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Los 200

A collection of various Portrait Miniatures, one bone/ivory framed double miniature, Napoleon and Josephine, one boulework framed pair, Nelson and Lady Hamilton, one further single example of a beautiful young lady looking skywards and three further smaller oval examples (7)

Los 527

Alfred Edward Chalon, R.A. (British, 1780-1860), a gilt metal framed portrait miniature of a young boy wearing blue coat over white waistcoat and chemise with broad collar, the glazed reverse with hand written script

Los 605

A pair of gilt framed early 19th Century Oil on Canvas half length Portrait Studies of the Duke and Duchess of Devonshire in feigned ovals, original hand written labels to reverse, each approx. 13.25" x 11.5"

Los 53

Newcastle (Margaret Cavendish, Duchess of) The Worlds Olio, 1655, small folio in fours, lacking leaf 01, later half calf; id., A True Relation of the Birth, Breeding and Life of Margaret Cavendish, Duchess of Newcastle, 1814, preface by Sir Egerton Brydges, lacks portrait, private press, half morocco (2)

Los 58

Joyce (James) Stephen Hero, 1944, first edition, dust wrapper; Sassoon (Siegfried), Memoirs of An Infantry Officer, 1930, first edition, dust wrapper; Thomas (Dylan), Portrait of the Artist as a Young Dog, 1940, first edition, cloth; with a quantity of others (qty)

Los 152

Camden (William) Britannia: or A Chorographical Description of Great Britain and Ireland, 1722, 2 vols., folio, portrait frontis, Saxon map, plates of coins, lacking county maps, calf (joints cracked, board detached); Wilson (John M.), The Imperial Gazetteer of England and Wales, 1870, 2 vols., engraved plates, maps, half calf (rubbed); Dulcken (H.W.), The Illustrated History of England .., nd., 2 vols., half calf (6)

Los 157

Wrestling Wilson (J.), Reminiscences in the Life of Thomas Longmire, (Ex-champion of England), nd, [c1885], portrait frontis, card wraps; Fawcett (William), The Kendal & District Otter Hounds, 1934, card wraps (2)

Los 171

A Rambler [Palmer (Joseph)] A Fortnight`s Ramble to the Lakes in Westmoreland, Lancashire and Cumberland, 1795, author`s presentation copy (lacks portrait), calf (re-backed and re-cornered); [West (Thomas)], A Guide to the Lakes in Cumberland, Westmorland and Lancashire, 1789, 4th edition, frontis, folding map, half calf (worn); another copy, 1812, 10th edition, hand coloured folding map, half calf (worn); A Complete Guide to the Lakes, Comprising Minute Directions for the Tourist, with Mr Wordsworth`s Description ..., 1842, folding coloured map, original cloth; with seven others (11)

Los 173

Broadside The Life, Character and Death of the Reverend Mr William Crosby, late Vicar of Kirkby-Kendal, 1734, Kendal, 535mm x 420mm, woodcut portrait, (split at folds, foxing) with another copy contained in a mount; `A Subscriber to the New Paper`, To the Public, 1818, handbill attacking the Kendal Chronicle, glazed (3)

Los 265

Du Cange (Charles du Fresne) Glossarium ad Scriptores mediae et infimae Latinatis, 1733-36, 6 vols., folio, portrait frontis., engraved title, title vignettes, 10 numismatic plates, vellum; Carpentier (D.P.), Glossarium Novum ad Scriptores medii aevi ..., Supplementum, 1766, 4 vols., folio, title vignettes, 12 plates, vellum (10)

Los 270

Gilbart (James William) A Practical Treatise on Banking, 1865, 2 vols., portrait frontis.; id., The Logic of Banking, 1865, a.e.g., uniform morocco; The Hunting Diary and Guide for 1922-23, cloth with on-laid pictorial covers (4)

Los 272

Clarendon (Edward, Earl of) The History of the Rebellion and Civil Wars in England .., 1816, 3 vols. bound in 6, 4to., portrait frontis, contemporary calf (joints cracking, one vol. re-backed with original backstrip laid down)

Los 287

Wilkins (John, Bishop of Chester) Of the Principles and Duties of Natural Religion, 1675, portrait frontis, Sermon by William Lloyd, early calf (worn); Kingsford (William), An Appeal to the Scriptures ..., 1788, boards (very worn); The Book of Common Prayer ..., 1720, John Baskett, small 4to. in eights, New Testament dated 1719, book of Psalms incomplete, contemporary calf (very worn, board detached) (3)

Los 230

AN OVAL MINIATURE WATERCOLOUR PORTRAIT of a 17th century gentleman in pear wood frame, 7" x 6".

