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283284 Los(e)/Seite
Los 453
Two groups of five red wax seals, 19th century, later mounted within glazed giltwood frames, the cases 27 x 24.5cm; a group of five plaster intaglio casts, 19th century, later mounted within a glazed giltwood frame, the case 25 x 22cm; and a pair of Regency wax portrait reliefs, circa 1815, one probably depicting Admiral Lord Nelson, beneath domed glass and set within rectangular ebonised frames, 15 x 12.5cm overall (5) Provenance: The collection of the late Ronnie Kirkwood and George Dixon.
Los 234
Circle of Adriaen Hanneman (Dutch, 1603-1671)PORTRAIT OF ALGERNON SIDNEY (1622-1683), HALF LENGTH, IN A GREEN COATOil on panel38 x 30cmAlgernon Sidney was 2nd son of the Earl of Leicester. In childhood, he was educated at home in Penshurst, Kent and also travelled abroad with his father. He saw military service in Ireland and, having declared for the Parliamentary side, received grievous wounds at Marston Moor.A long and varied political career followed and he was an active and diligent member of parliament, taking a particular interest in foreign affairs. In January 1649, in his absence and against his wishes, he was appointed as one of the commissioners at the trial of Charles I. He was opposed to the execution of the king and played no part in the proceedings, retiring to Penshurst until the sentence was passed.When the restoration of Charles II took place, Sidney was on a diplomatic mission in Sweden, where he remained in exile, more than once trying to arrange an inva
Los 150
Attributed to Sir William Charles Ross RA (1794-1860)PORTRAIT OF A YOUNG GENTLEMAN, HALF LENGTH SEATED, IN A BLACK COAT, CHEQUERED WAISTCOAT AND BLUE AND BLACK STOCKMiniature on ivory114 x 88mm;and another,English School, c.1840PORTRAIT OF A LADY, BUST LENGTH, IN A WHITE LACE CHEMISEMiniature on ivory90 x 70mm (2)
Los 147
English School, early 19th centuryPORTRAIT OF A YOUNG GENTLEMAN, HALF LENGTH, IN A BROWN COAT AND YELLOW WAISTCOATMiniature on ivory, oval70 x 55mm;another,English School, early 19th centuryPORTRAIT OF A YOUNG GENTLEMAN, BUST LENGTH, IN A BLUE COAT AND CREAM WAISTCOATMiniature on ivory75 x 60mm;and another,Attributed to Edward Foster (19th century)PORTRAIT OF A GENTLEMAN, BUST LENGTH, IN PROFILE, IN A RED COATWatercolour and bodycolour on paper, oval80 x 63mm (3)
Los 243
George Dawe RA (1781-1829)CYMBELINE, KING OF THE SOUTH-EAST OF ENGLANDSigned with monogram(?), oil on canvas204 x 106cmThe painting is to be included in the forthcoming catalogue raisonné of the artist's work by Galina Andreeva of the State Tretyakov Gallery in Moscow.Dawe was christened George after his godfather, the artist George Morland, and was trained as an engraver by his father Philip, who had worked with Hogarth. Accomplished as he was in this discipline, his ambition was to paint and this led him to enrol in 1794 as a student at the Royal Academy of Arts. He became an associate member in 1809 and an Academician in 1814.He established a reputation in his early career for historical subjects, which at this time were still an important measure of an artist's abilities, but his desire both for financial success and for recognition in high society drove him increasingly to portrait painting. The Duke of Kent was prominent among his royal patrons, and took him on a tour
Los 149
Andrew Robertson (1777-1845)PORTRAIT OF MAJOR GENERAL THE HON. SIR ARTHUR WELLESLEY KCB (LATER 1ST DUKE OF WELLINGTON), BUST LENGTH IN A BROWN COATMiniature on ivory70 x 53mm, in a gilt metal frame, engraved with the sitter's and artist's names and dated 1807, now contained in a blue leather and gilt-decorated fitted case by D J Lavender
Los 146
Circle of Andrew Robertson (1777-1845)PORTRAIT OF A YOUNG LADY, BUST LENGTH, IN A GREEN DRESS AND FUR STOLEMiniature on ivory70 x 50mm;and another,English School, c.1830PORTRAIT OF A LADY, BUST LENGTH, IN A WHITE DRESS, PINK WRAP AND WHITE BONNETIndistinctly inscribed on label verso, miniature on ivory, oval70 x 57mm (2)
Los 212
