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Flint (William Russell). Minxes Admonished or Beauty Reproved, limited edition, Golden Cockerel Press, 1955, 53 monochrome illustrations, publishers original gilt decorated red quarter morocco to marbled boards in slipcase, tall 8vo, 365/550 The Lisping Goddess, limited edition, privately printed a the Stanbrook Press, 1968, signed by the author to the publication page, 28 colour & monochrome illustrations, contemporary previous owner inscription to the front enpaper, some light spotting to pp.44-45, 66-67, 82-88, publishers original gilt decorated blue quarter morocco to white cloth boards in slipcase, spine slightly faded, tall 8vo, 32/275 Shadows In Arcady, limited edition, London: Charles Skilton, 1965, signed by the author to opposite the limitation page, black & white vignettes, inscribed to the front endpaper by Adrian Bury (a friend of William Russell Flint who is credited on the limitation page), publishers original two-tone gilt decorated cloth in slipcase, 8vo, 279/500 Sir William Russell Flint R.A., R.W.S., a précis of appreciations during half a century, limited edition, London: Charles Skilton, 1963, monochrome portrait frontispiece, publishers original white cloth, 4to, 624/750 Sir William Russell Flint R.A., R.W.S 1880-1969, a catalogue raisonné of the unsigned limited edition works..., volume 2, limited (Dealers) edition, Bristol: Michael Stewart Associates, 1994, numerous colour illustrations, publishers original gilt decorated blue leatherette in slipcase, large 8vo, un-numbered copy of 1525 copiesQty: (5)
Douglas (Lord Alfred Bruce). The Autobiography of Lord Alfred Douglas, new edition, London: Martin Secker, 1931, portrait frontispiece, previous owner inscription in pencil of S.G. Leonard, Oxon, 1936 to front endpaper, original cloth, dust jacket, a few chips and tears, 8vo, with a 2 pp. autograph letter to Leonard from Lord Alfred Douglas, dated June 1939 on St. Ann's Court, Nizells Avenue, Hove headed paper, responding to Leonard's letter: "I am not really so much neglected. I got a good deal of praise & a certain amount of fame. The booksellers do all they can to boycott my poetry. Why I cannot imagine. But in spite of everything I have sold more than 10,000 copies of various editions of my poems in the last 40 years, in this country... I think T S Eliot & co are not only vile "poets", but they have corrupted the taste of the rising[?] generation...", folds, original envelopeQty: (2)
Douglas (Lord Alfred). The Autobiography of Lord Alfred Douglas, new edition, London: Martin Secker, 1931, portrait frontispiece, slight toning to endpapers, original cloth, spine ends a little rubbed, light stain to lower cover, 8vo, presentation copy, inscribed to front endpaper: "Madge Dalla Volta, from Alfred Douglas".Qty: (1)
Einstein (Albert). Relativity. The Special and the General Theory, 1st edition in English, London: Methuen, 1920, portrait frontispiece, illustrations in text, spotting to text block and margins of some leaves, endpapers toned, spotting to pastedowns, original publisher's cloth, front and rear boards stained, spine faded, original red dust jacket, spine toned, chipping to spine extremities with loss, dust jacket folds rubbed with slight loss, 8voQty: (1)Footnote: A first edition in English of one of the most important scientific books of the 20th century, complete with the unrestored original dust jacket.
Glover (Dorothy & Grahame Greene). Victorian Detective Fiction, limited edition, London: The Bodley Head, 1966, signed by the authors to the limitation page, monochrome vignette to the title page, slight toning to the front endpaper & half-title, original cloth in dust jacket, spine & covers slightly faded, 8vo, 469/500, together with; Greene (Graham), Reflections of Travels With My Aunt, limited edition, New York: Firsts & Company, 1989, monochrome portrait frontispiece & 4 facsimiles, publishers original boards in gilt decorated wrapper, 8vo, 77/250 A Quick Look Behind, footnotes to an autobiography, limited edition, Los Angeles: Sylvester & Orphanos, 1983, publishers original blue cloth with paper spine label in slipcase, spine lightly faded, 8vo, 83/330Qty: (3)
Graves (Robert). Good-bye To All That, 1st edition 2nd impression, inscribed by the author, London: Jonathan Cape, 1929, inscribed by the author to the front free endpaper, portrait frontispiece & maps, original publisher's cloth, dust jacket, some spotting to verso, spine extremities chipped with loss, joints slightly worn, chipped to panel extremities with loss, 8voQty: (1)
Joyce (James). A Portrait of the Artist as a Young Man, 1st UK edition, London: The Egoist Ltd, [1917], a few minor spots, previous owner signature to front endpaper, 'Royal Naval War Libraries' ink stamp to front pastedown, front hinge a little tender, original green cloth, small splits at head of joints, ring mark and a few small stains to covers, 8voQty: (1)Footnote: Slocum and Cahoon A12. The first English edition, bound up from sheets from the first US edition, published by B.W. Huebsch in New York in 1916.