Los 283

19TH CENTURY SCHOOL - Portrait of a young girl wearing flowers in her hair and a white dress, pastels, 8 1/4" x 6 1/4", oval. Note: Attached to verso is the old backing board inscribed `Rachel Christine Newton painted by A Pe....... Esq.`

Los 286

HERBERT SIDNEY (1855-1923) - Portrait of `Beatrice` daughter of Forbes Vernon Esq. ex member of the executive council of the province of British Columbia, signed and dated 1905, also inscribed verso, oils on canvas, 13 1/2" x 8 1/2".

Los 326

17TH/18TH CENTURY SCHOOL - Portrait of a female Saint wearing jewelled headdress and holding a staff, oils on panel, 18" x 14" (see illustration).

Los 333

THOMAS CANTRELL DUGDALE (1880-1952) Portrait of a seated female nude, signed and dated 1934 verso, oils on canvas, 23" x 19" (see illustration).

Los 338

FOLLOWER OF CHRISTIAN WILHELM ERNST DIETRICH - Portrait of a bearded scholar with book, oils on panel, 14" X 9 1/2".

Los 647

A 19TH CENTURY OVAL PLASTER PORTRAIT MEDALLION moulded as a young man with curly hair wearing buttoned jacket, indistinctly inscribed 4" x 3".

Los 654

A PAIR OF INDIAN CARVED AND PAINTED IVORY OVAL PORTRAIT MINIATURES presumably Shah Jahan and his wife Mumtaz Mahal and a miniature of the Taj Mahal, portraits 3 1/2" x 2 1/2", mounted in one frame (see illustration).

Los 575

Attributed to Vladimir Tretchikoff, portrait of a semi-naked woman, signed verso, gouache, 24 x 19"

Los 582

Joyce Platt, three-quarter length portrait of a lady seated wearing a black dress with floral decoration, signed, oil on canvas, 36 x 23.5"

Los 648

19th century portrait of a man with a white beard, wearing a hat with a tassel, unsigned, oil on canvas, 14 x 11", (probably cut from a larger canvas),

Los 666

Sir Francis Grant, 1803-1878, full length portrait of Lt Colonel Joseph Walker Pease 1820-1882 of Hesslewood, late MP for Hull and Lt Col of the First East Yorkshire Rifle Volunteers, oil on canvas, 84" x 50". A plaque beneath the portrait reads, "Presented to Joseph Walker Pease of Hesslewood JP DL Lt Col of The First East Yorkshire Rifle Volunteers late MP by his friends in Hull and neighbourhood in recognition of the great services rendered by him to the Conservative cause. Sir Francis Grant RA". On the back of the picture there is an invitation to Sir Francis Grant to attend a dinner at the Haberdashers Company on 18th June 1873 "to meet his royal highness Prince Arthur". On the back of this card there is an hand written inscription similar to the plaque. Francis Grant was a self-taught painter, who after a slow start first exhibited at the Royal Academy in 1834, with a sporting picture. A succession of other sporting pictures followed, before he became established as a successful portrait painter. He became highly fashionable and his subjects included The Queen, Palmerston, and many other well-known people. Grant became ARA in 1842, and RA in 1851. In 1866, on the death of Charles Eastlake PRA, Edwin Landseer was offered the Presidency of the Royal Academy. He turned this down, and Grant was then elected and was knighted soon afterwards. Under Grant`s leadership, the Royal Academy moved from the National Gallery to Burlington House. It was also under Grant that the Chantry Bequest fund was set up. There is a very similar full length portrait of General Sir James Hope Grant, the artist`s brother in the National Gallery of Scotland and there are approximately 20 paintings by or attributed to Grant in the National Portrait Gallery. There are also four paintings in the Royal Collection. THE SITTER; Lt Col Joseph Walker Pease 1820-1882 According to an obituary in the Hull Daily Mail, Colonel Pease was born in Hull in 1820 , the son of Joseph Robinson Pease. He was educated at Rugby, after which he joined his father`s bank. He married Barbara Catherine Palmer, of Withcote Hall, Leicestershire, and after displaying an early interest in public affairs, was elected chairman of the Conservative party in Hull retaining the position until 1879. In 1857, he became chairman of the Hull and Withernsea Railway Company and played a leading part in the restoration of Withernsea Church. In 1858, he was elected to the board of the Hull Dock Company and was subsequently appointed its chairman, a position he held until his death. The following year, he took an active part in the establishment of the East Yorkshire Rifle Volunteers, joining it as a captain. He achieved the rank of lieutenant colonel, a position he retained until he retired in 1876. During this time he was also chairman of the committee which carried out the restoration of Holy Trinity Church in the city. Col Pease was also a Justice of the Peace, a deputy-lieutenant of the East Riding, a director of the Yorkshire Insurance Company and for many years chairman of the Hull Charity Trustees. In 1873, Col Pease won a by-election for the Conservative Party. He failed to be returned in a general election the following year but in recognition of his zealous efforts to retain the seat, the party paid his election expenses and he was also presented with a full-size portrait - believed to be the one to be sold by Ewbank - in oil in a ceremony at the Royal Institution. In a separate presentation, the Conservative working men presented him with a magnificent silver epergne inscribed "Presented to Lt-Col Pease, JP, DL by the Conservative working men of Kingston-upon-Hull as a testimony of their high esteem and respect for his honourable and upright character in their appreciation of the great services rendered by him to the Conservative cause. Hull, April 1874". He died in 1882, aged 63. This painting has been in store for nearly a quarter of a century. "We are grateful to Hull City Library for their help in cataloguing this lot".

