center 1907-1909. New York: The Polar Publishing Co., 1911. First edition, 4to (250 x 184mm.) Portrait frontispiece, 31 plates. (Minor light browning, small marginal tear to pp.39 & 53.) Original decorated cloth (head and foot of spine lightly bumped). Provenance: Reuben Bullock (prize certificate to front pastedown). – And one other volume of similar interest (Robert E. Peary, ‘The North Pole’, London: 1910, 4to) (2).
BROWN, R.N. Rudmose, and W.G. Burn MURDOCH. A Naturalist at the Poles. The Life, Work & Voyages of Dr. W.S. Bruce the Polar Explorer. London: Seeley, Service & Co. Ltd., 1923. First edition, 8vo (215 x 131mm.) Portrait frontispiece, 28 plates (on 23 leaves), 3 maps (2 folding and bound at rear), 4pp advertisements at rear. (Some spotting and browning.) Original cloth (head and foot of spine lightly bumped), dust-jacket (slightly soiled with chips to head and foot of spine). Spence 194.
ARMSTRONG, Nevill A.D. Yukon Yesterdays, Thirty Years of Adventure in the Klondike. London: John Long Ltd., 1936. First edition, 8vo (230 x 148mm.) Portrait frontispiece, numerous illustrations. (Light spotting or browning.) Original cloth (extremities bumped), dust-jacket (spotted, minor nicks). Provenance: C.W. Gleeson (signature to half-title). – And fourteen others, the majority on the Yukon and Alaska (15).
CHRISTENSEN, Lars. Such is the Antarctic… translated by E.M.G. Jayne. London: Hodder and Stoughton, 1935. First edition, ?second impression, 8vo (220 x 138mm.) Portrait frontispiece, 4 folding maps, 44 plates. (Occasional spotting.) Original cloth (extremities bumped), dust-jacket (torn with loss of folds). – And seven others relating to the Antarctic (8).
DE LONG, George Washington. The Voyage of the Jeannette, the Ship and Ice Journals… edited by… Emma De Long. Boston & New York: 1883. 2 vols., 8vo (234 x 138mm.) Portrait frontispiece to vol. I, lithographic frontispiece to vol. II, numerous illustrations, charts, diagrams and maps (some folding, 1 folding in pocket at rear of vol. I). (Light marginal browning.) Original decorated cloth (head and foot of spines somewhat bumped). Provenance: Frank L. Harris (address labels to preliminary blanks); Mrs R.W. McCormick (presentation label to:); Farnsworth Art Museum. – And two other volumes (Adolphus W. Greely, ‘Three Years of Arctic Service’, New York: 1886. 2 vols., 8vo, original cloth) (4).
MAWSON, Douglas. The Home of the Blizzard being the Story of the Australasian Antarctic Expedition, 1911-1914… abridged popular edition. London: Hodder and Stoughton Limited, 1930. 8vo (236 x 151mm.) Portrait frontispiece, folding maps, numerous illustrations. (Spotted.) Original cloth. – And six others, including three others relating to Mawson (7).
RUSKIN, John. – William SHAKESPEARE. The Poems. London: William Pickering, 1842. Small 8vo (160 x 98mm.) Portrait frontispiece. (Minor spotting or browning.) Contemporary green morocco gilt, the covers elaborately tooled with a foliate panel in gilt, the spine in six compartments with raised bands, lettered in the second compartment, the others with repeat decoration in gilt, gilt turn-ins, g.e. (spine slightly faded and rubbed). Provenance: John Ruskin (bookplate to front pastedown; signature to preliminary blank).
DICKENS, Charles. The Life and Adventures of Nicholas Nickleby. London: Chapman and Hall, 1839. First edition in book form, early issue, 8vo (210 x 133mm.) Portrait frontispiece, 39 plates by ‘Phiz’ [H.K. Browne]. (Lacking half-title, some spotting or browning predominantly to plates.) Contemporary green half-calf, spine gilt (extremities slightly rubbed and scuffed). Note: p123 has ‘sister’ correct.
DICKENS, Charles. The Life and Adventures of Nicholas Nickleby. London: Chapman and Hall, 1839. First edition in book form, early issue, 8vo (205 x 125mm.) Portrait frontispiece, 38 plates by ‘Phiz’ [H.K. Browne]. (Lacking half-title, some spotting and browning, heavy to title-page and plates, title-page somewhat creased, 3 plates torn and repaired, 1 plate torn with loss to margin, 1 other plate torn with substantial loss.) Modern half-calf over contemporary marbled boards (some scuffing). Note: p.123 has ‘visiter’ instead of ‘sister’.
BRUN, A.H. Troublous Times, Experiences in Bolshevik Russia and Turkestan. London: 1931. First edition, 8vo (194 x 128mm.) Portrait frontispiece, occasional plates. (Occasional light spotting.) Original cloth (extremities bumped and faded), remnants of dust-jacket. – And a quantity of others, various (a quantity).
MINIATURE BOOKS. Sir Winston S. Churchill, Honorary Citizen of the United States of America by Act of Congress April 9, 1963. Worcester, Massachusetts: 1964. Small 8vo (58 x 39mm.) Portrait frontispiece. Original red morocco gilt, g.e. (spine slightly faded). – And twenty-four other small format books (25).
RAY, John. The Wisdom of God, Manifested in the Works of the Creation… the seventh edition, corrected. London: 1717. 2 parts in one vol., 8vo (196 x 123mm.) Portrait frontispiece. (Occasional spotting or browning.) Contemporary panelled calf (extremities scuffed, rebacked, spine now rubbed and scuffed).