* British Prime Ministers. A complete and professionally presented collection of all 55 autographs British prime ministers from Robert Walpole to Boris Johnson, 1721-2021, the autographs taken from letters, documents and free fronts, matted chronologically in framed groups of six, with accompanying portrait and title captions for each prime minister, uniformly bound in ornate gilt frames, glazed, the first nine frames measuring 110 x 89cm and including six prime ministers, the final frame solely with the current prime minister, Boris Johnson, measuring 72.5 x 48cmQty: (10)Footnote: A beautifully presented collection of this complete set of British prime minister autographs including such rarities as William Cavendish, 4th Duke of Devonshire, John Stuart, 3rd Earl of Bute, Charles Watson-Wentworth, 2nd Marquis of Rockingham, and Augustus Fitzroy, 3rd Duke of Grafton. A fully-illustrated PDF catalogue and high resolution images of every frame is available on the website and by request. A printed colour catalogue of the PDF is included with the lot. A letter from 10 Downing Street about the collection, dated 3 March 2021, was received by the owner: 'The Prime Minister has asked me to thank you for your letter of 14th January enclosing a copy of your collection of original signatures of every British Prime Minister … The Prime Minister is delighted to receive a personal copy of [the catalogue of] your remarkable collection and looks forward to reading the section devoted to himself.'
* Fleming (Alexander, 1881-1955). Scottish physician and microbiologist, discoverer of penicillin. A signed half-length portrait vintage gelatin silver print photograph, circa 1950, Fleming seated and smoking a cigarette while signing a book on his knee, signed 'Alexander Fleming' in dark fountain pen ink across a white area of the image between his hands, 20 x 16 cm, corner-mounted, framed and glazed with metal plaque caption for the 1945 Nobel Prize winner for Physiology or Medicine mounted beneath the photographQty: (1)Footnote: An ink annotation to the verso in an unidentified hand indicates that the autograph was obtained at the Fifth International Congress of Microbiologists at Quitandinha in Brazil, 23 August 1950.
* Daudet (Alphonse, 1840-1907). French novelist. Brief autograph note signed, 'Alphonse Daudet', no date, four lines in a small hand to an unidentified correspondent, some paper toning, oblong 32mo with integral blank, together with: Coppée (François, 1842-1908). French poet. Autograph four-line note on a personal visiting card, no date, apologising for not being able to make an evening engagement due to tiredness, some staining, plus a visiting card from the French literary critic Edmond de Goncourt (1822-1896), with unsigned autograph inscription of thanks, some toning, plus an albumen print carte-de-visite portrait of Giuseppe Garibaldi (1807-1882), signed to lower part of image, light horizontal crease, plus a collection of approximately 100 autographs including letters signed by mostly French artists, actors, writers and political men and women, c. 1880-1910, including Frederick Abel (1827-1902, English chemist and explosives expert), Ferdinand Poise (1828-1892, composer), Jean Richepin (1849-1926, French poet), Eduard von Bauernfeld (1802-1890, Austrian dramatist), other French writers and artists including Hector Malot, Paul Armand Silvestre, Leon Xanrof, Fernand Pelez, Eugene Labiche, Albert Flament, Jules Joseph Lefebvre, Enest Legouve, Henri Lavedan, Albert Delpit, Jules-Elie Delaunay, Gustav Guillaumet, Edmond Gondinet, Jules Claretie, Lucien Levy-Dhurmer, Eduard Bisson, Jules Breton, Adolphe Bellot, Jules Valadon, Mario Uchard, etc., plus many unidentified, various sizes including letters, signatures and visiting cards, many collected by the daughter of Mosenthal and addressed to her familyQty: (a folder)