Los 739

Gaston Tyko, b. 1918, `Portrait of a gentleman dressed as Toulouse Lautrec`, signed, oil on canvas, 77 x 38",

Los 755

Gaston Tyko, b. 1918, `Carroll Baker`, portrait of the actress, signed by Tyko and Carroll Baker, felt tip and marker pen, 25.5 x 19.5", and a clipping showing Baker alongside her portrait held up by the artist, (2),

Los 756

Gaston Tyko, b. 1918, `Alain Delon`, portrait of the actor, signed by Delon, marker pen, 25.5 x 19.5", and a clipping showing Tyko with Delon beside his portrait, (2),

Los 758

Gaston Tyko, b. 1918, `Eric Burden`, portrait of The Animal`s lead vocalist, signed by Tyko and Burden, marker pen, 25.5 x 19.5", and a clipping showing Tyko with Burden beside the portrait, (2),

Los 759

Gaston Tyko, b. 1918, `Alan Price`, portrait of The Animal`s keyboard player, signed by Tyko and Price, marker pen, 25.5 x 19.5",

Los 760

Gaston Tyko, b. 1918, `John Steel`, portrait of The Animal`s drummer, signed by Tyko and Steel, marker pen, 25.5 x 19.5",

Los 761

Gaston Tyko, b. 1918, `Chas Chandler`, portrait of The Animal`s bass guitarist, signed by Tyko and Chandler, marker pen, 25.5 x 19.5", and a clipping showing Tyko with The Animal`s, (2),

Los 762

Gaston Tyko, b. 1918, `Don Schollander`, portrait of the Olympic four gold medal winner, signed by Tyko and Schollander, marker pen, 25.5 x 19.5", and a clipping showing Tyko with Schollander beside his portrait, (2),

Los 763

Gaston Tyko, b. 1918, `Joan Miro`, portrait of the artist, signed by Tyko and Miro, dated 1963, marker pen, 25.5 x 19.5",

Los 765

Gaston Tyko, b. 1918, shoulder length portrait of a man wearing a hat, signed and dated 1964, oil on canvas, 31 x 23",

Los 766

Gaston Tyko, b. 1918, portrait of Maurice Utrillo, signed, oil on canvas, 39.5 x 26",

Los 769

Shoulder length portrait of a woman, signed Klee, oil on board, 21 x 14.5",

Los 772

After Pablo Picasso, printing block for Picasso`s portrait of Gaston Tyko, 22.7.62, 17.25 x 10.5", and newspaper clippings showing Tyko with Picasso on the day they drew each others portraits, and various other material including exhibition posters, PROVENANCE: Tyko and Picasso met each other in Paris in the early 1960`s and after they drew each others portraits in 1962 they exhibited together at the Galerie de la Ponche in St. Tropez in September 1962 and the Galerie Forlane in Paris in February 1964.