Charles James Basebe (1818-1880)PORTRAIT OF A GIRL, THREE-QUARTER LENGTH SEATED, IN A BLUE DRESS AND HOLDING A BOOKSigned and dated 1840 l.l, watercolour and bodycolour26 x 21cm;and another by the same hand,PORTRAIT OF THE SAME SITTER, THREE-QUARTER LENGTH SEATED, IN A WHITE DRESS, A BOOK ON A TABLE BESIDE HERSigned and dated 1847 c.r., watercolour and bodycolour21 x 17cm (2)
Los 756
Continental school - Portrait of a seated young alpine goat herder, mid 19th century, oil on panel, bears monogram, 16.5 cm x 13.5 cm, within a period gilt frame, bears trade label for R Watson, London to verso Condition Report picture overall surface dirty, craquelure, the frame same and with some losses to the extremities
Los 143
Cheong Soo Pieng (1917-1983) - Portrait of a seated Sarawak girl, half clad wearing a sarong, ink, watercolour and body colour on paper, signed with two character and red seal, further signed in English and dated '59, image size 66 cm x 37 cm, framed and glazed. Provenance: The Property of a Gentleman. Acquired in Singapore by the vendor's father, a partner in a principal Singapore law firm 1950's/1960's. Loke Wan Tho, the famous magnate, collector and ornithologist was a client of this law firm, and introduced the vendor's father thereby to the works of Cheong Soo Pieng.Soo Pieng visited the Dayak longhouses of Borneo in 1959, where he formulated his distinctive style of figure painting, the example offered here is most probably an image made during this visit.Loke Wan Tho, of course, is closely linked to Cheong Soo Pieng's work. He bequested both 'Bali Beach' (1955) and 'Puppet Maker' (1953) to the National Gallery of Singapore. The National Archives of Singapore, furthermore, hold a photograph of Loke Wan Tho beside Cheong Soo Pieng (Negative Number 92, 109/30-photo accession number 6883). Condition Report good original, executed on thin paper typical of the type the artist used while on tour, hence some areas of discolouration and light water staining, we have removed from frame to inspect (see images) framed under glass
Los 140
Cheong Soo Pieng (1917-1983) - Portrait of a young warrior, probably Sarawak, Borneo, in traditional costume, ink, watercolour wash and body colour, two character signature and red seal mark, further signed in English and dated '61, image size 93 cm x 45 cm, framed under glassProvenance; acquired by a partner of a principal Singapore law firm in the 1950's/1960's under the guidance of the distinguished collector Loke Wan Tho, who introduced the current vendors father to a the artist Condition Report good original condition although some evidence of discolouration to the paper due to age/type and framing process, we have removed from frame and inspected (see images)
Los 413
An early colourgraph portrait of Stan Laurel, inscribed, signed and dated by Stan "To Fatty Arbuckle from Geo. M. Cohan, Good Luck Frankie, yours as ever, Stan Laurel, March 1919", 20 x 28cms (8 x 11in.); a colourgraph portrait photograph of Mae Laurel, inscribed and signed "Lots of good wishes and things, sincerely yours, Mae Laurel" (but actually written by Stan), 20 x 28cms (8 x 11in.); and a Rembrandt Photography, Chicago, portrait photograph of Frank Mason, with unknown double-act partner.See illustration
Los 405
Two Christmas Card Calenders signed by Her Majesty Queen Elizabeth II and one by Prince Philip, The Duke of Edinburgh, in envelope addressed to Miss Nora Smith, 14 Haddrell Court, Ulverston, Bristol, with Royal cipher postage stamp, dated 21st December, 1987 (calender parts removed); a Royal Family portrait photograph show George VI, Queen Elizabeth, Princess Elizabeth and Princess Anne, in envelope inscribed "Miss N. Smith"; a reception guest list for a reception given by The Queen and The Duke of Edinburgh at Windsor Castle on Monday, 22nd April, 1963; a State banquet card in Honor of The King & Queen of Thailand, Buckingham Palace, 19th July 1960; and three personal family photographs from James Read Photographer Ballater, showing members of The Royal Family, dated 1963.