* Garibaldi (Giuseppe Maria, 1807-1882). Italian general, revolutionary and republican. Signed cabinet card photograph, circa 1866, oval albumen print on card mount with imprint of portrait photographer E. Billi at foot, signed ‘G. Garibaldi in a somewhat shaky hand and slightly faded, some spotting, 17 x 10.5cmQty: (1)
* Hair Jewellery: John F. Kennedy (1917-1963). Six small strands of hair from President Kennedy presented in a small perspex and gilt decorated frame (overall 4.5 x 3.5 cm) and mounted on a colour-printed certificate of authenticity from famous collector Louis Mushro and supporting paperwork including a further certificate of authenticity signed by Mushro and dated 27 May 2007, the colour certificate showing a facsimile signature of Kennedy and a head-and-shoulders portrait with an affidavit concerning provenance to the left and signed certification from Mushro to the right, overall sheet size 27 x 33 cmQty: (1)Footnote: The affidavit reproduced explains that the hair was originally obtained by Paul Martini's grandfather Steve Martini who was the barber in the White House during Kennedy's presidency. Louis Mushro is a well-known collector and dealer in celebrity hair.
* Leigh (Vivien, 1913-1967). Double Academy Award-winning film and stage actress. A fine vintage black and white photographic postcard signed, 1947, head and shoulders shot in sideways pose next to an elaborate table centre-piece, clearly signed in the blank lower margin in turquoise ink, 'Vivien Leigh', 135 x 85mm, fine condition, together with 17 signed vintage postcard photographs (one 7 x 5) by other major stage or film stars including Ellen Terry, Gladys Cooper, Hugh Griffith, Ivor Novello, Roger Livesey, Cecily Courtnage, Harry Lomax, Robert Donat, Jean Kent, Florence Desmond, Leo Genn, Avis Scott, Charles Simon, Irene Dunne, Anton Walbrook, Margaret Johnston and Anne CrawfordQty: (18)Footnote: A different photograph of Leigh from the same photoshoot can be found in the National Portrait Gallery and on the front cover of the magazine The Sketch (24 December 1947). The uncredited photographer was Antony Beauchamp (1918-1957).
* Longfellow (Henry Wadsworth, 1807-1882). American poet. Autograph Quotation Signed, ‘Henry W. Longfellow’, no place, no date, being the seventh quatrain from Longfellow’s poem The Fire of Drift-wood, '‘The very tones in which we spake / Had something strange, I could but mark: / The leaves of memory seemed to make / A mournful rustling in the dark', 70 x 150mm, matted together with a carte-de-visite portrait of the poet, framed and glazed, 38 x 25cm overallQty: (1)Footnote: Provenance: Formerly from the autograph collection of Arthur Bryant Triggs (1868-1936), Australian grazier and collector.
* McCartney (Paul, born 1942 & McCartney, Linda, 1941-1998). Sgt. Pepper's Lonely Hearts Club Band, Parlophone, circa 1990s, a CD signed on the inside front cover of printed matter, ‘All the best Nige! Paul McCartney’, together with Linda McCartney’s Home Cooking, 1990, signed to the title-page, 'Gilly & Nigel & Tessa & Fritha, Go Veggie, Love Linda McCartney’, original printed wrappers, small folio, plus The Linda McCartney Calendar 1994, signed to the front cover, ‘For Nigel, Gilly & family, love Linda McCartney’, spiral-bound, oblong folio, and Linda McCartney, Sixties: Portrait of an Era, 1992, signed to the half-title page, ‘For Gilly, love Linda McCartney’, original printed wrappers, 4toQty: (4)Footnote: All the autographs were obtained in person by the vendors of this lot.