Los 775

Abstract portrait oil on canvas 36" by 28 " and another by the same unknown artist 30" x 25" 36 x 28in. (91.44 x 71.12cm)

Los 955

A cartouche shaped hinge lidded box, decorated with scrolling borders, a silver cylindrical stand, decorated with the portrait of a lady, a silver cased propelling pencil, a tea caddy spoon, seven further mostly souvenir spoons and part of a spoon.

Los 1077

Two keyrings, each mounted with a medallion detailed BACCO D`ORO CONTRATTO 1951 and another similar medallion, mounted as a pendant, each with a portrait to the front.

Los 1099

A pair of game skewers with scallop shell terminals, a European tea strainer, a silver handled button hook, a silver comb mount, two watercolour portrait miniatures of a boy and girl, labeled to the backs `Original water colour by Turnville` and ten cocktail sticks, possibly South American.

Los 245

A late 18th century oval portrait miniature of a gentleman, watercolour on ivory, the verso with woven hair design, 4.5cm x 3cm; and a late 18th century oval portrait miniature of a gentleman, watercolour on ivory, in a later seed pearl set frame, 3.5cm x 3cm (2)

Los 246

A late 18th century oval portrait miniature of a lady, watercolour on ivory, surrounded by a seed pearl and woven hair border, the verso with a woven hair design, 5cm x 4cm

Los 247

An early 19th century oval portrait miniature of a boy, watercolour on ivory, in a later giltwood frame, 8cm x 6cm; and a pair of 19th century oval silhouettes of a lady and a gentleman, each with gilt highlights, possibly in later frames, 9cm x 7cm (3)

Los 248

A late 18th century oval portrait miniature of a gentleman, watercolour on ivory, the verso inscribed `Aug.t 19th Cossley Hall Esq.`, 4.5cm x 3.5cm

Los 249

A group of 19th century oval portrait miniatures, comprising: a miniature of a gentleman, watercolour on ivory, the verso with hair design and an oval blue glass cartouche with monogram `M`, 6.5cm x 5cm; a miniature of a lady, watercolour on ivory, the verso with a woven hair border and an oval cartouche with monogram `J.M.`, 7cm x 6cm; a miniature of a gentleman, watercolour on ivory, the verso with woven hair design, 6.5cm x 5.5cm; a miniature of a gentleman, watercolour on ivory, in a red morroccan leather case with a note inscribed `Thomas Mason`, 5.5cm x 4.5cm; and a miniature of Oliver Cromwell in armour, enamel on copper, unframed, 5.5cm x 4.5cm (5)

Los 250

An early 19th century oval portrait miniature of a gentleman, watercolour on ivory, the verso with hair design and blue glass border, the frame inscribed `Charles Larkin`, 6.5cm x 5cm

Los 305

STEPHEN M. WIENS (BRITISH 1871-1956), DAPHNE, 1919. alabaster herm, naturalistically carved with her soulful face looking down at the berried laurel tendrils enveloping the flared square stem, on a moulded square plinth base, signed lower right side S. Wiens/Sculpst /1919. 178cm high, 35cm deep, Notes: Stephen Wiens is recorded by the Tate Gallery as a portrait painter and sculptor, a grandson of the German poet Ferdinand Freiligrath. He was born in London, but educated partly in Germany. Having studied at the Royal Academy Schools from 1890, he exhibited at the R.A. from 1893. Although the Tate holds a small bronze of his of 1906, his works appear to come on the market only rarely.

Los 442

An Edwardian painted satinwood and parcel gilt hanging wall shelf, circa 1910, the rosewood banded arched pediment centred by a portrait medallion above three green painted shelves above an inswept tapering apron, 69cm wide, 109cm high, 19cm deep

Los 110

A GENTLEMAN`S OMEGA GOLD WRISTWATCH with silvered dial and batons, secondhand sweep, with portrait of Sheik Isa Bin Suliman Al-Khalifa, Sheik of Bahrain.

Los 134

A MINIATURE PORTRAIT OF CHARLES I, oil on copper, 5" x 4" in a gilded wooden frame.

Los 135

AN 18TH CENTURY MINIATURE PORTRAIT of a 16th century lady, with lap dog, probably on a wooden panel, 3 1/2" x 12 1/2" in an ebonised frame.