Los 426
A collection of American photographs and portrait stills, of Stan Laurel & Oliver Hardy, to include: Roach Studios portrait of Oliver Hardy taken by 'Stax', facsimile signature, 20.5 x 25.5cms (8 x 10in.); International News photographs of Oliver Hardy carrying a heavy bag to top floor of his San Francisco hotel during staff strike, 4th May, 1937, 12 x 19cms (4 1/2 x 7 1/2in.); Stan & Oliver with Gloria Day Dea, San Francisco Exposition, Treasure Island, 22nd August, 1940, 20.5 x 25.5cms (8 x 10in.), inscription to reverse. (3)
Los 426C
A collection of European press photographs and portrait stills, of Stan Laurel & Oliver Hardy, AGIP photograph of Stan Laurel in Paris at Saint Lazare Station, 13th April, 1950, 13 x 18cms (5 x 7in.) (x 2); Associated Press original photograph of Stan Laurel inspecting French Paratroopers, Kermesse Aux Etoile Fete, Paris, 10th June, 1950, 15 x 20cms (6 x 8in.); AGIP Press original photograph of Laurel & Hardy with actress Blanchette Brunoy, Saint Lazare Station, Paris, 17th June, 1950, 18 x 13cms (7 x 5in.); two further AGIP Press original photographs at Saint Lazare Station; and Hardy escorting Laurel home, after his stay in a French hospital. (7 in all)PROVENANCEA.J. Marriot Collection.
Los 426B
A collection of British press photographs and portrait stills, of Stan Laurel & Oliver Hardy, a photograph of Stan Laurel with his stepmother Venetia and father Arthur Jefferson, at The Savoy Hotel, London, 24th July, 1932, 24 x 18cms (7 x 9in.); Birmingham Post & Mail photograph of Stan & Oliver at breakfast, Midland Hotel, Birmingham, 3rd March, 1947, 21 x 16cms (8 1/4 x 6 1/4in.); Illustrated copyright photograph of Oliver being measured for a suit, attended by Stan, at Simpsons of Piccadilly, London, March 1947, 21 x 26cms (8 1/4 x 6 1/4in.); Kemsley Studios photograph of Laurel & Hardy, with Reg Smythe and Harry Smirk, 29th May, 1947, 21 x 26cms (8 1/4 x 6 1/4in.); six other original press photographs of Laurel & Hardy. (10 in all)
Los 911
Victorian mourning jewellery, to include: an onyx and seed pearl star decorated brooch, of marquis form, within beadwork mount, 4.5cms wide; a brooch, centred with black and white portrait photograph surrounded by enamel and yellow metal Greek key design, 3.6cms wide; an onyx and yellow metal Stanhope of crucifix form with floral decoration (photograph missing), 6cms high; and a pique work silver and gold inlaid jet crucifix, on metal bow brooch mount, 8cms high overall. (4)
Los 95
Kay Robertson(fl. late 19th Century)A portrait of a gentleman seated in a chair accompanied by his dog,signed and dated '95,oil on canvas,63 x 63cms; 24 3/4 x 24 3/4in.NBRobertson worked in the Edinburgh area as a portraitist, before moving to London c.1895. He married Jane Kay Robertson, a miniaturist, in 1897. He may be the same Edinburgh portraitist Charles Kay Robertson, who is also known to have moved to London at around the same period.See illustration
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283284 Los(e)/Seite