* Tennyson (Alfred, 1st Baron Tennyson, 1809-1892). English poet and Poet Laureate. Autograph Signature, 'yours A. Tennyson', inscribed in brown ink on a small piece of paper, minor creasing, 4 x 4 cm, matted with a small reproduction head-and-shoulders portrait of Tennyson above and printed caption below, presented within a gilt oval frame, the whole in a glazed wooden frame with desk support and hanging loop, 32.5 x 27.5 x 4 cm overallQty: (1)
* Verdi (Giuseppe, 1813-1901). Italian composer. Signed cabinet card photograph, G. Ricordi & Co., 1889, vignetted albumen print bust portrait, showing the composer in bow tie and jacket, signed ‘G. Verdi’, dated 15 October 1889 and inscribed to Gaston Mayer in lower part of image, a few spots, ink slightly faded, 14 x 9.5cm, publisher’s printed label pasted to verso, original window-frame mount in poor condition with some splits and brittling with card loss, but with the framer’s label for W. Mann, Bloomsbury loose but present, overall 28 x 23.5cmQty: (1)Footnote: Gaston Mayer may be the son of Marcus Mayer, director of the Royal Lyceum Theatre, where Verdi’s opera Otello was performed the same year.
* Wells (Herbert George, 1866-1946). English writer. Autograph Statement Signed, 1926, in black ink, `I do not guide my life by Maxims / H.G. Wells´,a collector’s manuscript annotation in a large hand written well away and above Wells’s inscription indicates that this was obtained on 11 October 1926, some toning and minor marks including light brown line to left of inscription, overall paper size 12 x 21cm, matted with a reproduction black and white portrait of the author and caption matted above, overall 34 x 31cmQty: (1)
* Wilson (Edith Bolling, 1872-1961). Signed head-and-shoulders photographic portrait by Arnold Genthe, circa 1918, gelatin silver print, somewhat silvered but with clear bold ink signature of Edith Bolling Wilson lower left and by the photographer lower right (partly obscured by mat), 23 x 15.5cm, mat mounted in wooden frame, glazed, with brass plaque at foot, 'Portrait of the wife of President Wilson, a lineal descendant of Pocahontas, was presented to this church (Dec 1918) by the colonial Danes of Virginia', overall 48 x 36cmQty: (1)Footnote: Edith Wilson (née Bolling) was the second wife of US President Woodrow Wilson, and the First Lady of the United States from 1915 to 1921. Following President Wilson's stroke in October 1919, Edith began to screen all matters of state and decided which matters were important enough to bring to the bedridden president. In doing so, she effectively ran the executive branch of the government for the remainder of the president's second term, until March 1921. Through her father, circuit court judge William Holcombe Bolling, Edith was a direct descendant of Mataoka, better known as Pocahontas, the daughter of Wahunsenacawh, the Paramount weroance of the Powhatan Confederacy. Mataoka was to marry English settler John Rolfe, and it was his granddaughter, Jane, who married into the Bolling family.
Film Memorabilia - selection to include a 1967 folio of prints of sketches by Nicholas Volpe, framed and glazed print portrait of Olivia deHavilland by same artist, Elvis Presley stamps, various booklets, programmes etc. From the estate of Leslie Pound, who was the Senior Vice President for International Marketing at Paramount Pictures
Vinyl - Five David Bowie Box Sets / 2 LP records to include Changes Sound + Vision Greatest Hits DBTV1, Ziggy Stardust and the Spiders From Mars 30th Anniversary Special Edition numbered 0228, Cracked Actor Live Los Angeles 74), Virgin Vinyl Heroes in Montreal 3-6-1990 3 LP / 2 CD / DVD Box Set numbered 57/300 and Portrait of a Star *
18th century English school, a large portrait of a young brother and sister in a garden setting, unsigned oil on canvas, within a period carved gilt frame, 125 cm x 99 cm.Condition report: Canvas re-lined The face of the boy appears to be repainted when viewed under strong UV light.The UV light causes a flare when viewed with a phone/ digital camera and so will not show on any image taken with either
Of American Political Interest: A pair of 19th-century silhouette full-length portrait prints depicting Daniel Webster and John Quincy Adams, both in oval giltwood frames. Each: 36cm x 31cm. (2)Provenance: From a South Kensington mansion.Daniel Webster was an American lawyer and statesman who represented New Hampshire and Massachusetts in the U.S. Congress and served as the U.S. Secretary of State under Presidents William Henry Harrison, John Tyler, and Millard Fillmore. John Quincy Adams was an American statesman, diplomat, lawyer, and diarist, who served as the 6th president of the United States from 1825 to 1829.