Los 118

A VERY RARE ENGLISH TRANSITIONAL RAPIER WITH BRASS HILT DECORATED WITH PORTRAIT BUSTS OF WILLIAM AND MARY, CIRCA 1690, with straight double-edged blade cut with a running wolf mark and stamped with the inscription `SAHAGVM` within a short fuller on each side at the forte (pitting), brass hilt comprising short down-curved quillon with flattened globular terminal, inner and outer ring-guards each interrupted by a central moulding and filled with a sprung-in plate, the plates each chiselled with a religious scene on the outer face and a mounted figure inside, retaining traces of gilding and black paint probably for funerary purposes, knuckle-guard interrupted by a foliate moulding and joined to the rings by an additional bar front and back, and spherical pommel chiselled against a matted ground with the crowned Royal monograms `WR` and `MR` on the front and the back, each divided by the respective crowned portrait busts and contained within a beadwork frame, and the grip retaining its original spiral binding of alternating thicknesses of plaited brass wire, 81.4cm; 32in blade. The decoration of the pommel is notably rare: it would appear that this sword is the only example of its type extant. A sword with a hilt of similar form inscribed `God save King William and Queen Mary` is preserved in the Royal Armouries, Leeds. See A. R. Dufty 1974, p. 25 and pl. 50.

Los 164

A BRITISH OFFICER`S WAIST SASH, CIRCA 1790-1810, of crimson netted and tatted silk, fastened at the tassels (some moth and damage). The sash 54 inches in length (doubled), including tassels. Almost certainly that shown in the portrait on p.69

Los 169

A GENTLEMAN`S VEST, MILITARY OR CIVILIAN, CIRCA 1790-1810, of white cotton, single-breasted, with ten cotton-covered buttons and three pockets, showing signs of enlargement (some staining). Vests, or waistcoats, of this style were worn by gentlemen with both military and civilian coats at the period indicated. From its date, this vest is most likely to have been worn by General George Vaughan Hart, possibly with one of the frocks in this collection. This is almost certainly that shown in the portrait on p.69

Los 212

A FINE PAIR OF ITALIAN ETCHED AND GILT TASSETS, LATE 16TH CENTURY, PROBABLY MILANESE, each of trapezoidal form, composed of thirteen upward-overlapping lames of which the first and the last are deeper than the rest, the former fitted with two (originally three) later suspension-buckles and the latter having rounded lower corners and an inward-turned lower edge, the upper and lateral edges of each lame decorated with roped ribs bordered by narrow bands of etched and gilt scrolling foliage, dolphins and fabulous beasts, repeated in a broad medial band issuing upwards from a pair of addorsed volutes at the top of the lowest lame, each of which encloses a classical bust, the round heads of the connecting-rivets and lining-rivets all capped with brass, 22cm; 8 3/4in high. A pair of tassets of similar design form part of an armour in the former George F. Harding Collection, now belonging to the Art Institute, Chicago. See W. Karcheski 1995, p. 47. Another pair are shown in a late 16th century portrait depicting a Knight of the Order of St John of Malta in armour. See G. F. Laking 1920-2, Vol. IV, fig. 1157.

Los 252

BUCHANAN, Francis Hamilton (1762-1829). Journey from Madras through the Counties of Mysore, Canara, and Malabar. London: T. Cadell and W. Davies, 1807. 3 volumes, quarto (281 x 232mm). Engraved frontispiece portrait, folding hand-coloured engraved map, plates, folding tables (some staining, browning and spotting). Contemporary half calf gilt (worn). Provenance: ex-library copy of The Palace Library, Mysore, with its labels, stamps, shelf nos. etc. FIRST EDITION. This book lot is zero rated for VAT.

Los 291

MEYRICK, Samuel Rush & Joseph SKELTON. Engraved Illustrations of Antient Arms and Armour, from the Collection of Llewelyn Meyrick ... at Goodrich Court. London: J. Skelton, 1830. 2 volumes, folio (377 x 270mm). 2 frontispieces, additional engraved titles, portrait and 150 engraved plates (some spotting and staining). Finely-bound in 19th-century red half morocco gilt by Howell of Liverpool, spines gilt in compartments, top edges gilt, others uncut. Provenance: Bramley B. Kent (ex-libris sticker and signature on half title). This book lot is zero rated for VAT.

Los 31

JOHN MELVILLE (1902-1986) Oil on canvas, Portrait of a seated woman, signed and dated `53, 31" x 25", unframed.

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