ART REFERENCE. – Michael BRYAN. A Biographical and Critical Dictionary of Painters and Engravers… a new edition… by George Stanley. London: 1873. 8vo (260 x 172mm.) Portrait frontispiece, 9 plates bound at rear, occasional illustrations. (Some light browning, minor damp-staining to plates.) Contemporary red half-morocco (extremities slightly scuffed). – And fourteen others of art reference interest (15).
ART REFERENCE. – Lionel CUST (editor). The National Portrait Gallery. London, Paris, etc.: 1901. 2 vols., 4to (307 x 211mm.) Titles printed in red and black, numerous illustrations. (Some spotting and browning.) Contemporary half-morocco, t.e.g. (extremities slightly scuffed, spines slightly faded). – And a quantity of others, most art reference (a quantity).
SIR WILLIAM FETTES DOUGLAS (1822-1891) NOCTURNE oil on panel, signed 20cm x 15cm Note : Sir William Fettes Douglas was a Scottish painter in the19th century. He began as a hobbyist, while working at a bank. He became a professional painter at the age of 25. His work features, notably, occult and alchemical subjects of which `NOCTURNE` is a fine and typical example. William pursued this interest in the occult throughout his travels to Italy and to "the East" where he acquired antiquarian objects which were of his fascination. In 1877 he was appointed Director of the National Gallery of Scotland and in 1882 President of the Royal Scottish Academy. His works are displayed at such notable museums as the National Galleries of Scotland, Harvard University Art Museums, the National Portrait Gallery, Tate Gallery, and the Victoria and Albert Museum. Provenance: Fine Art Society label verso, number 10956, April 1989 Purchased by the present owner at Lyon & Turnbull, lot 14, 26 January 2006 for £2800 hammer price.
SIR JOHN LAVERY RA (IRISH 1856-1941) PORTRAIT OF MARY oil on canvas, signed verso 30cm x 24cm Provenance : Sitter`s name taken from the original letter from Lavery to the sitter, which is to be sold with this lot. Note : The artist John Lavery was born in Belfast, and studied in Scotland at the Glasgow School of Art from about 1874. After finishing studies at the Glasgow School of Art he set up as an independent artist at 23, further studying in London and Paris. He then became a leading member of informal group of painters known as the Glasgow School or `Glasgow Boys` with works characterised by great energy. His first success came with the showing of his `Tennis Party` at the Royal Academy, London, in 1886; it was much admired and, better still, bought for the Neue Pinakothek in Munich. Two years later he received a commission to paint the state visit of Queen Victoria to the Glasgow Exhibition, and this gave him social connections that brought him valuable commissions for the next fifty years. His career from then on was one of uninterrupted success. Knighted 1918, elected member of the RA 1921; he was also a member of the RHA, Royal Scottish Academy, and the academies of Rome, Antwerp, Milan, Brussels, and Stockholm. He received honorary degrees from QUB and TCD and was made a freeman of Belfast and Dublin. At 84 he published his autobiography, `The Life of a Painter` (1940). Died at Rosenarra House, Kilkenny, 10 January 1941.
A late 19th Century Taylor Tunnicliffe & Co Hanley circular pottery wall plaque painted with a portrait of a young woman wearing a headscarf on a blue ground, 18.25ins diameter, signed to reverse “E. Crutchley” and impressed factory mark), and a late 19th Century Doulton Lambeth faience circular pottery plaque painted with a portrait of a young woman, 15.5ins diameter, signed to reverse “E. Crutchley” and impressed factory marks - cracked through and with restoration)
17th Century Belgian School - Oil painting - Full length portrait of Anne Françoise Hubertine de Carondelet, Comtesse de Merode at De Montford (1616-1668) - Dressed as “Diana”, and Ferdinand, Comte de Merode at De Montford (1633-1687) - As a child dressed in part armour, both depicted within a classical interior and crest of Ferdinand de Merode to lower right hand corner, relined canvas 29.25ins x 20.25ins, unsigned, in narrow gilt moulded frame, and bearing full titles on metal plaques to top and lower part of frame Provenance : From the Family de Merode formerly at La Briserie, Mons, Belgium
Alfred Crowdy Lovett (1862-1919) - Watercolour - Portrait of Private J. Norman, 2nd Glosters - Second Battalion - The Gloucestershire Regiment” - Full length portrait in uniform carrying kit bag, 13ins x 9.25ins, signed in black, in modern frame and glazed Note : Complete with two letters to vendor from Lt. Colonel Henry Ridice from The Regimental Headquarters, The Gloucestershire Regiment, dated 31st May and 14th June 1985 identifying the uniform and what is thought to be the departure portrait of the Private for Malta on 10th November 1910
An early 19th century sampler worked in colours and depicting a portrait of Admiral Vernon, victor of the Battle of Portobello, together with depictions of ships, castles and religious texts within a freely running border of flowers, by Sarah C. Bingham Fright, 1837, 18ins x 13ins, in rosewood frame and glazed, and an early 19th century sampler with the Lords Prayer worked by Susanna Hookeys, June 30th 1823, 19ins x 16.75ins, framed and glazed
A 19th century English School - Miniature - Shoulder length portrait of a young man with side whiskers, oval 2.75ins x 2.5ins, contained in black lacquered frame and glazed, a 19th century miniature - Shoulder length portrait of a young gentleman, oval 3.25ins x 2.25ins, two early 19th century silhouettes of young women with gilt highlights, and a 19th century photograph of a seated gentleman
A 19th Century French “Prisoner of War” bone set of dominoes (28 pieces), contained in bone box, the sliding lid inset with two glazed watercolours of a male and a female figure in Neo-classical dress, 6ins x 2.5ins x 1in high (damaged), two early 19th Century enamel oval boxes, one inscribed “A Trifle from Canterbury”, and a pair of late 18th Century steel candle snuffers with inset English enamel oval plaque painted with a portrait of a woman, 6.5ins long

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283284 Los(e)/Seite