An 18 carat yellow gold, ruby and diamond half hoop ring. The boat-shaped plaque with a circular cut ruby in claw mounts; together with a five stone half hoop ruby and diamond ring in 9 carat rose gold mount; a garnet and clear stone five stone half hoop ring and a 9 carat rose gold shell cameo ring depicting a bust portrait of a lady. Gross weight 10.1 grams
Michael Ayrton (1921-1975), 'Berlioz I', a head and shoulders portrait, pen and watercolour sketch, dated 1965, 45.5 cm x 37 cm, framed and glazed. Footnote: This drawing was followed by Ayrton's book, Berlioz, A Singular Obsession. A Personal Portrait of Hector Berlioz (1803-1869) on the Centenary of His Death (1969, London: British Broadcasting Corporation)
A late 17th century ebony basket topped table clock with pull quarter repeatJohn Bushman, LondonSurmounted by an elaborate figural handle over a pierced basket top centred by a medallion of George and the Dragon flanked by supporters, the sides with similar portrait medallions, over a moulded cornice and repousse framed side windows, to a moulded base and claw feet, the 7 inch square brass dial with winged cherub spandrels framing the silvered Roman and Arabic chapter ring, with strike/silent lever above XII, the finely matted centre with chamfered mock pendulum and date apertures, ringed winding squares and fettled blued steel hands, the twin chain fusee movement united by five distinctive delicate baluster pillars, the going train with knife edge verge escapement on an elaborate engraved back cock, with rack strike on a bell and pull repeating the quarters on three small vertical bells and hammers, the backplate with outside set up ratchets and clicks, engraved with symmetrical foliate scrolls and central signature cartouche. Ticking, striking and repeating. Together with a large brass associated winding key and case key. 42cms (16 1/2ins) high (3)Footnotes:John Bushman or Bushmann was a German watch and clock maker born in 1661 in Hagen. He moved to London by 1690 and became a member of the London Clockmakers' Company two years later in 1692. He died in 1722.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Victorian Sampler by Agnes Carrick, a late 19th/early 20th century silk mourning dress with embroidered collar, retailed by Fraser & Sons Glasgow, a cased sewing kit, a brass inkwell, a glass example, a framed portrait miniature, a plate Wahl Eversharp propelling pencil, a Veglia bakelit carriage clock, Condition Report: Not available for this lot
NICK BRANDT (England, 1964).'Wasteland with Elephant & residents' (Inherit The Dust series).2015.Archival pigment print, ed. 6/8.Reproduced on the cover of the book "Nick Brandt: Inherit the Dust",2016.Label of the gallery 3 Punts, Barcelona.Work referenced on the artist's website.Measurements: 66 x 140 cm; 85,5 x 162,5 cm(frame).Brandt's photographic work generally focuses on the rapid disappearance of the natural world as a result of environmental destruction, climate change and human action. In 2014, Brandt returned to East Africa to photograph the increasing changes in the continent's natural world. In a series of panoramic photographs, he recorded the impact of man in places where animals used to roam. At each location, he erected a life-size panel of one of his animal portrait photographs, setting the panels in a world of urban development, factories, wastelands and quarries. A book about the work, Inherit the Dust, was published in 2016. In the book, Brandt writes, "Right now we are living the antithesis of genesis. It took billions of years to arrive at a place of such wondrous diversity, and then, in just a few shockingly short years, an infinitesimal pinprick of time, to annihilate it." In LensCulture, editor Jim Casper stated, "The resulting wall-sized prints are impeccably beautiful and breathtaking, as well as deeply haunting. They convey the vast spaces and light of contemporary Africa with cinematic immersion and incredible detail. Standing in front of his images, the viewer is transported into the scenes, at times with awe and joy, and at other times with overwhelming sadness, despair and disgust." Photography critic Michelle Bogre further noted, "Nick Brandt's new photographic work, Inherit the Dust, is his visual cry of anguish about the coming apocalypse for animal habitats in Africa.... The resulting images are both beautiful and horrifying, because they illustrate the irreconcilable clash of past and present.

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